Most Promising TeenLucy, Y&R. GH has some strong possibilities within their emerging teen scene as well (Rocco, Danny, etc), however there have thus far been more about their parents and over on Days, Holly and Tate have been mired in misunderstandings and now a Jan redux nobody wanted, fine actors all but the storytelling is not nearly as interesting as the tumultuous journey Y&R’s Lucy went on throughout the year. Lily Brooks O’Bryant did consistantly excellent work in her portrayal of this lonely, insecure girl, yearning for an older girl’s friendship and acceptance to the point that she was often puppy dog overeager around Faith, and drinking to cope with her nerves, it culminated in Faith pushing a devastated and embarrassed Lucy away, who only made matters worse by causing an accident that endangered Faith and incured an unstable Sharon’s wrath. There was so much emotion at play here, vulnerability and longing and guilt, and then grief came crashing down on Lucy, too, when her mom was murdered, it was a lot, and there wasn’t a single moment of it where this actress didn’t leave me impressed and hoping her role on the show expands even further, with friendships, aspirations, and maybe some digging into her biological mom.Worst Behind The ScenesDays Of Our Lives. We still don’t know details about Kelly Monaco’s firing from General Hospital so until that reveal, Days wears the crown for this dishonor. Who calls up an actor in the middle of a cancer battle and asks him for approval to kill off his legendary character? And you do this knowing this man is the ultimate team player, knowing he’ll agree no matter what it may have cost him emotionally. And then Drake’s castmates, many who were close friends, many who considered Drake an honorary dad, had to play out his on-screen death all while knowing of his massive real-life struggle. Just brutal. It wouldn’t have hurt the fans to watch Marlena have one-sided conversations for as long as necessary, Deirdre carried those moments so well, and it definitely wouldn’t have hurt Drake and the cast and crew who loved him to give them the grace of more time. Then there’s the other ugliness at Days. In curious timing, after sexual harrassment allegations and a follow-up petition pressured Days to part company with a longtime excecuitve, the woman brave enough to come foreward, a woman who has been the show’s defacto lead actress the last several years sudddenly wasn’t as valuable to Days. Her new contract offer so significantly lower in episode count/money compared to her former deal, that surely they knew the actress wouldn’t see much option other than to leave? Was that what they wanted? A voluntary exit so they wouldn’t have the stain on them of firing someone who had complained of harrassment? The actress felt like walking away and suing was het only course of action. You’d like to think in this day and age that someone wouldn’t be pushed out for speaking about her discomfort in the workplace. You’d like to think the timing of the allegations followed by the lowball contract offer was merely a coincidence but its pretty challenging to view it as anything other than unwarranted punishment for a woman standing up for herself and others. And not just punishment for Ari Zucker, Greg Vaughan lost his job, too (unless infrequent visits counts as a job) because his character is so closely entwined with Nicole, so bye-bye one of Days’s few Emmy award winners. The viewers were punished, too, sure Nicole and Eric left happily ever after, but none of us wanted them to go, none of us wanted our soap to feel like a show currently without a lead actress, none of us wanted to miss out on Nicole and Eric being happy together (at least for awhile) and raising a child together and mending their relationship with Holly, but we’re not seeing any of that and the worst part is we aren’t seeing it for potentially stomach turning reasons.Mom of the YearPortia, General Hospital. In a rebound from the hole GH dug for Portia with the paternity lie and trying to aid Esme in ending Trina’s romance with Spencer, it was exhilerating this year to watch Portia take a righteous stand for her daughter, and in turn to watch Brook Kerr’s performances take a righteous stand against writers who were either tone deaf or actively trying to undercut her character. It seemed like every direction Portia turned in she encountered characters who acted like she was out of line for wanting a serial killer who targeted her daughter, to remain in prison. It was almost as though the show was gaslighting Portia, having Laura appear baffled that Portia couldn’t look at this serial killer who targeted Portia’s daughter from a strictly medical POV. Every time these two women talked Laura was portrayed as the calm reasonable one exasperated by Portia’s outrageous demand that the mayor stop advocating for the release of a killer. There was even a scene where race wasn’t mentioned but white women Laura and Liz wondered why Portia, a black woman, couldn’t just trust the law to do what’s right? They were clearly the ones being ignorant yet the show consistantly tried to frame Portia as the ignorant and irrational one. The writers even had Felicia question Portia’s patient care of Heather despite no sign of neglect or physical harm. It was like the show was doing everything it could to make Portia seem out of control and crazy and thankfully, the actress with her sense of poise and strength in every one of these confrontations always came out the winner, she always made sure we the audience knew whose side to be on no matter what nonsense the writers and Laura were spewing. Yes, Portia messed with medical records this year, and even turned to Ava for scheming help, and still she came out of this more admirable than the “upstanding” likes of Laura, Kevin, and Alexis, who set the ball rolling on Heather’s release only to hurriedly distance themselves and blame Ric when the release actually happened.
