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Upcoming Episodes / Appearances

(All listings subject to change) (Grey's Episodes In Red)
  • May 6- Look Up Child (9pm New)
  • May 13- It's the End of the World (8pm R 2006)
  • May 13- (As We Know It) (9pm R 2006)
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  • Website: Private Practice
  • DVD- Grey's Anatomy: Season 14
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    Grey's Anatomy Recap: 'Japril' in May

    (5/6/21) The promos for Thursday’s Grey’s Anatomy led us to believe that “Look Up Child” was going to be Japril: The Movie, Part 3. And Sarah Drew told TVLine that the episode provided a little bit of closure for Jackson and April. What we didn’t know, though, was that it was going to set up Jesse Williams’ imminent exit as Jackson. What the whaaat? Here’s everything that went down.

    ‘I KNOW THIS SEEMS IMPULSIVE AND OUT OF NOWHERE, BUT… ‘ | As the episode began, Japril flashbacks played — including one in which Jackson wistfully watched as April married Matthew — while Avery drove through the rainy night. Earlier in the day (maybe the day before?), he had shown up at father Robert’s diner, where they stared each other down for a moment. “Hey, Dad,” said Jackson. From there, we cut to him arriving on April’s doorstep in the rain and a whole lot more flashbacks. Was he suddenly, impulsively regretting their divorce? Back at Robert’s, Pops said that he’d wanted to call during the pandemic but figured that Jackson hadn’t really wanted to hear from him. Whatever, grumbled Jackson. He was there for answers, which Robert said that he’d be happy to provide so long as he helped pack lunches. As they did so, Jackson related that Catherine had recently said he sounded like Robert when he’d remarked that he didn’t see change coming from within the foundation because of the bureaucracy. “That does sound a little like me,” admitted Robert. As he set Jackson to work slicing turkey, he explained that with all that Avery money, everyone expected him to fix everything. “I was never gonna be the son my father wanted, because I didn’t want to be the man the role required,” Robert said. Then it hit him: That was why Jackson was there — he was thinking of leaving it all behind.

    ‘I HAVE A WEIRD BANK VOICE NOW?’ | At April’s, Harriet’s mom fretted to her ex because the little girl was running a fever. “COVID just makes everything feel so big!” she told Jackson. Harriet had been sick for a couple of days. Also, “she needs a bath — she smells like feet,” said April. “That’s you,” Jackson said as he put on some music that didn’t sound in a million years like anything that his former wife would listen to. After the power went out during the rainstorm, Jackson reassured April that they didn’t need to take Harriet to Grey Sloan to see doctors, they were doctors. Soon, April noticed how cagey he was being, prompting him to confess that he had gone to visit his dad to see if he was right about what he wanted. “He couldn’t step up or into his own,” Jackson said, “but I can. I want to take over the foundation.”

    Cutting back to the diner, Jackson marveled at the bubble that Robert had created for himself. Jackson felt stuck, wanting the foundation to do better but wondering if it was already too late. “Maybe you could let go of the idea that it’s your job to save the world,” said Robert. True, Jackson said, while dismissing Robert as a white guy with money who was always going to be OK. Why had Robert left him and Catherine, Jackson wanted to know. It had really messed him up, set him up to run when things got rough. He always had to fight the Robert in himself. Of course, as Jackson became more and more upset, he wound up cutting his hand in the turkey slicer. Post-commercial, Jackson informed April that he wasn’t thinking of running the foundation, he was doing it. But to do so, he had to move to Boston — and he wanted April and Matthew to move, too. Jackson didn’t want to go without Harriet, no way, no how. He’d set the couple up with jobs, they could do and build whatever they wanted.

    ‘YOU DON’T JUST UP AND MOVE ACROSS THE COUNTRY ON A WHIM’ | Reeling from Jackson’s ask, April reminded him that he’d been running from his name as long as she’d known him. In response, he accused her of not wanting to inconvenience her perfect little life. “You have never wanted any of this, and I’m just supposed to roll with this?” she asked. “What happens if it doesn’t work?” Jackson didn’t question it when Matthew had proposed to April in front of him and married her that same day. “I had your back. I’m just asking you to do the same for me.” She wanted him to be happy, but running the foundation? “You’re not that guy,” she said. “I don’t think you ever will be.” Jackson assured April that she could still do good work in Boston — even better work. And Matthew would follow her. That was why he liked the guy — ha.

    Jackson finally challenged April: Wouldn’t she do anything she could if she saw a chance to be who she was really meant to be? That, she would. After Harriet’s fever broke, Jackson pleaded with April to let him create real racial equity at the foundation, make real change and be the father that his own never was. “And all I need to do is turn my life upside-down,” she said. Which was about the size of it. Back in the diner timeline, Robert admitted to Jackson that he’d left because that was simply what he did, and he’d convinced himself that his son would be better off without him. “My entire life, how could you think that didn’t matter?” Jackson spat. Well, Robert had screwed up. And he knew it now. He regretted running. Guess the apple doesn’t fall far from the tree, said Jackson. But he was nothing like his dad, Robert argued, “because you have it in your soul to do the right thing. If you don’t want to stay, don’t. But don’t blame it on me, because on your worst day, you are 10 times the man I am.”

    ‘I’VE GOTTA SHOW HARRIET THAT WE CAN PUT OUR MONEY WHERE OUR MOUTHS ARE’ | As the hour drew to a close, Jackson showed up at Catherine and Richard’s, where he told his mother that he felt a deep-seated calling to take over the foundation and work toward true equity. “If that means dismantling the whole medical system,” he said, “that’s what I want to do.” From there, he left to talk to April… so yeah, this episode was all over the place timeline-wise. The morning after Japril’s long conversation, she decided that Jackson was, in fact, the guy to change the world. “Why is our timing so terrible?” April wondered. That was kind of their thing, he cracked. At last, he took off the pressure to move to Boston, only for her to say that he deserved this. Jackson would be glad to talk to Matthew for or with her, but… uh, there was no need. “We split up,” she admitted. Matthew had denied for so long that he didn’t hate April for everything that had gone down between them, but… “God’s plan isn’t so easy to understand.” Ultimately, Matthew had stayed in Philadelphia with daughter Ruby after his sister had gotten sick.

    Was April OK? “It’s hard to say,” she said. But hey, she was moving to Boston. “So fingers crossed for new horizons.”

    ‘Grey’s Anatomy’: Longtime Cast Member Leaving ABC Medical Drama

    (5/6/21) A beloved doctor is checking out of Grey Sloan Memorial Hospital.

    Grey’s Anatomy star Jesse Williams is departing the hit ABC medical drama after 12 seasons. His character Jackson Avery’s pending exit from the series is revealed in tonight’s episode, “Look Up Child.” Williams’ last episode, titled “Tradition,” will air May 20.

    “Jesse Williams is an extraordinary artist and activist. Watching his evolution these past 11 years both on screen and off has been a true gift,” Grey’s Anatomy executive producer/showrunner Krista Vernoff said in a statement to Deadline. “Jesse brings so much heart, such depth of care, and so much intelligence to his work. We will miss Jesse terribly and we will miss Jackson Avery — played to perfection for so many years.”

    Over the last few years, Williams has branched out beyond acting. He has directed episodes of ABC’s Grey’s Anatomy and Rebel and has built a formidable résumé as a producer. He most recently produced Two Distant Strangers, which won the Oscar for live-action short film last month.

    Vernoff and the Grey’s writers had long conversations about how to end Jackson’s story to make sure it was satisfying for fans. In the end, the idea everyone got behind is to bring back Sarah Drew as April Kepner for a proper sendoff, giving one of the show’s most popular couples, “Japril,” closure.

    Williams’ farewell kicks off with the Jackson-centered “Look Up Child,” in which he pays a visit to his father Robert (Eric Roberts) “that helps set him on the right path,” per the episode’s synopsis, and has a heart-to-heart with his ex — and the love of his life — April (Drew), the mother of his daughter Harriet who has been living in Seattle with her husband Matthew (Justin Bruening).

    Grey’s alumna Drew’s highly anticipated return is reminiscent of George Clooney’s surprise appearance in Julianna Margulies’ final episode on another classic medical drama series, ER.

    Williams’ current two-year contract is coming up at the end of the current 17th season. Grey’s Anatomy has not been renewed for an 18th season but is expected to, contingent on closing deals with all three remaining cast members: Ellen Pompeo, who is also a producer, Chandra Wilson and James Pickens Jr. Williams has been the fifth longest-tenured Grey’s Anatomy cast member behind Pompeo, Wilson, Pickens Jr. and Kevin McKidd, who joined in Season 5.

    Williams joined Grey’s Anatomy as recurring in Season 6 and was promoted to a series regular the following season. He quickly emerged as a breakout star, with his Dr. Jackson Avery among Grey’s most popular characters. The role has won Williams an NAACP Image Award. You can view a gallery of Williams as Jackson throughout his 11-season tenure on the show below.

    “I will forever be grateful for the boundless opportunities provided me by Shonda, the network, studio, fellow castmates, our incredible crew, Krista, Ellen and Debbie,” Williams said in a statement to Deadline. “As an actor, director and person, I have been obscenely lucky to learn so much from so many and I thank our beautiful fans, who breathe so much energy and appreciation into our shared worlds. The experience and endurance born of creating nearly 300 hours of leading global television is a gift I’ll carry always. I am immensely proud of our work, our impact and to be moving forward with so many tools, opportunities, allies and dear friends.”

    Leading up to Williams’ exit, Jackson has been meeting the most important people in his life; he recently had an emotional scene with his mom, Dr. Catherine Fox (series EP Debbie Allen).

    And, possibly hinting at the character’s pending departure, Jackson this season has grown increasingly frustrated by the inequalities in the health care system as well as the pandemic’s disproportionally large impact on communities of color. Working on the front lines with incoming Covid patients, he at one point used his credit card to book hotel rooms for low-income Covid-positive patients who needed to quarantine.

    “I don’t want to play a role in a system that’s just broken,” he told his mother in Episode 12. Williams also has been without a steady romantic interest this season, though he and Jo become friends with benefits after a failed sexual encounter.

    Williams is the second Grey’s Anatomy series regular cast member to depart this season, joining Giacomo Gianniotti whose character Andrew DeLuca died in the March 11 episode.

    The most recent two-year deal Williams signed for Grey’s Anatomy in 2019 involved scaled back duties for him as he was preparing to make his Broadway debut in the revival of Richard Greenberg’s Take Me Out, which was originally slated to begin performances April 2, 2020. Delayed by the pandemic, it will now likely open in early 2022.

    On the feature side, Williams recently signed on to co-star in the Amazon movie Marked Man.

    The actor and activist, who served as a senior producer and correspondent on America Divided, also executive produced features Random Acts of Violence and The Burial of Kojo and documentaries Stay Woke: The Black Lives Matter Movement, With Drawn Arms and Survivors Guide to Prison.

    ‘From Scratch’: Giacomo Gianniotti, Medalion Rahimi & Jonathan Del Arco Among Six To Recur In Netflix Series

    (5/5/21) Netflix has rounded out the cast for From Scratch with the addition of Terrell Carter (Empire), Medalion Rahimi (NCIS: Los Angeles), Jonathan Del Arco (Star Trek: Picard), Peter Mendoza (Mojada: A Medea in Los Angeles), Lorenzo Pozzan (Catch-22) and Jonathan D. King (Kidding).

    The crew of actors, who will recur in the project form Reese Witherspoon’s Hello Sunshine and Zoe Saldana’s Cinestar banners, join previously announced cast members Saldana, Eugenio Mastrandrea, Danielle Deadwyler, Keith David, Kellita Smith, Judith Scott, Lucia Sardo, Paride Benassai and Roberta Rigano.

    Giacomo Gianniotti (Grey’s Anatomy), Elizabeth Anweis (Batwoman), Kassandra Clementi (Breach) and Rodney Gardiner (David Makes Man) will guest star throughout the limited series based on Tembi Locke’s 2019 bestselling memoir.

    Adapted by Locke’s sister Attica Locke, who serves as showrunner, From Scratch is the story of an African American woman who falls in love with a Sicilian chef while studying abroad in Florence and goes on to build a life with him in Los Angeles, merging two seemingly opposite cultures. When they are faced with his unexpected cancer diagnosis, Amy becomes her husband’s caregiver and the person who brings their two very different families together, creating a new, blended family for her and her daughter after he dies.

    The series is executive produced by Attica Locke, Tembi Locke, Reese Witherspoon, and Lauren Neustadter for Hello Sunshine, Zoe Saldana for Cinestar, Richard Abate, Jermaine Johnson, and Will Rowbotham for 3 Arts Entertainment. Producers are Nzingha Stewart, Guy Louthan, Emily Ferenbach for Hello Sunshine, Cisely Saldana and Mariel Saldana for Cinestar.

    Here are more details about the cast and their characters:

    Terrell Carter plays Ken, Zora’s (Deadwyler) boyfriend and former NFL player who runs the athletics department at the private school where Zora teaches. Although he’s “apolitical” (blasphemy in the politically active Wheeler family), Ken more than makes up for it with his big heart. The actor is represented by Silver Lining Entertainment and Talent Works.

    Medalion Rahimi plays Laila, a talented artist who meets Amy (Saldana) via the art community.

    Jonathan Del Arco plays David, a warm and friendly art professor, who is also Amy and Lino’s (Mastrandrea) landlord. His reps are SDB Partners, Kyle Fritz Management and Form. B Entertainment.

    Peter Mendoza plays Andreas, Lino’s co-worker, who looks after newcomer, and is happy to welcome him to the neighborhood sports bar where their fellow immigrants hang out. The actor is repped by Buchwald and Seven Summits.

    Lorenzo Pozzan plays Filippo, one of Lino’s coworkers at Vigna Vecchia in Florence, and one of the regulars at the No Entry Nightclub. He is repped by Malissa Young Management

    Jonathan D. King plays Silvio, hailing from the same part of Italy as Lino, the two form an instant bond, chatting enthusiastically in their native Italian.

    Rodney Gardiner plays Preston, a buttoned-up banker, who, along with his partner, David, owns the bungalow that Amy and Lino rent behind in Hollywood.

    Giacomo Gianniotti plays Giancarlo, a sophisticated Italian man who catches Amy’s eye with ease, Giancarlo sets out to seduce her, using Florence as his unwitting accomplice. His reps are The Characters Talent Agency, Thruline Entertainment and Viewpoint.

    Elizabeth Anweis plays Chloe Lim, the accomplished owner of a Los Angeles art gallery who becomes Amy’s manager. Buchwald, Authentic and Morris Yorn are her reps.

    Kassandra Clementi plays Caroline, a sweet Southern belle, and one of Amy’s new roommates in Florence. She is repped by Buchwald and Mosaic.

    Cruel Summer's Sarah Drew Warns 'Things Really Start to Fall Apart for Cindy' Amid Rumors About Jeanette

    (4/27/21) What if your child was potentially a monster? That’s the question facing Cruel Summer mom Cindy Turner in this Tuesday’s episode of the Freeform psychological thriller (airing at 10/9c)

    As the town rumor mill goes into overdrive about her daughter Jeanette’s possible involvement in the disappearance of schoolmate Kate Wallis, Cindy’s perfect life begins to crack, her portrayer Sarah Drew previews in the following Q&A. And much like viewers, Cindy “doesn’t know what to believe” when it comes to Jeanette’s word vs. Kate’s, the Grey’s Anatomy vet says.

    TVLINE | In this week’s episode, we learn more about who Cindy is not only in the present, but also who she was in the past as a teenager. What can you preview?

    We get a little more insight into the relationship between Jeanette and her mom, and really the thing that Cindy built her identity on. You start to understand that for Cindy, for her identity to be OK and on a strong footing, her family [and] her children need to be in a place of success. That translates directly to her sense of identity. In 1994, before everything falls apart, Jeanette is really living her best life, at least from Cindy’s perspective. I think from Jeanette’s perspective, too, but certainly from Cindy’s perspective, it’s just the best. She is the most popular, she’s got the best friends, she’s got the cutest boyfriend. The success of her daughter means Cindy’s OK. When things start to crack in the rumor mill, and then even further, walking into the potential of, “Could this actually be true?” things really start to fall apart for Cindy Turner.

    TVLINE | That insight that you get about what Cindy was like, and the relationship between her and Kate’s mom in high school: How does that inform what’s going on in the present?

    This show is so much about the power of perception. When I think about the scene between Joy and Kate in Episode 2, and then the scene between Jeanette and Cindy in Episode 3, it’s like the same conversation, except they’ve had completely opposite experiences. [Laughs] So from Joy’s perspective, she was the queen bee, and Cindy was desperate to be her, and all the boys wanted Joy. And from Cindy’s perspective, Cindy was the queen bee, Joy was desperate to be her, and all the boys wanted Cindy. It makes you, as a viewer, go, “OK, so is one of them lying? Or is one of them in denial? What actually happened? Who actually was the queen bee?” Or the other option is that they both had very different experiences of the same set of events that informed their memory and their perception of what their life was and is.

    All of this stuff that’s happening [with Kate and Jeanette], so much of it is about perception, like, “Who is telling the truth? Maybe they’re both telling the truth? Maybe their experience is so different in their bodies… but they’re 100 percent sure that they’re right about it?” And the way that these two women play these scenes, and the way that it’s written, you, as an audience member, are very much like, “I don’t know who to believe, because I trust both of you.”

    TVLINE | Is there a little bit of Cindy wanting to relive her youth through Jeanette?

    Oh yes! She wants her daughter to be happy, but for Cindy, happiness equals being popular, beautiful and successful. For Jeanette, in ’93, she couldn’t care less about that stuff. It didn’t matter to her, but it mattered to her mom. So you begin to wonder like, how much influence did Cindy have on Jeanette and kind of moving her into the ’94 version of who Jeanette became? She’s literally living on top of the world because her daughter has now become the beauty queen that Cindy was, and I think Cindy maybe would have liked to have a bit more money to be able to go to the salon and just have whatever the hairstylist whips up instead of having to buy it out from the drugstore and apply it to her own head, like she reveals in Episode 2. [Laughs] There is an element of, “Well, my daughter’s doing OK. Well, if my daughter’s doing OK, then I can feel better about my life,” and I think that is a thing that moms struggle with in their relationships with their daughters, for sure, and always have.

    TVLINE | As the allegations and the rumors start to ramp up, how does Cindy feel about Jeanette? Does she believe in her innocence?

    She doesn’t know what to believe. Cindy is taking her own journey, much like the viewers are, as she is gaining pieces of information. At first, she thinks, “Oh, it’s just a rumor. It’s going to go away. It doesn’t have any staying power. It obviously isn’t true. So it’s just going to go away.” But then when her husband starts losing some work from it, and we get disinvited to parties, and things start to really begin to crack in our standing as a family in the community, it really forces Cindy to reckon with, “Has everything I’ve been living [been] a lie? If these rumors are true, then that would mean that I raised someone who could do something that horrible.” She can’t live with having been someone that has created a monster. There’s the betrayal of the relationship, but then there are the repercussions of that betrayal and how that affects their whole family and their whole standing. So things really, really start to fall apart for Cindy.

    TV Ratings: Hell's Kitchen Finale and Grey's Top Night, Rebel Dips Again

    (4/23/21) In the latest TV show ratings, Hell’s Kitchen put a fork in Season 19 with 2.8 million total viewers and a 0.8 rating, tying ABC’s Grey’s Anatomy for the Thursday demo win.

    Continuing Fox’s night, Last Man Standing (2.5 mil/0.5) and The Moodys (1.3 mil/0.3) were both up.


    ABC | Station 19 (4.3 milk/0.7), Grey’s (4.6 mil/0.8) and Rebel (3.1 mil/0.4) all dipped in the demo.

    CBS | Young Sheldon (6.6 mil/0.6) dipped but still easily commanded Thursday’s biggest audience. United States of Al (5.1 mil/0.5) was also down, while Mom (4.9 mil/0.6) and B Positive (4.9 mil/0.6) were steady in the demo.

    NBC | Manifest (3.1 mil/0.5) was steady, while SVU (4.3 mil/0.7) and Organized Crime (4.2 mil/0.6) were both down.

    THE CW | That 2040 special (300K/0.1) did, like, half of what Walker/Legacies most recently averaged.

    Grey's Anatomy Recap: Decision Time for Meredith — Life With Her Family and Friends… or Afterlife With Derek

    (4/22/21) ( Just when we thought we had left the beach, back Thursday’s Grey’s Anatomy took us. There, Derek took on the impossible task of convincing Meredith to leave him and return to the land of the living. Did he pull it off? As if you couldn’t guess, read on, and we’ll go over not only their bittersweet goodbye but everything that happened in “Good as Hell.”

    ‘I HATE ER DAYS; EVERYTHING’S SO URGENT’ | As the episode began, Team Grey Sloan gathered to cheer on Nurse Jenna Lynn, who after six weeks was being discharged fully recovered from her bout with COVID. Levi told Jo that he was bailing on their movie night to hook up with Nico — this, despite the fact that she had to talk to Bailey that day about switching specialties. While Link consulted with patient Felix virtually, Amelia, sensing a possible underlying neurological issue, butted in. And Richard and Teddy fretted over why Mer wasn’t waking up and staying awake for more than two minutes at a time. Webber feared that, like other recent patients, she had rebounded only to crash later. “We can’t let that happen to Meredith,” he said. Meanwhile, on the beach, she and Derek recalled his passing. Dying is exhausting, he remarked. “There comes a point when the desire to rest is greater than the desire to live.” She’d given him permission to let go, he continued. For that matter, she’d given him everything that he needed until his dying breath. When Mer suggested that the kids would be fine if she didn’t pull through, Derek agreed that sure, sometimes a loss like that made kids stronger. But sometimes a loss like that made them… Amelia. Had Derek seen the last couple of years? Had it been hard to watch? It had been harder, he told Mer, to see her lonely.

    Back in reality, Winston encouraged his future sister-in-law to wake up so they could meet. “I heard you were tough,” he joked, “but I didn’t think you were cold.” Shortly, Richard, Teddy and Winston discovered what the problem was — a clot; surgery could rectify it, but Winston didn’t want to perform it himself since the patient is Maggie’s sister and also, because Teddy was available. Was she up to the task, though? Richard wondered. She’d have to be, Altman said, because Meredith didn’t have time to waste. Later, Owen related to Teddy that he’d told Richard if something went wrong with Mer, he wasn’t sure if his ex-fiancée would recover. With that, she had Hunt page Winston. Mer was all of their family — he was going watch her, she was going to watch him, and by God, they were going to remove that clot! On the beach, Mer and Derek found themselves in wedding garb. What did he want her to vow? To torture herself less, he said. With that, she admitted that she didn’t want to leave the kids. He didn’t want her to, either. Back at Mer’s place, Maggie discovered that Zola had seen the news about George Floyd and wanted to go to a protest but not without her mother. Sweetly, the girl’s aunt encouraged her to engage in Catherine therapy. In other words, scream.

    ‘LOOKS LIKE SHE’LL LIVE TO SKATE ANOTHER DAY’ | In Bailey’s office, Jo was chagrined to hear that her boss wouldn’t OK her change of specialties. “I need surgeons, Wilson,” the chief barked. “I can’t afford to lose you right now,” especially with Meredith… well, you know. Later, they could revisit the topic, but for right now, Bailey said definitively, it’s a no. Elsewhere, treating Erica, who was bleeding beneath her abdominal muscle, Levi was inspired — she’d quit a lucrative career to do what she really wanted, which was make peanut brittle. Bailey was significantly less impressed. When Erica had to be rushed back into surgery, Miranda suggested that maybe the pandemic gave people a chance to transform. You mean like Jo? Levi asked. Why would he say that when she’d just gotten to her happy place?!? After Erica got out of surgery, she decided that she had to be realistic and go back to the job she detested. Bailey told her that that feeling that she had to keep going was something that they were taught as Black women. “Rest is not a dirty word,” she said. “Rest is love… Rest is a beautiful model for your children.” She’d been forgetting that till she met Erica. Afterwards, Bailey paged Jo and said that if she had to hire a new general surgeon, she would. All she wanted from Jo was for her to love being an OB/GYN.

    ‘I JUST REALLY MISS CUTTING’ | As soon as Maggie got home to take over with the kids, Link and Amelia ran off to meet aspiring baseball player Felix at Grey Sloan. There, Amelia was elated to see that the patient had a tumor — she’d get to perform surgery! Dangerous surgery but surgery nonetheless. Before she dove in, Link gave her a pep talk. “You are Amelia Shepard, you’ve got this,” he assured her. And as she went into superhero pose, it was hard to imagine that she didn’t. After surgery, Felix was excited to see that he still had the use of his arms. Amelia had nailed it yet again. In an unrelated matter, Levi asking for a drawer at Nico’s prompted the world’s worst boyfriend to ask him to move in with him. He loved Levi, he said. Ack, no, Levi! Run!

    ‘IT’S TOO MUCH TO PUT ON A CHILD’ | After operating on Mer — successfully — Teddy freaked over the fact that the patient wasn’t waking up. Owen tried to soothe her through a panic attack during which she kissed him. Uh-uh, nope, he said. He was there for her — but not like that. Meanwhile, Winston championed the idea of bringing Zola to the hospital to see her mom. Maggie worried that that was too much pressure to put on the kid, but Richard was all for it, too; there was, after all, a psychological component to recovery. As for Zola, “I want to see Mommy!” she declared. As the hour neared its conclusion, Zola arrived at Grey Sloan and slipped into her protective gear. Then, at last, Maggie, Winston and Richard brought her to see Mer. “It’s OK if you’re scared,” Maggie told Zola. But she ran right to her mom and hugged her unconscious body. Sadly, this resulted in no change in Mer’s condition. Winston was crestfallen. “She’s not just Maggie’s sister, she’s Dr. Meredith Grey.” When Bailey happened by the room, Maggie said Zola had been Winston and Richard’s idea. But it was a good one, Miranda said. When Amelia arrived, she was panicked — she hadn’t known why Maggie had taken Zola to the hospital. Mer had to live, they all agreed. Thankfully, on the beach, Derek was telling Mer that it wasn’t her time yet. “There’s no pain here,” she said. He actually missed the pain, he admitted. Anyway, their kids needed her. “You have to go.” Finally, finally, in the middle of Zola telling her mom a story, Mer woke up. Happy tears all around!

    Sandra Oh My Jewelry's Gone M.I.A.!!! JK and Major Oops

    (4/18/21) Sandra Oh returned home to discover some valuable jewelry had gone missing, and did exactly what you should do -- report it to cops, but then she had a stroke of ... let's call it luck.

    Law enforcement sources tell TMZ ... the "Killing Eve" star called the LAPD Wednesday night to report her valuable bling was gone after she'd been away from her L.A.-area house for a few months.

    We're told police responded and did some investigating. They didn't find any signs of forced entry, but did learn people had been let in and out of Sandra's pad while she was away.

    Our sources say a grand theft report was taken with the estimated value of the loss being more than $150,000.

    However, the very next day ... we're told Sandra called the cops back and told them her missing jewelry had shown up in the house. It's unclear if it was somehow returned, or if it never left the house, and was simply found.

    Either way, it's great news for Sandra ... and the cops. The case is now closed.

    'Grey’s Anatomy’ First Look For Sarah Drew On Social, As She Reveals Return Date

    (4/17/21) (Photo) Sarah Drew has revealed that she’ll return to Grey’s Anatomy on May 6 in her role as Dr. April Kepner, teasing the comeback with a social media photo.

    Drew broke the news on her social media accounts today. She had previously sent out a behind-the-scenes look with ex-husband Jesse Williams. “Nbd. Not excited at all,” Drew cheekily captioned her Instagram photo.

    Her return is just the latest cameo from former cast members. Patrick Dempsey shocked fans when he returned to Grey’s Anatomy as Derek Shepherd during the Season 17 premiere. Not too long after, T.R. Knight reprised his role as George O’Malley.

    TV Ratings: Rebel Steady in Week 2, Organized Crime Slips Further

    (4/16/21) In the latest TV show ratings, ABC’s Rebel in Week 2 drew 3.5 million total viewers and a 0.5 demo rating, veritably matching its premiere numbers.

    Opening ABC’s night, Station 19 (4.9 mil/0.7) and Grey’s Anatomy (4.9 mil/0.9) were both steady, with the latter claiming the Thursday demo win.


    NBC | Manifest (3.2 mil.0.5) stabilized, wile SVU (4.5 mil/0.8) dipped. Organized Crime (4.3 mil/0.6) slipped for a second straight week, and is now down 46 and 62 percent from its boffo launch.

    CBS | Young Sheldon (7.1 mil/0.7), Mom (5.3 mil/0.6) and B Positive (4 mil/0.5) all added eyeballs while steady in the demo. United States of Al (5.3 mil/0.5) dipped.

    THE CW | Walker (1.15 mil.0.2) and Legacies (540K/0.1) were steady.

    FOX | Hell’s Kitchen (2.7 mil/0.7), Last Man Standing (2.4 mil/0.4) and The Moodys (1.2 mil/0.3) all added a few eyeballs while steady in the demo.

    Grey's Anatomy Recap: Point Break

    (4/15/21) ( You might have thought that the doctors of Grey’s Anatomy were already stretched so thin that they couldn’t possibly be stretched any thinner. “Hold my beer,” said Thursday’s episode, in which they treated a patient injured in Seattle’s George Floyd protests as well as a man who didn’t believe that COVID is real (and, of course, had it). And none of that was as disturbing as what happened to poor Winston. Read on, and we’ll discuss how our protagonists made it through to the closing credits.

    ‘REVOLUTIONS DON’T SCHEDULE APPOINTMENTS’ | As “Sign o’ the Times” began, Jackson was out for a jog when he came across protesters in the streets. At Cormac’s, his kids were painting, “I can’t breathe” signs. Maggie was in bed fretting about whether fiancé Winston was going to make it back from his cross-country drive in one piece; he was more interested in worrying about the apartment that he had an eye on for them. And at Grey Sloan, Bailey was preparing as best she could for what might come. Richard promised her that he’d be back, but he had to go protest himself. “You go give ’em hell!” she called after him. When Jackson arrived at the hospital with mom Catherine, he asked about his and Alma’s proposal to offer testing to low-income people. “Just let me get through this week,” she beseeched him. Just then, Cormac showed up with his kids — and a bloody head. Counter-protesters had been going to attack his son, had he not intervened. At that very moment, Richard showed up with a woman named Nell (Phylicia Rashad, Cosby Show icon and sister of Catherine’s portrayer, Debbie Allen); she’d been shot with a tear-gas canister at the protest. (When I say shot, I mean the thing was still sticking out of her shoulder.)

    ‘IT LOOKS LIKE YOU LOST A BAR FIGHT’ | Treating Nell, Richard and Jackson explained that they wanted to make sure that it hadn’t hit any major arteries before they removed it. “Can you imagine firing poison gas at this woman?” Webber asked his stepson. At first, the protest had been “beautiful,” he added. “Good trouble lights you up.” Then, of course, it had all gone horribly wrong. In surgery with Richard, Jackson complained that Mom wasn’t interested in his ideas, only her own. Richard assured him that Catherine might be more receptive next week. How was he so optimistic? Nell hadn’t been fazed by what had happened, Webber pointed out. She’d been energized. Naturally, Jackson, never having protested, didn’t understand; he’d always had to work or study, so instead, he’d written a check. “You think that’s a copout?” he asked Richard, who replied that he tried not to judge. Post-op, Nell snarked that her situation could’ve been much better — Richard could’ve been the one who’d gotten hit. She wasn’t worried about another scar, she told Webber, Jackson and Cormac. She was covered in ’em. She’d been to protests since she was 11. She’d even been at MLK’s “I Have a Dream” speech and vividly recalled the feeling of possibility with which it had left her. That feeling, she added, was worth a few scars.

    ‘IT HAS GLASS BRICKS AND ONLY TWO WINDOWS… AND GLASS BRICKS’ | Paged by Owen, Maggie found it difficult to concentrate on her work with Winston texting her about their soon-to-be living arrangements. But she pulled it together when a fellow named Guy was brought in after being hit with a bullet covered in rubber. Winston was breaking it to his fiancée that he had taken the apartment that she didn’t want when — yikes — he was pulled over by the cops. “Music off, hat off, hands on the wheel,” Winston told himself before the cop approached. But when the officer insisted that Winston turn off the phone, disconnecting Maggie, both he and Pierce understandably freaked. (If that didn’t put you in the moment, dunno what would.) As Guy went into defib (over and over), Maggie gave her phone to Baby Ortiz to keep calling Winston; she wanted the cops to know that someone was checking on him — constantly. Before taking Guy into surgery, Maggie begged Richard to go find Winston — and he would, if he didn’t hear from her honey soon. Thankfully, as soon as Pierce was done in the O.R., Richard had Winston on the phone. But he was anything but OK. The cops had made him get out of the car, take off his mask… they searched everything, unpacked his belongings… “I’m not OK,” he admitted. “I just gotta breathe a little bit, ya know?”

    ‘IS SHE MEAN?’ | Checking on Meredith with Teddy, Bailey told Altman that she wanted Levi to give her her hyperbaric-chamber treatment. And he certainly tried to rise to the occasion, telling Mer to picture herself on a cloud… but not like the kind in heaven. Soon, they were joined in the chamber by intern James and his patient. Mer’s “the most influential teacher I ever had,” Schmitt said, “even when she’s asleep.” James hoped he’d get to operate with her one day. “Me, too,” sighed Levi. Later, James’ patient went into distress and… WTH? Did his intestines burst out? Thankfully, Levi heard Mer in his head, and he not only managed to keep his cool, he channeled his inner Grey, testiness and all.

    ‘COVID TOE? THAT’S THE BEST YA GOT?’ | Meanwhile, Bailey and Mabel treated a Mr. Anderson who couldn’t be bothered with a COVID test because “I know it’s a scam.” (Perfect part for Coby Ryan McLaughlin, who was so scuzzy as Shiloh on General Hospital.) Though he tested positive, and was throwing blood clots, he wasn’t remotely interested in participating in the “scam.” “What?!? What?!?” Bailey said upon excusing herself. Shortly, she calmed herself, returned to the d-bag’s room and warned him that his condition could kill him. “This won’t magically go away,” she emphasized. He had zero f–ks to give. Later, Bailey explained to Teddy Mr. Anderson’s theory that they were getting rich off COVID. And here all they had to show for it was a dead mother and a nervous breakdown! Mid-laugh, Miranda was paged to the parking lot — Anderson had taken off and promptly collapsed.

    ‘HOW CAN I TREAT SOMEONE WHO IS OFFERED HELP AND CHOOSES TO WALK AWAY’ | As the episode drew to a close, Bailey found herself beyond frustrated that Mr. Anderson had died rather than accept treatment. Maggie, after reporting to Owen that Winston was back on the road, took a call from Guy’s mother to reassure her that he was OK. Jackson challenged his mother: Why hadn’t they ever protested? Why didn’t he have scars? “If our foundation is so good at fighting the good fight,” he asked, “why isn’t anything getting better?” He might not have scars, she shot back, but she had decades of them, thank you very much. He had no idea how many wars she’d fought. Eventually, she decided that he sounded like his father. Would that be the worst thing? he wondered. End. Of. Argument. When Cormac got home, he apologized to his boys, not for trying to protect them but for making them stay home. He should’ve let them protest — this was their country — so long as it was during the day and with him along. As Jackson left the hospital, Richard offered him a ride — curfew and all. But Jackson turned him down; he was going to march home on foot. Once there, he took off for a destination 11 hours away. To see his father perhaps? Finally, Winston pulled in to the drive at Mer’s and held onto Maggie for dear life.

    Will Packer Productions Teams With ‘Grey’s Anatomy’ Writer Felicia Pride For ‘Like It’s the Last’

    (4/13/21) Will Packer and James Lopez are developing Like It’s the Last, a romantic drama set in the world of collegiate track & field, from Grey’s Anatomy and Queen Sugar writer Felicia Pride. Packer and Lopez will produce the project via the Will Packer Productions banner.

    Johanna Byer of WPP and Pride will serve as executive producers on Like It’s the Last.

    This marks the second collaboration between Packer, Lopez, and Pride as the trio has previously teamed on Deeper, an erotic romance film, which is set up at Universal.

    Pride most recently co-wrote the MACRO drama, Really Love, which premiered at last year’s SXSW festival. She is repped by Industry Entertainment, UTA, and Ritholz Levy Sanders Chidekel & Fields.

    WPP’s upcoming slate includes a biopic of Doug Williams, the first black quarterback to win the Super Bowl, as well as Oracle, psychological horror starring Ryan Destiny and Heather Graham, and Hot Mess, a comedy feature starring British comedian and actress London Hughes.

    Shonda Rhimes & Betsy Beers Set For Costume Designers Guild Awards Honor

    (4/12/21) There’s joy in Shondaland today. Longtime producing partners Shonda Rhimes and Betsy Beers are set to receive the Distinguished Collaborator Award at the Costume Designers Guild Awards on Tuesday.

    The honor goes to individuals who demonstrate unwavering support of costume design and creative partnerships with costume designers.

    “From the record-breaking series Grey’s Anatomy to the latest binge-worthy series Bridgerton, Shonda Rhimes and Betsy Beers have been longtime partners of the Costume Designers Guild,” said Salvador Perez, President of IATSE Local 892. “Throughout the years, the two have created cultural-defining TV moments with support from fellow collaborators and costume designers. We can think of no other duo more deserving of this award.”

    The duo also has collaborated on Shondaland series including Station 19, How to Get Away with Murder, For the People, The Catch and Private Practice.

    Bridgerton actress Nicola Coughlin will present the award to Rhimes and Beers during the virtual 23rd annual CDGAs, which start at 5:30 p.m. Tuesday. The awards celebrates excellence in film, television and shortform costume design. Presenters at the show will include Rose Byrne, Andra Day, O-T Fagbenle, Emerald Fennell, Ilana Glazer, Regina King, Carey Mulligan, Leslie Odom Jr. and Amanda Seyfried.

    Check out the CDGA nominees here.

    Here are some more quotes about the award for Rhimes and Beers:

    “Shonda and Betsy are visionaries of our time. They are originals; fierce, brilliant women who create rich worlds, characters and stories that enhance our lives. It’s truly been a gift collaborating with them. Whether I was setting the tone for the stylish and contemporary world of How to Get Away with Murder, or painting a vibrant and lush picture for Bridgerton, Shonda and Betsy’s vision was always present. They set the bar high at every turn. They spark the imagination and allow the creative process to thrive. Shonda Rhimes and Betsy Beers are an exceptional gift to our community and our culture.” – Costume designer Ellen Mirojnick

    “Shonda and Betsy are such innovative collaborators. Every new world that they present is a lush landscape in which I have room to create beautiful pictures, a world where the clothes can help to tell a small part of the story. I love that those landscapes include diversity, challenge norms, and allow for strong female leads. Scandal and the upcoming Inventing Anna were gifts. Shonda and Betsy are a gift to Costume Design and are truly deserving of this recognition.” – Costume designer Lyn Paolo

    “Shonda and Betsy’s partnership spans decades; their collaboration as two powerhouse women in Hollywood is as inspirational as the collaborative relationship they build with each of their costume designers. Together, they build worlds where every race, ethnicity, gender, and sexuality is celebrated as beautiful and represented in every form. We felt this year was especially meaningful to showcase their aspirational worlds on-screen and off, in their dedication to the art of storytelling.” – CDGA Executive Producer JL Pomeroy

    Jesse Williams and Ex Wife Judge Orders 'High Conflict' Parenting Classes

    (4/12/21) Jesse Williams and his ex-wife are still battling it out in court over custody issues in their nasty divorce ... and now a judge has ordered both to take a "high conflict" parenting course to right the ship.

    According to new legal docs obtained by TMZ ... the "Grey's Anatomy" star and his ex-wife, Aryn Drake-Lee, have been ordered to participate in an online program for "high conflict parents."

    The order came down after Jessie tried and failed to modify previous court orders regarding custody and visitation of their 2 young children, Maceo and Sadie. They've been sharing joint legal and physical custody ... but it's been rocky.

    The parenting course is a 6-session online program, providing strategies for reducing conflicts in co-parenting relationships.

    TMZ broke the story ... Jesse and Aryn finalized their bitter divorce back in October, at least on paper.

    As we've told you, Jesse's 3-year divorce saga has been extremely contentious ... he beefed with Aryn over child custody, lashed out over stories about him dating Minka Kelly and waged legal war over child support money.

    Maybe the parenting courses will help smooth things over. Stay tuned.

    TV Ratings: SVU and Grey's Top Night, Law & Orders Down From Boffo Xover

    (4/9/21) In the latest TV show ratings, NBC’s Law & Order: SVU this Thursday drew 4.7 million total viewers and a 0.9 rating, down sharply (and understandably) from last week’s well-hyped crossover event, but still tying ABC’s Grey’s Anatomy for the nightly demo win.

    Organized Crime (4.7 mil/0.8, read recap) was also down markedly, while NBC leadoff Manifest (3.1 mil/0.5) dipped to hit and match series lows.


    CBS | Young Sheldon (6.6 mil/0.7), United States of Al (5.2 mil/0.6) and B Positive (3.7 mil/0.4) were steady, while Mom (4.7 mil/0.6) and Clarice (2.6 mil/0.3) ticked up. Sheldon drew Thursday’s largest audience. ABC | Station 19 (4.7 mil/0.7) dipped, Grey’s (4.7 mil/0.9) was steady, and Rebel (3.6 mil/0.5) was on par with A Million Little Things‘ Thursday averages (3.3 mil/0.5).

    THE CW | Walker (1.07 mil/0.2) hit an audience low and dipped in the demo; Legacies (521K/0.1) dropped a few eyeballs but was steady in the demo.

    FOX | Hell’s Kitchen (2.5 mil/0.7) and Last Man Standing (2.2 mil/0.4) were steady, The Moodys (1.13 mil/0.3 ticked up.

    Grey's Recap: Wakeup Call — Plus, Did Amelia Accept Link's Proposal?

    (4/8/21) ( If the promos for Thursday’s Grey’s Anatomy were to be believed, Meredith was at last to awaken in “Sorry Doesn’t Always Make It Right.” And as if she didn’t have enough to catch up on, what with Maggie and Winston’s engagement, Link got down on one knee all ready to propose to Amelia. Did Scout’s mom say yes? Was it even a real question-popping? Read on, and we’ll go over everything that transpired in the episode, Giacomo Gianniotti’s directorial debut.