Worst Character TwistLuna, The Bold And The Beautiful. No fault on the actress here, the show is entirely to blame for Luna’s poorly conceived turn to the dark side. I don’t mind the idea of Luna becoming a bad girl, but for a transition like that to be believable, it takes planning and time, subtle hints dropped for weeks or better still for months before her “true” colors are revealed. B&B instead went about this in the worst way, this 180 for Luna was clearly a spur of the moment decision with minimum thought put into it and painfully little effort made to reconcile what the viewers had previously seen of Luna (like those scenes by herself, reeling from her night with Zende) with what we’re now expected to believe (to cheat on her boyfriend she disguised it as rape), and one minute Luna was so desperate to keep Bill as her dad that she fudged paternity results then the next minute she let him fail the paternity test so she could make out with daddy. Sure, that had some icky shock value to it, mostly though, it just made no sense whatsoever. It’s like the writers are a bunch of kindergartners playing a game of telephone and it doesn’t matter to them that the message at the end didn’t anywhere near match up to where it started. It does matter to the viewers that we’re watching something that excruciatingly dumb. It also matters when a show seems to think we’re so dumb, too, that they need to add obvious visual cues like exchanging Luna’s cute dresses for black leather, so we’ll understand that yes, she’s a villain now (a heavy-handed device they’re now using for Hope during her coup, too). And did anyone invest more than five minutes in crafting a motive for Luna? Oh mommy casually used drugs the way other women drink a glass of wine, and she enjoyed sex so obviously if my mom’s her own liberated person I had no choice but to become a serial killer. And I did it all because I need a rich much older man to take care of me even though I already had a rich boyfriend. If you’re going to make someone a villain/go off the deep end, at least take the time to invent a better reason why. I mean, doesn’t it seem so obvious that rape via her own mother’s drugs could have been a catalyst that actually would have at least made some sense? Rape rips control away from a person, so maybe Luna would have gone to extremes to take back control, seeking security that comes with immense wealth and at the same time setting up her mom to take the fall since it was her drugs that in part (along with Zende) stole Luna’s feeling of safety in the world. Oh, but if the rape had triggered Luna’s out of character behavior, then B&B couldn’t have erased rape from Zende’s record (my guess is the show didn’t even realize it was rape when they wrote it, they needed the viewers to point that out to them, they thought we were still in the eighties where Ridge could have sex with a completely out of it Caroline and consider it consensual, even sensual, ugh!). That’s the absolute worst of all of this, instead of acknowledging that this young woman was raped, instead of seeing her grapple in therapy with what happened to her, instead of giving Zende a meaty storyline where he has to come to terms with what he unwittingly did, B&B retconned the rape, they turned a survivor into a conniver who “wanted it.”Most Inexplicably Ignored CharacterAbby, Y&R. How could someone who is an Abbott and a Newman so often be the forgotten woman in Genoa City? Abby’s mom, Ashley, behaved so strangely that her family held an intervention yet her daughter wasn’t there nor was her absence mentioned or explained. It wasn’t until well after Ashley’s multiple personality diagnosis and treatment was underway that Ashley andAbby even shared a scene or a conversation about it. Then there’s Abby’s father Victor, his year included psychopath Jordan, manipulating Abby’s cousin Kyle as well as Abby’s sister-in-law Lily, feuding with Abby’s Uncle Jack, and her step-mom Nikki falling of the wagon, yet here and Abby shared almost zero talks about any of this, and for some reason Abby is never on Victor’s list when it comes to assigning executive Newman positions to his children. Even the wedding that should have seen Abby in the spotlight was actually more of a showcase for the new old Newman Ranch and Phyllis and Sharon’s crash. It makes no sense why this character is such an afterthought. Melissa Ordway is talented and likeable, adept at drama and primed for a romantic comedy storyline (if ever Y&R were to remember that there’s more to life than business and mental health). Outside of Peter Bergman, I don’t know that any actor appears more effusive and in love with their show than Ordway does, singing its praises as both an