    ‘HELL OF A HONEYMOON’ | As we began the hour, in part a continuation of action that kicked off on Station 19, Owen hollered at Jackson for pulling his residents from the ER to help with COVID testing, Teddy backseat-drove Mer’s treatment via Zoom on one of her last days off, Jo continued to bond with Luna, and Amelia marveled at the kids’ ability to create more laundry than existed… just as Link’s parents showed up in the driveway in their RV. They had a bright idea, too: taking the youngsters on a COVID-safe road trip, thereby giving Link and Amelia a break. At Grey Sloan’s testing site, Jackson shared with Levi that he’d sat through endless Catherine Fox Foundation meetings to get the hospital extra tests. In peds, Cormac and Reza treated a baby named Arthur who was waiting with anxious dad Chris for a heart transplant. Finally, Station 19 newlyweds Shane and Carissa were brought to the ambulance bay by our firefighters. He was still pissed that she’d begged the first responders to save her first, and to hell with the guy she’d married only earlier that day.

    ‘DON’T TELL HER HOW I AM, SHE DOESN’T GET TO KNOW ANYTHING’ | While treating Carissa, the bride beseeched Jo to put her in the same room as Shane. When she admitted to Tom what she’d said to Shane in a moment of panic, Koracick cracked that maybe she could blame it on brain bleed. When Jo filled in Shane on Carissa’s condition, he instructed her not to tell his wife that he was being wheeled into surgery — or anything. Natch, Carissa realized at once that Shane was still mad. “I was wrong that no one would miss him,” she cried. “It’s only been a few hours, and I already miss him so much, I could burst.” Shortly, Jo filled in a still-unconscious Mer as a way of backing into admitting that she wanted to change specialties. “Since Alex left, my house hasn’t been my happiest place,” Jo said, “so I want work to be.” Oh, and she’d repeat it all when Grey woke up. “I can’t take any more worst days here.” Following Shane’s surgery, he seemed ready to stick a fork in his brand-new marriage — until Bailey gave him what-for. At last, he asked to see his bride, at least via tablet. Only when they were face to face, he told Carissa that he wanted an annulment. She’d been selfish when he met her and was selfish now, he just no longer found it charming.

    ‘LET’S HAVE SEX IN THE KITCHEN!’ | Left alone at home without the kids, Link and Amelia started down the path to sexytime when she broke down crying. In response, off a remark from his mom about Amelia being his wife, Link got down on bended knee. But that wasn’t what she wanted at all, she just needed a good cry. “It just hit me,” she later said, “that it’s been months since I was able to feel whatever I want without worrying that I’m going to scar a child.” But, um, did she want to marry him? Did he want to marry her? He’d sworn he’d never put a kid through what he went through with his folks’ divorce. And she feared that she was wired for self-destruction; lately, she’d gone to sleep dreaming of getting high. She even thought about it when she was feeding Scout. Later, she shared that she couldn’t so much as smoke weed because if she did, she might forget that she couldn’t do heroin. So “for the record, I would marry you in a hot minute,” Link said. She was stronger than most addicts. With that, he got down on one knee again, and she hollered, “No!” again. Later still, Amelia admitted that she loved Link so much, it was all she could do not to have a panic attack. In exchange for her not getting high, he promised to no longer propose to her in a remotely compulsory manner. With that, they took advantage of the empty house and the roaring fire… just as his parents returned with the kids.

    ‘YOU WANT TO CUT OUT A PART OF HIS HEART?!?’ | When Cormac found Chris in a state, the doc invited him to go outside or to the chapel… “So I can pray for someone else’s kid to die?” Chris asked. He then admitted that Arthur’s mom Holly had been struggling desperately since the pandemic hit. Maybe it was postpartum or the state of the world… but it was bad. “We can’t lose” the baby, Chris sobbed to Hayes. Hoping to save the tot, Cormac attempted to recruit Maggie. “Aren’t you supposed to be a genius or something?” he asked when she suggested throwing in the towel. “It’s not giving up,” she replied, “it’s letting [the parents] go on.” Luckily, a conversation with Jo about forgiving her mother gave Cormac an idea about how to treat Arthur. Chris was skeptical: cut out a part of Arthur’s heart to put in a pump? He had to call Holly. Before the procedure, the new dad tearfully told his baby that he’d already given his parents a lifetime of joy. Miraculously, Maggie and Cormac pulled it off! “He’s OK,” Chris told Holly. “And bionic!”

    'HOTELS ARE KICKING PEOPLE OUT TO MAKE ROOM FOR YOUR NEW ARRIVALS’ | Trying to do some good, Jackson began letting Levi book hotel rooms for patients who tested positive for COVID and had nowhere to safely quarantine. But his good deed backfired, it seemed. A community-outreach program was being stymied by his efforts — their homeless beneficiaries were being thrown out to make room for Richie Rich’s. Ah, he hadn’t realized that that would happen, he told Mama Ortiz when she called him out. Great, she fired back. “We’ll just tell everyone it wasn’t on purpose. That should keep ’em real warm tonight.” Though he remedied the situation, Alma would cut him no slack. Temporary fixes weren’t real fixes. What’s more, “all of this is too much,” she cried. Later, Jackson paged Alma, who quickly apologized for speaking up for underserved communities. But he felt the same way — and wanted to hear her ideas, based on her past stint as a social worker. She had good ideas, he had deep pockets — they could make a hell of a team.

    ‘HELLO, SLEEPYHEAD’ | As the episode neared its conclusion, Mer woke up and immediately apologized to Richard for having had to put her on a vent. However, “I’m glad I chose you,” she added. Oh, and “we need to talk about Wilson.” Guess Mer heard what Jo’d said earlier about changing specialties! As Jo was leaving the hospital at the end of the day, Richard approached her offering his support. But he had to know what was going on. Back at Mer’s, Link suggested that he and Amelia check in every few weeks to make sure that they were comfortable with their decision not to tie the knot. “Are we super broken or super evolved?” she asked. Definitely the latter, he said. At Owen’s, he apologized to Teddy for his reaction to her confession about Allison. He also admitted that he should’ve known she was going through something to do what she had to him with Tom. He wasn’t sure if he could be more to her now than a friend, but at very least, he wanted to be that. Credit where it’s due: That’s progress, Owen. In our last shot, Bailey, Richard and Maggie marveled at how amazing Mer was. Even when she was sleeping, she was apparently listening.

    TV Ratings: SVU Soars to 4-1/2 Year Audience High With Stabler's Return

    (4/2/21) In the latest TV show ratings, Law & Order: SVU this Thursday drew 7.63 million total viewers — its largest audience in four-and-a-half years — along with a 1.6 rating — which marks almost a three-year demo high — with Stabler’s return for the set-up of the Organized Crime spinoff.

    Law & Order: Organized Crime itself then debuted to 7.56 mil and a 1.5.

    Opening NBC’s night, Manifest kicked off Season 3 with 3.8 mil and a 0.6 down a tick from its sophomore averages (3.9 mil/0.7).


    ABC | Station 19 (4.5 mil/0.7), Grey’s Anatomy (4.1 mil/0.8) and A Million Little Things (2.6 mil/0.4) all dipped.

    FOX | Hell’s Kitchen (2.5 mil/0.7) dipped. The Moodys opened Season 2 with 1.1 mil/0.3 and then 950K/0.2, down sharply from what Call Me Kat and Last Man Standing had been doing.

    CBS | Young Sheldon (6.4 mil/0.6) dipped, United States of Al (5.1 mil/0.5) fell shy of what B Positive was doing in the time slot, Mom (4.8 mil/0.5) was steady, and B Positive (3.7 mil/0.4) hit lows in its new time slot. Clarice (2.4 mil/0.3) also slipped to season lows.

    ‘Grey’s Anatomy’ Surprise Returning Star On Touching Reunion & More – Q&A

    (4/2/21) ( After a string of intense and heavy episodes marked by tragedy, including the deaths of DeLuca as well as Bailey’s mom, Grey’s Anatomy delivered a hopeful one-hour tonight. The biggest development came at the very end, when Meredith (Ellen Pompeo) was taken off the ventilator and was able to breathe on her own. She was “helped” by two old friends who tragically died nine years ago, her sister Lexie Grey (Chyler Leigh) and Mark Sloan (Eric Dane) who visited her on the beach and made the case why she needed to fight to live. While Leigh’s return was revealed in the promo at the end of last episode, Dane’s appearance was kept a surprise as his Mark joined Meredith and Lexie on the beach. As the trio chatted, Mark shared that he talks to his daughter Sofia, as well as her moms, Callie and Arizona, all the time. Mark and Lexie also showed a lot of affection towards each other, and when Meredith asked if the two were still together, Mark said, “On your beach it looks like we are.”

    While Meredith kept saying how much she loves it on the beach, Lexie and Mark talked about what they miss about being alive and urged her to choose life. “Don’t waste one single minute,” Mark said in their final conversation before Meredith was taken out of the coma, possibly ending the season-long beach motif, conceived by showrunner Krista Vernoff, which also featured visits from Patrick Dempsey’s Derek Shepherd and T.R. Knight’s George O’Malley.

    Elsewhere in the episode, there were positive developments all-around. The two main medical cases had happy endings, including one where the doctors at Grey Sloan Memorial faced a Sophie’s Choice situation with one ventilator left and a mother and her daughter both in desperate need to be intubated. Teddy was on the mend, Owen and Koracick almost reconciled. And, along with Meredith’s successful reentry after she was taken off the machine, Winston proposed to Maggie at the end of the episode, and she said yes.

    In an interview with Deadline, Dane spoke about how his Grey’s return came about. He took us behind the scenes of filming the beach scenes with Pompeo (in person) and Leigh (via green screen from Vancouver where she films Supergirl), sharing his take on Mark and Lexie’s relationship status and the duo’s pivotal role in giving Meredith strength to cling onto life when she is taken off the ventilator. He also discussed the remarkable longevity of Grey’s Anatomy and his return to production on his current series, HBO’s Euphoria.

    DEADLINE: When and how did you get approached about returning to Grey’s Anatomy?

    ERIC DANE: I was in Shanghai, filming a movie, a Chinese production for that market, a historical piece, and Krista reached out to me and said, “Hey, I’d like to talk to you about something, let me know when you have some time.” I said, “Well, I’m in Shanghai, China right now, let’s talk right when I get back.” I don’t remember the timeline; I know I was in Shanghai in August. She explained to me what was happening in the story, and she said, “We want to put Mark Sloan on the beach with Lexie Grey.”

    DEADLINE: What was your reaction? Did you like the idea?

    DANE: Yeah, I thought it was a great idea. I thought it made sense, considering the circumstances.

    DEADLINE: What do you mean?

    DANE: I mean, if you’re ever going to bring Mark Sloan back, I guess with Meredith in a coma, it’s a good way for her to see him. So, it wasn’t a tough sell, and it made sense.

    DEADLINE: Tell me about the filming of your scenes. You got to spend time with Ellen, the crew. How was it going back into character, revisiting your past and reuniting with old friends?

    DANE: It was like I’d never left. It was a great day at the beach. It was great to see some of the familiar faces and same crew members, and we didn’t skip a beat. I love those people. I spent a significant portion of my life with those people, I’d do just about anything for them.

    DEADLINE: What did you and Ellen chat about in-between takes?

    DANE: Masks, Covid. I haven’t seen Chyler in a while, but Ellen I stay in contact with, and just, how are the kids? Kids are good. Small talk. There wasn’t a lot of time in-between takes because of the protocols and how we had to set it up. So, once we got going, it was almost like a runaway train.

    DEADLINE: And it was easy to go back into character?

    DANE: Yeah. I mean, look, I created Mark Sloan. It was not that difficult for me to get back into character.

    DEADLINE: What did you think about Mark and Lexie playing such an important role in giving Meredith a will to live and a reason to fight as she soon thereafter started to breathe on her own?

    DANE: Well, Mark Sloan and Lexie Grey are embedded in the DNA of that show, and also literally, Lexie and Meredith share the same DNA. So, I think there’s a connectivity there and reminding her that, gone but not forgotten, we’re always around if you need us, and it’s too early for you to stay on the beach.

    DEADLINE: And there was something comforting, I’m sure, in you reassuring fans that Mark is OK…

    DANE: Sure. Absolutely. You see that everybody’s okay and happy; it allows you to want to come back for something.

    DEADLINE: … And that Mark also is watching over his daughter.

    DANE: Yeah. Whether she’s listening to me or not, you always have somebody looking over you. I lost my father at a very early age, and I feel like he’s watching over me in some capacity.

    DEADLINE: When Meredith asked whether Mark and Lexie were together, you said “On your beach, we are”. What do you make of that? Does it mean that they’re happily together in our imagination?

    DANE: I didn’t dig too deep into that. I sort of took it as like, not in your imagination but the way you’re seeing it in your subconsciousness, wherever you are right now, whatever state of being you’re existing in, in this coma, fever dream, whatever it is, I guess that’s [Meredith’s] projection of perfection. Mark and Lexie are together forever, and I’m sure Mark and Lexie aren’t too bummed about it either.

    DEADLINE: What is your vision of Mark and Lexie, how you think that their story continues in the afterlife?

    DANE: Mark would’ve found Lexie. He would’ve found her eventually.

    DEADLINE: Since you left Grey’s Anatomy, you did one successful series, The Last Ship, which ran for five seasons, and now you are on a second successful series, Euphoria. Meanwhile, Grey’s Anatomy is still going. How do explain the longevity of that show which continues to be going strong 17 seasons in?

    DANE: Well, I think there’s a lot of factors but at its core it’s just a great show. People connect with the characters on that show. It seemed to have found a whole new generation of viewership. Shows typically will grow up with a generation, an audience, and eventually that audience will either outgrow that show or move onto something else. But with Grey’s, there’s always been an alchemy in that cast, a dynamic, a chemistry which keeps people showing up. The writing’s good. Krista, Shonda [Rhimes], Betsy [Beers] and now Debbie Allen’s exec producing the show. They’re so good at understanding the tone of that show and finding characters that people will invest in, and what that translates to is Season 17.

    DEADLINE: Is there anything you miss about Grey’s?

    DANE: Well, I’ve maintained contact with a lot of the cast members. An answer somebody would give you, had they not, would’ve been I missed the people, but I’m still friends with all of them. So, there wasn’t really anything to miss.

    DEADLINE: Are you going back into production on Euphoria soon?

    DANE: In mid-April. We’re actually started now on Season 2. I think I don’t start shooting for a couple weeks, but we are. I’m sure we’re going to get this out as soon as we can. We’ve set a pretty high bar. I’m very proud of that show, everybody involved is very proud of that show.

    ‘Grey’s Anatomy’: Another Beloved Character Makes A Return To The Beach

    (4/2/21) ( ABC’s Grey’s Anatomy once again found a way to deliver a surprise. After the promo at the end of last week’s episode revealed that Chyler Leigh’s Lexie Grey would join Meredith (Ellen Pompeo) in the Season 17 beach motif, fans thought they knew exactly what to expect tonight, a sweet sister reunion. They still got that but there was a twist — Lexie was joined by Mark Sloan (Eric Dane). The on-again, off-again couple had gotten back together when they both died as a result of a plane crash in the Season 8 finale, and Seattle Grace Mercy West was subsequently renamed Grey Sloan Memorial Hospital in their memory.

    With Dane and Leigh tonight, Grey’s Anatomy completed a return of the four longtime doctors on the show who had tragically died, including Patrick Dempsey’s Derek Shepherd, who has been recurring in the dream sequences, and T.R. Knight’s George O’Malley, who was featured in a December episode. Dempsey and Dane were also the top heartthrobs on the long-running drama with their monikers McDreamy and McSteamy, respectively. Separately, another Grey’s alum, Sarah Drew, whose character April Kepner is very much alive, also is coming back for a guest appearance this season.

    As Meredith, still in a coma on ventilator in real life, sat on the beach with Lexie, the younger sibling said, “It’s so beautiful, I love it here.”

    Said Meredith, “Me too.” Asked whether she would stay on the beach, aka in the land between life and death, Meredith was noncommittal, saying that she didn’t know the rules.

    “I don’t think there are rules,” said Lexie, reminiscing how she loved rules when she was alive.

    Enter Mark Sloan. “You totally did,” he interjected.

    Mentioning his daughter Sofia, Mark told Meredith that she was “early” to join the dead.

    “I don’t know how to get back,” Meredith remarked. “I keep seeing Derek, and he won’t help me get back or come close enough to touch.”

    Said Mark, “It’s not up to him, it’s up to you.”

    With that, the conversation shifted to Mark and Lexie’s relationship status.

    “So you two are together?” asked Meredith.

    “On your beach it looks like we are,” Mark responded before he and Lexie went frolicking by the waves while Meredith watched them with a smile. “I love it here,” she said to herself.

    In the next beach conversation, Mark and Lexie talked about what they miss about being alive and Mark shared that he watches over his daughter Sofia, as well as her moms, Callie and Arizona.

    “So much grief, so much loss, so much pain,” Meredith said, referring to the the harsh realities of the pandemic and the personal tragedies she has faced that make her hesitant to go back.

    She should be disheartened, Lexie contended. “The depth of grief that you felt for the losses is because of the depth of love,” she said. “As long you are alive, you get to feel it and you get to do something about it.”

    In the end, both Lexie and Mark urged her to fight, assuring her that they will be “next to you, yelling in your ear” as she goes through life. “Don’t waste one single minute,” Mark said.

    Moments later, Meredith was taken off the ventilator and began breathing on her own.

    Dane joined Grey’s Anatomy as a recurring guest star in Season 2 and was promoted to series regular in Season 3.

    Yep, Chyler Leigh's Grey's Return Was Done via Green Screen in Vancouver

    (4/2/21) ( Chyler Leigh isn’t a superhero in real life, so when Grey’s Anatomy needed her to reprise her role as dearly departed Lexie — while she was filming Supergirl in Vancouver, which has a strict quarantine process — a bit of Hollywood magic was needed.

    “Chyler was in Vancouver. So we had to work some magic,” former Grey’s cast member Eric Dane, who returned as the late Mark Sloan in the same episode, confirmed for “There was some green screen.”

    Dane, however, did actually film with Grey’s lead Ellen Pompeo in Malibu, California, as Mark regaled Mer with tales from the great beyond. “There was a lot of me and Ellen,” he told THR. Mark and Lexie’s arrival on “Limbo Beach” continued a nostalgia-filled theme for Grey’s Season 17, which has been in motion ever since Meredith contracted COVID and was put on a ventilator. During this time, the show’s title character has been visited by the likes of late husband Derek (played by original cast member Patrick Dempsey), late BFF George (original cast member T.R. Knight), and an ill-fated DeLuca (Giacomo Gianniotti) — and now the late Lexie and Mark, as well.

    Grey's Recap: Beach, Please — Were Mark and Lexie Able to Finally Send Mer Back to the Land of the Living?

    (4/2/21) ( After last week’s promo, we all knew that Thursday’s Grey’s Anatomy would be bringing back Chyler Leigh as the late, lamented Lexie Grey. The question was, would she be sending Meredith forth — as in getting her off that damn beach already and returning her to her family and friends? Read on and, if you don’t know by now, find out.

    ‘WE ARE DOWN TO OUR LAST FOUR VENTILATORS’ | As “Breathe” began, Mer was joined on the beach by Lexie. Meanwhile, in reality, Maggie, Mama Ortiz and Levi treated Marcella, whose daughter Veronica was also at Grey Sloan suffering from the effects of COVID. Nearby, Jo continued to bond with Luna and tended to Irene, Cormac’s sister-in-law, who was both at high risk for coronavirus owing to her MS and, as an added bonus, had a kidney stone. Maggie was feeling some pre-separation anxiety over the fact that Winston was due back in Boston. And finally, Richard reported to Team Grey Sloan that they only had four ventilators left, so they were all going to have to think creatively. Did they ever not?

    Back on the beach, Lexie asked Mer if she was going to remain on the beach. “It takes some getting used to,” Lexie admitted. Aw, and just as she copped to having loved rules, Mark showed up to affirm that oh yeah, she had. There was some more talk about the sand not having been real. Then Mer confirmed that on her beach, the star-crossed lovers got to be together in the end. “I like it here,” Grey said. We could see why. Mark told Mer that he often yelled as best he could at his loved ones to wake up, not waste a moment. Then he gave them credit for coming up with the idea. Later, Lexie challenged Mer to find things, even in a pandemic, to enjoy. And what did she savor? Stuff like little Bailey face-planting in his birthday cake (and Zola laughing so hard at it that she peed her pants).

    ‘THAT IS IMPOLITE ADULT CONVERSATION’ | Back up and at ’em, Tom crossed paths with Owen. At the same time, Teddy brought Leo and Allison to Mer’s, where Amelia suggested that they could have tea and not be covered in puke for an afternoon. Watching the kids, Amelia added that Teddy’s grief over DeLuca might ease if she shared it. In turn, Teddy asked if there was a recovery program for people who aren’t addicts who still blew up their lives. At the hospital, Owen texted with Cristina, who insisted on receiving a photo of Mer’s monitors. And, after Link scrubbed in with Richard, Webber pitched a fit because they were now down to their last damn ventilator — they’d have to shut down the trauma unit. (Yep, it was a zippy episode!)

    ‘THIS IS NOT A CATASTROPHE, IT’S A COMPLICATION’ | After ascertaining Irene’s condition, Cormac floated the idea of having Catherine scrub in. His kids had already lost their mother, he didn’t want them losing their aunt, too. “He pulled the biggest” strings, Catherine said after showing up. Irene was worried that her treatment would go the way of her late sister’s. But Catherine assured her that she wasn’t just in good hands, she was in the best ones — hers. As Irene was wheeled into surgery, she teased Cormac about Mer… until she found out that Grey was in dire straits. Operating on Irene, Catherine encouraged Jo to consider urology. Just as they were finishing up, they discovered that Irene was far worse off than they thought — her ureter came out with the kidney stone!

    ‘SAVE MY BABY GIRL!’ | As Marcella’s condition deteriorated, Veronica was consulted about next steps. However, she was hardly in any condition to advise on them. “Save my baby girl!” Marcella pleaded. “Save my mom!” Veronica pretty much said when it was her turn. She then went on to blame herself for showing up and hugging her mother on her birthday. “And it might’ve killed her,” she added. Sweetly, Alma assured Veronica that her mom would never regret that embrace. Before we knew it, Veronica was found near collapsing on her way to the elevator, and Maggie and Jackson were trying to keep her alive. At the same time, her mom began crashing after Levi rapped for her. “No, no,” Sara pointed out, “that is not rap.”

    ‘CHILD, WHO THROWS AWAY A KIDNEY?’ | Alas, Schmitt and Sara had no sooner intubated Marcella than they learned that there was no ventilator for her. Cornered, the doctors decided to give Veronica the ventilator, respecting Marcella’s wishes. Outside the hospital, Maggie told Winston that if she’d known she’d have to choose between giving a mother and a daughter a ventilator, she’d have quit med school. Just then, it occurred to her that the same way she and her beau shared ear buds, maybe Marcella and Veronica could share a ventilator. “I just have to dance,” Richard exclaimed, because he could reopen trauma and give his daughter a raise. Of course, the whole situation weighed heavily on Alma and Sara. As Jo hollered at Catherine about leaving Irene with only one kidney, Jackson’s mom shut her right up. “I’m putting it back, Wilson!” Duh! Afterward, Cormac thanked Jo for… well, just thank you. “She single?” asked Irene, who was keen on Alex’s ex. It didn’t get much more intimate, after all, than having your kidney in somebody’s hand!

    ‘IT’S A YES!’ | As the hour drew to a close, Mer was extubated. But, were Lexie and Mark able to send her home? At that very moment, she was going on about all her loss and pain. What caused the pain? Mark asked. Grey hated him knowing things that she didn’t. She just didn’t want to say it. Lexie didn’t mind, though — the depth of pain was equivalent to the depth of love. Mer couldn’t resist change. Nor could she really miss them. They were right there with her, often yelling in her ear. Don’t waste your life, they urged her. And as everyone at Grey Sloan began to boogie, it became clear that Mer was breathing on her own. Maggie even liked her job again! She’d been inspired by Winston — and them. She was saying that she didn’t want him to go back to Boston when he opened up his earbuds container to reveal an engagement ring. “I can’t imagine life without you anymore,” he said, “and I don’t want to try. Margaret Pierce, will you marry me?” In response, she said an ecstatic yes. That night, Owen was able to tell Zola that her mom was off the ventilator. He even gave Teddy the credit.

    Grey's Anatomy Welcomes Two New Arrivals to Limbo Beach

    (4/2/21) ( When the late Lexie Grey visited Grey’s Anatomy‘s Limbo Beach this Thursday night, it turned out she was not exactly alone.

    Shortly after Lexie (played by former cast member Chyler Leigh) greeted big sis Mer, who has been dilly-dallying in the idyllic mindscape whilst battling a case of COVID-19 back at Grey+Sloan, the two were joined by dearly departed Mark Sloan.

    It was suggested that Lexie and Mark were “back together” in the afterlife. Or something. Mark also shared how, from the great beyond, he has tried his darndest to give counsel to Callie and Arizona, and their daughter Sofia.

    Dane first joined Grey’s midway through Season 2, as a blast from Derek and Addison’s past (given that he was with whom the latter had had an affair). Years later, Mark was in the same small-plane crash that killed Lexie, though he would not succumb to his injuries until two episodes later (as part of the Season 9 premiere).

    Dane went on to front the TNT action-drama The Last Ship for five seasons, as Captain Tom Chandler, and co-star on HBO’s Euphoria.

    Lexie and Mark’s arrival on “Limbo Beach” continues a nostalgia-filled theme for Season 17, ever since Meredith contracted COVID and was put on a ventilator; during this time, the show’s title character has been visited by the likes of late husband Derek (played by original cast member Patrick Dempsey), late BFF George (original cast member T.R. Knight), and an ill-fated DeLuca (Giacomo Gianniotti).

    Sterling K. Brown & Laverne Cox Among All-Star Cast Of ‘The Normal Heart’ Virtual Benefit Reading

    (4/1/21) Sterling K. Brown, Laverne Cox, Jeremy Pope and Jake Borelli are among the all-star cast of a virtual benefit reading of Larry Kramer’s The Normal Heart, to be directed by Paris Barclay.

    The May 8 reading, to raise funds for ONE Archives Foundation and Invisible Histories Project, will include a special introduction by Martin Sheen.

    Rounding out the cast are Vincent Rodriguez III (Crazy Ex-Girlfriend): Guillermo Díaz (Scandal); Jake Borelli (Grey’s Anatomy); Ryan O’Connell (Will & Grace); Daniel Newman (Walking Dead); Jay Hayden (Station 19); and Danielle Savre (Station 19). The reading, according to producers, will mark the first performance of Kramer’s Tony-winning play to be performed by a predominately BIPOC and LGBTQ cast.

    “When I was approached by ONE Archives Foundation to direct a virtual reading of The Normal Heart, I knew it was an opportunity I couldn’t pass up,” said Barclay (Station 19, Scandal). “I lived in New York through the 1980s, saw the original production with Brad Davis, and have never forgotten the experience. And through today’s lens, the story of a marginalized people pushed to activism by the onslaught of an epidemic clearly was worth telling again.”

    Funds raised from this event will support ONE Archives Foundation’s LGBTQ education initiatives, including K-12 lesson plans on HIV/AIDS, teacher trainings, youth engagement, and ONE Archives Foundation’s exhibitions. The benefit also supports Invisible Histories Project’s efforts to preserve the legacy of HIV/AIDS and LGBTQ activists through archiving, inclusion training, exhibitions, and programs about Southern LGBTQ history.

    The Normal Heart chronicles the early days of the HIV/AIDS crisis in New York City, based on Kramer’s cofounding the Gay Men’s Health Crisis in 1982. The play premiered Off Broadway at New York’s Public Theater in 1985, and was staged on Broadway by director Joel Grey and starring Joe Mantello in 2011, winning a Tony Award for Best Revival of a Play. Ryan Murphy directed a 2014 film adaptation for HBO.

    Tickets go on sale April 8 here.

    The reading is scheduled for Saturday, May 8 at 5 pm ET.

    Ratings: Call Me Kat Dips With Finale, Superstore Closes Steady

    (3/26/21) In the latest TV show ratings, Fox’s yet-to-be-renewed Call Me Kat closed out Season 1 with 2.02 million total viewers (its third-smallest audience) and a 0.5 demo rating, dipping a tenth week-to-week.

    Bookending the freshman sitcom, Hell’s Kitchen (2.7 mil/0.8) was steady, while Last Man Standing (2.3 mil/0.4) was down.


    NBC | Superstore‘s double-episode series finale averaged a hair over 2.5 million viewers (its second-largest audience of the season) while matching last week’s 0.5 demo rating. TVLine readers gave the series ender a rare average grade of “A+”; read our many post mortems.

    ABC | Station 19 (5 mil/0.7) and Grey’s Anatomy (4.9 mil/0.9) both dipped, though they respectively led Thursday in viewers and in the demo. A Million Little Things (3.1 mil/0.5) was steady.

    THE CW | Leding out of that Harry & Meghan special, Legacies dipped to its second-smallest audience (502K) while steady in the demo (with a 0.1.).

    ‘Grey’s Anatomy’ Sets Chyler Leigh Return As Lexie Grey – Watch Promo

    (3/25/21) (Video) Two weeks after the death of Andrew DeLuca, ABC’s Grey’s Anatomy is preparing for the return of another beloved Grey Sloan Memorial doctor who had died tragically, Lexie Grey. Nine years after she left the show, Chyler Leigh is coming back. She will be featured in next week’s episode (April 1), reprising her Lexie Grey character as part of this season’s recurring dream beach motif. The reunion of Lexie and her sister Meredith is being teased in a promo, which will air at the end of tonight’s episode of the ABC medical drama.

    The Season 17 beach theme is the brainchild of executive producer/showrunner Krista Vernoff, introduced to bring joy amid the grim realities of the pandemic as reflected on Grey’s. Leigh’s Lexie follows Patrick Dempsey’s Derek Shepherd, who has been recurring in the dream sequences, and T.R. Knight’s George O’Malley, who was featured in a December episode. Separately, another Grey’s alum, Sarah Drew, whose character April Kepner is very much alive, also is coming back for a guest appearance this season.

    Leigh’s Lexie Grey is Meredith Grey’s (Ellen Pompeo) younger paternal half-sister. Her character was introduced at the end of Season 3 when Lexie transferred to Seattle Grace Hospital as a new surgical intern after her mother’s sudden death and was named a surgical resident in Season 5. Lexie’s main storyline involved her on-again, off-again relationship with plastics attending Mark Sloan, played by Eric Dane. Both died in a plane crash in the Season 8 finale. Seattle Grace Mercy West was subsequently renamed Grey Sloan Memorial Hospital in their memory.

    Nothing has been confirmed but, the way things have been going, Dane’s Mark Sloan may also drop by to complete the lineup of Grey’s longtime fan favorite doctor characters whose lives had been cut short by tragedy that are now reuniting with Meredith on the beach as she fights Covid-19.

    “I would say, chances are good you’ll see other people on the beach,” Vernoff told Deadline earlier this month.

    Leigh was on Grey’s Anatomy for six seasons, five of them as a series regular.

    Grey's Recap: Lost and Profound

    (3/25/21) ( OK, guess Grey’s Anatomy “casualty” Giacomo Gianniotti wasn’t kidding when he told TVLine that there are lots of ways that DeLuca could still appear on the ABC drama. The late doctor returned in Thursday’s episode, in twisty visions in poor, shattered Teddy’s head. But was their “reunion” — could anything be — enough to soothe her mind and mend her heart? Read on and find out.

    ‘YOU SAID YOU COULD SAVE HER’ | As “In My Life” began, Teddy remained borderline catatonic at her and Owen’s place even as he chattered away in hopes of getting a — any — response. When Amelia dropped by with fluids for Teddy, she insisted on trying to reach her ex’s ex-fiancée. But at that very moment, Teddy was in her head, walking through a dreamscape version of Grey Sloan until she happened upon Meredith, sitting up right as rain in her bed. Just then, DeLuca wheeled in a patient, at which point Mer went back on the ventilator. And DeLuca’s patient? It was Teddy herself, in a body bag. Suddenly, she and Andrew were in the O.R., and she was supposed to operate on Mer… and we flashed back to 9/11… and then ill-fated old flame Allison was running around Grey Sloan. Whoa. It was a lot. Needless to say, Amelia had no luck reaching Teddy. “She hasn’t spoken, she hasn’t eaten,” Owen told Amelia. “If something doesn’t change soon, I’m gonna have to have her admitted.” Back in Teddy’s head, Mer happened upon Altman about to meet Tom in Lot B and run out on Owen. Her problems, Grey suggested, began much further back than Owen. Man, this was a jump-around episode. In the car with Koracick, Teddy discovered DeLuca in the backseat — and a hand grenade in her purse. “This should be fun,” cracked Andrew. The following (?) morning, Tom served Teddy pancakes and champagne in bed — just as Leo manifested in her arms. “Owen’s gone,” Koracick suddenly reported. He took the kids and ran. “You ruined my life… I ruined my life,” she cried. “I don’t want this life.” Good Lord, this whole episode was like interpretive dance. She put the grenade in Tom’s hand, and kaboom.

    ‘TALKING DOESN’T HELP’ | After a commercial break, a blown-up Tom was replaced by DeLuca, throwing to flashbacks of Teddy’s whole tumultuous history with Owen. “We need to go back further,” per Mer, Teddy noted. Plus, if she never met DeLuca, she couldn’t hurt him, much less kill him. So we rewound (?) to a scene in which Owen proposed to Teddy in bed. “I don’t want there to be any secrets between us,” she said. With that, she revealed that Allison hadn’t just been her friend, she’d been the love of her life. “I’m so sorry you lost her,” he said, sounding entirely un-Owen like. Next thing we knew, DeLuca was marrying Teddy and Owen as he got texts from Amelia and his ex-fiancée Beth and even Cristina. From there, we cut to Teddy returning home to find Owen planning the holidays with Amelia. Did she come first? “No, Cristina comes first.” It wasn’t Teddy’s fault that she didn’t know how to love. In short, he kept looking past her as if she wasn’t there. “I love Teddy,” Owen said, “but she’s no you, Amelia.” While all that was going on, Owen was telling Amelia he was done with Teddy. She didn’t get to own the loss of DeLuca exclusively. Owen wanted her to be well, but… all he really saw was red. “There’s nothing I can do about it.”

    Shortly, a grody fantasy surgery was interrupted by DeLuca asking Teddy if she’d loved Allison at first sight. And she pretty much had. They’d met the year both of Teddy’s parents had died, and Allison had gotten her through it. In a flashback, Teddy expressed to Allison that even when she knew her dad’s time was short, she couldn’t believe that he would leave her and her mom. He hadn’t let his daughter get so much as a gerbil because a pet meant heartache; they’d inevitably leave her. Understanding, Allison promised to go get the Scrabble board on which Teddy had played with her dad in his last days. Moved, Teddy went to kiss Allison, for the first time, it seemed. “I’m sorry,” said Teddy, “but I’m not sorry.” In her vision of DeLuca, Teddy said that she had killed Allison — by turning down her offer of pancakes on the fateful morning that she died. “If I had just said yes, she’d still be here.” Hey, maybe Teddy could still save DeLuca. “What if it’s not too late?” From there, we cut to Teddy agreeing to have those pancakes of Allison’s.

    ‘YOU NEED TO FORGIVE TEDDY’ | While Teddy was lost in her head, Amelia insisted to Owen that he needed to forgive his former fiancée. No way, he said. Her constant lying was despicable. He was just mad that she had her own Cristina, Amelia argued. (Oh, nailed it!) He couldn’t hold it against Teddy that she never told him about Allison; she had PTSD, for crying out loud — same as he had when he’d choked Cristina. He didn’t go around telling everybody about that, did he? (Amelia was on fire this episode.) In another flashback, Allison told Teddy that she wanted to come clean with Claire. But Teddy didn’t want any pain to interfere with their day. “Your dad should’ve let you have the gerbil,” Allison suggested. Suddenly, there were screams, people pointing… The 9/11 attacks had begun. And even though Allison wasn’t at the Twin Towers, she began smelling smoke, choking… Despite being with Teddy, Allison still died. (Not sure during a pandemic was really when we all wanted an episode that took us back to 9/11, but here we were.)

    As the hour neared its conclusion, Teddy and Mer wandered the body-strewn halls of Grey Sloan as 9/11 ash fell all around them. At Owen’s, he admitted to Amelia that maybe it would’ve been easier if Teddy had just left with Tom. “It’s like there’s a wet, heavy blanket of fatigue over me,” Owen said. That, she replied, was his defense against Amelia suggesting he stop hating Amelia. So what did they do? Pray, as in AA, for those that they resented. “You’ve done it before,” she reminded him. “Ya did it with me.” Finally, with Mer, Teddy at least mentioned Henry. “You run from pain,” Grey deduced. Over and over. “We run from joy, too, but they’re a package deal.” With that, Teddy beseeched Grey not to die. “I’ll do my best,” Mer said. And just like that — oh dear — Teddy appeared to get over it. She sat up in bed, and after Owen showed Amelia out, he found the patient tending to baby Allison.

    Krista Vernoff Signs New Overall Deal With ABC Signature As Negotiations For Season 18 Of ‘Grey’s Anatomy’ Continue

    (3/25/21) One of ABC Signature’s top showtunners, Krista Vernoff (Grey’s Anatomy, Station 19, Rebel) is staying put with a new multi-year overall deal for her company Trip the Light Productions. Closing a new big two-year pact with Vernoff represents a key piece of the complex effort to bring Grey’s Anatomy back for Season 18.

    The other is closing new pacts with original cast members Ellen Pompeo, Chandra Wilson and James Pickens Jr.. Negotiations with the trio continue, and there have been promising signs. Securing the actors would seal a renewal, which is coming down the wire, with Vernoff planning for a season and series finale as production on Season 17 is winding down.

    Vernoff, who has led Grey’s Anatomy‘s resurgence over the last several seasons, is executive producer and showrunner on three ABC series, Grey’s Anatomy and spinoff Station 19, both from ABC Signature, and freshman Rebel, which ABC Signature co-produces with Sony Pictures TV.

    “Krista Vernoff is a superstar who makes the almost impossible task of running three shows seem like a reasonable amount of work. I am honestly in awe of her,” said Dana Walden, Walt Disney Television Chairman of Entertainment. “Everyone at the studio and network is grateful for the tremendous job she’s done on the amazing Shondaland shows, and we are proud to be launching Krista’s first creation, Rebel, on ABC in two weeks. The optimism, intellectual curiosity and quest for social justice embodied in its title character are traits that could easily apply to Krista herself, and those are just a few of the qualities that make us feel lucky to work with her every day.”

    When Rebel premieres April 8, Vernoff will join the elite ranks of showrunners who oversee an entire night of television with ABC’s Thursday lineup, consisting of Shondaland’s Station 19 at 8 PM and Grey’s Anatomy at 9 PM, followed by Rebel at 10 PM.

    Vernoff, who will continue to serve as president of Trip the Light Prods., executive produces Rebel with her producing partner — and husband — Alexandre Schmitt who serves as president of production and development for Trip the Light. The company has brought in Kasha Foster as Director of Diversity, Equity and Inclusion. In the new position, she will work closely with writers, talent, and producers, providing guidance throughout the storytelling process from script to screen.

    “We’re so grateful for the enthusiastic support and creative freedom afforded us by Dana, Jonnie (Davis), and all our wonderful partners at ABC Signature,” Vernoss said. “We’re thrilled to continue and deepen our relationship with the studio – we couldn’t think of a better place to call home.”

    Vernoff, whose series credits also include Shameless and Private Practice, is repped by UTA and Jeanne Newman at Hansen Jacobson.

    Sandra Oh Lends Her Voice To ‘Stop Asian Hate’ Protest In Pittsburgh

    (3/21/21) Actress Sandra Oh has stepped up as part of the nationwide protests this weekend decrying hate and violence against the Asian American Pacific Islander (AAPI) communities.

    Oh appeared at a rally in Pittsburgh on Saturday, speaking to a crowd of masked people and saying she’s “proud to be Asian.” The Killing Eve actress declared her support for Asian Americans during a time when violence against the community has been rising.

    “Pittsburgh, I am so happy and proud to be here with you, and thank you to all the organizers for organizing this just to give us an opportunity to be together and to stand together and to feel each other,” said Oh, according to CBS Pittsburgh. “For many of us in our community, this is the first time we are even able to voice our fear and our anger, and I really am so grateful to everyone willing to listen.”

    She added, “I know many of us in our community are very scared, and I understand that. And one way to get through our fear is to reach out to our communities. I will challenge everyone here, if you see something will you help me?”

    Oh then led a group chant of “I am proud to be Asian.”

    Before the rally, Oh posted on Instagram regarding the shooting deaths of eight people in Atlanta, and pointed toward organizations that will help the Asian community.

    “I send loving kindness and support to the families of the eight souls murdered in Georgia on March 16,” she wrote. “And to all the victims of racist violence. I am devastated and profoundly angry. I know many of you are scared but let us not be afraid.”

    “Remember #itsanhonorjusttobeasian,” Oh added.

    Along with Oh, many Asian American stars have spoken out against the rise of violence in the aftermath of the Atlanta shooting, including Olivia Munn, Daniel Dae Kim and Jamie Chung.

    TV Ratings: Fox's Thursday Lineup Rises, Station 19 Eyes Series Lows

    (3/19/21) In the latest TV show ratings, Fox’s Hell’s Kitchen (with 2.6 million viewers and a 0.8 rating) and Last Man Standing (2.3 mil/0.5) ticked up in both measures and each tied their season highs in the demo.

    Call Me Kat (2.2 mil/0.6) meanwhile surged to an eight-week high in the demo.

    Over on ABC, Station 19 (4.9 mil/0.7) slipped to new series lows, Grey’s Anatomy (4.9 mil/0.9) dipped to a new audience low while holding onto last week’s Biden-impacted demo low, but A Million Little Things (3 mil/0.5) ticked up!


    NBC | Superstore (2.3 mil/0.4) ticked up with America Ferrera’s early return.

    CBS | The Unicorn‘s final two Season 2 episodes did 3.3 mil/0.4 and 3.1 mil/0.4, both down from March 4 but not quite marking demo lows.

    THE CW | Walker (1.42 mil/0.3) and Legacies (600K/0.1) both added viewers, with the former also rising in the demo.