actor and a lifelong viewer, and yet Y&R consistantly drops the ball with the character (the daughter of legends!) and drops the actress to recurring status. What a waste.Most Satisfying ExitHope escorted out of Forrester, B&B. Sure, it was short-lived but for one bright shiny moment we saw Hope reap what she sewed. Can you imagine in real life someone managing to keep their job for so long after kissing their boss’s spouse and repeatedly making passes at them? Can you imagine donning lingerie to seduce someone in a communal office during a workday with the doors unlocked and then acting like you were wrongfully terminated for that behavior? Yeah, yeah, I know, she wasn’t actually after Finn in that moment. But she was after a guy who could weigh in heavily on whether her fashion line would live or die. And she was going to have sex in the office instead of you know, what a concept maybe actually working to improve her long failing Hope For The Future line. Everyone who says Steffy was out of line here, is wrong. Take Finn out of the equation and Hope’s conduct still warranted dismissal. Hope showed no professionalism on that day and no professionalism all the times she enlisted mommy and Thomas and Finn and Carter to fight her battles for her at work, or all the times in recent years Hope’s been told her line is hemorrhaging and instead of doing anything herself to fix it, she just whines about how mean Steffy is. Is Steffy mean to Hope? Sure, sometimes. But did Hope deserve to be fired for reasons other than Steffy’s personal grievances against her? Absolutely! Hope earned that escort out of the building. I just wish it had lasted longer instead of yet another man swooping in to prop her up, because the only way I’m going to get around to liking and respecting Hope again is if I get to see her pull herself up by her bootstraps, no mommy and no men doing it for her, seeing her best Steffy could be fantastic, but only if she’s the one actually accomplishing it.
Ickiest TriangleWillow, Drew, Nina, General Hospital. Is there any viewer out there who actually wants this guy to end up with either of these women? Combine an extremely noticeable age gap with adoring idolotry from Willow and her relationship with Drew has all the creepy charm of a teacher grooming a teenager for sex. Nina and Drew’s situation is its own brand of awful, that shirt ripping scene was not only embarrassing and mechanical, but that and all the sex scenes that followed did nothing to erase that this guy spent months verbally abusing Nina and threatening physical harm to her as well (all because she turned him in for a crime he did indeed commit!). It wasn’t hot foreplay, it was toxic. You know things are bad when mother and daughter are having sex with the same guy and being mother and daughter isn’t actually the cringiest aspect of those pairings. The writers and Cameron Mathison have devolved Drew to the point where all he’s good for is being the center of a murder mystery.Undersung GemLucas, Days Of Our Lives. Another year where Lucas wasn’t on nearly as much as he should be. Whether the scene calls for poignancy or laughs, audience membeers know they’re in for a good time the moment Bryan Dattilo appears on our screens. Who else could be that entertaining just casually eating a late-night sandwich alone out in the open at the Brady pub while a dangerous criminal’s hunting him (and shortly before that, his mom almost shot him mistaking him for a prowler)? And those few scenes we saw Lucas disguised as a monk, hiding out in a monastery? Hilarious with his boredom complaints and suggesting his mom might be struck by lightening just setting foot in there. Then there was Harris and Ava’s Montana stakeout made a thousand percent more fun by including Lucas with the slushies and flaming hot cheese puffs and nabbing the bad cop with bear spray while again donning a monk’s robe. Dattilo’s quieter moments were really strong this year, too, the warts and all Montana conversation with Ava showed promising sparks and I so appreciated his presence in two big Horton moments, his flashback to the first time he called Alice grandma was one of the few balms to the soul after watching the Horton house burn, and then Lucas being there with Julie after she lost Doug, joining in with Ciara all gungho to find the thief who stole from his family. I just love this guy, clearly, and so I really, really don’t understand why Days seemingly doesn’t love him as much as so many longtime viewers do. Dattilo should be on contract, Lucas should have a love interest, he should have a career and friends, we should seehim as a son and a father, not just there as an occasional guest star who leaves us all wanting more.