    Grey's Recap: The Mourning After

    (3/18/21) ( The dark cloud hanging over Grey’s Anatomy loomed ever larger and darker in Thursday’s episode. How could it not, what with DeLuca no longer making rounds, Meredith lingering in limbo between life and death, and oh yeah, that whole soul-sucking global pandemic thing, too. But on a cheerier note — hey, we’ll take what we can get! — we got another glimpse of Derek as well as a new drinking game courtesy of Jackson, Jo and Link. Read on, and I’ll (hic) tell you all about it.

    ‘SHUT THE DOOR ON YOUR WAY OUT’ | As “It’s All Too Much” began, our protagonists reeled from their loss, with Owen packing up DeLuca’s locker, Catherine comforting Richard, and Teddy coming face to face with the deceased? No, it was actually Cormac. “We really need some good news,” she told an unconscious Meredith. Speaking of whom, at limbo beach, she ran into Derek, who was busy fishing. Because, ya know, why not? At Jo’s, she admitted to Jackson that she needed joy in her life. “So I am switching specialties to OB.” Did she really think that her booty call would judge her? Considering his habit of going on walkabout, he wasn’t about to. At Mer’s, Maggie fretted over the kids’ reaction to DeLuca’s death. Rather than force her to dance with the youngsters, Winston jumped in, allowing his significant other to cry it out. Back at Grey Sloan, Helm hesitated to record her video tribute to DeLuca. Had they been that close?

    In Bailey’s office, Owen, Teddy and Richard met with the chief, who despite DeLuca’s obvious cause of death, demanded the results of his autopsy. Nearby, Winston, having been granted privileges (beyond the obvious ones) by Maggie, teamed up with his boo on the case of a fellow named Byron, who feared that being treated would give him COVID. Outside, as Levi explained to Nico that his go-to under duress was guilt, especially where DeLuca was concerned, his hookup shared that his was numb. Back at Mer’s, Amelia freaked when she discovered that Link was hiding alcohol around the house. He was stressed all the time, he responded, and dammit, he could drink if he wanted to. He wasn’t an alcoholic. “Sometimes Amelia, you drive me insane,” he railed — and he took the bottle of whiskey with him as he left. But “I’m coming back,” he added, “’cause I’m not a bad guy.”

    ‘DID ANYONE LOSE A NAKED MAN?’ | In Mer’s room, Teddy and Cormac lowered her settings in hopes of getting Grey off the vent. “You can do this,” Hayes assured her. Meanwhile, on the beach, Derek told his true love how much she resembled her mother. “You never got to meet Ellis,” the younger one, that is, she said. But apparently, he’d been watching. He knew all about their daughter. While Byron got an MRI, Winston deduced that the patient had a dental infection. “I thought of it,” Maggie insisted. “You just said it first.” Alas, Byron soon flipped out and went on a tear through the hospital. In a conference room, Richard shared with Catherine that he’d surrendered his sobriety to a higher power. “My faith is rooted in the trust that there is a meaning and a wisdom that I just can’t understand… Today I’m struggling to trust anything, and I just cannot see any wisdom in this.” In response, she reminded him that she lived with stage 4 cancer, and her latest scans were fine. No, none of it made any sense. “You can look for the pain, or you can look for the beauty.”

    At Jo’s, she asked Jackson WTH the stock market was, anyway — which made him joke that it was a good thing she already knew how to live out of her car. Just then, Link showed up saying he was Jackson there for a quick bang. “Happy All Our Friends Are Dying Day,” he said as they poured whiskey. “Oh, we’re day-drinking,” cracked Jo. And indeed, they were. In no time, a pity party was well underway. Back at Grey Sloan, when Winston and Maggie found Byron, he was upset that he wasn’t wearing his mask. “Honey, you’re not wearing anything,” Pierce noted. If he needed to leave, she wouldn’t stop him. But she would follow him, because his heart could only take so much more. “I think we owe it to those we lost,” she said, “to live the lives that they can’t.” Finally, he put his gloved hand in hers. At the same time, Richard yelled at Bailey for wanting to grill their team over DeLuca’s death. “You’re causing me harm,” Webber stated simply. And she’d only cause more by suggesting that they hadn’t all done everything they could to save DeLuca.

    ‘I’M SUPPOSED TO WRITE A WHOLE PAGE ON LIVING FOREVER’ | On limbo beach, Derek reminded Mer of her experience teaching Zola to ride a bike by way of explaining that if she wanted to be closer to him, it was up to her. The more she relaxed, the closer he got. Back in real life, Teddy turned Mer’s settings back up, telling Cormac that she was staying on the vent. At the same time, Zola pondered aloud about whether if there were a medicine that could make you live forever, Amelia would take it. Nah, said her aunt. Impermanence was what made every life special. Back at Jo’s, she established the rules of her, Jackson and Link’s drinking game: Whoever’s story was saddest got the last swig. First, Link told his grim tale. Then Jo admitted that she’d even bought “outfits” to go on dates just before the end of the world. She almost won, too, but as Link pointed out, she had a loft all to herself. Thankfully, since Jackson was on call, he was still sober enough at the end of the round to drive them to DeLuca’s memorial. Speaking of the deceased, Teddy mistook Owen for him. While Meredith was almost face to face with Derek, he encouraged her to listen to Cormac back in reality as he told her about her kids calling every day. Suddenly, Cormac was on the beach. “They need you, Grey,” he said. “We all need you to fight.” She wasn’t sure that she could. She felt so relaxed there. Uh-uh, he insisted. She didn’t want her kids to go through what his had when they had lost their mom. “It’s OK,” Derek told her. “I’ll be right here.” And with that, Mer seemed to stir in her hospital bed — to the point that even Cormac noticed. greys-anatomy-recap-season-17-episode-8-its-all-too-much

    As the hour drew to a close, Bailey bristled when Levi told her that Richard had set up a memorial for Andrew. But he softened her up when he confessed to being a bad Jew. What was probably important was the traditions. “It doesn’t bring the person back,” he acknowledged, “but it does start the healing.” That being the case, couldn’t she let those who cared about her grieve with her? They needed that, and she did, too. Finding Taryn outside the hospital, wigging over DeLuca and the pandemic, Maggie soothed her by standing back to back with her — an insanely sweet gesture. As the memorial was about to begin, Bailey told Richard that she needed some time off. “However long you need,” he said. Among the crowd were Carina, Maya, Tom and the day-drinking club. Painfully, the tribute to DeLuca ended with his Grey Sloan application video. “I will give you the very best of me,” he promised. And that he had. Finally, Link returned home, at which point Amelia said that what she needed from him was no more secrets. “Deal,” he said, and though he reeked of whiskey, they embraced. At the hospital, Owen found Teddy perched on the sidelines where she’d been since the memorial. “I’m gonna take you home,” he said — and then he carried her, yes carried her, away.

    Sarah Drew & Jesse Williams Tease Dr. Kepner’s ‘Grey’s Anatomy’ Return With Behind-The-Scenes Selfie

    (3/16/21) Sarah Drew’s return to Grey’s Anatomy is officially underway as the actress, who starred as the overly eager Dr. April Kepner, shared a on-set selfie with onscreen ex-husband Jesse Williams.

    “Nbd. Not excited at all,” Drew cheekily captioned her Instagram photo, which sees the two Grey’s actors donning masks in a van on the way to set.

    Drew teased her guest appearance slot just days after Deadline learned exclusively that the actress would return as the fan favorite. Kepner’s return to Grey Sloan Memorial adds to the number of surprise appearances from former cast members. Patrick Dempsey shocked fans when he returned to Grey’s Anatomy as Derek Shepherd during the Season 17 premiere. Not too long after, T.R. Knight reprised his role as George O’Malley.

    The actress returns to the ABC hit medical drama after her departure at the end of Season 14 in 2018 after nine seasons. Drew’s April Kepner first joined the Grey Sloan crew as an attending trauma surgeon. The character shares a daughter with ex Dr. Jackson, portrayed by Williams, who also teased Drew’s Grey’s Anatomy return.

    In his own Instagram post, Williams shared a video of him entering a van to head to work. As soon as he takes his seat, Drew pops up behind him, smiling over his shoulder.

    “What?” a shocked Williams says.

    See Drew’s and Williams’ Instagram posts here: (Photo, Video.

    Killing Eve to End With Season 4; AMC Developing 'Potential Spinoff Ideas'

    (3/16/21) The Grim Reaper is closing in on Killing Eve: AMC announced Tuesday that the acclaimed thriller’s upcoming fourth season will be its last. There is, however, an asterisk attached to the end date news.

    The cabler says it is working with Killing Eve producer Sid Gentle Films Ltd. to “develop a number of potential spinoff ideas to extend the show’s iconic universe.”

    Production on Killing Eve‘s eight-episode farewell season is set to begin in early summer. Continuing the series’ tradition of bringing in a new lead writer every season, Laura Neal (Sex Education, Secret Diary of a Call Girl) will oversee Season 4, following in the footsteps of creator Phoebe Waller-Bridge (Season 1), Emerald Fennell (Season 2) and Suzanne Heathcote (Season 3).

    “Killing Eve has been one of my greatest experiences and I look forward to diving back into Eve’s remarkable mind soon,” star Sandra Oh said in a statement. “I’m so grateful for all cast and crew who have brought our story to life and to the fans who have joined us and will be back for our exciting and unpredictable fourth and final season.”

    Jodie Comer, whose role as Oh’s onscreen foil earned her an Emmy for Outstanding Lead Actress in a Drama series in 2019, added, “Killing Eve has been the most extraordinary journey and one that I will be forever grateful for. Thank you to all the fans who’ve supported us throughout and come along for the ride. Although all good things come to an end, it’s not over yet. We aim to make this one to remember!”

    Grey's Showrunner Weighs In On the Series' Chances of Getting a Season 18: 'We All Hope There Will Be More'

    (3/13/21) Apparently, Ellen Pompeo wasn’t exaggerating when she told CBS Sunday Morning that the fate of Grey’s Anatomy is still up in the air. When TVLine recently spoke with showrunner Krista Vernoff, she said the same thing — and that she wouldn’t be the one making the call about whether the series returns for Season 18 or ends with the current Season 17. “That isn’t really my decision.

    “I’m waiting for the news to come down,” she added. In the meantime, “it’s my job to plan for both contingencies.”

    No mean feat, that. “It’s really hard, and it’s frustrating,” Vernoff said, “and I hope to know soon.”

    Should this turn out to be the last season of Grey’s Anatomy, surely it could go on in another form, right? A spinoff set at a rebuilt Pac-North, perhaps? “Honestly, I’m just trying to get through this season,” Vernoff said. “It’s been exceedingly difficult. Like, I don’t even have words that could be hyperbolic about how difficult making this show amidst an actual pandemic has been. “So,” she concluded, “I’ll just say we are all doing our very best, and we all hope that there will be more Grey’s Anatomy, and we hope to know soon.”

    Sarah Drew Sets ‘Grey’s Anatomy’ Return With Season 17 Guest Appearance

    (3/12/21) Amid the darkness of covering the coronavirus pandemic on ABC’s Grey’s Anatomy this season, there have been bright moments, many of them tied to the return of beloved former cast members.

    Following Patrick Dempsey, who has been recurring this season, and T.R. Knight, who appeared in an episode last fall, Sarah Drew also will check back into Grey Sloan this season, Deadline can reveal.

    She will reprise her fan-favorite character of Dr. April Kepner in an upcoming episode.

    And more Grey’s alums might be on their way back, appearing in the dream beach sequences. As Grey’s Anatomy showrunner Krista Vernoff teased this week, “chances are good you’ll see other people on the beach.” Drew left Grey’s at the end of Season 14 in 2018 after nine seasons, eight of them as a series regular. She started as a recurring in Season 6 before getting promoted to a regular the following season.

    Drew’s Dr. April Kepner was an attending trauma surgeon at Grey Sloan Memorial Hospital who joined from Mercy West Medical Center after the merger. She shares a daughter with her ex, Dr. Jackson Avery (Jesse Williams). We last saw her getting hitched to Matthew (Justin Bruening) and quitting her job, though many Grey’s fans — and Drew herself — were hoping for her to end up with Jackson. April’s return could help give the former couple’s story closure.

    Most recently, Drew has been recurring on Freeform’s Cruel Summer. On the feature side, Drew recently starred in Sony’s Mom’s Night Out. She is repped by Innovative Artists, Vault Entertainment and Morris Yorn.

    TV Ratings: Shuffled Around by Biden Address, Thursday Shows Slip

    (3/12/21) With President Biden’s primetime address about the COVID vaccine plan forcing some schedule-shuffling, almost every regularly scheduled network program was understandably down this Thursday night.

    Biden’s address amassed north of 18 million viewers across its primetime coverage on ABC, CBS, Fox and NBC.

    Now, pending adjustment due to different scheduling in different time zones….

    The return of ABC’s Station 19 led Thursday’s regular programming in the demo with a 0.9 rating, while drawing 5.2 million viewers. Continuing the crossover event, Grey’s Anatomy did 4.6 mil and a 0.8, while A Million Little things closed out ABC’s night with 2.7 mil/0.4.

    CBS’ Young Sheldon (5.8 mil/0.7) drew the largest audience of regularly scheduled fare. Leading out of that, B Positive did 4.8 mil/0.6, Mom did 4.2 mil/0.5 and Clarice did 2.9 mil/0.3. (The Unicorn returns March 18 with a double-header.)

    Over on The CW, Walker (1.37 mil/0.3) ticked up in the demo while slipping to its smallest audience yet. Legacies (503K/0.1) dipped in viewers while steady in the demo.

    Elsewhere, Fox’s Hell’s Kitchen (2.3 mil/0.6) and Call Me Kat (1.8 mil/0.4) were down, while Last Man Standing (2.5 mil/0.5) was steady…. NBC’s Superstore slipped to 1.8 mil/0.3.

    Grey's Showrunner Krista Vernoff Shares Her Struggle With Killing Off [Spoiler]: 'I Tried to Chicken Out'

    (3/11/21) ( Warning: If you’ve yet to watch Thursday’s Grey’s Anatomy, you may wanna go ahead and do that before reading the spoiler-filled interview that follows.

    If there was one thing harder than watching Grey’s Anatomy kill off DeLuca, according to showrunner Krista Vernoff, it was deciding to kill him off in the first place. Here, she walks TVLine down the bumpy road that led to Giacomo Gianniotti‘s heartbreaking exit in Thursday’s episode.

    TVLINE | Gotta start with the obvious: What was the thought process that went into killing DeLuca?

    Well, it was less a thought process than it was an inspiration. I start each season by myself, taking walks in nature, asking the stories to reveal themselves to me. These stories tell themselves, and it’s a writer’s job to just write them down as fast as you can. This one was the first and most powerful one that came to my mind sort of wholly realized. I knew what this story was, what we were doing and why we had to do it. TVLINE | Did you want to, though?

    It was really hard. I tried to chicken out several times through the season. The writers kept me honest on this one, because sometimes a story tells itself to you, and you’re like, “Wait, what? We’re killing DeLuca? He has to die? Why? I don’t wanna tell that story!” Several times, even after we were deep into the shooting of these episodes, I would go into the writers room and say, “I think we have to save him.” And there was an uprising of like, “No!” because this story told itself, and it felt important and powerful. As a human being, you’re like, “I don’t want to do it. I don’t want to lose Giacomo. I don’t want to lose DeLuca.” But as a storyteller, you have to honor the story. I don’t know… it’s sort of a magical process.

    TVLINE | How would you describe the effect that Andrew’s death has on those he leaves behind?

    It’s really impactful. Without giving too much away, there is one character who is broken by it. It’s one loss too many.

    TVLINE | Before Season 16 had to be cut short, there had been a good deal of talk that someone was going to die in that finale. Was that supposed to be DeLuca?

    No. It was never going to be… We had put him through this mental-health crisis, and it felt very important to us that he survive and show that people can come out the other side and become a very productive member of the team again. And he was back, he was really functioning, he was helping run the COVID ward, and then life came in.

    TVLINE | It is amazing to think how many crappy things are still happening, even during a pandemic.

    Honestly, I think one of the reasons this story came to me this way is that every time we would read or hear about some tragedy in the news while we were all navigating this pandemic, it felt very shocking, painful… like, how do all the other tragedies not stop? We’re all hunkered down. We’re all quarantined. We’re all dealing with the fear of COVID, and I got an E-mail from the Alexandria House, which is a charity that supports women and children who are dealing with homelessness because of domestic violence. There had been a fire, and everyone was displaced from the house. And I was like, “Are you kidding? How does it not stop? It’s all too much!” And I feel like that’s what DeLuca feels like. He didn’t die from COVID, he died completely unrelated to it. There are still people in the world kidnapping and selling children for sex and money, and this man went out to try and do something about it. He wasn’t going to let this woman get away with this again, and someone stabbed him. And that’s where the story was born. Even though we’re now getting all this other pain and trauma, other s—t keeps happening.

    Grey's Anatomy 'Casualty' Finds the Bright Side of a Dark Twist — Plus, What Doomed a Polarizing Romance

    (3/11/21) ( Warning: If you haven’t watched the midseason premiere of Grey’s Anatomy yet, you might wanna do so before reading the spoiler-filled interview below.

    Watching Thursday’s Grey’s Anatomy (recapped here), we didn’t blame Owen and Teddy one bit for not wanting to call time of death on DeLuca. We didn’t want them to, either. Nonetheless, the ABC drama’s midseason premiere marked the end of the line for Giacomo Gianniotti and the character he’d played since Season 11… or did it? Here, the actor not only reveals the reason DeLuca’s romance with Meredith stalled, he cops to misleading viewers and hints that we may not have seen the last of Andrew.

    TVLINE | Let’s start at the beginning of the end. How did you find out DeLuca was being killed off?

    I was called into our executive producer Debbie Allen’s office, and she and our showrunner Krista Vernoff said, “We want to talk to you, Giacomo.”

    TVLINE | Uh-oh.

    So I sat down, and they very quickly explained to me that the writers had been going back and forth and kept landing on the same point, which they all believed was a really, really beautiful storyline that ended, unfortunately with DeLuca’s demise.

    TVLINE | What did you say?

    I said, “Can you tell me more?” and Krista started talking about how much people had connected to the human trafficking story from last season and that everybody was begging for it to be wrapped up. So they said, “We all thought it was very clear that we need that storyline to come back, and it would be great if we could catch that human trafficker and show that people like that can be stood up to.” In that was an opportunity for DeLuca to be brave and die as a hero. So even though it’s a tragic loss, he’s stopping this trafficking.

    TVLINE | It’s ironic that in this time of COVID, DeLuca dies of something… totally unrelated.

    We talked about the fact that a lot of people have lost loved ones this year, due to COVID and a lot of other things, and this was an opportunity to allow people to mourn their loss through the loss of a fictional character. There could be a lot of catharsis through that. So we all talked about it, and I felt very strongly about the storyline and said, “OK, let’s do this.”

    TVLINE | So after you got over the shock of being told you were being written off, you were excited.

    Exactly. I mean, at the end of the day, I’m a storyteller. Whether you’re an actor or a director — now I’m starting to direct, I just wrapped on Grey’s Anatomy — the story has to win.

    TVLINE | Speaking of your directorial debut, were you told you’d be getting to helm an episode at the same time you were told you were being let go — like, “But here’s a lovely consolation prize”?

    No, that had already been predetermined the previous year. Usually, we book our directors a year in advance, so I was already slated for that.

    TVLINE | After you wrapped on the episode you directed, you Instagrammed, “Now back to being DeLuca.” Were you deliberately trying to mislead fans?

    I was just trying to throw people a little off the scent a bit. It’s not a lie, though, in that we might see DeLuca in the future. There are other opportunities for him [to appear] for the rest of the season. And lots of characters that have been lost over the years have come back, whether in flashbacks or playing little home videos on our phones, ghosts, sometimes dreams. There’s all kinds of ways.

    TVLINE | Do you feel any disappointment that DeLuca didn’t turn out to be endgame for Meredith?

    I think it was a very valuable relationship for both parties. But you know, I’ve had people in my life who have lost their partners [as Meredith did Derek] and had to move on. They’ve met other people and fallen in love, but there’s always that little hole in their heart that can’t quite be filled. There’s nothing that can replace that person they lost. So I think it was a beautiful thing to have Meredith see Derek again in her dreams.

    TVLINE | Do you have any sense of why the show pivoted away from MerLuca?

    Well, the big reason is because Meredith got COVID. If that hadn’t happened, she and DeLuca would have been able to sort of pick up where they left off. In the beginning of the season, there was the possibility for them to see if there was a road back to where they were in their romance. But she gets COVID, so of course, all of that is pushed aside. The main focus is to just save her life.

    TVLINE | Is there anything that you didn’t get to do as DeLuca, or would have liked to have done more of, that you didn’t?

    It would have been cool to see what he could have accomplished as an attending, when he was really in charge and not having to sort of defer to a superior. I also would have liked to have kept telling the story of someone who is bipolar in a very, very commanding position and show that those things are possible for people. That was the proudest moment for me as an actor, to get to play someone who is suffering in that way, having such a high-level position.

    TVLINE | Any message for the viewers who are going to be gutted by DeLuca’s death?

    I just want to thank them, for loving this show so much and connecting with my character. They are an amazing, amazing group of people who just love the show so fiercely, and I’m grateful to have been a part of it all these years.

    Grey's Anatomy Midseason Premiere Recap: Afterlife's a Beach for [Spoiler]

    (3/11/21) ( Warning: The following contains spoilers for Thursday’s Grey’s Anatomy. If you’d rather watch first, read later, scrub out.

    So much for Grey’s Anatomy’s Giacomo Gianniotti going “back to being DeLuca.” Thursday’s midseason premiere, which continued the story that was begun on Station 19 (recapped here), not only stuck a scalpel in Andrew, it stuck a fork in him. Read on, and we’ll go over the harrowing developments that made him a permanent resident of Meredith’s limbo beach.

    ‘THIS WAS A PEP-TALK PAGE’ | As “Helplessly Hoping” began, while DeLuca was wheeled into Grey Sloan and immediately into surgery, Levi got a glimpse of Opal on Ben’s cell and realized that maybe he could have done something to have prevented this situation. D’oh! If Schmitt really wanted to help his colleague, Nico advised, he wouldn’t scrub in, he’d get a surgeon for DeLuca who wasn’t a wreck. Harsh-ish, yes, but also true. After Helm got an eyeful of a worse-for-wear Andrew, the shaken resident reported the news to Richard, whose offer to scrub in was rejected by Owen; what he was about to do was akin to what he and Teddy had done on the regular in Iraq — he needed her. In the O.R., Owen and Teddy worked well together to save DeLuca with the help of Reza Khan, a newish intern with experience in vascular surgery in Pakistan. All the while, Richard watched over the proceedings. “Please,” he whispered, “don’t take this boy.” In the hospital chapel, Carina told Maya that before her and Andrea’s mother had died, she’d called them two halves of one whole. And they were, so much so that when Mama could only afford one pair of roller skates for Christmas (after Papa blew all their dough on nonsense), the siblings each wore one skate and rolled around like flamingoes attached at the hip. Post-surgery, Teddy thanked Owen for calling her in. But they weren’t actually getting along as well as she thought. “Don’t read into it,” he huffed (and understandably). Visiting Tom, aka the one person who could stand her anymore, Teddy refused to give him the only thing he wanted: the sound of her voice saying that she hadn’t loved him. And she hadn’t, he noted. If she had, now that Owen wanted nothing to do with her, they’d be together. So please, could she just say it, because, as Korackick put it, if he survived COVID, “I wanna get up off the ground where ya dropped me.” Finally, she did utter the words that he needed to hear.

    ‘YOUR SISTER LEFT STRICT INSTRUCTIONS: NO CAR CHASES’ | At limbo beach with Meredith, DeLuca told Grey that he didn’t regret going after Opal. So often, people just looked the other way. But the same as she had when she’d risked her license to save a little girl, he’d had to chase the sex trafficker, consequences be damned. “It’s the only thing that made sense.” Back in real life, all of Andrew’s monitors seemed to go off at once. Bring me a staple remover, yelled Owen. And wire cutters! And horrifically, DeLuca was torn back open and taken to surgery. On the beach, Andrew found that he couldn’t build his sand castle fast enough to beat the tide. “I don’t know what happens from here,” he told Meredith, “but no matter what happens, I want you to know I’ve never felt seen like you saw me.” Suddenly, a voice called out — his mother! Mer would miss him if he stayed and she went back, she said. Nonetheless, “I have to go,” he replied. With that, he ran to his Mama and was finally pronounced dead back at Grey Sloan… by Khan, since neither Owen nor Teddy could bring themselves to do it. Deep sigh.

    In other developments, Jo had finally convinced Cormac to allow Val a visit with newborn Luna when… aw, crap. Val died. And was it just me, or from the way Jo was holding that baby’s hand (or vice versa) in her last scene, wasn’t an adoption in the offing? (For that matter, is anyone else feeling a Cormac/Jo/Jackson triangle?) Later, when Levi told Nico that Val had died and wondered if he’d “wasted all the time I was supposed to be happy” being closeted, instead of calling him a Debbie Downer as you’d expect he would, the ortho hunk actually comforted his booty call. Speaking of which, Winston and Maggie spent the first chunk of the episode canoodling in a hotel room and making inadvertent plans for their longterm future. Back at Casa Grey, Amelia was spiraling… aloud… in such a way that Zola came to fear her mom was going to die. Desperate to bring Maggie home, Link sent, of all people, Jackson to retrieve her. Once back with her “sister,” Maggie reminded Amelia that Mer had told the kids about Derek. So “we can do this for her.” Finally, Amelia and Maggie let Zola know that they really didn’t know if her mom was going to get taken off a ventilator. They didn’t know if she was going to be OK. And a true Grey to the core, Zola woman’d up, saying, “We shouldn’t tell Bailey and Ellis, not unless we need to.”

    ‘Grey’s Anatomy’ & ‘Station 19’ Showrunner Krista Vernoff On Tonight’s Shocker & Its Aftermath

    (3/11/21) ( SPOILER ALERT: This story includes details about the March 11 episodes of ABC’s Grey’s Anatomy and Station 19.

    Just like they did in the fall finale, Grey’s Anatomy and Station 19 returned from hiatus with another powerful and deeply emotional crossover. Tonight’s episodes dealt with the aftermath of the dramatic rescue by the off-duty Station 19 team of two Black teenage girls who had been kidnapped and Robert and Dean’s arrest by an overzealous white cop. It also bid farewell to one of Grey’s Anatomy‘s doctors, Andrew DeLuca (Giacomo Gianniotti), just like the ominous ABC promo hinted. While Station 19 firefighters all were trying to process the events of the day before, discussing issues of racism in policing, the series brought to successful conclusion the multi-season kidnapping storyline. When we last saw DeLuca in the fall finale cliffhanger, he had just spotted Opal — the suspected child-trafficking kingpin who had triggered his manic episode last season — in the parking lot of Grey Sloan and, joined by his sister Carina, drove off, following Opal’s car. The DeLucas got Carina’s girlfriend, Station 19 Captain Maya Bishop, and her team to help with the operation. Eventually, Opal was arrested but not before her accomplice stabbed DeLuca.

    With his sister by his side, DeLuca was rushed to Grey Sloan where he underwent successful emergency surgery, led by Owen and Teddy, but he later developed DIC and, despite Owen and Teddy’s best efforts, died in the operating room.

    As he was teetering on the brink of death, DeLuca got to spend time on the beach in a dream sequence with Meredith who remained unresponsive in the episode, hooked to a ventilator.

    “I don’t know what happens from here Meredith, but no matter what happens, I want you to know that I never felt seen the way you saw me, I never felt inspired the way you inspired me, you made me want to be not just my best self but better,” he said. The duo, whose budding romance was interrupted by the pandemic, had a touching final conversation before DeLuca told her, “You’ll be OK, Meredith,” and ran to his late mother who waved at him. Just as his body was flatlining in the OR, he reunited with his mom on the beach in a sweet embrace.

    In an interview with Deadline, Grey’s Anatomy and Station 19 showrunner Krista Vernoff discusses the decision to kill off DeLuca this season, the significance of the way he died and the impact his sudden passing will have on his sister, Meredith and the other doctors at Grey Sloan. She also teases a big Teddy-Owen arc following their newly found bond fighting for DeLuca’s life and a George Floyd/BLM storyline on Station 19. She also explains whether we will see DeLuca again and addresses Meredith’s status — as well as the status of the series, which has not been renewed for Season 18. (You can read more about that here.)

    DEADLINE: When did you decide that the DeLuca character will die? Was his mental health crisis last season a point where you had considered writing him off?

    KRISTA VERNOFF: No. It was one of the first creative imaginings that I had as I imagined what this season would be. It’s like I’ve said before. Like, the stories tell themselves. I just try to write them down as fast as I can, and this story told itself to me as I was walking on the beach imagining the season, and I was like, oh, no, really?! But it felt powerful and important, and I don’t always know why, but that was the story that came.

    DEADLINE: Was it important to you that DeLuca completely redeemed himself before he died? He helped the kidnapped girl and Bailey earlier this season, and did one, final brave deed getting Opal arrested.

    VERNOFF: Yes. It was extremely important to me that it be clear that he was through his mental health crisis, and that the following through on the sex trafficking story was rooted in his bravery and goodness as a human, and that I think we did well. I didn’t want to risk sending the message that he died because of his mental illness. He died having come through his mental health crisis, bravely and powerfully, and he died a hero. He saved, probably, a lot of lives in the future.

    DEADLINE: What was your conversation with Giacomo about his character being written off?

    VERNOFF: This story was the most vivid story I had coming into the season. I knew what we were doing exactly, and exactly how we were doing it, and so, once we had a shape, and we knew when in the season it was going to happen, Giacomo came in to meet, and we pitched it to him. He was so lovely and so relieved that it wasn’t a mental-health crisis story, that it was all the things that I’ve already said. He was just relieved that we were being honest to this character. That he was going out courageously, that he wasn’t killing himself. That he wasn’t hurting someone. That he was clear in terms of his mental health, and going out in this really noble, brave way. He was brave.

    DEADLINE: What will be the impact of DeLuca’s death on his sister, Meredith and the other doctors at the hospital?

    VERNOFF: There’s a profound impact. He had become beloved, and all those doctors had come together in the intervention and really come to care about him. So, there’s a real impact on his sister and on everyone who loved him. The big sort of question mark is Meredith. You know, Meredith is not awake and, while she was with DeLuca on that beach, there’s a question mark as to how it will impact her.

    DEADLINE: In DeLuca’s conversation with Meredith on the beach, he sounded prophetic when he told her, ‘Meredith, you’ll be okay.’ Should we read much into it — is he right?

    VERNOFF: Yeah. Should you read into it? I don’t know. More will be revealed.

    DEADLINE: Can you tell us when we will know Meredith’s fate?

    VERNOFF: Don’t you want to watch the show, and see how it unfolds?

    DEADLINE: Yes, but there is also a lot of anxiety involved.

    VERNOFF: I know it’s painful, and it’s frightening. Just like Covid.

    DEADLINE: How was it working with Giacomo and the rest of the cast on his final episode?

    VERNOFF: I feel like everyone brought their A-game in terms of performance on all the story lines, and I’m really grateful to Giacomo. What I said to him at the table read when we read this episode is, thank you for playing this character so powerfully and so beautifully that you’re giving the world an opportunity to feel our collective grief in your death.

    DEADLINE: After DeLuca’s death, will we see him on the beach? This has turned into a great venue for you to bring back any character you want.

    VERNOFF: There was some discussion of bringing him back to the beach, but we all felt like his exit with his mom was so profound and so powerful. I cried harder watching that than I’ve cried watching anything on our show in years, and so, we didn’t want to see him come back to the beach. You will see him again. He does appear in more episodes this season, but I don’t want to spoil what those are.

    DEADLINE: Anyone new coming to the beach this season?

    VERNOFF: I would say, chances are good you’ll see other people on the beach.

    DEADLINE: In his final hours, DeLuca seemed to have brought Owen and Teddy together in their grief when they couldn’t save him. And Teddy had just let Koracick go when that happened. Are Owen and Teddy finely coming closer to reconciling?

    VERNOFF: Owen and Teddy have a big story arc over the next couple of episodes.

    DEADLINE: On Station 19, watching the characters processing the events of the fall finale, it almost felt like listening to the series’ writers in the writers room, processing themselves the events of last summer. How was it writing those conversations between the different firefighters?

    VERNOFF: Well, we have a very diverse cast and a very inclusive cast and writers’ room, and we honor and include many voices and many perspectives as we talk about these profound subjects. So, the process is a really inclusive one.

    DEADLINE: What is next for that group? Dean filing a lawsuit is a new element that could provide a glimpse into the justice system. Is it something that will be a major plot line going forward?

    VERNOFF: Yes. This is a major plot line going forward through our whole season. Our season is still living in May and June of 2020, and so, if you recall, in April, May, June of 2020, we were processing as a nation the death of George Floyd, and the uprising in the wake of that, and so, we are bravely confronting a lot of these issues moving forward on the show.

    DEADLINE: Will George Floyd’s death be incorporated in the show?

    VERNOFF: Yes.

    DEADLINE: Mostly on Station 19 or across both shows?

    VERNOFF: Across both shows to some degree, but it’s very central on Station 19.

    DEADLINE: You finished the fall run with two really heavy episodes back-to-back that included the passing of Bailey’s mom, and now DeLuca died in the first episode back. Is there some light and breezy Grey’s coming up?

    VERNOFF: Is there light and breezy Grey’s coming up? Maybe later in the season. We’ve got some pretty intense stuff coming, and it is just the nature of the year we’re living in. It’s just a reflection of the year we’ve just walked through, and I would argue that there are beautiful moments of light. Not breezy, but when DeLuca’s mom shows up on that beach. I mean, what’s more beautiful than that? Yes, it’s profound, and yes, you feel your feelings, but I would argue that these episodes are not just dark. There’s lightness and beauty inside the darkness.

    DEADLINE: What can you tell us about that “pretty intense stuff coming”?

    VERNOFF: The impact of the death of DeLuca hits everyone differently, but it hits one of our characters who has reached their saturation level and their breaking point.

    DEADLINE: Do you know yet if this would be the final season of Grey’s?

    VERNOFF: I don’t know yet.

    ‘Grey’s Anatomy’: Giacomo Gianniotti On Tonight’s Twist, DeLuca’s Journey & Coming Full-Circle

    (3/11/21) ( SPOILER ALERT: The story includes details about the March 11 episodes of ABC’s Grey’s Anatomy and Station 19.

    The dramatic crossover midseason premiere of Station 19 and Grey’s Anatomy culminated with the death of a beloved doctor, Andrew DeLuca, played by Giacomo Gianniotti for the past six years. He joined other Grey Sloan doctors who died heroes while saving strangers’ lives, including Derek Shepherd and George O’Malley.

    Along by his sister Carina, played by Grey’s alumna Stefania Spampinato, who is now a series regular on Station 19. DeLuca rushed to follow suspected kidnapping kingpin Opal. He was able to track her long enough for police to arrest her but he was stabbed in the process, and while Owen and Teddy were able to initially stabilize him, DeLuca eventually died of his wounds. (You can read Deadline’s recap and an interview with Grey’s and Station 19 showrunner Krista Vernoff here.)

    DeLuca was first introduced at the end of Season 11 as a medical intern. He didn’t always see eye to eye with all of his colleagues but gradually won them over. He also went through a string of romantic relationships at Grey Sloan, most recently with Meredith Grey.

    In an interview with Deadline, Gianniotti reflects on his six-year Grey’s Anatomy journey and DeLuca’s death. He addresses how he felt about the manner in which DeLuca died, shares the emotions of filming his last scenes and then returning as a director on the show, and reveals what he will miss the most about his character and Grey’s Anatomy and whether he would be back.

    DEADLINE: How and when did you find out that DeLuca would die this season?

    GIACOMO GIANNIOTTI: It was about after the first couple of episodes. I was approached by our executive producers, showrunner Krista Vernoff and director Debbie Allen. They said, hey, we’ve been doing a lot of thinking about it, and we feel there’s an opportunity to tell a really, really beautiful story that is going to help a lot of people. The story is that this human trafficking storyline that we had last season was so well viewed, and everyone really connected with that storyline because human trafficking is just such a huge problem globally, but also in the United States, and I think California is number one, where I live right now. It’s a very big issue, so I’m not surprised that the episode that centered on it was very important and received as it was by the fans.

    Because we had to shut down due to Covid, we didn’t get to finish telling that storyline. So, when we came back on June 17, they thought it would be great to bring back that storyline and close it out. What if we could catch that woman that trafficked that young girl, and what if DeLuca was to save the day but to lose his life in the process, to die a hero saving all these people and all these children who potentially could’ve been trafficked, but now will not be because the traffickers were stopped? And I just thought it was a beautiful storyline, I thought it was a beautiful way for the character to exit as a hero.

    We got together quickly, working on exactly what it would look like and what episode, when it would be, but I said absolutely. I’ve been on the show for six years, seven seasons. It’s definitely been a long time, and I’m a young guy. So, I think this was a good time to depart, and I’m happy that Krista and Debbie and all the writers did such a great job with telling the story. I think it’s going to do justice to a lot of people and help a lot of people.

    DEADLINE: How was it filming this season leading to tonight’s crossover? Was it getting more emotional with every episode?

    GIANNIOTTI: Definitely. Yeah. In the beginning, it was strange. I felt like I had this dirty little secret, because none of my cast members — or really anyone on set — knew about this. It was very, very internal between Krista and Debbie Allen and I and some of the key producers and writers, but as we got closer to the date, then the rest of the cast was informed, and yeah, then it was emotional, because then I felt that the secret was out.

    Everybody knew, and everybody was, of course, very sad. I’ve been working with all of these people for seven seasons now, sometimes we joke about how we spend more time with each other than we do our families. Before Covid, we used to do 12 hours a day before 10. We spent a lot of time with each other, and so, although it’s a beautiful experience and I’m happy to be leaving in this way, and the story we get to tell is so beautiful, and I think it’s going to help a lot of people, I’m obviously sad to leave all my great, dear friends.

    DEADLINE: What were your favorite — and most challenging — moment in the crossover episodes? You got to do several scenes with Ellen Pompeo on the beach.

    GIANNIOTTI: Between the Station 19 episode and the Grey’s Anatomy episode, it was a crossover we told. That was another thing that Krista said, we’d like to have it be a crossover. Then instead of only having, 45 minutes to tell the story, you double that. We can tell a way longer story and not have to rush it.

    So, we can tell the whole story of how DeLuca is in hot pursuit with Carina, his sister, all the way to the moment of being stabbed and trying to get this woman and get her arrested. We can tell all that story with all the time that it takes to tell that and keep people on the edge of their seat. It kind of feels like an action movie, and it’s something that I never really got to play on Grey’s Anatomy. So, it kind of felt like we were shooting a little action film, Allison Liddi-Brown directed that episode on Station 19, she did a fantastic job, and I’m really excited for people to see that.

    And then on Grey’s Anatomy, for the second hour, we get to see the whole medical side of it and how our doctors treat him and the stress, the pressure that they’re under. They do it every day but when you have one of your own on the table, it’s a whole different experience, and it’s a whole different pressure for our doctors.

    The sort of action movie part of it in the Station 19 episode was really cool to shoot, and I love, love, love, love the time we spent with Spampinato, who plays my sister on the show. We got to spend a lot of time together working together, which we don’t usually get, especially since she’s left to Station 19. So, that was a real treat. Since this season started, Ellen Pompeo’s character Meredith Grey has been battling Covid, she’s been largely unconscious, and so, I haven’t really got to work and spend a lot of time with her, and our romance on the show has been put on pause due to a lot of stuff that happened last season and now with her being sick.

    So, we got to spend a couple days out on the beach together, just me and her, and it was so beautiful, just as friends and as actors, to share in those moments together. It felt like it was a full-circle experience to have started as an intern on the show and largely far away from Meredith Grey, and then getting to where I end on the show, and I’m about as close as I could ever be to her, both as an actor and as a character.

    It was just so nice because, when the cameras are rolling, we’re obviously doing the scene, but in between takes, Ellen and I were just there for hours talking about arcs, being though the emotion over the years, and how much fun times we’ve had working together, the friendship that we built over time and how she’s been such an incredible mentor and friend to me over the years. So it was sad to end that day, because I knew that that was the last time that we were going to work together, it was bittersweet, for sure.

    DEADLINE: After you filmed DeLuca’s big finale, you came back and you directed an episode, correct?

    GIANNIOTTI: Correct. Yeah.

    DEADLINE: How was interacting with your cast members in that capacity and being back on the set, but as a director?

    GIANNIOTTI: It was great. I’ve been working towards a career in directing for a very long time, and I approached Debbie Allen, our executive producer, about four years ago, telling her that I wanted to direct and I wanted to carve out a path for that in my career. She gave me a whole laundry list of tasks I was to complete, a lot of shadowing and mentorships that I completed over the years.

    And then this year happened to be the year where, there was an opening, and luckily, Debbie Allen has been such a great friend and mentor and trusted me with an episode. So, even though my work as an actor finished, I was still able to stick around and direct an episode, and it was an amazingly positive experience for me and to communicate with my crew on a different level and the actors, as well, meeting them on a very different plane, having to direct them and hear their insights. I have a great relationship with all the actors on the show, and so, when I came to direct, all the actors were such a joy to work with because they were all so generous. They all knew that it was my first time directing, and they just went above and beyond to make the experience so easy for me. So, I’m really excited for my episode, 17/11 this season, and for everybody to see it.

    DEADLINE: In an IG post about wrapping the episode as a director, you wrote ‘Now back to being DeLuca’. Was this just so that you don’t ruin the surprise for fans? When I asked Krista, she said that DeLuca will come back in some shape or form later in the season. What can you tell us about that?

    GIANNIOTTI: Without telling too much, over the course of these 17 seasons, we’ve had a lot of characters leave, whether their character exited for some reason or whether they died on the show, and we continue to see those people. We’ve continued to see those people in flashbacks, in dreams, in all kinds of different scenarios, and so, just because DeLuca has died, it doesn’t mean that there’s not other ways for us to see clips and other manifestations of DeLuca in the future. So, yeah, I definitely think there’s a possibility to see DeLuca in the rest of the season, but I don’t know exactly how and can’t comment on how.

    DEADLINE: Looking back at your six years on the show, what would you miss the most about Grey’s?

    GIANNIOTTI: It’s really the people, and that goes for the cast, the writers, the producers, all of the crew, the cameramen, the grips, the electrics, everybody, all the heads of all the departments behind the scenes.

    Over these seven seasons, I’ve worked with these people for so long and spent so much time with them, I know their partners’ names, their dogs’ names, their kids’ names, they know mine. We are all incredibly close, and before Covid, I would spend time outside of set with a lot of my fellow crew and cast members and people from the show. It really is a family. I know a lot of people say that, and it sounds cheesy, but when you spend that much time with people, it really does become that, and I’m really going to miss the people. I’m also going to miss the stories.

    Grey’s Anatomy is such an incredible show, and I talk a lot about the fact that I wasn’t necessarily an avid watcher,I didn’t tune into the show before I joined it. Since I joined, I became hooked. I did a deep dive and watched the show and realized how incredible it was. It’s so multifaceted, but the thing that is at the core of Grey’s Anatomy is it’s shedding light on important issues.

    And that’s why the show can go on for as long as it wants to, because there’s no shortage of issues that need to be talked about. There’s no shortage of medical conditions that people need to be educated on. There’s no shortage of political issues that we need to be educated on. So, there’s such a great way that Grey’s Anatomy does that, and I’ve received a lot of messages and DMs over the years about, this episode saved my life, this episode saved my baby’s life, we found out about a surgery that could be done, and now my baby’s alive and well through Grey’s Anatomy. We’ve done episodes about domestic violence with a hotline posted in the episode that a lot of women had called into seeking help, that saved lives and got them out of bad situations that they were in and gave them the courage to do that.

    Grey’s Anatomy is so much more than a television show, it has a really big global impact. So, that’s what I’m also going to be missing, being a part of that, being a small part of how many people’s lives are changed because of the show. The other part is that so many people, especially now because the show has been on for 17 seasons, the amount of people that have told me that they started in the medical profession because of Grey’s Anatomy is tremendous.

    DEADLINE: What are you going to miss about DeLuca and how did you feel about portraying his struggles with mental illness?

    GIANNIOTTI: Ever since last season, towards the end when DeLuca had his big meltdown, which ended in an intervention from his friends and fellow coworkers where he finally admitted to seeking treatment and getting help, I think that was a big episode for mental health and a big PSA for mental health. It was an honor to be a part of telling a story where I got to interpret a character who was struggling with those battles. So many people wrote me that they were touched by that that they are bipolar, either 1 or 2, and/or they have a family member that is bipolar or had someone in my life who was struggling from a different kind of mental illness.

    It made them feel seen, and that meant the world to me, that something that we did made people feel seen. Maybe helped start a conversation between them and a mental health professional. So, it was an enormous sense of responsibility I felt like I had with that character, and I’m sad I won’t be able to continue that storyline, but I know Grey’s Anatomy will do a fantastic job continuing that mental health story in some way, keeping DeLuca’s story alive and other people talking about it on the show.

    DEADLINE: Is there anything else you’ll miss about playing DeLuca?

    GIANNIOTTI: Anything else I’ll miss about DeLuca? It was just a great time. He was so focused and career driven but was so troubled at the same time due to his mental health issues that he was dealing with. So, he was just so brave to me, I always thought he was so brave. Everything that he took on, despite what he was battling inside, just made him such a brave soul, and I’ll never forget him. I love the guy. I’m sad to not play him anymore.

    ‘Grey’s Anatomy’ Showrunner Krista Vernoff Addresses Series Possibly Coming To An End As Negotiations For Season 18 Continue

    (3/10/21) ABC’s Grey’s Anatomy is about two-thirds into filming Season 17 with no definitive answer yet whether it will be the venerable medical drama’s last.

    “I don’t know yet,” Grey’s executive producer/showrunner Krista Vernoff told Deadline in an interview this week tied to Grey’s Anatomy and spinoff Station 19‘s return from hiatus tomorrow, March 11. Grey’s Anatomy star Ellen Pompeo was equally noncommittal recently, saying in an interview t, “We honestly have not decided. We’re really trying to figure it out right now.”

    While Vernoff is planning for a Season 17 season and series finale, sources are optimistic that deals would be reached to extend television’s longest-running medical drama. Talks have been ongoing, with ABC considering both a one-season and two-season renewals for Grey’s Anatomy, I hear. A one-season pickup is considered more likely.

    Pompeo previously closed a big two-year deal for Seasons 16 and 17, which is coming to an end. She has been negotiating a new extension, and talks have looked promising lately. Separately, Vernoff has been negotiating a new deal with Grey’s producer ABC Signature, which has been going well.

    With so many moving pieces, the future of Grey’s Anatomy is coming down to the wire. Given the series’ legacy and importance to ABC where it remains the No.1 scripted series, the network and its sister studio are going to great lengths to ensure a proper ending for Grey’s and a final chapter.

    Station 19 and Grey’s Anatomy are returning with a powerful crossover event tomorrow, March 11, which is being delayed on the East Coast by President Joe Biden’s televised address.

    Grey's Anatomy: Phylicia Rashad Checks In for Season 17 Guest Stint

    (3/10/21) Grey’s Anatomy‘s April 15 episode is shaping up to be something of a family affair: Phylicia Rashad is set to guest-star on the ABC drama, which co-stars (and is exec-produced by) her real-life sister, Debbie Allen.

    “My sister Phylicia Rashad will appear in [Episode 12] and bring true power, fun and grace in a role that touches a chord about the voice of the people,” Allen tells TVLine exclusively. “Our cast and crew gave her a standing ovation in honor of her presence. I gave her a slice of cornbread.”

    Although Allen’s Catherine will turn up in Rashad’s episode, we’re told the siblings will not share any scenes together.

    In addition to playing The Cosby Show‘s Clair Huxtable for 8 seasons — a role that earned her multiple Emmy nominations — Rashad’s TV work includes Psych, Empire and Do No Harm. She more recently appeared on This Is Us as the mother of Susan Kelechi Watson’s Beth, and as a pastor in the final season of 13 Reasons Why.

    Incidentally, this is not Rashad’s first brush with the Grey‘s-verse; last season her voice was featured in an episode of sister series Station 19.

    News of Rashad’s casting comes one the eve of Grey’s Anatomy‘s slightly-delayed-by-President-Biden midseason premiere (Thursday, 9:20-ish ET, ABC).

    Broadcast Nets Push Back Originals Including ‘Superstore’, ‘Grey’s Anatomy’ & ‘Hell’s Kitchen’ To Accommodate Biden’s Thursday Primetime Address

    (3/9/21) President Biden is giving a primetime address on Thursday night and the networks are shuffling their schedules accordingly.

    The President will mark the one-year anniversary of the shutdowns linked to the Covid pandemic in the U.S., which has led to the death of over 525,000 Americans.

    ABC, NBC and Fox have confirmed to Deadline that they are airing the address, which is set to start at 8pm ET, and is expected to last around between 15-30 minutes. CBS has yet to confirm but is likely to.

    As a result, the networks are on the whole pushing back their originals to accommodate Biden’s first primetime address since his inauguration.

    ABC, which had Station 19 at 8pm followed by Grey’s Anatomy and A Million Little Things, will start their Thursday night drama block as soon as the President is done. It may start programming at the regular time and resume afterwards, depending on whether Biden is on time but fans will get to see all three shows in their entirety on the night.

    The programming interruption will not impact Mountain and Pacific Time Zones.

    Over on NBC, the network is pushing a new episode of Superstore back from 8pm to 8:30pm.

    NBC News will be airing the address via a special report anchored by Lester Holt and Savannah Guthrie. After Superstore and a repeat of Law & Order: SVU, the network will be airing a Dateline special – Covid One Year Later at 10pm. A repeat of Young Rock has made way for the address.

    Fox will be airing the address and will slide its originals with Hell’s Kitchen likely starting at 8:15pm followed by new episodes of Call Me Kat at 9:15pm and Last Man Standing at 9:45pm.

    CBS currently has Young Sheldon on its schedule at 8pm, kicking off its Thursday comedy block featuring B Positive, Mom and The Unicorn with drama Clarice set at 10pm. It’s likely that it will also slide these shows until after Biden’s speech.

    It comes as the late-night hosts are also set to mark the anniversary with Jimmy Kimmel Live! and The Late Show with Stephen Colbert both marking the event with specials Coronavirus-related shows. The ABC show will air the special on Thursday, while the CBS show will air on Friday with Dr. Fauci as guest.

    Grey's Anatomy's Giacomo Gianniotti Wraps 'Fast-Paced' Directorial Debut: 'Now Back to Being DeLuca'

    (3/5/21) Ahead of the March 11 Station 19/Grey’s Anatomy crossover episodes that will return both ABC dramas to the lineup, Giacomo Gianniotti took to Instagram to reflect on a major milestone: his Grey’s directorial debut.

    “Well, that’s a wrap!” wrote the actor, who’s played Dr. Andrew DeLuca since Season 11. “Ten days of beautiful, fast-paced, red-eyed glory. Wouldn’t change it for the world.”

    As Gianniotti and Team Grey’s completed taping on “Sorry Doesn’t Always Make It Right,” Season 17’s 11th episode, he gave one shout-out after another to his colleagues: “My brother in arms and DP Steve Fracol. My writer Julie Wong for such a great script. And really, most of all… our incredible crew of hardworking men and women who every day, from sun-up to sundown, busted their ass to make this beautiful art. “Thank you, thank you, thank you,” he continued. “Grateful is a massive understatement.”

    In closing, Gianniotti encouraged fans not to miss the crossover. And “now,” he said, “back to being DeLuca” — a statement that bodes well for his character, considering that in the midseason premiere, he and sister Carina are in hot pursuit of a dangerous sex trafficker.

    Grey's Anatomy's Ellen Pompeo Ponders the Series' Fate Ahead of Midseason Return: If It Is Ending, 'I Wanna Make Sure We Do It Right'

    (3/1/21) When Grey’s Anatomy returns on Thursday, March 11, it may not just be the beginning of the end of Season 17, it may be the beginning of the end, period. During an interview with CBS Sunday Morning, leading lady Ellen Pompeo revealed that she and her fellow producers were still contemplating whether the long-running ABC series would return for a Season 18.

    “I can’t say” one way or the other, she insisted. “We honestly have not decided. We’re really trying to figure it out right now.”

    The question isn’t whether the audience remains interested — Grey’s is ABC’s top-rated drama — it’s a question of what twists of plot would viewers be served. “It’s, ‘What story do we tell?'” Pompeo said. And if there isn’t a story to tell, the dilemma becomes how to close the doors on Grey Sloan in a satisfying way.

    “To end a show this iconic… how do we do it?” the actress mused. “I just wanna make sure we do this character and this show and the fans… I wanna make sure we do it right.”

    Ellen Pompeo Pens Open Letter To HFPA, “White Hollywood” Amid Golden Globes Controversy: “Pull Up, Show Up And Get This Issue Resolved”

    (2/27/21) Ellen Pompeo penned an open letter the Hollywood Foreign Press Association and “White Hollywood” a day before the 2021 Golden Globes.

    Shared to her Instagram post, Pompeo’s letter calls out the HFPA for its lack of diverse members, a criticism that has echoed throughout Hollywood since an Los Angeles Times exposé revealed that the industry body has no Black journalists among its 87 members. While the HFPA responded to the backlash noting that they will “immediately work to implement a plan” to up the diversity in its party, the Grey’s Anatomy star proposed her own solution and called on “white Hollywood” to help.

    “I would kindly ask, all my white colleagues in this industry, an industry that we love and has granted us enormous privilege…. to pull up, show up and get this issue resolved,” she wrote in the letter. “Let’s show our black colleagues that we care and are willing to do the work to right the wrongs we have created. Now is not a time to be silent. We have a real action item here let’s get it done.”

    Pompeo is among the numerous Hollywood names questioning the HFPA’s lack of Black members. Sterling K. Brown, Kerry Washington, Jurnee Smollett, Amy Schumer and Dakota Johnson all shared a Time’s Up post calling out the HFPA.

    Winston Duke To Play Marcus Garvey In Amazon’s ‘Marked Man;’ Andrew Dosunmu Helming, Jesse Williams & DeWanda Wise In Talks, Mark Gordon & Matt Jackson Produce

    (2/26/21) Amazon Studios has set Winston Duke (Black Panther) to will star as Marcus Garvey in Marked Man. Garvey was a political activist who was a key figure of Black nationalism in the 20th Century. Andrew Dosunmu will direct the drama and Jesse Williams (Little Fires Everywhere) and DeWanda Wise (She’s Gotta Have It) are in talks to star.

    The film is partly inspired by the Colin Grant biography, Negro with a Hat: The Rise and Fall of Marcus Garvey. Script is by acclaimed playwright Kwame Kwei-Armah, which Esther Douglas developed with the support of the BFI Film Fund.

    Mark Gordon (Ray Donovan) of Mark Gordon Pictures is producing with Jackson Pictures’ Matt Jackson (The Trial of the Chicago 7), Glendon Palmer and Douglas. Robert Teitel, Kwei-Armah and Jackson Pictures’ Joanne Lee will be executive producers, along with Kwei-Armah.

    Set in the 1920s, Marked Man follows a young black man who joins J. Edgar Hoover’s Bureau of Investigation, and then infiltrates Marcus Garvey’s UNIA organization, testing his loyalty to both race and country as he grows weary of both men’s actions.

    After directing videos for the likes of Isaac Hayes, Common, Tracy Chapman and Wyclef Jean, Dosunmu made his feature directing debut with Restless City, and most recently helmed the Michelle Pfeiffer-Kiefer Sutherland-starrer Where Is Kyra? He next directs for Netflix and producer Lena Waithe Original Film Beauty.

    Among Kwei-Armah’s works as a playwright are Elmina’s Kitchen and Let There Be Love, A Bitter Herb, Statement of Regret, Marley and Seize the Day. He most recently wrote the script for Spike Lee’s upcoming musical film on the breakthrough of Pfizer’s little blue pill, Viagra.

    All of the talent and filmakers are repped by CAA. Dosunmu is also repped by Andre Des Rochers; Williams by Management 360, and Des Rochers; Wise by ColorCreative and attorney Nina Shaw; Kwei-Amah by Redfine Entertainment, United Agents, and attorney Linda Lichter; and Jackson Pictures by attorney Neil Sacker.

    SAG Awards Nominations

    (2/4/21) After today’s noms, final voting by the guild’s eligible members begins February 16 and runs through March 30. This year’s SAG Awards will air live Sunday, April 4 at 9 p.m. ET/6 p.m. PT simulcast on TNT and TBS.

    Ensemble in a Comedy Series

    MAX JENKINS / Christopher Doyle
    JAMES MARSDEN / Steve Wood/Ben Wood
    SAM McCARTHY / Charlie Harding
    NATALIE MORALES / Michelle Gutierrez
    DIANA MARIA RIVA / Det. Ana Perez
    LUKE ROESSLER / Henry Harding

    KALEY CUOCO / Cassie Bowden
    MERLE DANDRIDGE / Kim Hammond
    MICHELLE GOMEZ / Miranda Croft
    MICHIEL HUISMAN / Alex Sokolov
    YASHA JACKSON / Jada Harris
    JASON JONES / Hank Bowden
    T.R. KNIGHT / Davey Bowden
    ZOSIA MAMET / Annie Mouradian
    GRIFFIN MATTHEWS / Shane Evans
    ROSIE PEREZ / Megan Briscoe
    TERRY SERPICO / Bill Briscoe
    COLIN WOODELL / Buckley Ware

    BELINDA BROMILOW / Aunt Elizabeth
    ELLE FANNING / Catherine
    PHOEBE FOX / Marial
    ADAM GODLEY / Archbishop
    DOUGLAS HODGE / Velementov
    LOUIS HYNES / Vlad
    GWILYM LEE / Grigor
    DANUSIA SAMAL / Lady Antonia Svenskia

    CHRIS ELLIOTT / Roland Schitt
    EMILY HAMPSHIRE / Stevie Budd
    DANIEL LEVY / David Rose
    EUGENE LEVY / Johnny Rose
    SARAH LEVY / Twyla Sands
    ANNIE MURPHY / Alexis Rose
    CATHERINE O’HARA / Moira Rose
    NOAH REID / Patrick Brewer
    JENNIFER ROBERTSON / Jocelyn Schitt
    KAREN ROBINSON / Ronnie Lee

    PHIL DUNSTER / Jamie
    BRENDAN HUNT / Coach Beard
    TOHEEB JIMOH / Sam Obisanya
    JAMES LANCE / Trent Crimm
    NICK MOHAMMED / Nathan Shelley
    JASON SUDEIKIS / Ted Lasso
    JEREMY SWIFT / Higgins
    JUNO TEMPLE / Keeley

    NAACP Image Awards Nominations

    (2/2/21) The nominees for the 52nd NAACP Image Awards are officially in.

    Set to simulcast across all ViacomCBS Networks including BET, CBS and MTV on Saturday, March 27th at 8 p.m. ET, the 52nd NAACP Image Awards honors the accomplishments of BIPOC artists across TV, music, film and literature.


    Social Justice Impact

    April Ryan

    Debbie Allen

    Lebron James

    Stacey Abrams

    Tamika Mallory

    Outstanding Guest Performance – Comedy or Drama Series

    Chris Rock – Saturday Night Live (NBC)

    Courtney B. Vance – Lovecraft Country (HBO)

    Dave Chappelle – Saturday Night Live (NBC)

    Issa Rae – Saturday Night Live (NBC)

    Loretta Devine – P-Valley (Starz)

    Katherine Heigl Reacts to Alex and Izzie's Surprise Grey's Anatomy Reunion: 'Isn't That an A--hole Move?'

    (1/27/21) Katherine Heigl is Team Jo.

    The former Grey’s Anatomy actress is weighing in for the first time on the ABC drama’s decision last year to reunite Alex and Izzie as a means to explain the abrupt departure of Justin Chambers.

    Asked about the twist by Entertainment Tonight, Heigl mused, “Wasn’t [Alex] with someone?” — referring to his then-bride, Jo. Heigl, who maintained that she did not see the episode in question, then added, “Listen, isn’t that an a**hole move?”

    Grey’s showrunner Krista Vernoff previously acknowledged that she was backed into something of a corner when it came to writing out Alex, since Chambers was unavailable to shoot a proper exit for his character.

    “At the end of the day, there were three choices,” the EP explained to TVLine. “Kill Alex off camera; have Alex be alive and in Seattle — and still married to Jo — and we just never see him; or [reunite him] with Izzie.”

    As we learned in the March 5 episode, Vernoff went with Option 3, which she saw as the only viable one. Killing Alex would’ve been “cruel to everyone — particularly Meredith and Jo,” she says of the character’s BFF and wife, respectively. “There was no way to not put those characters through gut-wrenching, ongoing grief if we had killed Alex off camera.”

    Heigl — who will next be seen in Netflix’s 10-episode drama Firefly Lane — told ET there was little chance she would ever return to Grey’s. “I would never say never,” she hedged, before adding, “but it’s not likely.”

    ABC Sets Krista Vernoff Thursday As ‘Rebel’ Joins Night & ‘AMLT’ Moves; ‘Grey’s Anatomy’ Return Delayed

    (1/25/21) ABC has firmed up its midseason lineup, slotting premiere dates for new series Rebel, Home Economics and Pooch Perfect and setting new March return dates for its Thursday dramas.

    Grey’s Anatomy, Station 19 and A Million Little Things, which originally were scheduled to come back from winter hiatus on March 4, will now be back March 11. The additional week is being provided as extra cushion amid unpredictable production interruptions and delays during the pandemic.

    New drama Rebel, starring Katey Sagal and created by Krista Vernoff inspired by the life of Erin Brockovich today, will join ABC’s Thursday lineup starting April 8. It will replace 10 PM anchor A Million Little Things, which will return to its former Wednesday 10 PM time slot, succeeding For Life after its 10-episode Season 2 concludes.

    With Shondaland’s Station 19 at 8 PM and Grey’s Anatomy at 9 PM as well as Rebel at 10 PM, ABC will have an entire night from the same executive producer/showrunner, Vernoff, who runs all three series.

    Starring Topher Grace, new comedy series Home Economics will join ABC’s Wednesday night comedy block, premiering April 7. It will succeed veteran American Housewife, which has a 12-episode Season 5 season order.

    On the unscripted side, new eight-episode dog grooming competition Pooch Perfect, hosted by Rebel Wilson, will take over the Tuesday 8 PM hour, currently home of To Tell the Truth, on March 30.

    ABC Is coming off a strong fall when it ranked as the most watched entertainment network for the first time In 20 years.

    Here are the newly announced ABC midseason premiere dates followed by descriptions of the network’s new shows:


    8:00-9:00 p.m. “Station 19” (new return date)

    9:00-10:01 p.m. “Grey’s Anatomy” (new return date)

    10:01-11:00 p.m. “A Million Little Things” (new return date)


    8:00-9:00 p.m. “Pooch Perfect” (series premiere)


    8:30-9:00 p.m. “Home Economics” (series premiere)

    10:00-11:00 p.m. “A Million Little Things” (new day)


    10:01-11:00 p.m. “Rebel” (series premiere)


    Hosted by award-winning actress Rebel Wilson, “Pooch Perfect” is a dog grooming competition series. The eight-episode series will showcase 10 of the best dog groomers in the country, along with their assistants, competing in a series of paw-some themed challenges. Each week on “Pooch Perfect,” teams will compete in the Immunity Puppertunity challenge, where one team will earn immunity from elimination. Then, in the Ultimutt Challenge showdown, the remaining teams will face off in an epic grooming transformation, which they will show off on the illustrious dogwalk. The trio of all-star celebrity judges – Lisa Vanderpump, Jorge Bendersky and Dr. Callie Harris – will be tasked with voting on the incredible creations and ultimately force one team back to the doghouse every week. It all leads up to the season finale where the top three teams compete for a giant cash prize and the coveted “Pooch Perfect” first place trophy.

    “Pooch Perfect” is produced by Beyond Media Rights Limited. Elan Gale, Sonya Wilkes and Rebel Wilson serve as executive producers. Nicole Anthony, Mike Rosen, Carley Simpson and Matthew Silverberg serve as co-executive producers. ABC’s “Pooch Perfect” is based off of the Australian format.


    Starring and executive produced by Topher Grace, “Home Economics” takes a look at the heartwarming yet super uncomfortable and sometimes frustrating relationship between three adult siblings: one in the 1%, one middle-class and one barely holding on. The comedy is inspired by the life of writer and executive producer Michael Colton.

    The series stars Topher Grace as Tom, Caitlin McGee as Sarah, Jimmy Tatro as Connor, Karla Souza as Marina, and Sasheer Zamata as Denise. Also starring is Shiloh Bearman as Gretchen, Jordyn Curet as Shamiah, Chloe Jo Rountree as Camila and JeCobi Swain as Kelvin.

    “Home Economics” was created by writers Michael Colton & John Aboud. They serve as executive producers alongside Topher Grace and Eric and Kim Tannenbaum of The Tannenbaum Company, whose Jason Wang will co-executive produce. The series is produced by Lionsgate and ABC Signature. ABC Signature, alongside 20th Television, is a part of Disney Television Studios.


    Inspired by the life of Erin Brockovich today, Annie “Rebel” Bello is a blue-collar legal advocate without a law degree. She’s a funny, messy, brilliant and fearless woman who cares desperately about the causes she fights for and the people she loves. When Rebel applies herself to a fight she believes in, she will win at almost any cost.

    The series stars Katey Sagal as Annie “Rebel” Bello, John Corbett as Grady Bello, James Lesure as Benji, Lex Scott Davis as Cassidy, Tamala Jones as Lana, Ariela Barer as Ziggie, Kevin Zegers as Nate, Sam Palladio as Luke and Andy Garcia as Cruz.

    “Rebel” is executive produced by Krista Vernoff and Alexandre Schmitt of Trip the Light, Erin Brockovich, John Davis and John Fox of Davis Entertainment, Andrew Stearn, Marc Webb and Adam Arkin. The series is produced by ABC Signature in association with Sony Pictures Television. ABC Signature, alongside 20th Television, is a part of Disney Television Studios.

    Ellen Pompeo Producing Limited Series Based On Elin Hilderbrand’s ‘Paradise’ Trilogy In Works At ABC

    (1/25/21) ABC is developing Winter In Paradise, a limited series based on the first book in Elin Hilderbrand’s bestelling Paradise trilogy, from husband-and-wife writing team André and Maria Jacquemetton (Mad Men), Ellen Pompeo and her Calamity Jane production company, Andrew Stearn Productions and ABC Signature, where Calamity Jane and Andrew Stearn Prods. are based.

    Written by the Jacquemettons, based on Elin Hilderbrand’s Paradise trilogy, the series tells the story of a husband’s secret life and a wife’s new beginning. Irene Steele shares her idyllic life in a beautiful Iowa City Victorian house with a husband who loves her to an extreme. But when her husband dies in a perplexing manner, Irene soon learns that her husband has been living a secret life with an entirely separate family on the distant Caribbean island of St. John. As Irene untangles a web of intrigue and deceit, and as she and her sons find themselves drawn into the vibrant island culture, they have to face the truth about their family and their future.

    André and Maria Jacquemetton executive produce with Pompeo and Laura Holstein for Calamity Jane, Andrew Stearn for Andrew Stearn Productions and Hilderbrand.

    Hilderbrand’s Paradise trilogy is comprised of the novels Winter In Paradise, released in 2018, followed by What Happens In Paradise and Troubles in Paradise in 2020, published by Little, Brown and Company. Another book by Hilderbrand, 28 Summers, is being adapted by MRC Film.

    André and Maria Jacquemetton served as key writers-producers on all six seasons of Matt Weiner’s Mad Men, rising to executive producers for the final two seasons and sharing in the show’s three Drama Series Emmy Awards. They also served as consulting producers on Weiner’s The Romanoffs.

    Pompeo stars in and produces ABC’s Grey’s Anatomy, which is currently in its 17th season. She also serves as co-executive producer on Grey’s spinoff Station 19.

    Through his overall deal at ABC Signature, Stearn also is shepherding an All My Children primetime sequel, Pine Valley, which is in the works at ABC.

    Hilderbrand is repped by UTA, Michael Carlisle & David Forrer at Inkwell Management, and attorney Christine Cuddy at Kleinberg Lange Cuddy & Carlo. Pompeo is repped by CAA, John Carrabino Management, and Hansen Jacobson Teller. Maria and André Jacquemetton are repped by Dan Halsted at Manage-ment and attorney Wayne Alexander. Stearn is repped by attorney Abel Lezcano at Del Shaw Moonves.

    Shonda Rhimes: Being the Only Straight EP Singled Out by GLAAD 'Is Not OK,' Points to Diversity Problem

    (1/16/21) GLAAD’s latest “Where We Are on TV” report listed Shonda Rhimes as one of just four executive producers who account for 17 percent of all LGBTQ TV characters — and she is “not OK” with that.

    GLAAD’s annual report on LGBTQ inclusion (detailed here) pointed out that “out power players” Greg Berlanti, Lena Waithe and Ryan Murphy, along with Rhimes, this year accounted for 17 percent of all LGBTQ representation, with 62 of TV’s 360 queer characters (across broadcast, cable and streaming) appearing on their 16 collective series.

    By TVLine’s math, that means that about 5 percent of all scripted shows account for 17 percent of the LGBTQ characters.

    Rhimes, meanwhile, zeroed in on the fact that of that core four who are doing best by the underrepresented community, she is the only one who is not LGBTQ.

    “You know what bugs me? I’m the only straight person on this list. That is not okay,” the prolific producer, who is now immersed in a deal at Netflix, opined on Twitter after the report’s release.

    “It’s like the same problem with ANY kind of diversity,” she observed. “White people don’t do their job when it comes to representing people of color. Straight people don’t do their job when it comes to representing queer people. WHY?”

    (Rhimes closed out her response with a P.S., saying, “I’m not suggesting I’m special — most of this work was done by [Grey’s Anatomy and Station 19 showrunner] @KristaVernoff!)

    All told, GLAAD’s latest “Where We Are on TV” report noted a slight decline in LGBTQ reprsentation on TV, due in part to how the COVID-19 pandemic derailed production long enough for many inclusive shows to either miss the eligibility period (as happened with Killing Eve, Gentleman Jack and The L Word: Generation Q) or, worse, be cancelled/”un-renewed” during the unplanned hiatus (which is a fate that befell GLOW and Stumptown).

    ‘Swagger’: Apple’s Kevin Durant Basketball Drama Adds Nine To Cast

    (1/16/21) Apple TV+ has rounded out the ensemble cast for Swagger, its new basketball-themed drama series from NBA superstar Kevin Durant and Imagine’s Brian Grazer. Joining leads O’Shea Jackson Jr. and Oscar-nominated Quvenzhané Wallis are series regulars Isaiah Hill, Shinelle Azoroh (Don’t Let Go, Nostalgia, Bette and Coretta), Tristan Mack Wilds (The Wire, 90210, The Secret Life of Bees), Caleel Harris (When they See Us), Tessa Ferrer (Grey’s Anatomy, Catch-22, Mr. Mercedes), Jason Rivera, Solomon Irama (Supergirl), Ozie Nzeribe (Shameless) and James Bingham. The series hails from Durant and his Thirty Five Ventures, Shots Fired co-creator Reggie Rock Bythewood, Imagine Television Studios and CBS Studios.

    Written and directed by Bythewood, who also serves as showrunner, Swagger is inspired by Durant’s youth basketball experiences. It explores the world of youth basketball, and the players, their families and coaches who walk the fine line between dreams and ambition, and opportunism and corruption. Off the court, the show reveals what it’s like to grow up in America.

    Hill will play Jace, a basketball phenomenon who is one of the top ranked youth basketball players in the country. Azoroh is Jenna, Jace’s mother who is determined to chart NBA success for her son. Wilds will portray Alonzo Powers, the grassroots division leader at a major shoe company. Harris will play Musa, the team’s glue and point guard. Ferrer will portray Meg Bailey, a former basketball player and coach for the rival team. Rivera will play Nick, a player from Puerto Rico with the drive to become the best player in the country. Irama is Phil Marksby, the enforcer for a rival team. Nzeribe will play Royale, a sub-par player with a wealthy dad. Bingham will portray Drew Murphy, a player from a much more affluent part of town.

    Bythewood executive produces with Durant and Grazer for Imagine TV, Rich Kleiman for Thirty Five Ventures and Samantha Corbin Miller.

    James Seidman will serve as the Imagine executive on Swagger; Sarah Flynn will serve as executive for Thirty Five Ventures. The drama is co-produced by Imagine TV Studios and CBS TV Studios.

    Wilds is repped by UTA, MKSD Talent, Andale Edwards for Silent Management & Justin Adams for Moments UNLTD. Harris is repped by Industry Entertainment’s Dan Spilo, Coast to Coast Talent Group and Rick Genow. Azoroh is repped by Darlene Kaplan Entertainment and TalentWorks. Ferrer is represented by Lasher Group, CAA and Surpin, Mayersohn & Coghill. Irama is repped by Lissa Lloyd of Lloyd Talent. Nzeribe is Williams Management Entertainment Studio and Spectrum LA Talent. Bingham is repped by Actors Management International, Breakthrough Management and Production and Buchwald.

    ‘Grey’s Anatomy’ Stars To Celebrate Frontline Workers, Talk Coronavirus Vaccine On ‘Stars In The House’

    (1/14/21) Stars In The House will feature some of Seattle’s best surgeons as the cast of Grey’s Anatomy stops by to honor frontline workers, explain the importance of the coronavirus vaccine and more.

    Grey’s stars Chandra Wilson, James Pickens, Kelly McCreary, Jake Borelli and more will reunite on the YouTube series hosted by Seth Rudetsky and James Wesley on Thursday night. The cast will come together to raise money for The Actors Fund and answer any burning fan questions about the hit ABC series.

    Also set to appear are Kim Raver, Camilla Luddington, Chris Carmack, Greg Germann, Richard Flood and Anthony Hill.

    The Grey’s Anatomy cast members are the latest to appear on the YouTube series that raises money for coronavirus relief efforts and the Actors Fund. The Waltons actors Richard Thomas, Michael Learned and more were the latest television starts to stop by Stars In The House.

    Previous installments of the YouTube series featured Knots Landing, Melrose Place, Frasier, Glee, SCTV and the Broadway casts of Spring Awakening, Rent, A Chorus Line and The Full Monty, among others.

    The Stars in the House Grey’s Anatomy reunion is set for 8 p.m. ET Thursday on the Stars in the House YouTube channel and at


    (1/13/21) The Kennedy Center Honors announced today that its Honorees for the 43rd class will be multi-disciplinary artist, choreographer and actress Debbie Allen; singer-songwriter and activist Joan Baez; country singer-songwriter Garth Brooks; violinist Midori; and actor Dick Van Dyke.

    These artists will receive tributes during THE 43rd ANNUAL KENNEDY CENTER HONORS, to be broadcast Sunday, June 6 (9:00-11:00 PM, ET/PT) on the CBS Television Network. CBS has broadcast the special each year since its debut 43 years ago. The 2020 Kennedy Center Honors, which is traditionally held in early December each year, was postponed until May 2021 due to the ongoing effects of the COVID-19 pandemic.

    “The Kennedy Center Honors serves as a moment to celebrate the remarkable artists who have spent their lives elevating the cultural history of our nation and world,” said Kennedy Center Chairman David M. Rubenstein. “Debbie Allen moves seamlessly between artistic disciplines and is a cultural ambassador for all while having a monumental impact on dancers of color everywhere; folk icon Joan Baez breathed new life into the genre and powered rock music’s turn toward social and political consciousness; as one of the world’s best-selling music artists, Garth Brooks heightened country music’s profile like no other singer before him; with an international presence for over 35 years, violinist Midori combines graceful precision and expression for performances building connections between art and the human experience; with a charm that has made him one of the most cherished performers in show business history, Dick Van Dyke has brought us beloved film, stage and TV characters adored by generations of fans for more than seven decades.”

    Reflective of this unique time in history, the Center’s entire campus will come alive with small, in-person events and re-envisioned virtual tributes, including featuring the Front Plaza of the building, the Grand Foyer in front of the John F. Kennedy bust and the iconic Opera House stage. Programs for each event will encompass both performances and speaking tributes for the Honorees. Virtual events will also be held throughout the week beginning May 17, and the viability of additional in-person events will be considered as COVID-19 safety protocols evolve over the upcoming months. Please note all is subject to change.

    An Honoree medallion ceremony for the Honorees and a limited audience will be hosted by the Kennedy Center during the week of May 17-22.

    “This past year has taught us many things, including the need to be flexible and adaptable,” stated Kennedy Center President Deborah F. Rutter. “They say necessity is the mother of all invention. The unusual circumstances inspired and opened up new ways for us to present a deeper experience, and hopefully understanding, of the art and lifetime work of our Honorees. 2020 has also shined a bright light on the impact of how art and culture speak to our collective human experience. It can meet us at any moment and sustain us during the most challenging days. Each of the 43rd Kennedy Center Honorees and their work continues to speak to American culture and our national fortitude. We are thrilled to be able to fete these cultural icons in a time where the world and the nation needs the arts more than ever.”

    ‘Grey’s Anatomy, ‘This Is Us’, ‘The Orville’, ‘911’, ‘LMS’ & ‘AHS’ Among 16 Disney TV Studios LA Series To Extend Hiatus Amid Covid-19 Surge

    (12/31/20) Disney Television Studios has joined other major TV studios in pushing the post-holidays start of production for Los Angeles-based shows amid an unprecedented surge in coronavirus infections and Covid-19 deaths in Los Angeles County.

    Sixteen scripted series produced by Disney TV Studios’ ABC Signature and 20th Television divisions will remain on holiday hiatus until Jan. 18, when production will resume. The shows had previously been slated to return to production on Jan. 11 or a few days earlier.

    The 16 series are: ABC’s Grey’s Anatomy, Station 19, American Housewife, Black-ish, Mixed-ish and Rebel, NBC’s This Is Us, Fox’s 911, 911: Lone Star and Last Man Standing, FX’s American Crime Story: Impeachment, American Horror Story and Mayans; Disney+’s Big Shot, Hulu’s The Orville and Love, Victor.

    This is the latest date production on current series has been postponed to so far. The other studios that have extended the holiday hiatuses for LA-based shows, CBS Studios, Warner Bros. TV and Universal TV have largely added a week, pushing start of production from Jan. 4 to Jan. 11, with Uni TV’s Brooklyn Nine-Nine delayed until Jan. 18.

    The TV studios are responding to an appeal by the Los Angeles County Department of Public Health which urged the film and TV industry to consider pausing production for a few weeks during the ongoing surge in coronavirus cases throughout the county. Studios and streamers had been reviewing the logistics involved, including talent availability and whether cast and crew would be paid for the additional idle days.

    Keeping the shows on hiatus while testing resumes puts the productions in compliance with the new Los Angeles County Department of Public Health guideline for those arriving to self-quarantine for at least 10 days after non-essential travel.

    On New Year’s Eve, Los Angeles County reported a third consecutive day of record coronavirus-related deaths. On Wednesday, the region recorded its 10,000th death related to the virus. The county’s ICU capacity is at 0%. Earlier this week, the regional stay-at-home order for Southern California was extended to Jan. 16.

    Celebrity Wheel of Fortune: SERIES PREMIERE - Leslie Jones, Chandra Wilson, and Tony Hawk (1/7)

    (12/29/20) Leslie Jones, Chandra Wilson, and Tony Hawk” – “Celebrity Wheel of Fortune” takes a new spin on the iconic game show “Wheel of Fortune” with the primetime debut of America’s Game® on America’s network, THURSDAY, JAN. 7 (8:00-9:00 p.m. EST), on ABC. (TV- PG, L) Hosted by pop-culture legends Pat Sajak and Vanna White, “Celebrity Wheel of Fortune” welcomes celebrity contestants to come spin the world’s most famous wheel and solve word puzzles for a chance to win up to $1 million. All of the money won by the celebrity contestants will go to a charity of their choice. Episodes can also be viewed the next day on demand and on Hulu.

    This episode’s celebrity contestants include Leslie Jones (playing for Feeding America), Chandra Wilson (playing for the Los Angeles Regional Food Bank) and Tony Hawk (playing for Feeding San Diego).

    TV Ratings: Mom and Others Go Low, Grey's Leads Non-NFL Fare

    (12/17/20) In the latest TV ratings, at least six Thursday shows hit or matched series lows.

    One of them, the winter finale of ABC’s Grey’s Anatomy, slipped two tenths in the demo to match its series low of 1.0, and yet led non-sports fare in that measure, while delivering 5.6 million total viewers. Bookending the medical drama, Station 19 (5.4 mil/0.9) ticked up from last week’s low, while Million Little Things (3.3 mil/0.5) held onto last week’s low.


    CBS | Young Sheldon (6.7 mil/0.7), freshman B Positive (4.6 mil/0.5) and sophomore The Unicorn (3.3 mil/0.4) all tied series lows in the demo, while Mom (4.5 mil/0.5) slipped two tenths to mark a new demo low. Star Trek: Disco (1.7 mil/0.2) was steady. FOX | Thursday Night Football (8.6 mil/2.2) was down just a tick from last week’s fast nationals.

    NBC | An encore of Dolly Parton’s Coat of Many Colors drew 3.1 mil and a 0.4.

    THE CW | Dogs of the Year fetched 817K and a 0.1, leading into World’s Funniest Animals‘ 595K/0.1.

    ‘Grey’s Anatomy’ & ‘Station 19’ Fall Finales: Krista Vernoff & Felicia Pride On Powerful Crossover Storyline, Meredith, Robert & Dean’s Fates & More

    (12/17/20) ( ABC’s Grey’s Anatomy and Station 19 wrapped their fall runs tonight with a crossover storyline that revisited the topic of human trafficking with Opal making a return. In Station 19, the crew, off duty, step in to help a Black mother who is standing in front of a house, convinced that her teenager daughter and her friend are being held inside after she tracked the girl’s fitness bracelet. She had called the police but, after being brushed off, she took things into her own hands. Led by Dean, who has a daughter himself, the group try to help but the house owner, a middle-aged white man, denies that there are any girls inside and would not allow them to go in and check. Two white cops finally arrive but turns out they are responding to a call from the man in the house who asked them to remove the mother from his property.

    As the firefighters are about to enter the house using a non-existent gas leak as a pretext, fire breaks out. It was started by the girls, Denise and Jada, out of desperation. They are saved and, along with the alleged kidnapper, who was also injured in the fire, they are taken to Grey Sloan. Outside the house, one of the two cops provokes an altercation, leading to Dean, Robert and the mother being arrested. The mother is later released and reunites with her daughter in the hospital on Grey’s but Robert and Dean’s fate remains unknown.

    On Grey’s Anatomy, Bailey is still reeling from her mother’s death the last episode, with her husband breaking the news to her son on Station 19. Patients continue to die at an alarming rate, and the hospital is at surge capacity, with the cafeteria turned into a makeshift Covid wing. Human trafficker Opal slips into Grey Sloan, trying unsuccessfully to get to the kidnapper who is being treated. Meredith wakes up, she is feeling great and has a great, witty chat with Koracick in her room as the two commiserate over their illness. He tells her that she gives him hope that the terrible disease can be beat. But later that episode, Meredith gets up to help a coding patient as noone is around and collapses right after. With her vitals plummeting, she is put on a ventilator.

    In other developments, Jo still plans to switch specialties to obstetrics. DeLuca, who helped Bailey process her grief over her mother’s death, sees Opal in the hospital parking lot and, joined by his sister, follows her. Opal’s previous trip to Grey Sloan sent DeLuca into a mental meltdown when noone believed his human trafficking claims, so this development raises a red flag.

    In an interview with Deadline, Grey’s Anatomy and Station 19 showrunner Krista Vernoff and the writer of the Grey’s fall finale, Felicia Pride, discuss the kidnapping storyline and the importance of shining a light on the issue of “invisible” Black girls and women. They address the fate of Grey’s Meredith and Station 19‘s Robert and Dean, would Opal’s return jeopardize DeLuca’s mental health recovery, is Jo switching careers and will there be more light on the medical drama next year. Vernoff also makes an emotional speech about what she is hopeful for.

    DEADLINE: You opted to follow the pandemic from the start, so Grey’s Anatomy currently chronicles the first wave of infections in the spring about 7 months ago. In tonight’s episode, Grey Sloan Memorial reached surge capacity as the country is grappling with a massive new wave and ICUs across the U.S. reach capacity. How does it feel to be so timely?