The Bold AndThe BeautifulHighs: The visual of Steffy stabbing Sheila and putting us all out of decades long misery with that character (unfortunately it wasn’t actually Sheila). - Ridge stepped up for his daughter, by her side in the aftermath of “killing” Sheila while Steffy’s weakling of a husband walked out, leaving her to deal on her own. – Liam being his dorky self and embarrassing his brother in front of pretty girls. – “You and Eric have stood the test of time,” Katie being inadvertently hilarious in conversation with Donna. – “You did all this because Steffy was mean to your little girlfriend?” Ridge correctly assessing Carter’s state of mind. – “Hope is an idiot, she drove her own company into the ground,” Ridge, right again. – Pam and Donna have matching Christmas pajamas.Lows: Finn was told that Thomas killed Emma, then Steffy was basically like we’ve been through so much can’t you just let it go that a black girl was murdered and so the show did just let it go (of course I’m paraphrasing, Steffy would never say black girl because acknowledging race is not something B&B does). – Wyatt left town, I guess because he had a personality and B&B doesn’t really want that in their men. - “That baby Beth debacle.” That’s how Brooke referred to her granddaughter being stolen/everyone believing she was dead. – Sheila chained up for months without food or water, yet still alive. – Carter and Hope, two wealthy executives whining about how undervalued they are, how they aren’t “heard.” We hear them and they’re nauseating. – I could totally buy Ronn Moss’s Ridge calling Hope a bitch and a slut but Thorsten’s grown Ridge? Nope. - Katie and Brooke declare Electra can’t be sweet or innocent due to photos in her underwear and they fire her for it! Reminder, their sister posed nude as a teenager and Brooke is a lingerie model. – Having Brooke publically declare her post as CEO without warning Ridge all so the writers could give him an excuse to cheat on her with Taylor since they couldn’t use undeniable chemistry as the excuse (love Rebecca Budig but she was wrongly cast here). Wishes: A new designhouse emerges, a threat to take customers away from Forrester, but they’re cash poor, scraping by to keep their business afloat. The public face of the company (Brandon Barash), is a working class guy, constantly hustling for publicity, networking, etc., this sees him cross paths with Steffy at various fashion/society functions. He’s rough around the edges charming and there’s chemistry with Steffy, but she’s married to a dullard (our new guy isn’t shy in pointing that out) plus she’s actively trying to reclaim the helm of rival Forrester Creations so there’s a slow burn to their attraction, meanwhile viewers learn Rick Forrester (Jacob Young) is the designer of this upstart label, knowing he’ll never rise above Ridge at Forrester, rather than be a whiny baby like Hope, he wants to build his own empire (minus the Forrester name or money), he’s designing incognito, but how long can these two guys keep his identity secret, especially from his own family? – Wyatt returns, despondent over how his love life never works out, he seeks professional help from Taylor and falls in love with his doctor. Taylor’s not immune to his flirtation in their sessions (their chemistry builds over months not B&B’s usual five minutes) but dating a patient would risk her medical license, there’s also his history with Steffy, and her history of shooting his father, plus her toxic attachment to Ridge, so plenty of conflict for them to overcome – Katie goes back to college, she’s classmates with her son Will, which only gets more awkward when a professor (Roger Howarth allowed to improv all he pleases) takes a shine to Katie and the attraction’s mutual, however, Katie tries to resist, she doesn’t want to embarrass Will, plus, her only career achievements are tied to Bill and Brooke handing her employment, she wants a degree entirely on her own merit and a relationship with a professor would bring that into question.
Days Of Our LivesHighs: Nicole singing hush little baby to her comatose teenager. – celebrating Martin Luther King day and Juneteenth and actually acknowledging race. - Sloane drunk at the dinner party with John and Marlena – “You raped my brother!” Brady truthtelling to Kristen. – Realizing we want real deal supercouples on Valentine’s Day with Steve and Kayla and John and Marlena (now if only they undersood who we want to see all year long…) – Tripp and Wendy’s imaginary date while held captive. - “His brain has been scrambled so many times it could be served on toast,” EJ about Harrison. – Wendy’s panic attack following her time held captive, an oddly real reaction for Days. – John begging Brady not to plead guilty to the hit and run. - “Who wrote this crap?” Leo with a question we’ve all asked for the last several months. – When Body & Soul made the transition from a funny little aside to a full-blown storyline, it lost most of the funny with the exception of Bruce Beatty’s priceless deliveries during Seth’s mix-up of Stephanie and Chanel. – A Christmas present for Doc from John.Lows: Alex treating Justin like dirt, including doubting his ability to be Tate’s lawyer. – Watching the Horton house burn on my birthday. - Constantine making Maggie look naive. – Nicole throwing a christening for Sloane and Eric’s baby. - “I’ve been taking care of Holly for almost a year,” Nicole said in April, four months after Holly’s January overdose and just so many other little inconsistencies like that, like Sofia mentioning freshman year with Tate when Tate didn’t live there freshman year, etc. – Kristen wanted her young daughter to find her in bed with Alex all to make Brady jealous, what a likable mom/character – using a fake Victor in Constantine’s flashback. No. – “In many ways you were closer to Victor than his own sons,” Maggie to Xander describing some bizarro version of Salem viewers never watched – Connie, each and every moment of Connie. - the reveal of Eric as Jude’s dad felt muted and rushed. – Gabi having revenge sex with a guy who put her back in prison, a place that has scarred her physically and emotionally. – The actress who plays Sofia has potential but another teenage girl desperate for a boy, another Jan, does not have potential. – Referring to Chili as the pretty one in TLC when T-Boz acted on your show (and is in fact beautiful, too, as was Left-eye). – Other than Bonnie, who was suspicious of the cupcakes, all the ladies refused their cupcakes due to weight concerns, none of the men of course had these concerns. - Why couldn’t Body and Soul have been a celebration of this genre instead of doing the same thing movies/primetime/talk shows have always done to soap operas which is make these hardworking, talented people look amateurish and ridiculous? I can’t believe how heartily this show disrespected itself or that the “mastermind” behind it immediately gained employment at another soap. Wishes: Melinda uses a sperm bank to have a baby, they show every beat of her pregrnancy, funny stuff and poignant (what she sacrificed/lost with her first child), then when maternity leave ends Melinda hires Lucas (the surprising best applicant for the job) as the nanny (a career move Kate hates) and as time goes by Lucas and Melinda, slowly, slowly fall in love while cooing over the baby but inevitably they mess it up, all seems lost for them as a couple, until the baby falls ill, bringing Lucas back to Melinda and the baby’s side and they learn that he’s the perfect donor match for the sick baby (turns out years earlier in need of quick cash to fund Sami’s kidnapping, he donated his sperm, so he and Melinda have a baby together). – Julie and Maggie get a fun story together, like Only Murders In The Building amateur sleuthing or a bake-off, Maggie’s lemon bars vs. Alice’s donuts, or matchmaking or My Fair Lady-ing someone, just anything that is light and humorous and lets these women do something other than mourn and be duped because of their grief. – Kayla gets very attached to a patient who is gravely ill, the kid is in the foster system which also strikes a chord with Steve, but the moment this child settles into a new life with Steve and Kayla, a long lost very dangerous relvative kidnaps the kid, sending Steve and Kayla off on one of their old school adventures to rescue the child and bring them home.