    VERNOFF: I can only speak for myself and say that it feels profoundly disturbing. We are telling stories about hospitals being at surge capacity because the stories are set in, at this point, May of this year. So, the fact that the stories that we set in May of this year are now incredibly timely with the current surge is just heartbreaking to me. Felicia?

    PRIDE: I would agree. And I just remember, Krista, you really encouraged us in the writers room to continue to show the strain and the pressure that hospitals were under, so that’s why we were thinking about that as the storyline to continue to show that.

    DEADLINE: At that time, late May and June, the pandemic overlapped with the the Black Matters protests following the death of George Floyd. Tonight’s crossover storyline touches on racial equality and policing. How did that storyline come about, and was there any personal experience reflected in the emotional monologues delivered by Dean and the girl’s mother on Station 19 and Maggie on Grey’s Anatomy?

    PRIDE: One of the things that we really wanted to show, in addition to how horrifying sex trafficking continues to be, was the fact that Black girls can be more vulnerable to sex trafficking, and what are the forces and reasons behind that. So, with that lovely monologue that Maggie has, we were really just trying to connect the dots about the many reasons that Black girls can be more vulnerable to sex trafficking, from being hypersexualized in the media to physical abuse to all of these things. We were really just trying to show both the horrific issue of sex trafficking, but also what got us there and what is the practice that led to that. It was also really wanting to shine a light on just the invisibility sometimes of Black girls and wanting Black girls and Black women to be seen.

    VERNOFF: I’ll add that a great many of our conversations when we were first gathered in the writer’s room were influenced by the climate in the country at that moment, and you’re seeing that depicted here. It felt very, very, very important to all of us to tell these stories this season and to be authentic to the lived experience of the writers in the room and also the actors in the cast. It felt like it was time to talk about these things in a more direct way than we had historically on the show.

    DEADLINE: The police storyline, will that continue beyond the cliffhanger on Station 19 after Robert and Dean get arrested? What happens to them? Will we see them interact with law enforcement, go through the justice system?

    VERNOFF: We are definitely following through on that story very powerfully on Station 19. But I don’t want to tell you how we’re doing it.

    DEADLINE: Going back to Grey’s, is there any light in the tunnel? We are coming off two back-to-back very heavy episodes. Are things going to get a little bit more hopeful soon?

    VERNOFF: These were very heavy episodes and we have some pretty intense episodes coming up at the beginning of the year as well. We started our season in April of 2020, and we’re being as honest and as authentic and as deep and as true with that as we can. And what that means is we have to find our hope and our joy and our silver linings and our humor and our sexy and our romantic inside the parameters that 2020 offered us. So, that’s my answer, Nellie. I’m hopeful every day. When you say are there more hopeful episodes coming up, I just want to say, every day of 2020 I’m hopeful.

    I’m hopeful for a vaccine. I’m hopeful that people will start to take the pandemic seriously. I’m hopeful that they’ll start to wear masks. I’m hopeful that we can depoliticize this thing and all just take care of ourselves and each other and our healthcare workers. I’m really hopeful for all of that. And one of the ways that Grey’s Anatomy and Station 19 are helping with that is by living inside of the pandemic rather than jumping to an idealized post-pandemic world. So, I have a different twist on hope this year.

    DEADLINE: Speaking of hopefulness, what about Jo and her trying to find joy for herself by switching careers. Is this for real? Will she be delivering babies anytime soon?

    PRIDE: Jo’s storyline in this episode reflects, I think, a lot of us finding basis and reasons and things that will bring us joy in these moments. And to your point and what Krista’s talking about, about finding joy, I think that’s what a lot of our characters are trying to do. One of my favorite scenes is actually Winston coming to visit Maggie. And that sort of joy, it’s emotional, but it’s just joyful. So, I think that’s what we’re trying to do is find those moments of joy with our characters.

    DEADLINE: Let’s talk about DeLuca and the Grey’s cliffhanger. Minutes after Bailey praised him for taking such good care of his mental health, we see him chasing after Opal whom he suspects of human trafficking. Is that a jolt that will send him down-spiraling again?

    VERNOFF: I think that his mental health is strongly enhanced. I think that he is carefully taking his medications and I think that what he was saying to his sister is true, when he was saying, I’m right. Because of his mental health and his mental state, people didn’t believe him the last time he recognized Opal. And now he needed his sister to believe him and she did. And so, they’re following her not from a place of mania, but from a place of bravery and truth.

    DEADLINE: Are Andrew and Carina in any danger?

    VERNOFF: I don’t know. You’ll have to tune in next year.

    DEADLINE: What about Meredith? Early in the pandemic, more than 80% of COVID patients put on a ventilator died, so that does not bode well for her. What can you tell us about what is next for Meredith, besides that we’ll probably see more dream sequences on the beach while she is intubated?

    VERNOFF: I will say that historically Meredith has defied statistics like that. She has top of the line medical care and an entire team of people dedicated to doing every single thing they can to save her and she has a rough road ahead.

    DEADLINE: Are there any new Grey’s alums that you have recruited for the dream sequences?

    VERNOFF: The honest answer to that at this point is no, Nellie. I hope I have a different answer to that at some point soon.

    DEADLINE: Will we see more of Denise and Jada, the girls that were saved?

    VERNOFF: I think we may eventually see more of them. But I don’t think we see them in the next episode, right?

    PRIDE: Right.

    VERNOFF: We don’t see them immediately again, but there’s a possibly of seeing them again down the line. They were wonderful.

    DEADLINE: Felicia, you mentioned the Winston and Maggie reunions. What other scenes would you like to highlight?

    PRIDE: Some of my favorite scenes, which were at the suggestion of Krista, are between Meredith and Koracick. To see these two, sort of, OG doctors who are both suffering from this horrible, horrible illness still be able to find moments of humanity for each other. And I love the Bailey-DeLuca scenes, which you mentioned, DeLuca kind of helping Bailey who just lost her mother by talking about his own mom and talking about that pain and how he got through it. And also paying homage to the many Covid patients that come through ICU that he’s seen and how we’re just trying to make the best of this situation by honoring our loved ones.

    VERNOFF: With both Grey’s Anatomy and Station 19, I just thought these were really powerful, beautifully written, beautifully directed episodes. And I’m so personally moved by the impact that Grey’s is having by the work that the writers and the directors and editors and our crew is bringing under extremely difficult circumstances. It’s a scary, hard time to be working and everyone is showing up and taking care of themselves and each other with masks and face shields and social distancing and hand washing and we’re making this show, which feels important right now. And I just really want to shout out to the crew.

    DEADLINE: When are you wrapping production? This week?

    VERNOFF: We’re going to wrap production on Friday and we get a couple of weeks off for a Christmas break. The show isn’t back until, I think, March. But that’s because we just have a reduced number of episodes this year because of how late we came back to production.

    Grey's Anatomy Winter Finale Recap: [Spoiler] Takes a Turn for the Worse — Plus, a Familiar Face Returns

    (12/17/20) ( Early on in Thursday’s Grey’s Anatomy midseason finale, it looked like Meredith was well and truly out of the woods. As Maggie told Winston, her sister was not only awake, “she even laughed.” But, of course, on this ABC drama, appearances can be (and usually are) deceiving. So by the end of the hour, Mer had… well, keep reading; we’ll get there and, on our way, go over Owen’s reaction to Teddy’s difficult confession, the big shock that gets delivered to Maggie and the blast from the past that starts DeLuca playing a dangerous game of chase.

    ‘WHO SLAPPED YOU WITH A HAPPY STICK?’ | As “No Time for Despair” began, Maggie was taken aback when Winston joked that he just wasn’t cut out for a long-distance relationship and abruptly ended their call. (Are hangups becoming his thing?) Still, nothing could dampen her spirits now that Mer had awakened. That news even cheered up Tom, who was basing his chances of recovery on Grey’s. If she was gonna make it, he cracked, “maybe I won’t die alone and forgotten.” Nearby, Jo attempted to broach the subject of her career change with Richard, but he had much bigger fish to fry: Owing to the pandemic, Seattle Pres had reached capacity, meaning that Grey Sloan was about to get twice the expected number of incoming patients. Despite that, he encouraged Bailey to go home and grieve for her mother. But just as he hadn’t been able to leave the hospital when it needed him, neither could Miranda abandon ship. Really, Teddy was the doctor who seemed most in need of a breather. After she barked at Webber that “taking a break won’t save anyone, and I don’t have anywhere to go, anyway,” he called her on her [bleep]. Her situation with Owen, he said, “that’s on you, and you know it’s on you.” Instead of feeling sorry for herself, she needed to take stock to ensure that she’d repeated the destructive pattern that had blown up her life for the last time.

    ‘THE COAST IS CLEAR DOWN HERE FOR SATAN’S ARRIVAL’ | Meanwhile, the hospital braced for the arrival of Bob, the subhuman who’d kidnapped two girls in Thursday’s Station 19 (read the full recap here). First, the teens were moved to another floor, then Jackson excused himself; he didn’t want to be anywhere near the pig. When Bob arrived, he was as vile as advertised, insisting that the girls had broken into his home and set it on fire. Pull the other one, a–wipe. In the ER, Bob quickly ascertained that Owen believed the girls, not his patient. Nonetheless, he’d keep Bob alive if only to spend the rest of his life behind bars. “You’re the devil’s barbecue,” said Hunt, “so get used to the smell of burning flesh.” After Bob passed out, apparently having had a stroke, he was spotted by — dun dun DUNNN! — Opal, the sex trafficker from whom Cindy Erin had finally escaped. (Hey, I didn’t say the familiar face that returned was one that we’d be glad to see.) Opal had conned her way into the hospital by claiming to be the victim of a mugging and now was… well, doing what villains generally do: lurking. At the same time, Jackson assured young Jada that he was going to get her mom out of police custody (where she’d landed after an altercation at Bob’s), and Maggie empathized with Shanice’s mom, who marveled that after all this, she’d still have to get up in the morning and go to work as if nothing had happened, because hey, she still needed to pay the rent… after her child was abducted… during a pandemic.

    ‘GOOD LUCK WITH YOUR PLAGUE!’ | After the patient who’d been sharing his room died, a shaken Koracick snuck in Mer’s room for a visit. “I just wanted to see for myself that it’s possible to beat this thing,” he told her before admitting, “I really just wanted to be in a room where nobody’s dying… ’cause everyone’s dying.” As the impossibly sweet scene continued, they held hands. “I won’t tell if you don’t,” said Mer, the familiar twinkle back in her eye. Later, the two even laughed as he proclaimed that neurosurgeons were the best lovers of all surgeons. “OK, it’s been very nice having you stop by,” she joked. Outside the hospital, Amelia admitted to Maggie that while operating on Bob with Owen, she easily could have killed him, but she hadn’t because she’d taken an oath. Still, what he’d done was an outrage. In response, Maggie said that the real outrage was “the monsters that got us here… the many reasons that Black girls are more vulnerable in the first place and rarely seen as victims.” Hell, Maggie continued, “Now there’s a plague that is killing Black people at a rate that should make everyone outraged. If COVID were killing white people at the rate that it is killing Black people, you better believe that everyone would be wearing masks because it would be the damn law.” Way to bring the thunder, Maggie!

    ‘YOU’RE SUPERHUMAN… YOU KNOW THAT, RIGHT?’ | When Bailey admitted that she couldn’t quite bring herself to settle a patient into the room in which her mother had died, DeLuca encouraged her to take a break. “Even superhumans need more than a minute to grieve the loss of the person who made them who they are,” he pointed out. A while later, after Grey Sloan had managed to transfer 27 patients in under five hours, she told DeLuca that she’d taken his advice and screamed into a pillow. Now she just needed to figure out what to do about a memorial service. She was crazy proud of DeLuca, though, when he said that he needed to leave to take his meds and get some rest. And who should he spot upon exiting? Opal. Carina just happened to be right there, too, so she volunteered to drive when he insisted on pursuing the sex trafficker himself. I have a bad feeling about the way this is going to end for Andrew. At Mer’s place, Maggie awakened to a whole mess of missed calls from Winston and… oh! Him at her door with a bouquet of flowers. “I told you the long-distance thing wasn’t working for me,” he said. (Romantic as the moment was, was immediately embracing a good idea? Erm… )

    ‘WE NAMED OUR DAUGHTER AFTER A LIE’ | Back at Grey Sloan, Owen softened toward Teddy, leading her to confess that her old friend Allison hadn’t just been an old friend. “It is the only secret that I kept from you before Tom,” said Altman, “and I know that it’s connected.” She was going to try to figure it and herself out, and… Uh-oh. Owen was laughing hysterically. He had been wondering when she’d changed into someone who could cheat on him on their wedding day. “It turns out you didn’t change,” he said. “I just never really knew you.” Inside the hospital, Mer heard a code blue in the room across the hall from hers, so she climbed out of bed and began performing CPR on the patient. Then, just as Grey got the patient stabilized, the doctor collapsed in Taryn’s arms. (Not the way Helm had ever imagined it, that’s for sure.) Shortly, Richard consulted with Teddy and Amelia. Despite Mer’s rally, her “lungs are at a breaking point,” said Altman. So Webber made the call to put her on a vent — a procedure so nightmarish to observe, it should convince even the biggest skeptic out there to wear their damn mask already.

    Celebrity Wheel of Fortune Contestant Lineup Includes Stars of This Is Us, Grey's Anatomy, Community and More

    (12/14/20) An OG Grey Sloan surgeon, one of the Pearson family’s Big 3, a pair of Greendale CC grads and Pee-wee Herman himself are among the two dozen boldfaced names circling Celebrity Wheel of Fortune.

    ABC on Monday unveiled the contestant list for the starry Wheel offshoot — which premieres Thursday, Jan. 7 at 8/7c — and in addition to Grey’s Anatomy‘s Chandra Wilson, This Is Us‘ Chrissy Metz, Community alums Joel McHale and Yvette Nicole Brown, and actor-entertainer Paul Reubens, the lineup includes Saturday Night Live vets Kevin Nealon, Leslie Jones and Rob Riggle, Desperate Housewives‘ Teri Hatcher, Beverly Hills, 90210‘s Jennie Garth and Bachelor host Chris Harrison.

    The roster of celebs also includes Karamo Brown (Queer Eye), Nicole Byer (Nailed It!), Drew Carey (The Price is Right), Rachael Leigh Cook (Perception), professional skateboarder Tony Hawk, Robert Herjavec (Shark Tank), Jeannie Mai (The Real), E! News vet Maria Menounos, Patton Oswalt (A.P. Bio), Alfonso Ribeiro (Fresh Prince of Bel-Air, America’s Funniest Home Videos), Sherri Shepherd (Trial & Error), ESPN’s Joe Tessitore and Constance Zimmer (Unreal).

    Iconic Wheel of Fortune duo Pat Sajak and Vanna White are on board to headline the spinoff, which will find the above celebs competing for the chance to win $1 million for the charity of their choice.

    Ratings: Million Little Things Goes Low

    (12/11/20) In the latest TV show ratings, ABC’s A Million Little Things drew 3.5 million total viewers and a 0.5 rating, slipping 10 percent and a tenth to mark its smallest Thursday audience and a series low in the demo.

    Station 19 (5.4 mil/0.8) and Grey’s Anatomy (5.5 mil/1.1) also ticked down, with the former tying its series low and the latter hitting a season low. Next week, winter finales!


    CBS | Leading out of a slew of sitcom reruns, Star Trek: Discovery (1..6 mil/0.2) drew its second-smallest broadcast audience yet while steady in the demo.

    FOX | The Pats/Rams game averaged 9.1 mil and a 2.3 in fast nationals. NBC | Leading out of the Best of Broadway special (3.6 mil/0.5), TIME‘s Person of the Year reveal did 2.2 mil and a 0.3. (Shoulda been The Essential Worker, don’t @ me!)

    THE CW | That Silent Night special drew 640K and a 0.1.

    Grey's Recap: Surge Times — Plus, [Spoiler] Loses Their COVID Battle

    (12/10/20) ( In Thursday’s fraught Grey’s Anatomy, things were looking up for Meredith but way down for Tom, who was ambulanced to Grey Sloan resembling nothing so much as the textbook definition of “worse for wear.” Having already lost Teddy and his chief-of-chiefs gig, was Koracick about to lose his very life? Read on and find out.

    ‘ARE YOU GOING TO WORK… AT THE REGULAR TIME… ?’ | As “Fight the Power” began, Teddy and DeLuca celebrated the fact that Meredith’s condition was improving, Levi discovered how hard hit by the pandemic Jo was (to the point that she was “paralyzed by excitement” in bed — ha), Bailey connected with Ben and her father over FaceTime, and Jackson asked for Richard’s help getting Catherine to properly wear her mask. (Proximity to one’s face doesn’t count as actually wearing it on one’s face, damn it!) Shortly, we learned that Luna’s mom Val required continued care, and — insert chest pains here — Tom was brought in, as advertised, in dire straits. He was so bad off, in fact, that he didn’t recognize Teddy or Owen, and seemed to think that his son was still alive. Soon, Bailey’s mood took a sharp downturn when she learned that Silver Villas assisted-living home — where her parents were, hello! — was suffering from a COVID surge. She beseeched Ben to get her folks outta there asap, but it was already too late. By the time she got her husband’s voicemail messages, he’d arrived back at Grey Sloan with her symptomatic mother. While Maggie pondered what meds they could prescribe Bailey’s mom to calm her, Bailey herself soothed her by singing “My Girl.” Yikes, this episode was gonna be a heartbreaker, ya could just tell. In no time, Bailey was forced to call her father to inform him that the love of his life wouldn’t make it through the night. Again, yikes. Chest pains. All of it.

    ‘TREE-HITTING IS FROWNED UPON’ | Looking for a way to deal with her feelings, Bailey confided in an unconscious Meredith that her mom had once advised her to deal with her emotions by hitting a tree — her own tree. “My mother has Alzheimer’s,” Miranda went on. “I never told you” or Richard, because she hadn’t wanted to upset them. But unless you’ve been through it, “no one understands that you are watching your own mother die… twice.” Later, Bailey rang her father on Zoom so that he could see his wife. “She drifts in and out, Dad,” Bailey had to tell him. He wanted desperately to be there, but of course, that wasn’t safe. Through it all, Miranda tried to maintain a stiff upper lip. “Mom, if you’re ready to go, it’s OK,” she said. “We love you, but we don’t want you to suffer.” In response, her mom said, “Not ready… I wanna go home.”

    Later, Bailey told Maggie that her mom had informed her that she wasn’t ready to go. Yet she also feared that her mom hadn’t really known what she was saying. And she was furious. She didn’t want her mother to be a statistic. “All of this is confusing… and awful,” Maggie offered. Bailey didn’t know what to think in the end. She’d been sure that Mom wouldn’t want to live with Alzheimer’s, but now… gah! She couldn’t be positive. Maggie’s opinion? Let her go. Maggie might have kept fighting to keep her own mom alive, had Diane not given her such clarity in the end. Sadly, Bailey felt that she had to beat herself up for bringing her parents to Seattle. Her mother “was exposed at the place I set up for them!” Maggie tried to insist that Bailey couldn’t feel guilty about it, but… easier said than done. “She just needs me to be a good daughter,” cried Miranda, “and I don’t know if I know how to do that.”

    ‘CAN YOU HOLD THE PHONE CLOSE ENOUGH TO SMELL HER HEAD?’ | When Jo reported to Val that she had a pseudo-aneurysm, the patient didn’t take it well. “I’ve known my baby’s name” for eight years, she said. “And now that I finally have the chance [to be a mom]… I don’t know if it will ever be real,” or if she’d only be able to see her child over FaceTime. Post-op, as Jo pondered the possibility of Val needing a liver transplant, new resident (or is he an intern?) Kahn, an MVP in his home country, marveled at the former Mrs. Karev’s excellence. Later, Jo was somehow recruited to deliver a baby. (And you thought your day was something!) That evening, Jo shared her experience with Levi. “It was the happiest thing I had ever seen,” she said, adding that hmm, Carina seemed to always be in a good mood. What if Jo changed careers? What if she gave up surgery and became an OB? “Eat and then sleep before you… ,” said Levi. “Oh my God, I sound like my mother.” Regardless, since tomorrow isn’t promised, Jo wanted to choose the joyful option.

    BACK FROM THE BRINK | Consulting with Teddy on Tom’s case via Zoom, Amelia decided that she had to go in to Grey Sloan; he was having neurological complications — he needed her. “We’ll be fine here,” Link said. “Go, save your friend.” Unnecessarily, Amelia mentioned that not only had Koracick saved her brain, he had been her first sex after Owen. Wait, what? Link said. TMI, Amelia. TMI. At Grey Sloan, Amelia suggested that Tom’s delirium was a side effect of COVID, not especially neuro. “I hate everything,” Jackson said when he was filled in on Koracick’s condition. In a moment alone with Teddy, Amelia admitted that she’d heard what had gone down with Tom and Owen, and though she had feelings about it, hey, she’d heard — and arguably done — worse. Later, Amelia told Teddy that Koracick’s numbers were holding. Though he was unconscious, Altman expressed to him her wish to save their friendship. “If you want to have nothing to do with me, you’re going to have to get all better and tell me yourself.” At that, he awakened. It appeared that he was gonna be fine — he was even in the mood for a sponge bath. After all those yikes-es, whew!

    As the hour drew to a close, Jackson marveled to Richard that half of their COVID patients were Black or brown. “Systemic racism is the preexisting condition — existing while Black,” said Avery. He didn’t have to worry about Catherine, at least; Richard had taken care of that, Webber said — in some kind of sexual way. Shortly, he encouraged Bailey to go into her mother’s room and be there for her. “I’m scared,” she admitted. “We’ll do it together,” he replied. So in they went, so that Miranda could stroke her mom’s hair with a gloved hand and sing her one last song as she slipped away.

    Katherine Heigl To Star As Trailblazer Victoria Woodhull In Limited Series From Oakhurst Entertainment

    (12/8/20) A century and a half before Kamala Harris became the first woman on an winning U.S. presidential ticket, Victoria Woodhull was the first woman to run for president. The remarkable story of the feminist icon is the subject of a limited series, with Katherine Heigl (Firefly Lane, Suits) set to portray Woodhull and executive produce. The project, titled Woodhull, hails from Oakhurst Entertainment and is currently out to showrunners.

    The series will be based on multiple biographies chronicling the life of Woodhull, which Oakhurst, founded by former Brillstein Entertainment manager Jai Khanna and producer Marina Grasic, acquired earlier this year.

    In 1872, Woodhull became the first woman to run for president from the Equal Rights Party, supporting women’s suffrage and equal rights; her running mate was abolitionist leader Frederick Douglas. She was the first woman to address the U.S. Congress and, with her sister Tennessee, the two became the first women to operate a brokerage firm on Wall Street. The sisters used the money they had made from their brokerage to found a newspaper. Woodhull was accused of blackmail and prostitution and, along with her sister, was arrested and charged on the eve of the presidential election for printing obscenities after their paper published an exposé of a renowned preacher, revealing that he had committed adultery. It was this arrest and Woodhull’s acquittal that propelled Congress to pass the 1873 Comstock Laws.

    Woodhull butted heads with such pillars of society as Cornelius Vanderbilt, Harriet Beecher Stowe and Susan B. Anthony. Early on, she had worked as a traveling clairvoyant in medicine shows. She preached – and practiced – the concept of free love, once living with her husband, her ex-husband and her lover at the same time in the same New York apartment. Woodhull was arguably the boldest voice for women’s rights in the 19th century, and she was taken seriously by her contemporaries and by the media in spite of her unconventional lifestyle. This isn’t just the story of one woman, it’s also the story of the time in which she lived and the many famous – and infamous – figures whose lives she touched.

    “The moment I discovered the almost too big to be true story of Victoria I have been enthralled and deeply invested in bringing her life story to the screen,” Heigl said. “Victoria’s outrageous courage, determination, intelligence and hutzpah would be remarkable in our modern times but was downright revolutionary in hers. Her name and her story has not been celebrated nearly enough for the trails she blazed and the paths she forged for all the women who came after her. I cannot wait to tell the story of this woman who would not be stopped in a time that forbade her to even start.”

    Heigl, an Emmy winner for ABC’s Grey’s Anatomy, next stars in the Netflix series Firefly Lane. She recently co-starred on the final two seasons of USA’s Suits and also headlined CBS’ Doubt and NBC’s State of Affairs. Her feature credits include Knocked Up and The Ugly Truth.

    “We are extraordinarily excited to have Katherine Heigl on board – we have always been a big fan of her work and was delighted to discover she was an avid Woodhull fan herself,” Khanna said.

    Oakhurst also is behind the Michael Cera comedy Sacramento. The company recently closed a distribution deal for the Glenn Close-Mila Kunis starrer Four Good Days, and is a producer on the Aubrey Plaza starrer Black Bear, which released this past weekend on Amazon.

    TV Ratings: Grey's Dips But Dominates, Station 19 Matches Low, SVU Rises

    (12/4/20) In the latest TV show ratings, Grey’s Anatomy drew 5.7 million total viewers and a 1.2 rating, ticking down from its previous outing yet dominating the night in the demo (with Thursday Night Football taking a knee).

    Bookeding the ABC medical drama, Station 19 (5.4 mil/0.8) slipped two tenths and Million Little Things (3.8 mil/0.6) dipped one tenth, with both matching series lows in the demo.


    CBS | Young Sheldon (7.3 mil/0.8), B Positive (5.2 mil/0.6), Mom (5.2 mil/0.6), The Unicorn (3.6 mil/0.5) and Star Trek Disco (1/.9 mil/0.2) all were rock steady, with Sheldon delivering Thursday’s largest audience.

    NBC | Leading out of The Voice‘s holiday special (5.3 mil/0.7), SVU (4.04 mil/0.6, see who’s coming back!) ticked up — and matched its largest audience in 20-plus months.

    THE CW | A Jingle Ball “best of” special did 526K/0.1, followed by Funniest Animals‘ 615K/0.1.

    FOX | Major League Soccer coverage averaged 872K and a 0.2.

    Grey's Anatomy Recap: To Sleep, Perchance to Dream — Plus, [Spoiler] Reacts to Meredith's Latest 'Reunion'

    (12/3/20) ( Warning: As the headline suggests, the following contains at least one big spoiler for Thursday’s Grey’s Anatomy. Proceed at your own risk.

    OK, Grey’s Anatomy promos, you definitely got our attention by teasing that, as Meredith lingered in limbo in Thursday’s episode, “another person from her past” would return. Would it be Lexie? George? The MerDer baby that Grey miscarried in Season 6? No comeback could possibly top Derek’s for sheer shock value. But did the ABC drama manage to come close-ish? If you don’t already know, read on and find out.

    ‘MORNING, MEREDITH’ | As “You’ll Never Walk Alone” began, the pandemic continued to tear through Grey Sloan. During a debriefing, Richard assured his colleagues that Mer was in good hands with Teddy and DeLuca. Owen warned that the hospital should prepare for more coronavirus cases. And Koracick, Zooming in, insisted that his test had been a false positive. In the doctors’ lounge, Jackson invited Jo over in case she didn’t feel like being alone. OK, because he didn’t feel like being alone. “I have fancy beer and a negative COVID test,” he noted. So why didn’t they do a friendship reboot? Deal, she said. A Dr. Quo of the Catherine Fox Foundation was running a trial with room for two more patients, we learned, and Teddy and DeLuca were eager to sign up Mer. Richard, however, would only agree to think about it. When Nico approached a patient who visibly freaked at the prospect of being treated by an Asian doctor, he took it in stride. Soon, he was assigned to treat Dave, who was back at Grey Sloan after previously being treated by Owen. And while all of this was going on, Mer, at least in her mind, was on her magic beach. “Excuse me,” she called out. Aww… to George!!! They got T.R. Knight. Even if you didn’t wanna cry at that point, admit it: You know you did.

    When Taryn showed up at Koracick’s to perform his new COVID test, he wouldn’t allow her in. He didn’t let residents in his house or up his nose. “Are you plotting something evil?” she asked upon seeing a complicated screen in his house. On the contrary, he replied. He was trying to stop a pandemic. During a call with Winston, Maggie was encouraged to seize joy wherever she could find it. “I don’t mean to tell you how to be,” he hastened to add. But she hadn’t taken his advice the wrong way. And she was looking forward to their virtual dinner that night with his auntie. While treating Dave, new resident Mabel Tseng diagnosed him and got an invitation into the O.R. by Owen. While Jackson and Jo tried to assure themselves that Mer was gonna be OK, George was complimenting Grey on her kids. He hadn’t met them, but “I check in sometimes.” When she pondered why he’d gotten older in her head, he ventured that it was perhaps more peaceful for her to imagine him that way. Did she get to choose if she went back? He hadn’t gotten to, he said. It’s different for everyone. At the same time, Richard was telling Bailey that he’d tried to wake Mer to ask if she wanted to enroll in the trial. But if he’d really tried, he hadn’t done so very hard.greys anatomy recap season 17 episode 4 tr knight george

    ‘YOU WERE ALL CRACKING UP AT MY FUNERAL’ | During Maggie and Winston’s dinner with his auntie, his father called in, much to his surprise. It was awkward with a capital A. “Let’s try to be civil,” said Dad. But that wasn’t going to be easy, considering that he’d apparently gambled away any money that the family had had. Soon, Winston had abruptly hung up, leaving his girlfriend on the line with his aunt and father. The morning after Jackson and Jo’s friendship reboot, she decided to rip off the Band-Aid and lunged in for a kiss. This hookup was apparently going to go way better than the last attempt. Back on the beach, Mer suggested to George that her kids would go on if she died, just like she had after he died, after Derek died. George’s mom hadn’t done that, though, after his passing. She was still around, she just wasn’t the same. Sometimes he tried to shake the sadness out of her. “Like you haunt her?” Mer asked. Not exactly. At Grey Sloan, DeLuca argued passionately to get Grey into that trial. The choice, he told Richard, is between doing nothing and doing something. “Do something!” Live up to the responsibilities that she gave him.

    After treating Dave, Tseng suggested to Nico that Owen hadn’t tested for right-side diverticulitis because… as Kim put it, Hunt was a racist. Or that was what he was going to hear her accusing him of, anyway. Instead of letting her address the issue with Owen, Nico wound up doing so himself. Back at Jackson’s, Avery and Jo made excuses for why they could keep having sex without becoming a “thing.” Basically, if they didn’t stop getting it on, it only counted as one incident. When Taryn made it back to the hospital after gaining new — bleak! — insight into Koracick’s state of mind, she reported to Teddy that he was in a dark place and could probably use a friend. Oh, Hellmouth, any friend but Altman! Later, Jo tore into Levi for hooking up with Nico. “It’s wartime,” he declared. Desperate times, desperate measures. Speaking of desperate, Amelia lit into Link for trying to remain optimistic and warned that he wouldn’t like the consequences if she kept stuffing down her feelings. In response, he sat near her and explained that he was making space for her to have her feelings — rage, fear, all of them.

    ‘DO YOU STILL DANCE IT OUT?’ | At the beach, Meredith admitted to George that she didn’t dance so much anymore, not now that Cristina was gone. Suddenly, Grey heard Richard’s voice and saw him beside her. He didn’t know what to do for her, he admitted. In her hospital bed, Meredith began to shake, almost as if she was having a nightmare. When Richard left the room, he’d made a decision: “Get her in” the trial, he told DeLuca. As the episode neared its conclusion, Levi wanted to invite Nico over but noted that they hadn’t been great to each other, so maybe that was a bad idea. There was a pandemic going on, Nico replied. “A lot has changed.” Ugh. But not enough to justify a Schmico reunion. “No,” I cried as they took off to get busy at Jo’s empty place. Speaking of Jo, Jackson pressed “pause” on anything that was going on or might go on with them. Which was fine with her. “What I need is friendship and sex,” she said. She wasn’t looking for a relationship, least of all with someone like Mr. Can’t Be Alone. These two are actually pretty hilarious, no? “You thought I wanted to date you?” she asked, incredulous. Off Nico’s strong words, Owen admitted to Bailey that with Dave, he’d defaulted to the diagnosis that he would’ve given a white patient. He just wanted to treat everybody equally. Ah, said Bailey, who was worried about her parents, whom she’d just put in assisted living. But “equal doesn’t work for everybody.” If a protocol isn’t working, he had to change it.

    After giving Amelia room to spiral, Link just wanted to play his guitar. But she wanted to talk. So he did, recalling his decision to focus on the positive while at cancer camp as a kid. And it worked for him. “If you need a partner in misery, I’m not your guy,” he said. On their evening Zoom call, Winston apologized for leaving Maggie with his father and aunt, and opened up, at least a little, about his dad’s temper. But what he really wanted to do was watch Coming to America with her. Though Teddy knew that she was the last person Tom wanted to see, she still showed up on his doorstep with soup. He didn’t answer, perhaps because that was the sane thing to do, perhaps because he was shivering on the floor on the other side of the door, perhaps a little bit of both. Back at the beach, Mer noted that George had gone all in for everybody, even that fateful woman at the bus stop. He’d changed Mer’s life. Which hopefully would go on. At Grey Sloan, Bailey told Richard that she thought he was making the right decision putting Grey in the trial. He’d never thought before about how helpless the loved ones of COVID patients must feel. Now, it seemed, he’d never forget. In our last scene, both Bailey and Richard were on the beach with Mer and George. Find you people, voiceover’d Grey, because when you’re at your lowest, they’re the ones who’ll get you through.

    Grey’s vet T.R. Knight — an Emmy nominee during his original run — commented on his encore, saying, “George O’Malley will always claim my heart. Thank you to Ellen [Pompeo], Chandra [Wilson], Jim [Pickens], Krista [Vernoff] and all the familiar faces for once again sharing your beautiful light.”

    ‘Grey’s Anatomy’ Returning Star & Showrunner Krista Vernoff On Touching Reunion & More

    (12/3/20) ( SPOILER ALERT: The story includes a detail about tonight’s episode of Grey’s Anatomy.

    Once again this season, Grey’s Anatomy mixed tragedy and joy in tonight’s episode as the staff at Grey Sloan Memorial continues to grapple with the grim reality of the coronavirus pandemic in its early days. It is killing way too many patients and is now threatening to take away one of their own, Meredith Grey (Ellen Pompeo). Yet, through her illness, Meredith’s Covid dreams have provided light as, walking on a beach, she gets to meet some of her favorite people.

    The beach motif kicked off in the season premiere with the jaw-dropping return of Grey’s original male lead Patrick Dempsey as Meredith’s late husband Derek Shepherd, who has appeared in her dreams ever since. Tonight, someone else was waiting for herby the ocean. Leaning onto the railing of a lifeguard tower was George O’Malley (T.R. Knight).

    With Meredith’s condition taking a turn for the worse in her Covid battle, she spent most of her time in the episode sleeping, which led to multiple dream strolls and conversations with George, in which they discussed his death and funeral. “I was devastated when you died,” Meredith said.

    George spoke of what he misses about being alive and Meredith told him how much he meant to her.

    “You changed my life George,” she said.

    Meanwhile at the hospital, Tom Koracick (Greg Germann) self-isolated at home after testing positive for Covid-19. By the end of the episode, he was showing symptoms and looking very sick. Richard (James Pickens Jr.) was struggling to make a decision whether to enroll Meredith in a clinical trial for an experimental Covid drug. With some help from Bailey (Chandra Wilson), he eventually got Meredith into the trial. As Richard and Bailey were looking over Meredith in the hospital room, they were transported to the beach where they sat with Meredith and George in a reunion of four original Grey’s cast members. Outside of work, Jo and Jackson entered “friends with benefits” territory.

    In an interview with Deadline, Knight and series executive producer/showrunner Krista Vernoff talk about George’s return, that final scene, Meredith’s Covid prognosis, Tom’s fate and more.

    DEADLINE: Let’s start with the final scene of T.R. joined by the three remaining Grey’s original cast members on the beach. Was that a coincidence or a nod to fans, a throwback to the show’s early years?

    VERNOFF: Well, it certainly wasn’t just a coincidence. It was a beautiful pitch from Meg Marinis and Andy Reaser, who are my number two’s at Grey’s Anatomy. I had written the George-on-the-beach scene. Some of the writers this season didn’t even know who the special guest stars were, so I wrote all the beach scenes, and when Meg and Andy read them they came to me, and it was Meg who said, there is an opportunity here because Bailey and Richard are talking over Meredith’s bed, to have them appear on the beach, and to have this, what I think is, an instantly iconic moment of the four of them together again, and I was like, yes, please. That’s why you hire smart people. It’s so good.

    DEADLINE: T.R., did it feel iconic for you, that scene?

    KNIGHT: Even though we filmed this in the middle of October, I’m still trying to put into words how profound the experience was for me, so just hearing that made my eyes leak saltwater a little bit. When Krista first gave me the pages, Bailey was not in it yet, I think Richard was. And then I got the second round. It’s just hard for me to put into words, still, how meaningful it was.

    VERNOFF: I choked up saying that, too, T.R. It is emotional for me, too.

    KNIGHT: It was incredible, it was just an overwhelming feeling of love in that moment. We were apart from everybody quite a bit because that was a drone shot, and so it was just the four of us, and the sun was setting, and this big fly buzzing around our heads, and it filled me with just a lot of joy.

    VERNOFF: I want to say this to you, Nellie. The amazing thing about the writers not knowing was the evolution, the unfolding. Julie Wong, who wrote this tremendously powerful hour of TV that you watched, learned after writing her first or second writer’s draft, I can’t remember. I actually think it’s not just that she learned, it’s that I decided that she was getting George, that the George scenes were happening in that episode. So we had to clear out some space, and I said to her, I want to do one more. We have time on the day. I want everything I can with T.R., I want one more scene. Julie has been a fan of the show, and it was like the crazy all caps OH MY GOD. I GET GEORGE? And then she went, and she re-watched the first five seasons, because she felt the pressure to write one more George scene, and she wrote that exquisite scene at the end where Meredith says, ‘You changed my life, George’. That scene that just makes you weep was Julie, and I think it was the biggest moment.

    When people are fans and then they get to work on the show and it all comes together in this kind of magic, where you get to write for George O’Malley in Season 17, it was pretty amazing.

    DEADLINE: T.R., when you were sitting together, the four of you, what did you four talk about between takes?

    KNIGHT: I already was too emotional before about it, so I’ll tell something funny about it because there was the drone and so much noise on the ocean, and you hear a faint bullhorn giving direction but you can’t really hear it because there’s the waves, and so at one point, I thought I heard, ‘OK look at Chandra’, who’s sitting next to me, and so I look at her. She’s looking out at the water, and all of a sudden, she slowly looks over at me. She doesn’t move her mouth, and her eyes are just saying, should you be looking at me? why are you looking at me? That made me burst out laughing because that’s what I thought I heard, and who knows if that was true.

    VERNOFF: We were directing from a microphone, Nellie. We were like 100 yards away with an ocean, and the tide coming in, and the sun setting. I mean, that shot is at magic hour, which means you’ve got like three minutes, and we’re going [makes muffled sound as if talking into a microphone].

    KNIGHT: It sounds like that a little bit. I hope I didn’t ruin a moment. They’re all looking, why the heck is he looking at Chandra?

    VERNOFF: No, we were, in fact, telling you to look at Chandra. The first version that we shot, they were all just staring out at the ocean, and it was so perfect. It felt too perfect. It didn’t feel like, hey, old friends, and so we were yelling with the microphone, like do something else. T.R., look at Chandra, and it just came to life in the way that you did that.

    KNIGHT: Oh, good. Oh, good.

    DEADLINE: George is the second beloved Grey’s character after Derek to be brought back in the beach motif. How did T.R.’s return come about?

    VERNOFF: Well, George was my first idea. When this imagining came to me I was walking on the beach, as I’ve told you Nellie. I had found a way where there was no one there and I felt like I could take my mask off and just walk with my feet in the water, and the imagining came to me of Meredith walking with her feet in the water with George. That was the first image that came to me, and the joy that filled me up when it came, I believe, is translated on screen and I believe we have given many millions of fans that moment of pure joy. Right now in our lives, in this pandemic pure joy is rare, and so I’m so grateful to T.R. for coming and playing, and offering that to everyone, because I think it’s meaningful.

    When I called Ellen and said, I have this idea to have you having these dreams on the beach, and I want to get someone amazing, like T.R,. Ellen was like, yes, get T.R., and also Patrick. That was the evolution of that. Ellen and T.R. are close, and George and T.R. were both always favorites of mine, and so he was my first idea of, as a fan, who do I want to see again? I wanted to see George, so that’s where it started. And then which episode he went, I don’t know how to explain the evolution of scripts under me, but sometimes you get eleventh-hour evolution. I wrote the scenes, and didn’t know where they were going to go. We hadn’t shot them yet, I think, and then decided.

    DEADLINE: T.R., who called you and what was your first reaction?

    KNIGHT: Ellen hinted at it first, but then Krista called, and we talked for an hour. Probably her ears were bleeding a little bit afterward, hopefully not too bad, but it was incredible. What was interesting is Krista, I hope you don’t mind me sharing this. Krista said at one point during our long conversation she thought that this might, if this might offer closure, and I was like oh, I think that’s already happened. What was interesting is something my husband, who is much smarter than me, and okay, granted that’s a low bar. We were talking about that idea of closure and he was saying that sometimes closure’s shutting a door, and sometimes it’s like revisiting a familiar room, and finding what brought you joy, and it just hit me.

    And going to the set that day, because we shot on the beach and it was an early call, so I’m driving in the dark because you want to be early. You don’t want to go back and be late. Driving up that windy road in the dark and people are just starting to arrive, and to see Laura Petticord, she’s our second assistant director. She handles the base camp and corrals all of us, and does that momentous job, and she is someone who’s been with the show, I think, from the very beginning, or at least from that first season. She is kind of like kindness in human form, so seeing her, and then all of a sudden seeing Shawn Hanley, who is now the first assistant director, and then Norman Leavitt, who came back out of semiretirement to try to make this (points to his face) look like something not hideous. It was just wave upon wave of happiness, of joy, of Krista. She was there the entire day. Linda Klein, she was there all day.

    VERNOFF: She’s a medical producer and there was no medicine [in the beach scenes].

    KNIGHT: And then to have Ellen, and Chandra, and Jim, of course, and all the other familiar faces that were there, too, because there were quite a bit of crew that were there still. To have all of that, it was just unlike any other experience I’ve ever had in my entire life, in my 47 years.