General HospitalHighs: “You are the most selfish person I’ve ever met!” Carly hilariously hypocritical with Nina - The tribute episode for Bobbie – - “I seem to attract bloodsuckers and parasites,” Tracy -Tracy complaining that Gregory’s friendship was making her soft – Cameron’s return trips to Port Charles – Violet telling her grandpa she likes taking care of him, bring him a blanket and reading a story to him – “Hello Judas,” Sonny to Michael – flashback to Lila loaning her dress to Lois – “You are such an ingrate,” Kristina on Joss’s selective morals where Jason is pure as the driven snow even though he was Sonny’s henchman. - “I seem to attract bloodsuckers and parasites,” Tracy – Mac returned – Finn and Violet’s tearful goodbye to each other – Blaze fired Natalia - Lucky recognized Elizabeth’s brushstrokes, spent Christmas with her, and sang to her - “I think you’re hangry” James to Tracy when she busted up their brunch on her property and really all other James moments – Tracy gave Violet Lila’s tea set – Maxie’s daughter dressed as Zenon for Halloween – I’ll never understand GH’s constant recasts when former stars are ready and willing to return, but at least Alexa Havins is delivering all Lulu’s trademarks, the fire, the impulsiveness, and the chemistry with Dante.Lows: Brick’s flirtation with Jordan – The Davis Girls once a favorite, now Sam is dead (and what a senseless death it was) and every Molly/Kristina scene devolves into intolerable screechfests of women being horrible to one another while Alexis flails around with seemingly no clue how to parent multiple people – Kristina’s absurd fall out the window, no way was there enough force coming at that window for it to break, it was the summer, why not just have the window be open? Falling through a screen would have been much easier to buy. – Kristina wailing and dropping to the ground at the cemetary, I usually consider Kate Mansi a great actress, not so much right there – Lucky’s re-entry adventure when all we wanted were scenes with Laura and Elizabeth. – Perennial victim Sasha shares Robert and Holly’s DNA and trying to position her as a leading lady when she isn’t one – Jason and Anna kiss - recasting Jagger with someone who does not share Antonio Sabato Jr.’s Mediterranean heritage came off like white-washing (and wasted a good actor who could have succeeded in another role) -Natalia suggested sexual harrassment like Blaze experienced leads to lesbianism, and declared queer people flighty, among other horribly offensive things, yet Natalia was a “victim” for having her homophobia put on blast by Ava, because she’s played by a star she’s given scene after scene to explain/justify her hate, she’s dating the leading man/father of a queer person she denigrated, and somehow AIDS fundraiser Lucy had no issue employing a known homophobe. – sketchy stance on accents, too (not of course, against any posh British/Aussie accents). Sure, it could be argued that the show suddenly decided they don’t like actors faking accents anymore (awfully late in the game for Lois and Martin), but it came across like GH was saying the viewers in those regions (Brooklyn and the south) should be ashamed for sounding the way they do and “fix” themselves. Accents are part of what made Lois and Martin the unique vibrant characters they are (I’m glad hers came back, wish his would). Wishes: Emma finds Spencer (Nicholas Bechtel) unconscious on the docks, no one knows how he got there from Paris, he has amnesia of sorts, his mind reverted back to when he was ten years old and in love with Emma, he’s back to scheming to be her boyfriend, but Trina is just as persistant in trying to jog his memories of her. – Drew, Sasha, and Willow go for a walk off a short pier, making way in the Q mansion for Monica’s daughter Dawn (Arianne Zucker) who didn’t die, she’s been in witness protection (and it’s turned her into a bit of a grifter, living fast and loose with the truth). Monica (off-screen, if she can’t be on) happily welcomes Dawn back, basically telling Dawn she has the run of the mansion much to the chagrin of Tracy, Olivia, and Dawn’s ex, Ned, reigniting the Quartermaine squabbles of old, meanwhile an attraction brews between Dawn and fellow recovering grifter, Cody. – With her magazine experience, Maxie’s named the newspaper’s new editor which leads to fun adventures with reporter, Lulu. Maxie also hires Dillon (Scott Clifton) as a reporter. Sparks fly between Maxie and Dillon, despite Spinelli, and despite Dillon’s past with Georgie and Lulu, and despite his mom, Tracy’s vehement opinion that he should do better career-wise and romantically.