    DEADLINE: There were some emotions involved in your departure from the show. Did the decade-plus away from Grey’s give you some perspective? Did you miss the show?

    KNIGHT: I mean the people, yeah; it’s the people and it’s George. Acting, I feel, is interpretive, you take what’s given to you. It was hard for my brain to try to figure out who George would be now, or what he would be, and then to get Krista’s pages, even the first round. I only got two, but I mean it was just…oh yeah. I don’t know how to describe it other than it’s like, yeah, there he is. It’s that luck of having excellent writers give you so much. It’s kind of like, this is a bad metaphor, if acting is climbing a mountain and then when you have excellent writing that supports you, it’s like a gondola that lifts you all the way up. It drops you off not at the top, because you’ve still got to do a lot of work yourself, but close to the top and it makes the climb so much easier, and I’ll stop that terrible metaphor right now.

    What I loved about what Krista did with George was, because Meredith is having this vision, for lack of a better word, of who George would be. George is a very complicated person and that’s what made him such an amazing pleasure to play, but Meredith is seeing the best of George: she’s seeing his humor, his kindness, his generosity, and in this brief moment that you get to see him it’s such a great way to remember him.

    We all know George also had his faults. He stumbled a lot. Literally and metaphorically, he was a little passive-aggressive, had some anger, held a grudge a little too long, but that’s what made him such a brilliant character to play, so to be able to get back into that world was… Like I said, there’s a better word than profound, and I’ll get there someday.

    DEADLINE: So, there was no hesitation? Krista, did you have to convince him, and T.R. did you say ‘yes’ right away?

    VERNOFF: The phone call felt like just reconnecting with an old friend. I don’t even remember the answer to that question. It all felt like an organic easy joyful thing. I don’t know how easy it was for you.

    KNIGHT: It was. It was. Very much so. And it’s just that trust, not knowing, not reading anything beforehand, just jumping and saying yes. It just felt good, I guess. It’s a gut feeling, and then also to act with Ellen. I knew that part of it, that it was mostly Ellen and me, it’s one of those things you wish it always happened but then it wouldn’t be special when it did, to act with someone who you just know that it’s like, okay, what are you going to give me there. Okay, now I’m going to try to match that, and then it’s this game. It’s this roller coaster that you’re on together. To be able to experience that again with Ellen, and to know that every take is going to be different, there’s going to be a sense of play, a sense of challenge. It’s the best kind of acting if that makes sense.

    DEADLINE: Did you go through the same elaborate security procedures to keep T.R.’s return a secret as you did with Patrick’s, or did he attend the virtual table read this time?

    VERNOFF: No. George was called Thatcher in the script that we read at the table. It was all the same. Nobody saw any dailies. I think there are members of the cast who still don’t know this is happening. I actually think, sincerely, most of the cast doesn’t know this is happening. We’ve been really, really, Ellen and I, joyfully Scorpio secretive.

    KNIGHT: And only my husband knows. Only Patrick knows. I’m going to have a lot of angry friends, but that’s…they’ll understand.

    VERNOFF: Yeah, my kids don’t know.

    KNIGHT: Your kids don’t know? Oh my God.

    VERNOFF: You can’t tell the teenagers. Actually, they would get mad. They’re pretty good at keeping secrets, but yeah. I really want to say this, Nellie, because I just want to, about T.R. as an artist. You hear his artistry in his every answer, and the joy for me, in watching him at work and at play again, was amazing. Even watching it on the day and then watching the cuts, as I worked with the editors, it’s… Like the thing that I noticed this last time that I watched it is that he’s talking about dancing and the joys of life, and his feet are dancing; he’s sitting on the beach but there’s this restlessness. There’s just always a next level, with T.R., of work and thought, and there’s so much joy and artistry that goes in. He never phones anything in. He never did, and that was really profound. I don’t think there’s a better word.

    DEADLINE: How did the joke about George’s changed appearance come about?

    KNIGHT: That’s all Krista.

    VERNOFF: It was in the script. And what’s funny is I wrote it assuming that T.R. actually would look older, and as you can see, he doesn’t.

    KNIGHT: Oh, that’s baloney. That’s baloney. I have mirrors I know.

    VERNOFF: I would argue that one of the reasons that that felt like a line of improv is how much joy came out of Ellen in working with T.R. again. It feels so alive, and yeah. The artistry they brought in each other, it was magic.

    DEADLINE: Because of Meredith’s physical state, she spent a lot more time on the beach in this episode and had several meaningful conversations with George about life, death and both got to say to the other what they couldn’t because of George’s sudden death. Was this a final, proper goodbye for the character or could he be back for more? It did put a nice bow on his story.

    VERNOFF: I’ll say this. I thought this was a beautiful bow, and never say never. I mean, who knows. Now there’s magic possible. Who knows.

    DEADLINE: T.R., are you open to revisiting the character again, or was this it for you, the ending you were hoping for?

    KNIGHT: It was the ending I never expected and couldn’t possibly have expected, in so many ways. It’s such an awkward position to be put in to be asked that, to be honest, with all due respect, so I will just say in Krista’s hands I feel safe, I feel energized. It’s like when you mentioned about that line that seemed like improv. I’m not going to take credit for that. I give credit to Ellen and I give credit to Krista because to write something that can seem like improv, that’s in the writing, too. And that is just a joy to get to interpret.

    DEADLINE: Krista, can you say who is coming to the beach next?

    VERNOFF: Well. Nellie, now you’ve seen that sometimes when people sit in Meredith’s room and talk, they appear to her on the beach, so the beach throughout the season exists not just with very special guest stars.

    DEADLINE: With Meredith in a trial, is she is turning the corner on Covid?

    VERNOFF: What’s going to happen? What’s going to happen? I don’t know. You have to tune in.

    DEADLINE: Patrick Dempsey mentioned in an interview that he would be appearing throughout the season. Will Derek and Meredith they get closer like Meredith and George and have a longer conversation? Fans would love that.

    VERNOFF: Yes, eventually. Eventually, they’ll get to have deeper, richer conversations as Meredith and George did. We worked with Patrick for two days. We had two days to capture four episodes, and so that’s why you’re not getting the full meal in one episode, that you got with T.R. where we had a whole day to do his scenes in one episode, and that is just about production realities and how many days we’re budgeted to be out on that beach, and now that the days are shorter, going to the beach, we get five hours of daylight. There are so many moving parts. You want more, tune in. It’s like you had a little taste before dinner and come back for dessert.

    KNIGHT: I think that makes George the soup.

    VERNOFF: I had thought I would save George until later in the season, but once I was…

    KNIGHT: Oh, I love the soup course.

    VERNOFF: Once I was on the phone with T.R. and the scenes were written, it was like, we need George now.

    DEADLINE: One question about a plot in the episode. Is Tom in danger? He didn’t look good in the final scene at home.

    VERNOFF: He did not look good in that final scene. Tom has Covid and he’s symptomatic now, and Covid is a dangerous disease, and I hope he’s okay.

    DEADLINE: What about the behind-the-scenes aspect of the show. How is it filming during this extraordinary surge of infections in L.A.?

    VERNOFF: Our protocols are so strict and strident, and we…because of how well budgeted the entertainment industry is we are arguably…it’s been said to me by an epidemiologist the safest place to be is on a set in Los Angeles right now. We’re testing multiple times a week, and we’re maintaining distance, and we’re wearing masks, and we’re wearing visors, and I think that the surge in the L.A. is making everyone personally even…be even more careful. We shut down for longer after Thanksgiving. We tested more times. We’re taking it very seriously, so where I think it gets harder is when you…if you want to go out on location, so that’s not so much a thing on…it’s not really a problem on Grey’s because we don’t do a lot of days out.

    Most of our sets are interior, or on our lot, and we control…there’s not…like Station 19 is a little harder, because we’ve got more extras and crowds to control, but Grey’s is…

    ‘Grey’s Anatomy’: Another Beloved Character Returns

    (12/3/20) ( SPOILER ALERT: The story includes a detail about tonight’s episode of Grey’s Anatomy.

    The promo for tonight’s fourth episode of this season’s ABC hit medical drama Grey’s Anatomy teased that “another person returns from Meredith’s past.”

    As Meredith (Ellen Pompeo) continues to battle Covid-19, her dreams have been taking her to a beach where the love of her life, Derek (Patrick Dempsey), is waiting for her. Tonight, someone else Meredith was fond of who tragically died came back to see her. Leaning onto the railing of a lifeguard tower at the beach was George O’Malley (T.R. Knight).

    Both were surprised but happy to see each other.

    Knight’s appearance is part of a beach motif throughout the pandemic-themed Season 17 of Grey’s Anatomy designed to bring joy to fans.

    It kicked off in the season premiere with the jaw-dropping return of Grey’s original male lead Dempsey.

    Asked after the opener what other beloved characters from Grey’s past may come back, series’ executive producer/showrunner Krista Vernoff said: “You have to tune in and see who comes to the beach. It’ll be a joyful discovery.”

    Both Dempsey and Knight were original Grey’s Anatomy cast members alongside Pompeo whose characters were fan favorites. Knight left in Season 5; Dempsey departed in Season 11.

    Dempsey’s McDreamy died after being hit by a semi truck when he pulled over to help a family involved in a car accident. In a similarly selfless act, Knight’s O’Malley jumped in front of a bus to rescue a woman he didn’t know. At the time of his exit, Knight said he felt his character “had expired” after getting less screen time.

    Firefly Lane Trailer: Katherine Heigl and Sarah Chalke's BFFs Are 'F--king Stuck With' Each Other in New Netflix Drama

    (12/3/20) (Video, Poster) Katherine Heigl and Sarah Chalke are wigging out in the latest teaser trailer for their decades-spanning new Netflix drama Firefly Lane.

    Based on the novel of the same name by bestselling author Kristin Hannah (who serves as co-executive producer on the 10-episode series), Firefly Lane — which will premiere Feb. 3 — proposes that “the greatest love story of all can be between friends.”

    “When unlikely duo Tully (played by former Grey’s Anatomy doc Heigl) and Kate (onetime Scrubs doc Chalke) meet at age 14, they couldn’t be more different,” reads the synopsis. “Tully is the brash and bold girl you can’t ignore, while Kate is the mousy shy girl you never notice. But when a tragedy brings them together, they are bonded for life — forever inseparable best friends. Together they experience 30 years of ups and downs — triumphs and disappointments, heartbreak and joy, and a love triangle that strains their friendship. One goes on to fabulous wealth and fame, the other chooses marriage and motherhood — but through the decades, their bond remains — until it faces the ultimate test.”

    As you can see in the above teaser, Ali Skovbye (When Calls the Heart) and Roan Curtis (The Magicians) will portray the young versions of Tully and Kate, while Heigl and Chalke will embody the characters in the latter decades (with a little help from the hair department).

    The cast also includes Ben Lawson (Designated Survivor), Yael Yurman (The Man in the High Castle) and Beau Garrett (Girlfriends’ Guide to Divorce).

    Maggie Friedman (Witches of East End, Eastwick) serves as showrunner and will executive-produce along with Heigl, Peter O’Fallon, Shawn Williamson and Lee Rose.

    Grey's Anatomy Eyes Shortened Season Due to COVID — But How Short?

    (11/24/20) The ABC drama will produce fewer hours of television this season, but how low will its episode count go? Not as low as you might think, all things being relative.

    Although an ABC insider maintains that the fluid nature of the coronavirus pandemic makes it impossible to establish a firm episode count on Grey’s (or any currently-in-production scripted series, for that matter), TVLine has learned that the top-rated medical drama is eyeing a 16-episode run for its current 17th season. Again, that number could rise (or fall) due to the ever-changing COVID crisis.

    However, the tentative 16-episode target would appear to be in sync with ABC’s recently announced midseason scheduling game plan, which has Grey’s returning from its winter break on March 4 after airing just six episodes during its fall run (which wraps on Dec. 17).

    Grey's Boss Reveals Why She Seized the 'Opportunity' to Give Mer COVID-19

    (11/21/20) It wasn’t for the headlines, or the ratings, or even just for the sake of a gripping Grey’s Anatomy story arc that showrunner Krista Vernoff decided to have Ellen Pompeo’s Meredith test positive for COVID-19. It was for the real-life first-responders on the frontlines of the pandemic.

    “Last week, we felt Meredith Grey’s pain as a doctor treating an early surge of COVID patients,” the EP noted to The Hollywood Reporter. “This week, we begin to experience what it is for her to be a COVID patient herself.”

    Sadly, it is an experience that too many of Grey’s real-life counterparts have already had. In fact, “over 1,700 healthcare workers in the US have died of COVID to date,” Vernoff points out. “Many thousands more have been infected.

    “Healthcare workers are on the frontlines of this crisis,” she adds, “living through a war for which they were not trained.”

    Given the choice, she couldn’t turn away — or allow the ABC drama to do so. “We saw an opportunity to dramatize and illuminate their plight through the incredibly well-loved and well-known character of Meredith Grey,” she explains. “Doctors and nurses are fighting for us and falling for us.

    “The least we can do is wear a mask, socially distance and stay home whenever possible,” she continues. “Meredith has a real fight ahead of her. And… she has that beach. Darkness and light.”

    Already, the shore that Grey visits when dreaming has reunited her with late husband Derek (Patrick Dempsey in the surprise appearance of the millennium). And when the show returns on Thursday, Dec. 3 (9/8c), “another person from her past” will roll in with the tide. “It’s a powerful season,” says Vernoff. “Stay tuned.”

    Derek Shepherd’s Return Gives ‘Grey’s Anatomy’ Biggest L+3 Viewership Lift Since the Episode He Died

    (11/20/20) How is this for symbolism — the Season 17 premiere of ABC’s Grey’s Anatomy, which featured the surprise return of Patrick Demsey as Derek Shepherd, added +3.09 million viewers after three days of playback. That is the show’s largest Live+Same Day to Live+3 increase among total viewers in more than 5½ years – since the April 23, 2015 episode, which featured McDreamy’s shocking death.

    The stat is not surprising as both episodes featured unexpected — and iconic for the show — moments which fans who missed the live airing flocked to watch and those who saw the moments the night of their premiere watched to relive them.

    With the big viewership boost, the Grey’s Anatomy premiere logged 9.1 million viewers in L+3 to pull ahead of last fall’s opener by +1%. In adults 18-39, Grey’s added +0.9 rating point to rise to a 2.3 in Live+3 and tie its highest-rated telecast since May 2, 2019, the conclusion of the first ever Station 19-Grey’s Anatomy crossover.

    The Grey’s Anatomy premiere was the highest rated scripted telecast last week among adults 18-49 (L+3), edging NBC’s This Is Us. Season to date, it is tied in the category with the NBC family drama.

    Ratings: Supernatural Draws Largest Audience in Nearly 2 Years With Finale

    (11/20/20) As Supernatural‘s polarized fan base debates the merits of the long-running drama’s series finale, one thing is indisputable: A lot of folks watched.

    Nearly 1.4 million viewers witnessed the Winchester Bros.’ swan song on Thursday, which represented Supernatural‘s largest audience since April 2019. It also marked The CW’s biggest total-viewer tally in the Thursday-at-9 pm time slot since an Arrow episode in Jan. 2018.

    In other non-NFL fare, Grey’s Anatomy led Thursday in the demo (with a 1.2 rating), while Young Sheldon delivered the night’s largest audience (7.1 million viewers).

    A Million Little Things (4 mil/0.7) returned steady, matching its Season 2 averages.

    Grey's Recap: A McDream Come True — Plus, [Spoiler] Tests Positive for COVID

    (11/19/20) ( If Grey’s Anatomy’s Meredith had realized that all she had to do to be reunited with late husband Derek was collapse in a heap, heck, she might have done it years ago. Since last week she discovered what — and who — awaits her on “the other side,” she was forced to admit in Thursday’s episode, “I’m afraid if I fall asleep, I won’t wake up.” Were we really at risk of losing Grey to the coronavirus? Read on and find out.

    ‘MEREDITH BREAKS PROTOCOL FOR EVERY PATIENT, WE CAN’T BREAK IT FOR HER?’ | As “My Happy Ending” began, freshly installed chief of chiefs Richard broadcast news to the staff that additional COVID-19 protocols were now in place. He also announced a new influx of interns. Nearby, Meredith complained about being kept in the hospital following her incident. “I have connections,” she reminded Teddy. “I own the place.” After Maggie lost her seventh patient in a week, Cormac expressed his empathy; he didn’t want her to say hello to Mer for him, though. “I wouldn’t want her to think she was special.” (Ha.) Just as Grey’s peers were about to relent, knowing she’d just discharge herself, they discovered her on her hospital-room floor. In her dream, as foretold by last week’s episode, she saw McDreamy, and for at least a moment, life was a beach.

    After what seemed like 20 minutes of commercials — seriously, wow — Mer regained consciousness. “I can hear you,” she reassured Maggie, “and you’re loud.” Despite Grey’s protestations, she was headed to radiology for tests. There, DeLuca became so wound up, ya had to worry that he was headed for another manic episode. While Jo reported to a very surprised patient that she was expecting, Link, Taryn and Jackson tended to a sex therapist who’d injured his hand. At the same time, Koracick informed the interns that they’d just won the lottery — per Richard, he was now in charge of them. Told that among them were a mother and daughter with the same surname, Ortiz, he cracked, “Two interns with the same name won’t fly. Who’s changing theirs?” Primo Tom.

    ‘I DON’T EVEN KNOW WHAT PANTS ARE’ | Concerned about Teddy’s state of mind, especially now that she was treating Mer for COVID, Maggie sought her assurance that she could handle what appeared to be coming: Patients in Grey’s condition could worsen in a heartbeat and be lost, and Pierce couldn’t be her doctor, she had to be her sister. Teddy was up to the task, she insisted. Nonetheless, Maggie also wanted DeLuca on the case; he’d seen more COVID cases than anyone, in the estimation of his ex. Looking at Mer’s healthcare directive, Maggie wondered if um, maybe she wanted to change that? After a Zoom call with Amelia and the kids, Grey must have drifted off, because we went back to the beach. “Derek,” she called out. “Why can’t I get anywhere?” She was worried about the kids, he told her, adding that the sand wasn’t real. “I miss you,” she told him. “I know,” he replied. How a dream version of McDreamy didn’t answer, “I miss you, too,” I’ll never understand.

    When Bailey visited, Mer cracked, “If you think I look bad, you should see my lungs.” Miranda beseeched her friend to reconsider leaving her power of attorney with Alex, what with him being halfway across the country and all. But neither Amelia nor Maggie could do what might need to be done, Mer argued. And at least Alex could pull the plug if it needed pulling. When Cormac called from outside her hospital room, he encouraged her to choose someone who’d choose her over and over again to be her POA. (Was he volunteering?) She then shared her fear of falling asleep — what if she didn’t wake back up? — prompting him to assure her, “This virus has nothing on you.”

    ‘MY ROCK BOTTOM IS THE FATHER OF MY BABY’ | As the episode progressed, Jo’s patient revealed that she and her husband had tried to get pregnant for ages, then she’d lost her job and had a one-night stand with a dork. Only she wasn’t actually expecting at all, she was full of tumors, it turned out during an examination by Carina. Then it turned out that the poor woman was pregnant after all, the fetus was just attached to her liver. Jeez, this plot was dizzymaking! “Do you want this baby?” asked Jo. The woman did. So they were going to have to deliver little Luna that day in order to ensure a safe arrival in the world. Miraculously, both mother and daughter pulled through.

    While operating on the sex therapist with Jackson and Taryn, Link volunteered to stick around as long as necessary. “I fear the night at Meredith’s house like a medieval villager,” he admitted. After surgery, Jackson, Link and Taryn all wanted to know the sex therapist’s secret. “I ask my patients what they want,” he explained. Off that revelation, Link alleviated Amelia’s anxiety at home by doing exactly that and, as a result, treating her to some socially-distant nookie that was just what the doctor ordered. (Sorry. Couldn’t resist.)

    ‘SHE DESERVED NOT TO BE A STATISTIC’ | The older of the mother/daughter interns — nicknamed Mama Ortiz — stood up to Koracick in a way that made me think he might have found a new love interest. Or at least sparring partner. But Tom wasn’t feeling his new position at all and told Richard that he couldn’t do what Webber did. These kids didn’t need Koracick, they needed Richard. As the episode drew to a close, Teddy asked if she could have a cup of coffee with Tom. No, he said. Hell no. She’d broken him, and he needed to get over her. (Seriously, Teddy?!?) Just then, in came Owen to tell Tom that he’d tested positive for COVID. Oh, and Teddy, maybe you should put your mask back on. In a supply closet, Maggie broke down on a call with Winston. And in the hour’s final moments, Meredith gave Richard her POA. Afterward, Bailey told him, “They’re ready for you” — and he met with the interns. “We’ll be OK,” he promised them. “We’ll get through this together.”

    But… would Mer? As she moved toward Derek on the beach, she urged him to walk toward her, too. But it wouldn’t help, he said, because the sand wasn’t real. Very Twin Peaks. As she ran toward him, she face-planted in the sand, which he’d sworn wasn’t real. So she hated him, she insisted. She loved him, he knew. And “I’ll be right here when you’re ready.”

    Patrick Dempsey Teases Meredith’s Diagnosis, The Length Of His ‘Grey’s Anatomy’ Return On ‘Ellen’

    (11/18/20) Days after his character’s surprise appearance in the Season 17 premiere of Grey’s Anatomy, Patrick Dempsey appeared on The Ellen DeGeneres Show to talk about his return to the ABC medical drama.

    Derek, who died tragically five and a half years go, came back in a beach dream Meredith (Ellen Pompeo) slipped into after collapsing in the parking lot of Grey Sloan Memorial.

    Speaking with Deadline about the premiere last week, Grey’s Anatomy showrunner Krista Vernoff would not say whether Meredith was OK, and if the collapse was a result of her just being overworked or was it something serious, like COVID, since she has been working almost exclusively with COVID patients.

    The promo for this week’s episode features Meredith in a hospital bed being tended to by colleagues in full PPE as she is struggling to breathe.

    In answering DeGeneres’ question about how his secret cameo came about, Dempsey confirmed Meredith’s COVID diagnosis.

    He spoke about how he and Pompeo got together in July and brainstormed what they could do to make people wear masks, musing about “how great it would be for the fans to see everyone reunited in this sort of bizarre way” when Pompeo suggested that he returned to the show.

    “And to the credit of the writers, Krista came up with this great idea where I will come and visit her in her COVID dream,” Dempsey said.

    He also provided more information about how long his character will stick around, and it is great news for Meredith-Derek fans. In last week’s interview with Deadline, Dempsey said that he enjoyed the reunion in the premiere and was game for more episodes, while Vernoff said about Dempsey’s presence on the show this season, “it’s more than the one scene you saw” in the premiere. Derek’s presence will be fairly extensive, Dempsey revealed on Ellen.

    Asked by DeGeneres how many more episodes he will be in this season, Dempsey said, “I’m not sure how many. I know I’m throughout this season, he comes back to visit.”

    And that is OK by Dempsey who likes playing a vision that brings Meredith joy and peace.

    “There are so many souls that we have lost right now so the idea of having angels around us is very comforting, at least to me,” he said.

    Kevin McKidd Teases Meredith and Derek's Reunion: 'That Great Chemistry Is Very Much Alive'

    (11/17/20) Grey's Anatomy pulled off a truly jaw-dropping surprise in the Season 17 premiere, which ended with Meredith (Ellen Pompeo) collapsing after a long shift in the COVID-19 ward at the hospital and escaping to a dream beach scene where her dead husband, Derek Shepherd (Patrick Dempsey), was waiting for her. Fans saw the former couple exchange "I miss you"s to each other from across the beach, but the nature of their reunion and what it means for Meredith's condition back in the land of the conscious remains to be seen.

    TV Guide spoke with Kevin McKidd, who directed this Thursday's episode, about what to expect from this shocking reunion and what it was like to get to film Derek and Meredith back together again.

    "it is a great episode. Meg Marinis wrote it, and I love working on Meg's scripts. She's such a great writer," McKidd said. "It's a great follow-up to where we left off in the season premiere. It's just a really cool payoff to where we left that brilliant premiere episode, directed by Debbie [Allen]."

    Grey's showrunner Krista Vernoff has promised that Derek will appear three times in the early part of the season, and while McKidd couldn't confirm exactly when those times will be, he did say that the couple will definitely be interacting more going forward.

    "The scenes [between Meredith and Derek] are really fun. It feels very nostalgic, shooting them. It feels like yesterday. It feels like a familiar, very familiar thing, and it was beautiful to be there and shoot those scenes on the beach," he said. "That great chemistry between Meredith and Derek is, as you can see, very much alive."

    "COVID has made everybody really zoom out on their lives and really take a look at where they are, and what's important," McKidd continued. "And I think that tone is what the Meredith and Derek scenes are about — that kind of reassessment and a letting go, and a closure, you know, and a celebration all at the same time."

    While the beach dream with Derek may be an escape, especially for longtime Grey's fans, it will not be as relaxing for everyone in the hospital, where Meredith is fighting for her life.

    "It really affects everybody emotionally," McKidd said of Meredith's condition. "She's the backbone, and the foundation, the emotional center and the spiritual center of the hospital. So, when that goes away, it's very disconcerting for people. Everybody's energy is about getting her well again. But it's exciting too, in the sense that we get to tell different stories, and we get to feel that jeopardy."

    "COVID doesn't have favorites," said McKidd. "We all love Meredith Grey, and the fans love Meredith Grey. COVID doesn't have that same sensibility. It's gonna take anyone down that's affected by it. I can't really say much more than that, but it's definitely going to be a shocking and very exciting, scary ride."

    Grey's Anatomy airs Thursdays at 9/8c on ABC.

    2020 People’s Choice Awards Winners

    (11/15/20) THE SHOW OF 2020: Grey’s Anatomy

    THE FEMALE TV STAR OF 2020: Ellen Pompeo

    Here's How Grey's Anatomy Kept Patrick Dempsey's Return A Secret — Plus: Watch the Reunion Scene

    (11/13/20) (Video) Much of the Grey’s Anatomy cast and crew were kept in the dark about Patrick Dempsey‘s surprise return as the late Derek Shepherd at the end of Thursday’s Season 17 premiere. In fact, they were led to believe it was another dearly departed character with whom Meredith would encounter on that beach.

    “I put the name ‘Ellis Grey’ in the script that we read at the table,” showrunner Krista Vernoff revealed to Deadline, referring to Meredith’s mother, played by former cast member Kate Burton. “And I had [Ellen Pompeo] say ‘Mom’ at the table. So we got there on the day and no one had been told what was happening… I was like a crazy person with this secret. And Ellen and I were texting at all hours of the night, like, ‘Who knows?'”

    Meredith was found collapsed on the hospital parking lot, amid the stress and grueling hours of the pandemic. As colleagues rushed to her side, we saw Meredith, clad in white, on the gauzy beach she was at in the cold open. And then a second figure appeared down shore — that of her beloved, deceased McDreamy (watch the moment above).

    “I have to say that it was an epic feat, the keeping of this secret,” Vernoff acknowledged. “I didn’t send cuts to the studio and network that included that last scene. I didn’t have writers’ assistants in the writers’ room for the last couple of months. There were writers who didn’t know we were doing this on that staff. Most of the actors didn’t know we were doing this. The crew didn’t know we were doing this when they showed up on the day.”

    Dempsey’s comeback, meanwhile, will extend into next week’s episode, with Vernoff confirming, “It’s more than the one scene you saw.”

    ‘Walker’: ‘Grey’s Anatomy’s Alex Landi Joins the CW’s ‘Texas Ranger’ Reboot

    (11/13/20) Alex Landi (Grey’s Anatomy) is set for a recurring role opposite Keegan Allen and Jared Padalecki in the CW’s Walker, a reimagining of CBS’ long-running 1990s action/crime series Walker, Texas Ranger, from Rideback and CBS Studios.

    Like the original series, created by Albert S. Ruddy & Leslie Greif, the reboot, in which Walker is getting a female partner, will explore morality, family and rediscovering our lost common ground. It centers on Cordell Walker (Padalecki), a widower and father of two with his own moral code who returns home to Austin after being undercover for two years, only to discover there’s harder work to be done at home.

    Landi will play Bret, Liam’s (Allen) fiancé. Bret is genuinely in love with Liam – but he thinks Manhattan is the place to be, and that he and Liam should lead a swellegant life where the only horses are in Central Park.

    The series is written and executive produced by Anna Fricke, and executive produced by Dan Lin and Lindsay Liberatore and Padalecki. CBS Television Studios produces in association with Rideback.

    Landi portrays Dr. Nico Kim on Grey’s Anatomy and next can be seen in a role on NBC’s Connecting, opposite Preacher Lawson and Otmara Marrero. Landi is repped by Buchwald and Asian Cinema Entertainment.

    ‘Grey’s Anatomy’: Krista Vernoff & Ellen Pompeo React After Season 17 Premiere Reveals

    (11/13/20) SPOILER ALERT: The story includes details about the Season 17 premiere of ABC’s Grey’s Anatomy.

    The two-hour Season 17 premiere of ABC’s Grey’s Anatomy ended with a jaw-dropping moment five and a half years in the making. The series’ original male lead Patrick Dempsey made a return, with his character, Derek Shepherd, appearing in a beach dream sequence after Ellen Pompeo’s Meredith collapsed in the Grey Sloan parking lot. The reunion of Grey’s Anatomy’s all-time favorite couple was a joyous culmination of the premiere, which tackled the grim realities of the coronavirus pandemic. Following the end of the episode on the East Coast, Grey’s Anatomy showrunner Krista Vernoff, Dempsey and Pompeo took to Instagram to address the big twist.

    Read their posts below and check out Deadline’s exclusive Q&A with the trio, in which they share the back story of the big return and address burning questions from the premiere.

    “The most important task we had this season was to honor the reality of this global pandemic and the impact it’s having —particularly on healthcare workers. Along with that we had to come up with creative ways to allow our show to still be fun and romantic and provide some escapism. Enter Patrick Dempsey. The beach motif – which will continue beyond the premiere – provided a way for us to live outside the pandemic even for a little while here and there. And Derek’s return provided pure joy for us, for Meredith, and for the fans. Season 17 has been a Herculean effort by our cast, our crew, our writers, and our partners at Disney and ABC – and we are proud of it. But our effort is nothing compared to the work of our Frontline healthcare workers to whom this season is dedicated. We hope our show inspires you to wear your masks to protect them and each other. As Derek Shepherd would say, ‘It’s a beautiful day to save lives.'”

    Something weird happened at the end of the episode

    “It was so fun,” she said of bringing Dempsey’s McDreamy back to the show. “Because we know that people are gonna freak out, and we all know 2020 has been a really long, ugly road. And we were so happy just to be able to film these scenes and know how much joy it was gonna bring people. We definitely had a ball.”

    Dempsey left the show in 2015 after his iconic character was killed in a car crash.

    Kimmel joked that the show had “dabbled with ‘Lost’ territory” with the surprise, to which Pompeo responded, “Seventeen seasons. We’ve dabbled in everything there is to dabble.”

    “Not since McSteamy fractured his penis have seen anything this shocking on the show.

    Ratings: Grey's and Station 19 Return Steady, Top Non-NFL Pack; SVU Low

    (11/13/20) In the latest TV show ratings, Grey’s Anatomy opened its 17th season with 5.7 million total viewers and a 1.3 demo rating, on par with its previous average (6.2 mil/1.3) and leading Thursday’s non-NFL fare in the demo.

    Opening ABC’s night, Station 19 (6.3 mil/1.1) similarly matched its previous average (6.5 mil.1.1).


    NBC | Superstore (2.3 mil/0.5) was steady. Leading out of a Superstore rerun, Law & Order: SVU returned to 2.9 mil and a 0.6– hitting and tying series lows. The Paley/Law & Order special retained 1.9 mil/0.3.

    CBS | Young Sheldon (7.1 mil/0.8) ticked up and delivered the night’s largest audience, while B Positive (4.7 mil/0.5) dipped and Mom (5.1 mil/0.6) was steady. The Unicorn (4 mil/0.4) returned to series lows, away from its cushy post-sheldon perch. Star Trek Disco did 1.9 mil/0.3.

    THE CW | Supernatural’s penultimate episode (1.01 mil/0.3) and The Outpost (436K/0.1) were steady.

    FOX | Thursday Night Football (8 mil/2.1) was down 7 and 12 percent from last week’s fast nationals.

    ‘Grey’s Anatomy’ Shocker: Krista Vernoff, Ellen Pompeo & [Spoiler] On Season 17 Premiere’s Dream Reunion

    (11/12/20) ( SPOILER ALERT: This story includes details about tonight’s Season 17 premiere of ABC’s Grey’s Anatomy.

    ABC’s promo for the Season 17 premiere of Grey’s Anatomy teased a “shocking, jaw-dropping ending.” That was an understatement.

    In one of the series’ biggest twists ever, a beloved character, Patrick Dempsey’s Derek Shepherd, whose tragic death in an April 2015 episode left fans heartbroken, came back. Appropriately, the late McDreamy appeared in a dream sequence, joining Ellen Pompeo’s Meredith Grey on a beach seconds after Meredith collapsed in the parking lot of Grey Sloan Memorial.

    The sweet Meredith-Derek reunion was the joyous coda to an emotional two-hour season premiere of Grey’s Anatomy’s 17th season, dedicated to frontline healthcare workers, which marked the conclusion of a Station 19 crossover. It was marked by tragedy, as Meredith struggled to cope with the mounting COVID deaths at the hospital; anger, as medical personnel were left to fight the disease without enough PPE; hope, as the teenage girl whom DeLuca had unsuccessfully tried to save from human trafficking was reunited with her family; heartbreak, as Owen refused to reconcile with Teddy despite her pleas for forgiveness; and happiness, as Link and Derek’s sister Amelia took their newborn baby boy home. In fact, just minutes after Link announced their son’s name, Scout Derek Shepherd Lincoln, Derek made his appearance. While not necessarily designed as a clue, “it all came together quite beautifully,” Grey’s Anatomy showrunner Krista Vernoff and star Pompeo said.

    In an exclusive interview with Deadline, which had known about the big twist, Dempsey, Vernoff and Pompeo reveal how the idea for McDreamy’s return came about, how long he will stick around, how the scene was filmed, and the great lengths to which the show went in order to keep the cameo a secret so fans can fully enjoy it.

    Vernoff and Pompeo also address Meredith’s fate following her medical emergency and in the context of Pompeo’s contract coming up at the end of the season, how the real-life coronavirus pandemic changed Grey’s Anatomy on and off the screen, whether will there be COVID casualties among the staff of Grey Sloan, are there plans for a time jump, and is there hope for Teddy and Owen.

    Dempsey, who has a cancer foundation, had his own questions for Vernoff and Pompeo about whether advancements in COVID treatments and the issue of wearing masks are reflected on the show.

    DEADLINE: Before we talk about Patrick’s return, let’s address the incident that brought on the cameo, Meredith’s collapse, because we usually associate those kind of visions with somebody on the brink of death. Is Meredith OK? Is this just her being overworked, or is it COVID or something else very serious?

    VERNOFF: Well, you have to tune in next week. We started the episode with Meredith dreaming of a beach, and at the end of the episode, she’s dreaming of the beach where Derek happens to be, and that’s what we know so far.

    DEADLINE: How did the idea to bring Patrick back come about?

    VERNOFF: From a writer’s perspective, it happened because it was my job to find a way — once we determined that we were doing the pandemic — to also bring joy, and escape, and fan candy, and all the things that at Grey’s Anatomy we give people. We give them romance, and we give them humor, and we give them joy, and a lot of that is lacking for the medical community in this pandemic. And so, I was walking on the beach one day, and I was like, what if there’s a Meredith dream motif?

    There have been studies about how intense our dream life has been. In the pandemic, people are having really intense dreams because of the lockdown. We’re not getting enough stimulation, and so, it’s happening in our dreams. So, it started as that. It started as, how do we give people some escape. I had this imagining of a beach motif throughout the season, and I called Ellen, and I said, what if we bring back, I don’t know, some dead character that you could dream of on the beach, that would be so fun for the fans.

    And she said, let’s get Patrick. Even in my most excitable dream life, that thought hadn’t occurred to me as an option, and there it was.

    DEADLINE: Ellen, what made you think of Patrick?

    POMPEO: Patrick and I both have homes in Malibu, and we went for a hike one day. I had known that Krista wanted to do a beach thing, and I was at the beach. Patrick and I weren’t hiking on the beach, but we were hiking in Malibu, which, you can see the beach.

    And the idea just struck me so I just said to him, would you ever consider coming and being a part of the storytelling this season? I know that Patrick has his foundation in Maine where he helps cancer patients and cancer survivors, and that’s a huge effort of his, and I know that it’s important to him, also, to give people hope, and give people joy, and we wanted to bring something to this moment.

    There’s just so much darkness, and we knew that coming together would be a little ray of light. And so, I think we had the same idea, at the core, to want to help people and bring a smile to people’s faces. So, he loved the idea, and we were just so excited, and we had a ball filming it.

    DEADLINE: Patrick, were you surprised when Ellen asked? What made you say yes?

    DEMPSEY: I had a lot of calls from a lot of local government officials in Maine saying, we really need to get the message out there, to get people to socially distance, to wear a mask. I came across a photo that I was going to post that had Ellen and I, and I think that produced a call where I reached out to Ellen, and this was right around, the conversation was starting for Season 17. And Ellen’s like, let’s get together, I want to go over a couple things, I want to catch up.

    We hadn’t spoken or been together for a while. It was a great opportunity to catch up and say, OK, what can we do for all the frontline responders? I’ve been tracking what Grey’s had been doing with giving masks, and making sure that people had the right equipment, and it came from that place — OK, what can we do to make people feel better, to give some comfort in this time of uncertainty, and that’s how it began. And it was really a wonderful experience to go back, to work with [director/EP] Debbie [Allen].

    I think the whole atmosphere has changed, certainly working at the beach, and seeing everybody again was really a very healing process, and really rewarding, and a lot of fun. And hopefully, that feeling translates, and the fans enjoy it. I know that they’ve been wanting us to get back together, and I think this will satisfy a lot of people, and surprise a lot of people, hopefully.

    DEADLINE: Was it easy to go back into character?

    DEMPSEY: It was really enjoyable. It was really exciting, and fun, and it was great to see everybody. Kevin [McKidd, who directs Episode 3] was there as well, so there was a lot of familiar faces, a lot of new faces. The dynamic behind the camera had changed. There’s much more diversity within the crew. There was a nice balance, too, of equality that I was seeing. So, culturally, there was a lot of things that were different, that I thought were very positive and very inspiring, actually.

    DEADLINE: Ellen, Patrick, did you filmed the beach scene together?

    POMPEO: Yes.

    DEADLINE: How was it looking at each other, on set, in character, after so many years?

    DEMPSEY: Well, I have less eyesight than I used to, so (laughter). It was great. It was really fun, very special. it felt really comfortable, incredibly safe. The whole process, I have to say, from getting tested before even showing up to the set, the whole process in which we shot, I felt safe the whole time. You felt the crew was protected. We had the outdoor space, and it was easy.

    POMPEO: It felt great. Patrick and I have this chemistry, where I think, even from when we first met, for some reason it just felt like we’ve known each other for a hundred years, and it’s just the same feeling. It’s like riding a bike, we just have a chemistry and a dynamic that’s always served us well, and I think we have a genuine affection for each other.

    And it was very healing to come back, and know that we’re doing something good, putting out a positive story, a healing story, going to make people smile, and I think, for me, I’m really grateful for the opportunity to be able to be at this place in the show where we can do this. We constantly get to rewrite, I don’t want to say the ending, but we get to keep the rewrites going, which, I guess, you writers love, right?

    They love to start over, to scrap it and rewrite it, and make it better, and that’s what’s fun about this process this far along, is getting the opportunity to work with Patrick again, and just coming up with ideas, how do we keep surprising the fans, and how do we keep the quality of the show up, is what makes it continue to be fun.

    DEADLINE: How long is Patrick going to stick around for?

    VERNOFF: It’s more than the one scene you saw, Nellie, and it was just joyful. I really want to echo that. Patrick and Ellen and I were all there at the beginning of this; I wasn’t there for the pilot, but I was there for the first seven seasons, and that was 17 years ago. That was, like, a lifetime ago; my kids weren’t alive. It was so wild to walk out on that beach, and just be together again as these different people that we are now. But I can’t overstate how joyful and healing an experience this was.

    DEMPSEY: Yeah, for me as well. It was really special. It’s really hard to believe, 17 years, that’s remarkable. I mean, a lot of us didn’t have children at that point, right? So, our kids have grown up, they’re now in school. It’s crazy how much time has passed, but it really was so comforting, and lovely, and inspiring to go back, and to work together, to see everybody. It really was so open, too, that was the thing, really, people were very, I think, vulnerable in a positive way, where we were all grateful to be there and to be together.

    DEADLINE: And you are game to do more episodes?

    DEMPSEY: Yeah, it was fun, because I really love the message of what the dynamic is in this story. With everything that we’re dealing with right now, and certainly we have been distracted with the election, but we’re going to get back into the reality of COVID and being in a pandemic, and all the lives that have been lost. Where are these souls going? And I think that’s what attracted me to this storyline, I think it can be really helpful and healing to so many people.

    POMPEO: I also think that, in a strange way, the behind the scenes of the show is certainly paralleling what we need, with the stories that we put out. What do we love about the show? We love that the show brings people together. We love that the show hopefully opens people’s minds, it opens people’s hearts, and I think that, in the running of the show and the making of the show, if we follow those same principles, if we follow the principles of love first, of acceptance, of open mind, open heart, forgiveness, all of it is, that’s the message of Grey’s.

    And for us to be able to mirror that behind the scenes, and truly walk our walk and talk our talk with each other, those who created the show, I think, is a really amazing full-circle sort of story for a TV show that’s gone on this long.

    DEADLINE: How hard was it to keep Patrick’s return a secret?

    VERNOFF: I have to say that it was an epic feat, the keeping of this secret. I didn’t send cuts to the studio and network that included that last scene. I didn’t have writers’ assistants in the writers’ room for the last couple of months. There were writers who didn’t know we were doing this on that staff. Most of the actors didn’t know we were doing this. The crew didn’t know we were doing this when they showed up on the day.

    I put the name “Ellis Grey” in the script that we read at the table, and I had Meredith say “Mom” at the table, so we got there on the day, and no one had been told what was happening. So, also watching the crew react, and [producer] Linda Klein, who’s been there from the beginning, we got Norman back, who was our amazing hair guy from the beginning [Norman T. Leavitt was makeup department head on ABC’s Grey’s Anatomy for the first 14 seasons]. I was like a crazy person with this secret. And Ellen and I were texting at all hours of the night, like, who knows, I think this person.

    POMPEO: Absolutely.

    DEADLINE: Will we see Ellis on the show this season?

    VERNOFF: I don’t know. I don’t know. You have to tune in and see who comes to the beach. It’ll be a joyful discovery.

    DEADLINE: Ellen, your character is dealing with a lot of tragic COVID deaths in the premiere. For you and Krista, will we see some tragedy within the ranks of the Grey Sloan staff too? A lot of medical professionals have lost their lives to COVID in real life.

    POMPEO: I think we have a responsibility to really show what these healthcare workers have been going through. It’s so easy for a big part of the population to just be irritated with wearing a mask, and they’re sort of disconnected from what real doctors and nurses and anyone who works in a hospital are actually dealing with.

    I don’t want to speak for Krista, but I think for me, certainly, I saw this as an opportunity to tell the story of how hard this is for our healthcare workers; it’s devastating for them. I think Krista will tell you that they’ve sat down with so many doctors and nurses, and they hear the stories, and they’re writing right from these stories that they’re hearing. And this has been devastating, and changed the medical community forever.

    So we have to show, that’s our responsibility, to show what a struggle this is for healthcare workers, and continues to be as we see [COVID] numbers spiking again. We have to try to spread some empathy, and show people that this is very real, and it’s really hard, and the next time you want to complain about wearing a mask, think about what these people have to do. They have to wear a mask, they have to wear full PPE, full cappers. They literally have to do 50 things just to be able to perform their job.

    DEADLINE: Krista?

    VERNOFF: I have to say that I feel like Ellen did an extraordinary job in that premiere, paying respect to healthcare workers with her performance. The thing that she did is exactly what I’ve been talking about so much, which is that these doctors and nurses who come to the writers’ room every year. They are joyful and excited, and they’re always there to tell us these exciting stories. And this year, it felt like, it was the first time they were talking to anybody.

    It was the first break they were taking. It was the first time anyone was asking them what they were living through, and to a person, it felt like they were on the verge of breaking. They were different people, and I felt like Ellen so beautifully embodied it throughout this episode, the change, what this pandemic is doing to people who were trained to help and heal, but not trained to walk through war, and not trained to lose dozens of patients, sometimes in a day.

    It’s breaking them, and I feel like we’re already showing the strain and the impact, and yes, there will be more of that, and somehow, we’re also bringing joy. We’ve been carefully threading this needle, of paying honor and homage, and telling the truth of this story, while finding ways to also bring joy to the audience, and I’m really excited about Season 17.

    DEADLINE: You’re not going to hint whether anyone on the show is in jeopardy, are you?

    VERNOFF: Well, for sure, Nellie, for sure people are in jeopardy. Meredith collapses at the end of the premiere. People are in jeopardy, and multiple people are in jeopardy throughout the season, in myriad ways, because that’s the moment we’re living through.

    DEADLINE: Ellen, should we read more into Meredith’s collapse in light of you figuring out your future on the show? You have said that you’re not sure what you’re going to do beyond this season.

    POMPEO: You can’t read into anything. Really, that’s dangerous territory. I think that, collectively, we, or creatively, it’s the same this year as it always is. Is there a reason to continue? What stories do we have to tell? What characters do we have to bring back that gives us story to tell? I said in another interview last week, we’re always in this incredibly sweet spot with this show, for whatever reason.

    We always have incredible circumstances that allow us to continue creatively, whether it’s ideas, or circumstances that happen. Our goal is just to make good TV. I think we’re all aware of the icon status of the show, we’re so aware of that, and I think that that’s why Patrick was so humble and so grateful to be able to come back, because we are very grateful that we have this huge platform. And I don’t think any of us take the platform that we have lightly.

    And so, at this point, I think, we don’t know what we’re going to do. We know that we’re grateful, and we know that we want to show our gratitude, and grateful to each other making the show, that we’re able to keep continuing to grow, and to tell stories that we think are important, and getting this moment. Listen, who gets career runs like this? Patrick Dempsey’s been working since he’s … I know he’s been working off-camera even earlier, but I mean, when was your first role, Patrick, when you were 16 or 17?

    DEMPSEY: Sixteen, 17, so 30 years.

    POMPEO: Who gets a run like that? So, I just think that we’re incredibly grateful to be able to still be here, and be telling these stories that we feel are important, and we’ll see. Creatively, this is our heavy-lifting, to keep raising the bar for ourselves, but we’ve got something great, which is we’ve got gratitude, and we’re all smart, creative people. So, if there’s a way to figure it out, we certainly will.

    DEMPSEY: The range of emotions, where you’re getting a chance to cry, but you’re also getting a chance to laugh, I think that’s a huge success in the storytelling. The whole ride has been remarkable on so many levels, being a part of this show for so many years, and it’s profoundly changed my life in so many ways. I’m very grateful for that, and hopefully to use that platform in a positive way, where you’re doing something good. And I’m grateful to be a part of this show at this particular moment in time.

    DEADLINE: The premiere is set in April 2020. Krista, will the show fast forward to now?

    VERNOFF: We’re not fast forwarding. We’re playing it through. So, by the time it’s airing, most of what we’re doing is almost a year ago, in the timeline. And there’s more joy.

    DEMPSEY: Do you get into how the disease is treated over time as well? Do you get into how the science — and I think this is an important thing for us to remember and to really believe in the science, in the breakthroughs that they’re making on a daily basis. How do you track that, and has that been part of your conversation?

    VERNOFF: It is. It’s a constant part of the conversation, and we have three doctors on staff now who come into the writers’ room most of the time, and we have a lot of conversations of even the evolution, what you see in terms of the protective gear that they’re wearing in the premiere versus the evolution of the protective gear, when are they treating with ventilators and when are they not. There were drug studies and drug trials, and we’re doing our best to be honest about that progress, and also the evolution in the hospitals.

    Grey Sloan in the premiere has a special COVID ward, and these intake tents, and then, throughout the course of the season, other spaces evolve to hold COVID patients, and we’re hearing news about other hospitals. Washington was hit really hard early on. So, we’re trying to play through all of that.

    DEMPSEY: Sorry, follow-up question, if I may. Do you get into the politics of the mask, and how that affects in a negative or a positive way? Do you go down that road at all?

    VERNOFF: We try to stay away from overt politics, and the politicizing of the mask is a real thing that happened. So, we’re not talking about politicians. We just don’t do that at Grey’s Anatomy, partly because we want the show to be for everybody, and we don’t want it to become so polarizing, where it feels like we’re preaching from some particular pulpit. We’re just sticking with the science, and the reaction of doctors to the idea that people are not understanding and/or not believing that masks are imperative to protect other people and themselves.

    So, we’re playing it through character, is the answer, like what an outrage it is for these doctors, who spend their lives and their all-day, every-day, trying to save people, to see human beings out there choosing not to protect their fellow human beings, because they’re not believing in science, and they’re not believing scientists.

    DEADLINE: How is filming going? Grey’s was one of the first shows to shut down production early in the pandemic to protect the cast and crew. How is it now, with the new COVID wave? I write stories about shutdowns virtually every day.

    VERNOFF: I mean, knocking wood, so far.

    POMPEO: Good so far, yeah. We’re good. Of course, anything can happen at any moment, but I think that collectively, everybody’s really careful. And again, we’re trying to be mindful of one another, and we’re trying to be mindful of how we live our lives when we’re not at work, because that’s the smart thing to do, and we have to come to work and keep everybody safe. Nobody wants to get shut down.

    VERNOFF: We’re really careful in our creating of the show, also, to help the actors feel safe. We shut down before other shows, we also came back to production before a lot of other shows, thanks to truly the leadership of Debbie Allen. There was some leadership from me, but for sure, it was guided by Debbie Allen going, if we don’t come back, we’re never going to come back, come on, Krista, we’re coming back. Set a date, set a date, set a date, where’s the scripts? Let’s go, let’s go, let’s go.

    She kept saying, if you put a date on the calendar, we’re going to work toward it, and we’re going to figure out how to do it safely, and we really did figure out how to do it safely. We were lucky that we’re set in a hospital, so that our actors, when they’re working together tightly, can be in masks. But it was also my job, and the job of the writers, to come up with plans and motifs that allowed the audience to see the actors’ faces, and the actors to feel safe in that.

    So, you didn’t just see a beach motif, which is a continuing motif through the season, and it was designed, that particular motif, so that Ellen could come to work without a mask and feel safe, because she’s outside; the epidemiologists have been clear about how much safer outside is. But you also saw, for the first time in 17 seasons, Meredith’s house back yard. We built a backyard set on the exterior of the lot, outside the writers’ bungalow, so that those actors could give us some no-mask time, and feel safe in the beginning.

    And more and more, we’re understanding how to keep everyone safe indoors, so we’re getting a little bit more without masks indoors, but at the beginning, we had to really be creative, in terms of how are we doing this, how are we keeping ourselves safe, how are we helping them feel safe, and how are we giving the fans a show that’s joyful in addition to true.

    DEADLINE: And one final question: is there any hope for Teddy and Owen?

    VERNOFF: Teddy is doing good. They’ve got a long haul, Nellie. If there’s hope for them, it’s in the ethers, but you know, I didn’t have a lot of hope that Patrick Dempsey was going to be back on Grey’s Anatomy last year, and look where we are. So…

    Grey's Season 17 Premiere Recap: Was the Ending Really That Big a Shock?

    (11/12/20) ( If the promos for Thursday’s Season 17 premiere of Grey’s Anatomy were to be believed, the two-parter (which continued stories begun earlier in the evening on Station 19) was going to end with a “shocking… jaw-dropping” conclusion that would leave us saying, “Oh my God.” It was a lot for a show, even one as solid as ABC’s resurgent drama, to live up to. Did it pull it off? Read on, and we’ll go over everything that lead up to that (exclamation) point, then you can weigh in in the comments.

    ‘THAT’S THE FOURTH PATIENT I’VE LOST TODAY, AND THEY’RE ALL DYING ALONE… WELCOME BACK, RICHARD!’ | As “All Tomorrow’s Parties” began, it was April 2020 — in other words, mid-pandemic. To Bailey’s surprise, Richard, now happily cobalt-free, reported back to work. He especially wanted to say hello to DeLuca. (In a flashback, we learned that he had struggled mightily after Richard’s surgery — and Carina blamed Meredith for having pushed him.) Webber also wanted to know whether it was true that a whole OR had heard Teddy having sex with Koracick in a voicemail. Nearby, Jackson accidentally overheard Winston tell Maggie that he loved her at the end of a FaceTime call. WTH was that? said her expression. Later, Winston would explain it away in a manner that didn’t freak her out but did kinda make her heart flutter. Oh, and as for Jackson, in a flashback, we saw that Vic had misunderstood a text from her hot doctor lover and showed up at his place with nothing on under her puffy coat… only to be greeted by Harriet in his arms. “I’m not a stepmom,” the incident made her realize. Mm-hmm, except maybe one day to Pru.

    When Tom ran into Richard, he explained in his inimitable style that he was carrying around a golf club to keep anyone from getting within six feet. He’d soon snap and use his nine iron on boxes of what were supposed to be PPEs but were actually only booties. Treating Kaden, the burn victim from Station 19’s Season 4 premiere (recapped here), Jackson had a capital-M moment upon seeing Jo. Apparently, they had hooked up!!! (OK, that qualified for at least one OMG!) Alone with her shortly thereafter, she suggested that “people do stupid things.” Had the hookup been a letdown? In a subsequent flashback, Jo asked Jackson for a “sexual favor” — a bridge over the river of the husband who left her. A one-night bridge to not being a sad sack. And he was “a human male that I kinda trust,” she added, the flatterer. When she showed up for their rendezvous, she hadn’t even bothered to wear pants. He, meanwhile, had set up his place for a date. A bad, bad date. “No girl wants to take her clothes off after eating cheese and cured meat,” she laughed. And certainly not to Kenny G music. Still they kissed. “I really want to have sex with you,” she said. But she kept crying. Hilarious.

    ‘WHAT SEEMS LIKE A WEAKNESS IS ACTUALLY A STRENGTH… IF YOU GET HELP’ | In another. pre-COVID flashback, we saw that, since DeLuca was resting in an on-call room — Mer hadn’t wanted to leave him home alone in his state — Bailey was able to inform him that Cindy was there asking for him. He had been right, Miranda told him; the girl had been being trafficked. When she’d continued getting sicker, Opal had said that she was useless and dumped her. At that point, she’d made her way back to Grey Sloan. While being treated by DeLuca, she confessed that her real name was Erin. She’d been abducted at 14 after falling for a “photographer’s” scam. Later, Bailey, Mer, Carina and Richard united to stage a kind of intervention for Andrew. “I would give up every life I ever saved to not feel like this,” he cried. He’d even give up having known Mer. He’d only had one goal in life: to not be like his father, and he’d failed. “All we’re asking you to do,” Grey told him, “is fight as hard for yourself as you do for everyone else.”

    Back in the “present,” as we neared the end of the first episode, Mer, strong as she is, lost it after yet another patient neared death. No sooner had she trashed a supply closet than who should walk in but DeLuca. “Hey,” he said. She was in no mood for “Hey,” though. She was pissed that he’d turned off his cell phone and panicked her. “I’m glad you’re OK,” she said angrily. In one last Cindy flashback — sorry, Erin — she was reunited with her sister, who assured her, “It’s not your fault.” In the “present,” Richard broke the rules to allow Kaden’s mother to see him. “If Bailey asks, I’ll tell her I didn’t get to that part of the manual,” he told Jackson. Oh, that’d go well! When he tried to do exactly that, she started to fuss, but he diverted her by revealing that he’d found a way to sanitize PPEs without deteriorating the masks. She only got on him so much, she said, because she cared. She didn’t want him to put himself at risk. In response, he explained that every one of his relationships had failed. He couldn’t walk away from the one that he has with the hospital, too. Finally, Jo apologized to Jackson for the way she’d behaved toward him. “I’m pretty sure I snotted in your mouth,” she recalled. He wasn’t upset, though; they were friends, they were fine. Bumping into Nico, Levi said that he hoped his ex was doing fine, because he himself wasn’t. He’d just lost his 100th patient. Nico was about as caring and responsive as ever. Ugh.

    ‘HOW IS NEXT WEEK ALREADY OVER?’ | In “The Center Won’t Hold,” the second of our two episodes, Richard and Catherine crossed paths for apparently the first time since his surgery. When she snarked that he’d better be careful post-hip surgery, he wouldn’t want to get hurt again. “The only pain I’m feeling right now,” he shot back, “is square in my ass.” At Mer’s, Amelia was stunned to learn that she’d misplaced a week and missed Link’s birthday. In a flashback, the new parents struggled to name their son. Scout was out, per Amelia. Tony was out, per Link. Maybe they could name him after something they dreamed of? “Snake in a vest” didn’t have a great ring, though, Link noted. In the “present,” Amelia tried to make it up to Link for missing his birthday by occupying the kids with a movie and modeling her birthday suit. Upstairs, the couple partook in a brilliantly naughty, socially-distanced love scene.

    In the “present,” Owen asked Teddy to talk after work. It seemed they hadn’t really since… since presumably their wedding was postponed. In a flashback, he told Teddy that he should’ve left his mom a voicemail (ha) to let her know they weren’t tying the knot that day. But no, he didn’t wanna cancel. Did she? Oh, Owen. What are you up to? Back in the now, he told his would-be wife that if he died, she’d get Alison, of course. But maybe if she couldn’t handle Leo, too, Amelia and Link could take him. “I’m not OK with you dying,” she said. And that wasn’t what they were supposed to be talking about, anyway — clearly. Before the conversation went any further, she was paged, leaving Owen alone and forlorn. “Let’s talk later then,” he said. When “later” arrived, Teddy challenged Owen to tell her what was wrong. In response, he beseeched her to come clean with him. He loved her. She was his best friend. So spit it out. “No,” she insisted. “There’s nothing.” So he played her the telltale voicemail message that he’d heard on what was supposed to have been their wedding day. “So much for love,” he said. “So much for friendship. So much for trust. So much for us.”

    ‘SO THAT’S YOUR REPORT? THAT THE WORLD IS ON FIRE?’ | In a powwow with Maggie, Catherine balked at Pierce’s requests. Loudly. But really, they were both just furious that they were faced with a problem that they couldn’t solve. “I hate that everyone is dying!” Catherine yelled. Eventually, they wore themselves out and Catherine admitted that she hated that Richard hadn’t come back to her. In a flashback, Jackson found his stepfather watching his medical-conference “speech” online. But he couldn’t blame all of his mistakes on cobalt. He’d advised Maggie to operate on her cousin. He’d spent time with Gemma. “I have no one to blame but myself,” said Richard. Later, Jackson acknowledged that his mother could be impossible. But “when she loves, it’s hard.” So Richard needed to choke down his ego and forgive Catherine already. Take her call and hear her out — for Jackson if not himself. In the “present,” Maggie challenged Catherine to woman up and keep fighting for Richard. As the episode drew to a close, Catherine told Tom that she was accepting a resignation that he hadn’t offered as chief of chiefs but would keep him on as neuro chief. She then offered Richard the COC position — and an apology for everything she’d done that had hurt him. Aw, those crazy kids were back together again.

    Meredith was downright gleeful when she was called in by Cormac to help him save a kid named Frankie’s kidney. (He fell on a spike on Station 19, you may recall.) The teen’s pal Kaden, meanwhile, turned out to have been burned so badly that even his insides were fried. After Cormac told Frankie’s dad that he’d pulled through surgery, Maggie and DeLuca broke it to Kaden’s father that he… had not. Suddenly, both dads had to feel pretty stupid about the fight they’d had that had injured Bailey’s leg. Reeling from the heartache, Teddy wound up clashing with Jo, who was eager to judge her. “You had a beautiful life,” said Jo, “and you blew it up with a butt-dial.” When Teddy welcomed Jo to judge her as harshly as she wanted — it still wouldn’t be as harshly as she was judging herself — the former Mrs. Karev asked if she’d told Owen that. She’d tried. Well, concluded Jo, “try harder.” Mer got a text from Cormac inviting her for a drink in his office just as it appeared that she and DeLuca had gone back to being just friends. Nico locked Levi in a storage closet to offer him some “stress relief.” Oh, Schmitt, you deserve better!

    In the final moments of the episode, Maggie got home to find a tent in the backyard — a gift from Winston so she could get her sleep and see her family whenever she wanted. “I know you don’t like camping,” he joked. But she loved it — and him. Link told Amelia that he’d loved his birthday. “I got sex and a donut” — gluten-free but still. Oh, and it sounded like they’d decided to name the baby Scout after all. Teddy approached Owen to apologize and profess her love. What had he done to make her hate him so much as to cheat on him? he wanted to know. She hadn’t even said that she wouldn’t run away with Tom, she just said that she was marrying Owen, as if it was some fate that she’d accepted. He couldn’t forgive her. When Cormac left Grey Sloan for the evening, he found Meredith collapsed in the parking lot. At the same time, apparently hovering between life and death on a beach in her mind, Meredith was reunited with Derek. The Derek. For real.

    Trailer for Dance Dreams: Hot Chocolate Nutcracker

    (11/12/20) (Video) Netflix has released a trailer for Dance Dreams: Hot Chocolate Nutcracker, a Shondaland documentary about Debbie Allen and her reimagining of the classic ballet, which is performed annually by students from the Debbie Allen Dance Academy. The film premieres Friday, Nov. 27.

    ‘Grey’s Anatomy’: Mackenzie Marsh To Recur In Season 17 Of ABC Medical Drama

    (11/4/20) There will be a new face on the upcoming 17th season of Grey’s Anatomy. Mackenzie Marsh (Charmed, Will & Grace) is set for a recurring role on ABC’s flagship drama series.

    Marsh will play Val Ashton. She’s intelligent, has a fun-loving sense of humor and works in publishing but is extremely lonely.

    Created and executive produced by Shonda Rhimes, ABC Studios-produced Grey’s Anatomy stars Ellen Pompeo as Meredith Grey, Justin Chambers as Alex Karev, Chandra Wilson as Miranda Bailey, James Pickens Jr. as Richard Webber, Kevin McKidd as Owen Hunt, Jesse Williams as Jackson Avery, Caterina Scorsone as Amelia Shepherd, Camilla Luddington as Jo Wilson, Kelly McCreary as Maggie Pierce, Kim Raver as Teddy Altman and Giacomo Gianniotti as Andrew DeLuca.

    Betsy Beers, Mark Gordon, showrunner Krista Vernoff, Debbie Allen, Zoanne Clack, Fred Einesman, Andy Reaser and Meg Marinis are executive producers.

    Marsh’s recent credits include guest/recurring roles on Charmed, Will & Grace, American Housewife and The Following, as well as the Courtney Cox-directed feature Just Before I Go. Marsh is repped by Kerner Management Associates and Pakula King and Associates.

    Season 17 of Grey’s Anatomy premieres at 9 PM Thursday, November 12, on ABC.

    ‘Cruel Summer’: Sarah Drew To Recur On Jessica Biel-Produced Freeform Series

    (10/30/20) Grey’s Anatomy alumna Sarah Drew is set for a season-long arc in Freeform’s upcoming thriller drama series Cruel Summer (fka Last Summer), from Bert V. Royal, Jessica Biel and eOne.

    Cruel Summer takes place over three summers — 1993-95 — in a small Texas town when a beautiful popular teen, Kate (Olivia Holt), is abducted and, seemingly unrelated, a girl, Jeanette (Chiara Aurelia), goes from being a sweet, awkward outlier to the most popular girl in town and, by ’95, the most despised person in America. Each episode is told from the POV of one of the two main girls, which will have the viewers’ loyalties constantly shifting as more information is revealed.

    Drew will play Cindy Turner, mother to Jeanette. Although once the most popular girl in town, Cindy struggles to hold her family together while being in the crosshairs of town gossip.

    Royal executive produces the series with Iron Ocean Productions’ Biel and Michelle Purple.

    Drew is best known for her nine-season run as Dr. April Kepner on ABC’s Grey’s Anatomy. She is repped by Innovative Artists, Vault Entertainment and Morris Yorn.

    Sandra Oh, Awkwafina Team For Netflix Sister Comedy Movie; Jessica Elbaum & Will Ferrell Producing

    (10/29/20) Awkwafina and Sandra Oh are teaming for a yet-to-be-titled sister comedy feature film for Netflix. The script is by Jen D’Angelo, the screenwriter behind the forthcoming Hocus Pocus sequel for Disney+.

    The film centers on a lonely recluse whose life is upended when her train wreck of a sister vows to mend their relationship by helping her fulfill her lifelong dream: to be a contestant on her favorite game show.

    Jessica Elbaum and Will Ferrell are producing the pic for Gloria Sanchez along with Itay Reiss and Maggie Haskins from Artists First, as well as D’Angelo, Awkwafina, and Oh.

    Oh is currently starring in the British spy thriller series Killing Eve and is also remembered for her longtime turn as Dr. Cristina Yang on ABC’s Grey’s Anatomy, two performances that have resulted in Golden Globe awards. Her upcoming slate includes the supernatural horror film Umma and Over the Moon, the latter an animated musical retelling of the classic Chinese myth.

    Awkwafina is also coming off a Golden Globe-winning performance in The Farewell as well as a successful first season of her Comedy Central series Awkwafina is Nora From Queens. She will next be seen in Breaking News in Yuba County, Disney/Marvel’s Shang-Chi and the Legend of the Ten Rings, and will voice the role of Scuttle in The Little Mermaid live-action remake.

    Oh is repped by UTA, Principal Entertainment LA, and Hansen, Jacobson. Awkwafina is repped by UTA, Artists First and attorney Isaac Dunham. D’Angelo is repped by Artists First, UTA and Ginsburg Daniels Kallis.

    Grey's Anatomy's Ellen Pompeo: This 'Could Very Well Be' the Final Season

    (10/28/20) Freely admitting that she is serving up USDA Prime “clickbait,” Ellen Pompeo says that Grey’s Anatomy‘s upcoming 17th season “very well could be” the end for ABC’s top-rated and second-most watched drama.

    “We don’t know when the show is really ending yet. But the truth is, this year could be it,” Pompeo shared as part of our sister site Variety’s in-depth retrospective on the medical drama (which returns Thursday, Nov. 12 with a two-hour premiere).

    “I mean, this is the last year of my contract right now,” said Pompeo, who in May 2019 extended through Season 17 a headline-making pact that reportedly pays her north of $550,000 per episode. “I don’t know that this is the last year? But it could very well could be.”

    But as noted above, Pompeo full well knew the noise these new quotes would make. “There’s your sound bite!” she told Variety. “There’s your clickbait! ABC’s on the phone!”

    On a more serious note… Pompeo said that in mulling her future and thus Grey’s Anatomy‘s own, “I don’t take the decision lightly,” given that the series employs a lot of people and offers a large forum to address issues. “I’m very grateful for it.”

    “I’m just weighing out creatively what can we do,” she said, going into a season that will acknowledge the coronavirus pandemic and its effects on front line workers such as Meredith, Bailey et al. “I’m really, really, really excited about this season. It’s probably going to be one of our best seasons ever. And I know that sounds nuts to say, but it’s really true.”

    Shonda Rhimes, Tarana Burke And Dolores Huerta To Be Honored At 3rd Annual Girl Up #GirlHero Awards

    (10/24/20) The Girl Up #GirlHero Awards will honor television super-producer Shonda Rhimes, #metoo Founder Tarana Burke and civil rights activist Dolores Huerta for their work on gender equality at its third annual ceremony, which will take place on International Day of the Girl. The virtual event will take place online on October 29 at 12pm ET with Girl Up Champion Nigel Barker as co-host. In addition, Girl Up Executive Director Melissa Kilby will highlight Girl Up’s Gen Z leaders fighting for change while special guests will make appearances on the event’s virtual red carpet.

    “Today we’re celebrating gender equality giants, at a time when there’s a lot at stake for girls and women,” said Kilby. “We’re honored to stand with them in building a brighter, more equal movement by relentlessly showing that girls are and have always been leading us toward a better future.”

    The awards will honor Rhimes for her work as a storyteller that explores the most relevant topics of our time, reflecting the world as we know it onscreen with dynamic characters; Burke who founded #metoo, a movement that kicked off a worldwide wave of women taking a stand against violence and discrimination; and lifelong civil rights advocate Huerta who models how standing for a cause can change the world. The honorees will participate in conversations with Girl Up’s own girl changemakers Ina Bhoopalam, Alliyah Logan, and Rym Badran as they share their work for gender equality.

    The one-on-one conversations will highlight advocates, allies, and activists shaking up accepted norms and changing the trajectory of global gender equality over the course of their lifetime.

    Honorees of last year’s #GirlHero Awards in Los Angeles were Cara Delevingne, Jameela Jamil and Kate Hudson. Stephanie McMahon, Pamella Roland, LaVerne Council, Amanda Fata, Ellen Goldsmith-Vein, Michelle King, Alexandra Trustman, Shaun Robinson, Tracy Shaffer and Chantelle Siegel will serve as this year’s co-chairs of the event.

    Shonda Rhimes ditched ABC over a Disneyland pass

    (10/21/20) Disneyland is definitely not the happiest place on Earth for Shonda Rhimes.

    The TV maven, who made more than $2 billion for the network with shows including “Grey’s Anatomy” and “Scandal,” revealed that a squabble over a ticket to Disneyland led to her exit from ABC.

    Rhimes, 50, explained the battles over budgets and content with the network — which is owned by Disney — were endless.

    “I felt like I was dying,” Rhimes told The Hollywood Reporter. “Like I’d been pushing the same ball up the same hill in the exact same way for a really long time.”

    However, the straw that finally broke the camel’s back came down to something as mundane as an all-inclusive pass to Disneyland.

    Included in her ABC contract was a non-transferrable pass to the theme park and — because she was single — she negotiated a second pass for her daughters’ nanny.

    One day, though, she needed an extra pass so that her sister could take Rhimes’ teenage daughter, Emerson, while the nanny chaperoned her younger daughters, Harper and Beckett.

    Rhimes said she was “told more than once” that they “never do this.”

    The producing powerhouse even called a high-ranking exec at the company to sort out the mess.

    The exec reportedly replied, “Don’t you have enough?”

    It was then that Rhimes, who was already in talks with Netflix about a possible deal, called her lawyer and told him, “Figure out a way to get [me] over to Netflix, or [I’ll] find new representatives.”

    According to USA Today, a one-day Park Hopper ticket to Disneyland in 2019 cost $199. It’s unclear if her all-inclusive pass included any other perks.

    In 2017, Netflix announced it had signed a first-of-its-kind, nine-figure creative deal with Rhimes.

    ABC did not immediately return Page Six’s request for comment.

    Kelly McCreary To Lead Scripted Comedy Election Podcast Special

    (10/16/20) Kelly McCreary, who plays Dr. Maggie Pierce in ABC drama Grey’s Anatomy, is starring in a scripted comedy podcast special about the day after the election.

    McCreary will lead Wednesday Morning, a one-off audio drama from her husband, Insecure and It’s Always Sunny In Philadelphia director Pete Chatmon and Candice Sanchez McFarlane.

    It also stars Colman Domingo (Fear The Walking Dead), Spencer Garrett (The Frontrunner), Blake DeLong (When They See Us), Joy Nash (Twin Peaks), Louis Ozawa (Hunters), Elena Campbell-Martinez (Vida), Remy Ortiz (Instant Family) and Monnie Aleahmad (Bosch).

    McCreary plays Jeannine Hamilton on the morning after Election Day where she discovers that if you’re not at the table, you’re on the menu. After losing a local upstate election, Jeannine pays a surprise visit to her father, Wesley’s, palatial estate. She unexpectedly finds herself at a celebratory brunch surrounded by his duplicitous comrades as they engage in a dangerous game of political horsetrading, leaving Jeannine to make a life or death decision before dessert can be served.

    The show, which airs on October 21, is unusual in that it is a one-off podcast event, rather than a multi-part series, a sign of the growing podcast business.

    It is produced by McCreary’s Lighten Up Productions and Chatmon’s TheDirector with Chatmon, Sanchez McFarlane, Tristan Nash and Christina Dehaven-Call producing. It features music from ELEW and sound design by Matt Polis.

    McCreary said, “This podcast event is for anyone passionate about getting folks to the polls to cast votes that will bring us closer to realizing the promise of this country for all of its citizens. Wednesday Morning deploys the power of storytelling to transform cynicism and apathy toward civic engagement into a true sense of personal and community empowerment. We hope that Wednesday Morning will bring its audience catharsis and enjoyment and be a unique tool in your get out the vote kit as we enter this final stretch of election season.”

    Chatmon said, “I was prepping a season finale back in March when production was halted on my wife’s show. By the end of the evening, we were shut down, and by the next day, the entire industry had followed suit. The events surrounding our nation’s response and the heightened politics around how we got here prompted Candice and I to create a project that spoke truth to power and provided some positivity in trying times. We also hoped to inspire engagement with all voters for the upcoming Presidential election.” Sanchez McFarlane added, “Creating Wednesday Morning in podcast format allowed us to make bold creative choices in a challenging production climate. We were incredibly fortunate to have a cast whose talents elevated this audio experience in ways that amplify the heart of this project.”

    Katherine Heigl and Sarah Chalke Are Best Friends Forever (?) in Firefly Lane Adaptation — Watch Netflix Teaser

    (10/14/20) (Video) Teenage besties stay by each other’s side over the course of decades, and even during the darkest hours, in the first teaser trailer for Netflix’s Firefly Lane adaptation starring Katherine Heigl and Sarah Chalke.

    Based on the novel of the same name by bestselling author Kristin Hannah (who serves as co-executive producer on the 10-episode series), Firefly Lane proposes that “the greatest love story of all can be between friends.”

    “When unlikely duo Tully (played by former Grey’s Anatomy doc Heigl) and Kate (onetime Scrubs doc Chalke) meet at age 14, they couldn’t be more different,” reads the synopsis. “Tully is the brash and bold girl you can’t ignore, while Kate is the mousy shy girl you never notice. But when a tragedy brings them together, they are bonded for life — forever inseparable best friends. Together they experience 30 years of ups and downs — triumphs and disappointments, heartbreak and joy, and a love triangle that strains their friendship. One goes on to fabulous wealth and fame, the other chooses marriage and motherhood — but through the decades, their bond remains — until it faces the ultimate test.”. The cast also includes Ali Skovbye (When Calls the Heart) and Roan Curtis (The Magicians) as young versions of Tully and Kate (seen in the first photo below), plus Ben Lawson (you may say Doubt, but I’ll go with Designated Survivor), Yael Yurman (The Man in the High Castle) and Beau Garrett (Girlfriends’ Guide to Divorce).

    Maggie Friedman (Witches of East End, Eastwick) serves as showrunner and will executive-produce along with Heigl, Peter O’Fallon, Shawn Williamson and Lee Rose.

    Jesse Williams Nasty Divorce Finalized ... She Gets Houses, He Gets Big Chunk of 'Grey's' Money

    (10/14/20) Jesse Williams' 3-year bitter divorce drama has officially come to an end ... on paper, at least.

    The judge just signed off to finalize the "Grey's Anatomy" star's divorce settlement with Aryn Drake-Lee -- and it means they're both officially single as of August 7, 2020.

    According to the legal docs, obtained by TMZ ... they will share joint legal and physical custody of their 2 young children -- son Maceo and daughter Sadie. However, they have to meet and confer with each other about posting images of the kids on social media.

    As for major financial business ... Aryn gets to keep the former family house in L.A., along with places in Brooklyn and Oakland. She's also keeping a leased 2017 Audi Q7 SUV and 2018 Q5 SUV, while Jesse gets to keep his leased 2018 Porsche Cayenne SUV. They really dig SUVs.

    The good news for Jesse -- he's also keeping the $936,810 he made in profits from "Grey's Anatomy" since their 2017 separation.

    Other accounts and royalties accumulated during their marriage will be split up, and of course ... Jesse's still on the hook for child support. According to the docs, he owes $50,629 per month for the 2 kids up until October 2019, and then $40k per month after that.

    He also has to fork over 2 more spousal support payments of $50,695 for August 2019 and September 2019 to Aryn ... but then no more.

    According to the docs ... Jesse and Aryn actually reached the settlement in Sept. 2019, but now it's officially a done deal with the judge's signoff.

    TMZ broke the story ... Jesse filed to end his 5-year marriage to Aryn in 2017. They'd actually been together for 13 years.

    When Jesse filed, it initially seemed like the proceedings would be amicable. Remember, they were even committed to co-parenting despite the divorce. But, it didn't take long for things to take a nasty turn when they beefed over child custody.

    It was around that time that Jesse also responded to stories about dating Minka Kelly on Jay-Z's "Footnotes from 4:44" video release.

    Then there were all the financial battles -- after he was ordered to fork over $100k per month in support payments for Aryn and the kids. She wanted more child support money and Jesse wasn't buying it.

    So, pretty contentious, to say the least. But, at least it's all over now.

    ‘Grey’s Anatomy’ & ‘Station 19’: Watch Promo For ABC Dramas Dedicating Their New Seasons To Healthcare Workers

    (10/8/20) (Video) Grey’s Anatomy and spinoff Station 19 return in five weeks during this crazy fall TV season, and they are dedicating their new seasons to essential healthcare workers. Watch a promo for the new seasons featuring clips from both Seattle-set ABC dramas above.

    “We all have heroes — people we aspire to be,” we hear in the 30-second video. “The ones who fight, who help us to survive when it matters. The ones who always show up.”

    Heading into the 17th season of Grey’s and fourth for Station 19 — which premiere Thursday, November 12 — their showrunner/executive producer Krista Vernoff said: “This season, our work is dedicated to the healthcare workers who put their lives on the line every day to try to save ours. Wear a mask, save someone else’s life.”

    ‘Big Sky:’ Brooke Smith, Jeffrey Joseph And Gage Marsh Join Cast Of David E. Kelley Crime Thriller As Recurring

    (10/8/20) ABC has set a quartet of recurring guest stars for the network’s upcoming David E. Kelley thriller series Big Sky. Joining the show are Brooke Smith, Jeffrey Joseph, Gage Marsh and Gabriel Jacob-Cross.

    Smith is set to play Merrilee Legarski and will act opposite John Carroll Lynch’s Rick as his wife and mother of their two children. Joseph will play former military soldier Jospeh Dewell and father of detective Cassie Dewell (Kylie Bunbury). Marsh is Justin Hoyt and child actor Jacob-Cross is Kai Dewell, Cassie’s son.

    Smith most recently appeared in Jay Roach’s Bombshell and guest starred on Netflix’s Unbelievable. Smith, whose TV credits also include Bates Motel, Ray Donovan, Supergirl and Weeds, is set to appear in Little Marvin and Lena Waithe’s Amazon anthology series Them: Covenant.

    Joseph, an Emmy-nominated In Living Color writer, joins the cast after having served as the on-set acting coach for Chris Rock on Fargo season four. The actor’s additional acting credits include A Million Little Things, Ghostwriter, Chilling Adventures of Sabrina and Dream on.

    Marsh comes to the Big Sky with acting credits from titles including You Me Her, Batwoman and Nancy Drew. Young actor Jacob-Cross has been recurring on TNT’s Snowpiercer. is set to appear in The Christmas Aunt and A Christmas Miracle for Lifetime and Hallmark, respectively.

    The new ABC series, which also stars Katheryn Winnick, Kylie Bunbury and Ryan Phillippe, sees private detectives Cassie Dewell and Cody Hoyt team with ex-cop Jenny Hoyt to search for two sisters mysteriously kidnapped by a truck driver in Montana. Upon learning that the kidnapping isn’t an isolated incident, the law officials must race against the clock to prevent any more abductions.

    Based on the book series by C.J. Box, Big Sky is executive produced by David E. Kelley, Ross Fineman, Matthew Gross, Paul McGuigan, C.J. Box and Gwyneth Horder-Payton, and is produced by 20th Century Fox Television in association with A+E Studios.

    Big Sky will premiere on ABC on Nov. 17.

    Sandra Oh To Star in Stage 6 Films’ Supernatural Horror Pic ‘Umma’ With Sam Raimi Producing

    (10/8/20) Sony Pictures’ Stage 6 Films has acquired worldwide rights to Raimi Productions and Starlight Media’s supernatural horror film Umma, starring Golden Globe winner Sandra Oh, who also serves as executive producer.

    Iris K. Shim, wrote the screenplay and will make her feature film directing debut. Fivel Stewart, Dermot Mulroney, Odeya Rush, MeeWha Alana Lee and Tom Yi also have joined the cast.

    Umma, which is the Korean word for “mother,” follows Amanda (Oh) and her daughter living a quiet life on an American farm, but when the remains of her estranged mother arrive from Korea, Amanda becomes haunted by the fear of turning into her own mother.

    The pic is the first project produced by Sam Raimi and Zainab Azizi of Raimi Productions through their development deal with Starlight Media. Starlight CEO Peter Luo is serving as executive producer and Starlight Media is co-financing the film with Stage 6 Films.

    Matt Black is executive producing alongside Catchlight Studios’ Jeanette Volturno and Marcei Brown. André Øvredal is also serving as executive producer. Eric Charles and Elizabeth Grave are overseeing for Stage 6 Films.

    Oh stars in BBC America’s critically acclaimed smash Killing Eve, for which she won a historic Golden Globe Award, Screen Actors Guild Award and three Emmy nominations for Lead Actress in a Drama Series. Oh won Golden Globe and SAG award for her role as Dr. Cristina Yang on the long-running ABC series Grey’s Anatomy, and she received five Emmy noms.

    Shim’s first film, The House of Suh, premiered at the Hot Docs International Documentary Film Festival and went on to win awards at the Hamptons Film Festival, San Diego Asian American Film Festival, Los Angeles Asian Pacific Film Festival, as well as a CINE Master Series Award. Raimi Productions most recently produced Crawl, the action-packed creature feature that garnered strong reviews and $92M of worldwide box office.

    CAA Media Finance, Eric Harbert (Raskin Gorham Anderson Law) negotiated the deal with Sony on behalf of Raimi Productions and Noel C. Lohr (LHR Law Inc.) negotiated on behalf of Starlight Media.

    Starlight Media has been involved in a wide range of critically and commercially successful films including Marshall, Crazy Rich Asians and Midway.

    Oh is repped by UTA, Principal LA Entertainment and Hansen Jacobson Teller. Stewart is repped by Sovereign Agent Theatrical and TSC Entertainment. Mulroney is repped by Paradigm and Luber Roklin Entertainment. Rush is repped by CAA and MGMT. Lee is repped by About Artists Agency. Shim is repped by WME, Circle of Confusion and Gregg Gellman and Cary Dobkin. Raimi is repped by CAA.

    Netflix's 'Here for the Holidays' Slate: Dolly Parton, Christmas Chronicles 2, Another Princess Switch and More


    Kurt Russell, Goldie Hawn, Dolly Parton and Christine Baranski are among the stars set to deck the halls at Netflix this holiday season.

    The streamer has unveiled its “Here for the Holidays” lineup, and it includes more than 30 Christmas movies, TV shows and specials set to premiere between late October and mid-December. First up: the Emma Roberts rom-com Holidate (dropping Wednesday, Oct. 28). The film’s ensemble also includes Jessica Capshaw (Grey’s Anatomy), Manish Dayal (The Resident), Alex Moffat (Saturday Night Live), Frances Fisher (Watchmen) and Kristin Chenoweth (American Gods).

    Come November, you’ll find Operation Christmas Drop (led by Vampire Diaries vet Kat Graham) and Jingle Jangle: A Christmas Journey (starring Oscar winner Forest Whitaker), as well as sequels to The Christmas Chronicles (featuring the aforementioned Russell and Hawn) and The Princess Switch (starring Vanessa Hudgens, again in a dual role).

    On the scripted series front, you have the new rom-com Dash & Lily (starring Euphoria‘s Austin Abrams), plus fresh episodes of The Great British Baking Show and Sugar Rush. Viewers will also get a chance to bid a proper adieu to cancelled family sitcoms Ashley Garcia: Genius in Love and The Big Show Show, both of which will conclude with Christmas-themed specials.