The Young And The RestlessHighs: “I know you didn’t intend to hurt me, you didn’t think of me at all,” Lily to Heather about cheating with Daniel. – The look on Devon’s face when Daniel wondered if he’s in a position to judge someone for cheating and Billy’s expression when Phyllis criticized Lily for seeking vengeance for a failed relationship, love when shows actually acknowledge characters’ hypocracy. – “Sharon’s expertise in what? Pouring coffee and handing out muffins?” Ashley on speaking to Sharon about her mental health. – “What are you a doctor now or do you just play one on TV?” Nikki, quoting a famous Peter Bergman commercial to Jack. – Peter Bergman is such a good actor that somehow he even made it believable that Jack would hurtle himself off the wagon to get Nikki sober. – Victoria’s daughter, Katie, acting like a kid would, not immediately fond of the sudden sister whose Aunt burnt down her home. – Josh Morrow’s 30th Anniversary clip show. – Hitchcock vibes throughout the episode where Heather was tossed over the bridge. – “I have seen my daughter fall in and out of love with a bunch of losers,” Victor accurately assessing Victoria’s love life. – Victor and Jack’s renewed rivalry. – the return of the Newman Ranch – the abundance of Christmas décor on every set.Lows: Still more pointless dream episodes, one for Sharon and one for Claire – Phyllis coming on psychotically strong with Danny -Daniel cheated on Lily with Heather. – Jordan escaped prison and a hospital and prison again, and wore ridiculous disguises and teamed up with Ian Ward so yeah, Y&R still hasn’t figured out that Colleen Zenk is worthier of better. – Heather whining that she and Daniel had to keep their relationship quiet for awhile, well that’s what happens when you actively pursue someone else’s person. – Built a bedroom set for Harrison to accommodate a couple scenes meanwhile adult cast members keep sharing the same athletic club rooms. – Alan and his twin brother fell off a balcony, then Alan walked back into the apartment but did he? Tucker, Traci, Ashley, they all just waited indoors, no one went out there to make sure the evil twin didn’t swap clothes with his brother, leaving me unable to invest in Traci’s romance as I’m not convinced Alan is the one romancing her. – If it isn’t a business story, it’s a mental health story, there’s a whole wide world of plots out there, you don’t have continually dip into the same well, especially when you don’t seem all that adept at telling those two types of stories. Wishes: Summer is so put off by the handling of Heather’s case that she decides to ditch fashion and go into law enforcement. Her family and Kyle all object, her only ally is a fellow recruit at the police academy who initially doubts her but his respect for her grows as does their attraction and ultimately both get assigned to work under Chance who is not thrilled with their burgeoning romance or with Summer’s life being on the line so showing that he does share some of grandma Jill’s DNA and Nina’s from her bad girl phase, Chance begins subtly sabotaging Summer’s love life and her new career. – Abby decides to play the long game with her father, asking to be Victor’s right hand woman, claiming she wants to learn everything about business from the master when really she’s planning on using the skills he teaches her to deliver Chancellor back to Devon and Lily, but will guilt prevent her from getting a win over her father? – A woman (Lindsay Hartley) pretends to be an aspiring author and Traci’s biggest fan, in truth she’s fresh out of prison, never written anything or read Traci’s work, but she finagles her way into being Traci’s assistant and into Traci’s heart, she becomes like a second daughter to Traci, all part of the plan to swindle Traci’s money out of her so this woman can go grab her daughter from foster care and take off to parts unknown, but Traci’s really likeable and this woman has never had a mom and guilt and longing to stay in Traci’s life conflicts with her need to get her daughter not to mention all the lies she’s told to get to Traci, lies Billy is suspicious about (although he’s also attracted to her).
Beyond The GatesWishes: That the show isn’t as campy as the trailer made it appear, this cast is too talented to waste them on nonsense. – That the romances be slow burns not I met you yesterday so we’re married today and by tomorrow we’ll be divorcing. – Plenty of family scenes with warmth and bickering and celebrating all the holidays.For every soapWishes: That it never again feels like casting choices or storylines are being produced or written with real-life retaliation in mind. – That sets are dressed to look warm and/or colorful, and inviting. Not to always pick on GH for the lack of personality in their sets but they are one of the worst offenders with nearly everywhere other than Bobbie’s looking like magazine layouts rather than lived in/played in/worked in spaces. For instance, why does Maxie live in such a blank slate of her home instead of one that states vibrant Maxie lives here? It’s not like you’d have to break the bank to buy some accessories at discount stores and thrift stores, or paint the walls a more distinctive color than oatmeal or rainy day grey, it doesn’t have to be high-end to look appealing on television, you can fake it, and you can add small details that fit the character who’s supposed to own the place. - That the soaps quit excessively rewriting/ignoring their own history. It’s disrespectful to the viewers who have invested years and know false narratives the minute they hear them. It’s not the pre-internet era where it would have been challenging to look things up, now it’s all right there on the internet, easily researched and maybe while you’re researching characters, what you learn might inspire you to actually build on their rich pasts like this genre is supposed to do rather than erasing or reinventing their pasts.
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