    THE CAST: Emma Roberts, Luke Bracey, Andrew Bachelor, Jessica Capshaw, Manish Dayal, Alex Moffat, Jake Manley, Cynthy Wu, Frances Fisher and Kristin Chenoweth
    THE PREMISE: Sloane (Roberts) and Jackson (Bracey) hate the holidays. They constantly find themselves single, sitting at the kids table, or stuck with awkward dates. But when these two strangers meet one particularly bad Christmas, they make a pact to be each other’s “holidate” for every festive occasion throughout the next year. With a mutual disdain for the holidays, and assuring themselves that they have no romantic interest in the other, they make the perfect team. However, as a year of absurd celebrations come to an end, Sloane and Jackson find that sharing everything they hate may just prove to be something they unexpectedly love.
    PREMIERE DATE: Wednesday, Oct. 28

    THE CAST: Kat Graham, Alexander Ludwig and Virginia Madsen
    THE PREMISE: Chasing a promotion, congressional aide Erica Miller forgoes family Christmas to travel across the Pacific at her boss’s behest. Upon landing at a beachside Air Force base, she clashes with her guide, Captain Andrew Jantz, who knows her assignment is finding reasons to defund the facility. The pilot’s pet project — Operation: Christmas Drop, a genuine, decades-old tradition where gifts and supplies are parachuted to residents of remote neighboring islands — has lawmakers wondering if his unit has too much spare energy. Despite their initial opposing goals, Erica softens once she experiences the customs and communal spirit of Andrew’s adopted home.
    PREMIERE DATE: Thursday, Nov. 5

    THE CAST: Austin Abrams, Midori Frances, Dante Brown, Troy Iwata, Keana Marie, James Saito, Jodi Long, Glenn McCuen, Michael Park, Gideon Emery, Jennifer Ikeda and Diego Guevara
    THE PREMISE: A whirlwind Holiday romance builds as cynical Dash and optimistic Lily trade dares, dreams, and desires in the notebook they pass back and forth at locations all across New York City, finding they have more in common with each other than they would have expected. The series is based on the young adult book series Dash & Lily’s Book of Dares from New York Times bestselling authors Rachel Cohn and David Levithan.
    PREMIERE DATE: Tuesday, Nov. 10

    THE CAST: Forest Whitaker, Madalen Mills, Keegan-Michael Key, Sharon Rose, Phylicia Rashad, Anika Noni Rose, Ricky Martin, Kieron Dyer, Justin Cornwell, Lisa Davina Phillip and Hugh Bonneville
    THE PREMISE: A musical adventure and a visual spectacle for the ages, Jingle Jangle: A Christmas Journey is a wholly fresh and spirited family holiday event. Set in the gloriously vibrant town of Cobbleton, the film follows legendary toymaker Jeronicus Jangle (Whitaker) whose fanciful inventions burst with whimsy and wonder. But when his trusted apprentice (Emmy winner Keegan-Michael Key) steals his most prized creation, it’s up to his equally bright and inventive granddaughter (Mills) — and a long-forgotten invention — to heal old wounds and reawaken the magic within. From the imagination of writer-director David E. Talbert and featuring original songs by John Legend, Philip Lawrence, Davy Nathan, and “This Day” performed by Usher and Kiana Ledé, Jingle Jangle: A Christmas Journey reminds us of the strength of family and the power of possibility.
    PREMIERE DATE: Friday, Nov. 13

    THE CAST: Benjamin Bradley
    THE PREMISE: Benjamin Bradley, best known as Mr. Christmas, is a veteran in the interior design industry with a healthy obsession with the holiday season. For Mr. Christmas, the holidays are all about celebrating love, life, family and friends through meaningful traditions. In the new Netflix series Holiday Home Makeover with Mr. Christmas, Bradley takes you behind the scenes as he puts his design expertise and vast Christmas collection to good use. Equipped with lights, garlands, and enough tinsel to blanket the North Pole, he and his team of elves work around the clock to bring holiday cheer to families and communities deserving of a home makeover for the most joyous time of year. Mr. Christmas invites viewers along for the ride to kick off the holiday season and get inspired to take their own home decorating and traditions to the next level.
    PREMIERE DATE: Wednesday, Nov. 18

    THE CAST: Vanessa Hudgens, Sam Palladio, Nick Sagar
    THE PREMISE: When Duchess Margaret unexpectedly inherits the throne to Montenaro and hits a rough patch with boyfriend Kevin, it’s up to her double Princess Stacy of Belgravia to get these star-crossed lovers back together… but the course of true love is complicated by the appearance of a handsome royal who’s intent on stealing Margaret’s heart. Throw in the unexpected arrival of Margaret’s outrageous party girl cousin Fiona, a third look-alike who has ambitions of her own, and you have the recipe for Christmas triple trouble!
    PREMIERE DATE: Thursday, Nov. 19

    THE CAST: Dolly Parton, Christine Baranski, Jenifer Lewis, Treat Williams, Jeanine Mason, Josh Segarra and Mary Lane Haskell
    THE PREMISE: A rich and nasty woman, Regina Fuller, returns to her small hometown after her father’s death to evict everyone and sell the land to a mall developer – right before Christmas. However, after listening to stories of the local townsfolk, reconnecting with an old love, and accepting the guidance of an actual angel, Regina starts to have a change of heart. This is the story about family, love and how a small town’s Christmas spirit can warm the coldest of hearts. Featuring 14 original songs with music and lyrics by Dolly Parton.
    PREMIERE DATE: Sunday, Nov. 22

    THE CAST: Kurt Russell, Goldie Hawn, Jahzir Bruno, Kimberly Williams-Paisley, Julian Dennison, Tyrese Gibson with Judah Lewis and Darby Camp
    THE PREMISE: It’s been two years since siblings Kate (Darby Camp) and Teddy Pierce (Lewis) saved Christmas, and a lot has changed. Kate, now a cynical teenager, is reluctantly spending Christmas in Cancun with her mom’s new boyfriend and his son Jack (Bruno). Unwilling to accept this new version of her family, Kate decides to run away. But when a mysterious, magical troublemaker named Belsnickel threatens to destroy the North Pole and end Christmas for good, Kate and Jack are unexpectedly pulled into a new adventure with Santa Claus (Russell).
    PREMIERE DATE: Wednesday, Nov. 25

    THE PREMISE: From Shondaland, Dance Dreams: Hot Chocolate Nutcracker spotlights the career of award-winning entertainer Debbie Allen and follows her group of young dancers as they prepare for Allen’s annual “Hot Chocolate Nutcracker” production.
    PREMIERE DATE: Friday, Nov. 27

    THE PREMISE: This competition series challenges bakers to create holiday treats that look festive and taste amazing — all against a ticking clock.
    PREMIERE DATE: Friday, Nov. 27

    THE CAST: Leandro Hassum, Elisa Pinheiro, Ariane Botelho, Miguel Rômulo, Louise Cardoso, Danielle Winits
    THE PREMISE: After taking a very nasty fall on Christmas Eve, grinchy Jorge blacks out and wakes up one year later, with no memory of the year that has passed. He soon realizes that he’s doomed to keep waking up on Christmas Eve after Christmas Eve, having to deal with the aftermath of what his other self has done the other 364 days of the year.
    PREMIERE DATE: Thursday, Dec. 3

    the great british baking show holidays season 3

    THE PREMISE: ‘Tis the season for eight returning bakers to vie for the holiday crown as they race to make wondrous winter treats.
    PREMIERE DATE: Friday, Dec. 4

    Ashley Garcia: Genius in Love and The Big Show Show
    When a race of kleptomaniac aliens attempts to steal Earth’s gravity in order to more easily take everything on the planet, only the gift-giving spirit of Christmas and a small alien named X can save the world.
    PREMIERE DATE: Friday, Nov. 20

    Huttsgalor’s favorite winter festival is finally here! But will some ice-breathing dragons put a frost on everyone’s fun.
    PREMIERE DATE: Tuesday, Nov. 24

    When a snow plow, who has an uncanny resemblance to Santa, crashes in the Carson’s yard, Cory must remind him who he is in order to save Christmas.
    PREMIERE DATE: Friday, Nov. 27

    It’s winter in the big city and everyone is excited to celebrate the holidays! When Poppy decides to throw a holiday party for Sully, the Wonderoos learn that there are lots of different holidays and ways to celebrate!
    PREMIERE DATE: Sunday, Nov. 29

    Angela’s Christmas Wish is a heart-warming tale of a determined little girl who sets out to reunite her family in time for Christmas. Based on characters from Pulitzer Prize-winning author Frank McCourt, it is a tender and funny story about the importance of family and togetherness.

    When Barry the Berry Bear doesn’t show up to deliver the traditional Blunderberry Cakes on Blunderberry Day Eve, the Fix-It Force kicks it into high gear to save the town’s most magical holiday!
    PREMIERE DATE: Thursday, Dec. 3

    George and Harold love Christmas, but they feel like it could use some upgrades. So they make a comic about a new version of the holiday: BLISSMAS. Instead of red bows, laser shows! Instead of ugly sweaters, cool capes! Instead of decorating trees, creating tree-bots! The boys take Melvin’s time toad back to convince Santa to incorporate some of their ideas to his new holiday. But they come back to the present to find that their plan didn’t work quite how they’d hoped. George and Harold realize they need to help Santa remember the true meaning of Christmas before it’s gone forever!
    PREMIERE DATE: Friday, Dec. 4

    Mandy Mail must deliver a load of late Christmas letters to the North Pole, then all the trains join in to help Santa deliver the presents during a big storm.
    PREMIERE DATE: Saturday, Dec. 5

    When GrrBus takes Sami, Zane, Olive and Rocky on a field trip to the North Pole, they accidentally cause a catastrophe at Santa’s workshop – and it’s up to the eight older Super Monsters to come to the rescue and save Christmas!
    PREMIERE DATE: Tuesday, Dec. 8

    A holly, jolly gathering takes a strange turn when Ashley bumps her head and gets a glimpse of her near-distant future with Tío, Tad, Stick and Brooke.
    PREMIERE DATE: Wednesday, Dec. 9

    When Big Show gets injured Cassy has to fill his big shoes in the hopes of winning the neighborhood Christmas competition. Meanwhile JJ, Mandy and Lola are sent on a scavenger hunt for presents only to discover spending time together might be the best gift of all.
    PREMIERE DATE: Wednesday, Dec. 9

    When Hank finds out that Trash Truck doesn’t know what Christmas is, he sets out to show him and their friends what the magical holiday is all about. And luckily for Santa, the friends are up to speed just in time to help save Christmas.
    PREMIERE DATE: Friday, Dec. 11

    2020 People’s Choice Awards Nominees

    (10/1/20) The annual awards show will broadcast live from the Barker Hangar in Santa Monica, CA Nov. 15 at 9:00 p.m. ET/PT.

    THE SHOW OF 2020
    1. Grey’s Anatomy
    2. Never Have I Ever
    3. Outer Banks
    4. The Bachelor
    5. The Masked Singer
    6. The Last Dance
    7. This Is Us
    8. Tiger King

    1. Grey’s Anatomy
    2. Law & Order: Special Victims Unit
    3. Outer Banks
    4. Ozark
    5. Power
    6. Riverdale
    7. The Walking Dead
    8. This Is Us

    1. Chase Stokes – Outer Banks
    2. Cole Sprouse – Riverdale
    3. Dan Levy – Schitt’s Creek
    4. Jason Bateman – Ozark
    5. Jesse Williams – Grey’s Anatomy
    6. Norman Reedus – The Walking Dead
    7. Sterling K. Brown – This Is Us
    8. Steve Carell – Space Force

    1. Christina Applegate – Dead To Me
    2. Danai Gurira – The Walking Dead
    3. Ellen Pompeo – Grey’s Anatomy
    4. Lili Reinhart – Riverdale
    5. Mandy Moore – This Is Us
    6. Mariska Hargitay – Law & Order: Special Victims Unit
    7. Sandra Oh – Killing Eve
    8. Sofia Vergara – Modern Family

    1. Cole Sprouse – Riverdale
    2. Chase Stokes – Outer Banks
    3. Danai Gurira – The Walking Dead
    4. Ellen Pompeo – Grey’s Anatomy
    5. Mandy Moore – This Is Us
    6. Mariska Hargitay – Law & Order: Special Victims Unit
    7. Sandra Oh – Killing Eve
    8. Sterling K. Brown – This Is Us

    ‘Dolly Parton’s Christmas On The Square’: Netflix Reveals Premiere Date For Debbie Allen-Directed Holiday Musical With Christine Baranski

    (9/30/20) Netflix has set the premiere date for its Dolly Parton holiday special Dolly Parton’s Christmas on The Square. The streaming giant announced Tuesday that the holiday title, starring Parton, Christine Baranski, Jenifer Lewis, Treat Williams and Jeanine Mason, will premiere on Nov. 22

    Dolly Parton’s Christmas on The Square, directed and choreographed by Debbie Allen, follows a rich woman named Regina (Baranski) who seeks to sell her father’s land to a mall developer. However after an encounter with a guardian angel (Parton), Regina undergoes a Grinch-like change of heart and rekindles connections with the locals of her hometown.

    The Netflix special is also set to feature 14 original songs by Dolly Parton.

    Rounding out the Dolly Parton’s Christmas on The Square cast are Josh Segarra, Mary Lane Haskell, Matthew Johnson and Selah Kimbro Jones.

    Dolly Parton’s Christmas on the Square is produced by Magnolia Hill Productions and Sandollar Productions in association with Warner Bros. Television for Netflix. Executive Producers include Sam Haskell, writer Maria Schlatter, Debbie Allen, and Dolly Parton.

    Isaiah Washington To Mark Feature Directorial Debut With ‘Corsicana’ Western

    (9/25/20) Grey’s Anatomy alum Isaiah Washington is stepping behind the camera for Corsicana, a character-driven western which will serve as his feature directorial debut. Washington is also starring in the film alongside Lew Temple, Noel Guglielmi, Billy Blair, Amber McNutt, Stacey Dash, Brooke Anne Smith, Major Dodge, Robert Johnson, Thomas Rochester, and Jason Johnson.

    Written by Robert Johnson, the story follows Bass Reeves (Washington), a former slave who became one of the first black Deputy United States Marshals in the American West. Reeves tracks an outlaw gang of killers to the oil-rich Texas town of Corsicana.

    Filming is currently underway. Washington, Johnson, Ryan DeLaney, and Amber McNutt are producing, with McNutt also serving as executive producer.

    Washington, repped by Crystal Ship Artist Talent and Anderson & Smith PC, currently stars in CW’s The 100 as well as the new hit series P-Valley on Starz.

    Hallmark Unveils 2020 'Countdown to Christmas' Slate, Including Gay Adoption Movie, Hanukkah Celebration

    (9/23/20) Hallmark Unveils 2020 'Countdown to Christmas' Slate, Including Gay Adoption Movie, Hanukkah Celebration

    It’s beginning to look a lot like Christmas — and, at least for one night, Hanukkah — at Hallmark Channel.

    The basic cable network has unveiled its slate of 40 (!) original holiday movies airing in 2020, including The Christmas House, starring Mean Girls‘ Jonathan Bennett as one-half of a gay couple looking to adopt their first child. The lineup also includes Love, Lights, Hanukkah!, a Hanukkah-themed flick featuring Star Trek: Discovery‘s Mia Kirshner and Boy Meets World‘s Ben Savage.

    The three dozen-plus films feature a plethora of network vets, including Candace Cameron Bure (in her ninth Hallmark Christmas movie), Danica McKellar (in her sixth Hallmark movie overall), Catherine Bell, Alison Sweeney and Tamera Mowry-Housley, as well as Lacey Chabert and Holly Robinson Peete — both of whom appear in two original movies this year.

    New to the Hallmark family in 2020 are Aaron Tveit (Grease Live), Janel Parrish (Pretty Little Liars), Jeremy Jordan (Supergirl), Marisol Nichols (Riverdale), Mallory Jansen (Marvel’s Agents of S.H.I.E.L.D.) and Rochelle Aytes (S.W.A.T.), among others.

    “Our holiday table is bigger and more welcoming than ever,” Hallmark Channel’s EVP of programming Michelle Vicary said in a statement. “This year’s movies reflect our most diverse representation of talent, narratives, and families, including The Christmas House, featuring a storyline about a gay couple looking to adopt their first child, and starring Jonathan Bennett in an ensemble cast. Our movies are rooted in warmth and positivity, meaningful connections, family gatherings, and seasonal traditions — a winning formula we hope will bring our millions of viewers much-needed levity and holiday cheer at the end of a tough year.”

    Added Crown Media President and CEO Wonya Lucas, “For more than a decade, Hallmark holiday movies have represented the gold standard that many aspire to replicate. What we bring to the table and what truly sets us apart is an immersive holiday experience that has become a pop culture phenomenon for millions of fans… We have created a destination that evokes the spirit and feeling of the season in a way that is uniquely Hallmark.”

    Hallmark’s “Countdown to Christmas” slate begins rolling out on Friday, Oct. 23. Scroll down for a complete list of this year’s holiday movies, then hit the comments and tell us which of the following flicks pique your interest.

    JINGLE BELL BRIDECAST: Julie Gonzalo (Supergirl) and Ronnie Rowe Jr. (Star Trek: Discovery)
    PREMISE: Wedding planner Jessica Perez (Gonzalo) travels to a remote town in Alaska to find a rare flower for a celebrity client and is charmed by the small town during Christmas, as well as the handsome local (Rowe Jr.) helping her.
    PREMIERE DATE: Saturday, Oct. 24 (Hallmark, 8/7c)

    CAST: Alicia Witt (Our Christmas Love Song), Andrew Walker (Christmas on My Mind), Drake Hogestyn (Days of Our Lives) and Briana Price (13 Reasons Why)
    PREMISE: Music store owner Meg (Witt) spearheads the community effort to save the Christmas Tree Lane shopping district from demolition. As she finds herself falling for Nate (Walker), a recent acquaintance, she’s thrown when she learns his surprising tie to the developer.
    PREMIERE DATE: Saturday, Oct. 24 (Hallmark Movies & Mysteries, 9/8c)

    CAST: Merritt Patterson (Picture a Perfect Christmas) and Luke Macfarlane (Just Add Romance)
    PREMISE: Margot (Patterson), a world-renowned pianist, returns to Chateau Newhaus to spend the holidays with her family and is reunited with an ex (Macfarlane) who helps her rediscover her passion for music.
    PREMIERE DATE: Sunday, Oct. 25 (Hallmark, 8/7c)

    CAST: Alvina August (Nancy Drew) and Eion Bailey (Switched for Christmas)
    PREMISE: Bakery owner Molly (August) meets Josh (Bailey), a widower who recently moved to town with his young son, but she is also charmed by a mysterious client whom she’s never met in person and she doesn’t realize that they’re the same man.
    PREMIERE DATE: Sunday, Oct. 25 (Hallmark Movies & Mysteries, 9/8c)

    CAST: Katrina Law (Arrow) and Carlo Marks (Angel Falls: A Novel Holiday)
    PREMISE: Just before the holidays Jessica Lew (Law) is ending her tenure as the assistant to her wealthy boss to use her recently earned law degree within his company, but offers to help his charming, younger brother (Marks) as he looks after his orphaned nieces and nephew over Christmas.
    PREMIERE DATE: Saturday, Oct. 31 (Hallmark, 8/7c)

    CAST: Nikki DeLoach (Two Turtle Doves) and Benjamin Ayres (A Blue Ridge Mountain Christmas)
    PREMISE: A separated couple (DeLoach and Ayres) feign marital bliss on national television to help their town’s Christmas festival – and their business. But what will the future hold for them when rekindled love is complicated by new opportunities?
    PREMIERE DATE: Saturday, Oct. 31 (Hallmark Movies & Mysteries, 9/8c)

    CAST: Laura Osnes (In the Key of Love), Aaron Tveit (Les Miserables), Krystal Joy Brown (Sydney to the Max), Victoria Clark (Homeland) and Tom McGowan (Everybody Loves Raymond)
    PREMISE: When Anna (Osnes) offers a stranded mother (Clark) and son (Tveit) shelter in a blizzard, she learns that they are the Royal Family of Galwick. Anna shows the Prince how they do Christmas in her hometown, encouraging him to open his heart and be true to himself.
    PREMIERE DATE: Sunday, Nov. 1 (Hallmark, 8/7c)

    CAST: Janel Parrish (Pretty Little Liars), Jeremey Jordan (Supergirl) and Marisol Nichols (Riverdale)
    PREMISE: When Melody’s (Parrish) neighbor, Nina (Nichols), learns that her illness has returned, Melody promises to keep Nina’s kids, Holly & Ivy, together. To adopt the children, she must renovate her new fixer-upper, which she does with the help of contractor, Adam (Jordan).
    PREMIERE DATE: Sunday, Nov. 1 (Hallmark Movies & Mysteries, 9/8c)

    CAST: Ashley Williams (How I Met Your Mother) and Niall Matter (Christmas at Dollywood)
    PREMISE: Single mom Maggie (Williams) is facing Christmas alone until Lucas (Matter) crashes into her life and becomes an unexpected houseguest. Together they overcome Christmas while finding comfort in their growing bond.
    PREMIERE DATE: Saturday, Nov. 7 (Hallmark, 8/7c

    CAST: Nazneen Contractor (Ransom) and David Alpay (The Mistletoe Inn)
    PREMISE: A reporter (Contractor) searches for the love story behind an antique engagement ring. With the help of the ring’s owner’s grandson (Alpay), they learn the legacy his grandparent’s left behind.
    PREMIERE DATE: Saturday, Nov. 7 (Hallmark Movies & Mysteries, 9/8c)

    CAST: Mallory Jansen (Marvel’s Agents of S.H.I.E.L.D.) and Tyler Hynes (The Mistletoe Secret)
    PREMISE: Two seemingly incompatible game designers team up to create a romantic, city-wide scavenger hunt themed for the “12 Days of Christmas.”
    PREMIERE DATE: Sunday, Nov. 8 (Hallmark, 8/7c)

    CAST: Lucia Micarelli (Treme) and Michael Rady (You’re Bacon Me Crazy)
    PREMISE: When an accident puts her music dreams on hold, a gifted violinist (Micarelli) reconnects with an old family friend (Rady), who helps her heal and find love during the holidays.
    PREMIERE DATE: Sunday, Nov. 8 (Hallmark Movies & Mysteries, 9/8c)

    CAST: Sarah Drew (Grey’s Anatomy) and Brennan Elliott (Crossword Mysteries)
    PREMISE: Jess (Drew), a concert violinist whose heart just isn’t in it anymore, goes to Vienna for a performance. While there, she finds the inspiration she has been missing, and a new love.
    PREMIERE DATE: Saturday, Nov. 14 (Hallmark, 8/7c)

    CAST: Catherine Bell (Good Witch) and Mark Deklin (Christmas in Evergreen: Tidings of Joy)
    PREMISE: When Joan’s (Bell) son’s wedding planner unexpectedly quits, she must coordinate his Christmas Eve wedding with the help of Beau (Deklin), the bride’s uncle. As they work alongside each other they discover their fates and pasts are intertwined.
    PREMIERE DATE: Saturday, Nov. 14 (Hallmark Movies & Mysteries, 9/8)

    CAST: Ryan Paevey (Christmas at the Plaza) and Erin Cahill (Love, Fall & Order)
    PREMISE: Charles Whitley (Paevey) travels from 1903 to 2020 where he meets Megan Turner (Cahill), a tour guide at his historic mansion, and experiences a 21st Century Christmas.
    PREMIERE DATE: Sunday, Nov. 15 (Hallmark, 8/7c)

    CAST: Holly Robinson Peete (A Family Christmas Gift) and Adrian Holmes (V-Wars)
    PREMISE: A week before Christmas, Dr. Alicia Wright (Peete) is offered an assignment away from home. A mysterious man (Holmes) from her past journeys to find her before Christmas and brings with him a revelation that could change Alicia’s life forever.
    PREMIERE DATE: Sunday, Nov. 15 (Hallmark Movies & Mysteries, 9/8c)

    CAST: Jessy Schram (Country at Heart), Wes Brown (Christmas at Graceland), Wynonna Judd (The Judds), Sara Evans (Nashville), RaeLynn (The Voice), Kix Brooks (Home by Spring), Kimberly Williams-Paisley (Darrow Mysteries)
    PREMISE: Vivienne Wake (Schram), a workaholic television producer in charge of a country music Christmas special showcasing newcomer Alexis (Raelynn), never lets personal feelings get in the way of business. On the verge of accepting a job in LA, and with the return of Gavin Chase (Brown), her childhood sweetheart and manager to the special’s headliner, Belinda (Evans), she receives a visit from the ghost of her recently deceased mentor, Marilyn (Judd). Her mentor warns her current path leads to a dark future and has recruited both the Spirit of Christmas Past (Brooks) and the Spirit of Christmas Present (Williams-Paisley) to help her get back on track. The Spirits’ time-jumping adventures force Vivienne to take hold of her life.
    PREMIERE DATE: Saturday, Nov. 21 (Hallmark, 8/7c)

    CAST: Ashley Greene (Twilight) and Brendan Penny (Chesapeake Shores)
    PREMISE: Holly (Greene), a jewelry designer finds a lost charm bracelet and teams up with investigative reporter Greg (Penny) in hopes of finding the owner and returning it by Christmas Eve.
    PREMIERE DATE: Saturday, Nov. 21 (Hallmark Movies & Mysteries, 9/8c)

    CAST: Robert Buckley (One Tree Hill), Jonathan Bennett (Mean Girls), Ana Ayora (In the Dark), Treat Williams (Chesapeake Shores), Sharon Lawrence (NYPD Blue) and Brad Harder (Aurora Teagarden Mysteries)
    PREMISE: Working through some difficult decisions, Mitchell family matriarch Phylis (Lawrence) and patriarch Bill (Williams), have summoned their two grown sons – TV star, Mike Mitchell (Buckley) and Brandon Mitchell (Bennett) – home for the holidays. It is their hope that bringing the family together to recreate the Christmas house, will help them find resolution and make a memorable holiday for the entire family and community. As Brandon and his husband Jake (Harder) make the trip home, they are anxiously awaiting a call about the adoption of their first child. Meanwhile, Mike reconnects with Andi (Ayora), his high school sweetheart.
    PREMIERE DATE: Sunday, Nov. 22 (Hallmark, 8/7c)

    CAST: Jill Wagner (Teen Wolf) and Lucas Bryant (Country at Heart)
    PREMISE: A writer (Wagner) seeks the identity of the person who helps grant wishes that are placed upon the angel tree, and in the process, reconnects with her childhood friend (Bryant).
    PREMIERE DATE: Sunday, Nov. 22 (Hallmark Movies & Mysteries, 9/8c)

    PREMIERE DATE: Monday, Nov. 23 (Hallmark, 8/7c)

    CAST: Rochelle Aytes (Mistresses) and Mark Taylor (Memories of Christmas)
    PREMISE: Erin (Aytes) is planning the town’s Christmas celebration and must win over firefighter Kevin (Taylor) in order to obtain the beautiful spruce tree from his property for the celebration.
    PREMIERE DATE: Tuesday, Nov. 24 (Hallmark, 8/7c)

    CAST: Alison Sweeney (Days of Our Lives) and Marc Blucas (The Fix)
    PREMISE: Two competing TV hosts (Sweeney and Blucas) are sent to a festive small town over Christmas. While pretending to get along for the sake of appearances, they discover that there’s more to each other than they thought.
    PREMIERE DATE: Wednesday, Nov. 25 (Hallmark, 8/7c)

    CAST: Bethany Joy Lenz (One Tree Hill) and Victor Webster (MatchMaker Mysteries)
    PREMISE: After moving back to her hometown, Lisa (Lenz) plots with her siblings and grandparents to help her father’s new bed and breakfast get a five-star review from an incognito travel critic (Webster), but ends up falling for him, not knowing he is the real critic.
    PREMIERE DATE: Thursday, Nov. 26 (Hallmark, 8/7c)

    CAST: Kimberley Sustad (Travelers) and Paul Campbell (Battlestar Galactica)
    PREMISE: Annie (Sustad), a lawyer, must help her loved ones this holiday season. Her family’s restaurant, The Starlight Café, is slated for demolition. The heir to the development firm responsible, William (Campbell), makes her an unlikely proposition: he’ll spare the café if Annie spends the week “appearing” as the legal counsel his father is demanding he hire in the wake of some costly mistakes.
    PREMIERE DATE: Friday, Nov. 27 (Hallmark, 8/7c)

    Lacey Chabert
    CAST: Lacey Chabert (Mean Girls), Will Kemp (Royal Matchmaker) and JT Church (Dancing With the Stars: Juniors)
    PREMISE: After Avery’s (Chabert) storybook Christmas wedding is canceled unexpectedly, dance instructor Roman (Kemp) helps her rebuild her dreams.
    PREMIERE DATE: Saturday, Nov. 28 (Hallmark, 8/7c)

    CAST: Jen Lilley (Angel Falls: A Novel Holiday), Trevor Donovan (Nostalgic Christmas) and Barbara Niven (Chesapeake Shores)
    PREMISE: Maddie (Lilley), a reporter for a Norfolk newspaper, embarks on a Tiger Cruise during Christmastime where she meets a handsome naval officer (Donovan) and stumbles upon a mystery in the ship’s archive room.
    PREMIERE DATE: Saturday, Nov. 28 (Hallmark Movies & Mysteries, 9/8c)

    CAST: Candace Cameron Bure (Fuller House) and Warren Christie (The Color of Rain)
    PREMISE: At Christmas, a cheerful publicist (Bure) teams up with a cynical business owner (Christie) and his team to help a charity in need.
    PREMIERE DATE: Sunday, Nov. 29 (Hallmark, 8/7c)

    CAST: Holly Robinson Peete (A Family Christmas Gift), Colin Lawrence (Riverdale), Rukiya Bernard (One Winter Weekend), Antonio Cayonne (Fashionably Yours) and Barbara Niven (Chesapeake Shores)
    PREMISE: As Michelle’s (Peete) wedding approaches, Hannah (Bernard) steps up to help finish the launch of the new Evergreen museum while questioning her relationship and future with Elliot (Cayonne).
    PREMIERE DATE: Saturday, Dec. 5 (Hallmark, 8/7c)

    CAST: Lacey Chabert (Mean Girls) and Stephen Huszar (A Homecoming for the Holidays)
    PREMISE: Five guests are mysteriously invited to an inn to celebrate Christmas. With the help of the owner Ben (Huszar), Sarah (Chabert) discovers that an event from the past may connect them and change their lives forever; from executive producer Blake Shelton.
    PREMIERE DATE: Saturday, Dec. 5 (Hallmark Movies & Mysteries, 9/8c)

    CAST: Danica McKellar (The Wonder Years) and Dylan Neal (Gourmet Detective: Roux the Day)
    PREMISE: When Kayleigh (McKellar), a romance writer, has her column cancelled right before Christmas, she heads home to reconnect with her family. Kayleigh gets an unexpected visit from the man (Neal) who cancelled her column who fights not only to bring her back to the publisher but also for her heart.
    PREMIERE DATE: Sunday, Dec. 6 (Hallmark, 8/7c)

    CAST: Brooke D’Orsay (Royal Pains) and Sam Page (The Bold Type)
    PREMISE: After 15 years, Pat (Page) moves home from Hawaii with his two sons and through a series of coincidences, or Godwinks, ends up stuck in traffic next to his high school sweetheart, Margie (D’Orsay), at Christmas.
    PREMIERE DATE: Sunday, Dec. 6 (Hallmark Movies & Mysteries, 9/8c)

    CAST: Rachael Leigh Cook (She’s All That) and Greyston Holt (Chesapeake Shores)
    PREMISE: Former classmates Lina (Cook) and Max (Holt) are traveling home for the holidays, until a storm hits and they have to work together to make it home in time, no matter the mode of transportation.
    PREMIERE DATE: Saturday, Dec. 12 (Hallmark, 8/7c)

    CAST: Autumn Reeser (The O.C.) and Antonio Cupo (Hats Off to Christmas!)
    PREMISE: As Christmas nears, heiress Jessica Morgan (Reeser) seizes what seems like her last chance to experience a relaxed Christmas and heads off to the small town of Glenbrooke, where she meets a handsome fireman (Cupo).
    PREMIERE DATE: Saturday, Dec. 12 (Hallmark Movies & Mysteries, 9/8c)

    CAST: Tamera Mowry-Housley (Sister, Sister) and Michael Xavier (Paris, Wine and Romance)
    PREMISE: Emily (Mowry-Housley) is a top newscaster who has achieved her career dreams but still has regrets about the guy (Xavier) who got away five years earlier. When the Christmas carnival comes to town, a ride around the carousel takes her magically back in time to the carnival five years before…giving her a second chance at love before she must return to Christmas present.
    PREMIERE DATE: Sunday, Dec. 13 (Hallmark, 8/7c)

    CAST: Taylor Cole (Matching Hearts) and Steve Lund (The Art of Us)
    PREMISE: When a mysterious key and a holiday riddle arrive on their doorsteps, Kate (Cole) and Kevin (Lund) embark on a Christmas romance adventure they’ll never forget.
    PREMIERE DATE: Sunday, Dec. 13 (Hallmark Movies & Mysteries, 9/8c)

    CAST: Rachel Boston (Check Inn to Christmas) and Neal Bledsoe (Shameless)
    PREMISE: When Lila (Boston) is hired by the Royal Family of Marcadia to repair a carousel, she must work with the Prince (Bledsoe) to complete it by Christmas.
    PREMIERE DATE: Saturday, Dec. 19 (Hallmark, 8/7c)

    PREMISE: An antique seller and a cleaner clash over how to downsize a magnificent estate right before Christmas. As the two uncover the house’s treasures, they find a way to reconnect the reclusive owner with his own Christmases past.
    PREMIERE DATE: Saturday, Dec. 19 (Hallmark Movies & Mysteries, 9/8c)

    CAST: Mia Kirshner (Star Trek: Discovery), Ben Savage (Boy Meets World) and Marilu Henner (Aurora Teagarden Mysteries)
    PREMISE: As Christina (Kirshner) prepares her restaurant for its busiest time of year, she gets back a DNA test revealing that she’s Jewish. The discovery leads her to a new family and an unlikely romance over eight nights.
    PREMIERE DATE: Sunday, Dec. 20 (Hallmark, 8/7c)

    PREMISE: For years Lucy has played Santa to her small town’s community by making their holiday wishes come true. But when Lucy grants a little girl’s wish for a Christmas like she used to have with her Mom, she unexpectedly finds her own wishes coming true in life and love.
    PREMIERE DATE: Sunday, Dec. 20 (Hallmark Movies & Mysteries, 9/8c)

    Grey's Anatomy and Station 19 Prepare for Another Crossover Event in This Teaser Trailer

    (9/19/20) (Video) Grey's Anatomy will be returning on the same night as Station 19 with a two-hour premiere and an epic crossover event on Thursday, Nov. 12, and TV Guide has an exclusive teaser of these COVID-19 episodes. Respective series stars Ellen Pompeo and Jaina Lee Ortiz provide the voiceover for the teaser trailer that will officially premiere Sunday night during the 72nd Primetime Emmy Awards. While there's no new footage from the respective shows in the clip, the actresses emphasize how doctors and first responders have been on the front lines of the pandemic and tease, "Sometimes, we all need saving," which is the tagline for Grey's Anatomy Season 17. It sounds like we need to be worried.

    When we last left off with both crews, Andy (Ortiz) had just found out on Station 19 that her mom hadn't actually died when she was a little girl, but had instead left her and her father. Meanwhile on Grey's, Meredith had managed to save Richard (James Pickens Jr.) thanks to a miraculous last-minute diagnosis from DeLuca (Giacomo Gianniotti), but it spurred him to admit something was wrong. That's not to mention all the Teddy (Kim Raver) and Owen (Kevin McKidd) drama... We have a lot to figure out when these shows return. Luckily, it's only a few weeks away!

    The Station 19 and Grey's Anatomy crossover event begins Thursday, Nov. 12 at 8/7c.

    ABC Rounds Out Fall Schedule With Announcement Of Scripted Drama Series Premiere Dates for 2020–2021

    (9/17/20) Today, ABC announced premiere dates for its scripted drama series slate, rounding out the network’s fall schedule. Dates for unscripted and comedy series were previously announced.

    “Our fall schedule is now complete with a dynamic lineup of new and returning drama series,” said Karey Burke, president, ABC Entertainment. “From fan-favorite shows like ‘Grey’s Anatomy’ and ‘The Good Doctor’ to David E. Kelley’s thrilling new drama ‘Big Sky,’ our strength is in our storytelling, and we could not be more energized to bring these compelling series to our viewers.”

    ABC delivered the Top 2 scripted programs on Thursday in Adults 18-49 last season with dramas “Grey’s Anatomy” and “A Million Little Things” (tie) and the No. 1 scripted broadcast program on Sunday with the drama “The Rookie.” In addition, “The Good Doctor” stood as the No. 1 show in Monday’s 10 p.m. hour last season with Total Viewers. ABC ended the 2019-2020 season as the No. 1 entertainment network (tie) among Adults 18-49 and ranks as the summer’s No. 1 network (tie) for the second consecutive year.

    ABC’s scripted series premiere dates are as follows (all times listed are Eastern/Pacific). New shows are in bold.

    Note: “The Rookie” will be premiering later in the season.

    MONDAY, NOV. 2
    10:00-11:00 p.m. “The Good Doctor”

    8:00-9:00 p.m. “Station 19”
    9:00-11:00 p.m. “Grey’s Anatomy” (two-hour season premiere)

    TUESDAY, NOV. 17
    10:01-11:00 p.m. “Big Sky” (series premiere)

    10:00-11:00 p.m. “For Life”

    10:01-11:00 p.m. “A Million Little Things”

    THE GOOD DOCTOR (SEASON 4) – MONDAY, NOV. 2 (10:00-11:00 p.m.)

    Dr. Shaun Murphy, a young surgeon with autism and savant syndrome, continues to use his extraordinary medical gifts at St. Bonaventure Hospital’s surgical unit. As his friendships deepen, Shaun continues to tackle the world of dating and romantic relationships and works harder than he ever has before, navigating his environment to prove to his colleagues that his talents as a surgeon will save lives. The series stars Freddie Highmore as Dr. Shaun Murphy, Antonia Thomas as Dr. Claire Browne, Hill Harper as Dr. Marcus Andrews, Richard Schiff as Dr. Aaron Glassman, Christina Chang as Dr. Audrey Lim, Fiona Gubelmann as Dr. Morgan Reznick, Will Yun Lee as Dr. Alex Park and Paige Spara as Lea Dilallo. David Shore is the executive producer and showrunner. Daniel Dae Kim, Erin Gunn, David Kim and Sebastian Lee are also executive producers. The series is from Sony Pictures Television and ABC Signature. ABC Signature is a part of Disney Television Studios, alongside 20th Television and Touchstone Television.

    STATION 19 (SEASON 4) – THURSDAY, NOV. 12 (8:00-9:00 p.m.)

    Having delivered its most-watched season ever, “Station 19” follows a group of heroic Seattle firefighters as they put their lives and hearts on the line. From the executive producers of “Grey’s Anatomy,” “Scandal” and “How to Get Away with Murder,” the series takes us inside the tough, tight-knit and sometimes heartbreaking world of the city’s bravest first responders. “Station 19” stars Jaina Lee Ortiz as Andy Herrera, Jason George as Ben Warren, Boris Kodjoe as Robert Sullivan, Grey Damon as Jack Gibson, Barrett Doss as Victoria Hughes, Jay Hayden as Travis Montgomery, Okieriete Onaodowan as Dean Miller, Danielle Savre as Maya Bishop and Stefania Spampinato as Carina DeLuca. Krista Vernoff serves as showrunner and executive producer. The series was created by Stacy McKee. Shonda Rhimes and Betsy Beers serve as executive producers. Paris Barclay serves as the producing director and executive producer of the series. The series is produced by ABC Signature, which is a part of Disney Television Studios, alongside 20th Television and Touchstone Television.

    GREY’S ANATOMY (SEASON 17) – THURSDAY, NOV. 12 (*two-hour season premiere 9:00-11:00 p.m.)

    “Grey’s Anatomy” has solidified its place in television history as the longest-running primetime medical drama ever. The highly beloved series is a cultural touchstone that continues to push boundaries with timely subject matter and characters that break the mold. “Grey’s Anatomy” follows Meredith Grey and the team of doctors at Grey Sloan Memorial, who are faced with life-or-death decisions on a daily basis. They seek comfort from one another, and at times, more than just friendship. Together they discover that neither medicine nor relationships can be defined in black and white. “Grey’s Anatomy” stars Ellen Pompeo as Meredith Grey, Chandra Wilson as Miranda Bailey, James Pickens Jr. as Richard Webber, Kevin McKidd as Owen Hunt, Jesse Williams as Jackson Avery, Caterina Scorsone as Amelia Shepherd, Camilla Luddington as Jo Wilson, Kelly McCreary as Maggie Pierce, Kim Raver as Teddy Altman, Giacomo Gianniotti as Andrew DeLuca, Greg Germann as Tom Koracick, Chris Carmack as Atticus “Link” Lincoln, Jake Borelli as Levi Schmitt, Richard Flood as Cormac Hayes and Anthony Hill as Winston Ndugu. “Grey’s Anatomy” was created and is executive produced by Shonda Rhimes. Krista Vernoff serves as showrunner and executive producer. Betsy Beers, Mark Gordon, Debbie Allen, Zoanne Clack, Andy Reaser and Meg Marinis are executive producers. The series is produced by ABC Signature, which is a part of Disney Television Studios, alongside 20th Television and Touchstone Television.

    BIG SKY (SERIES PREMIERE) – TUESDAY, NOV. 17 (10:01-11:00 p.m.)

    From visionary storyteller David E. Kelley (“Big Little Lies”) comes “Big Sky,” a thriller created by Kelley, who will write multiple episodes and serve as showrunner in its premiere season. Private detectives Cassie Dewell and Cody Hoyt join forces with his estranged wife and ex-cop, Jenny Hoyt, to search for two sisters who have been kidnapped by a truck driver on a remote highway in Montana. But when they discover that these are not the only girls who have disappeared in the area, they must race against the clock to stop the killer before another woman is taken. “Big Sky” stars Katheryn Winnick as Jenny Hoyt, Kylie Bunbury as Cassie Dewell, Brian Geraghty as Ronald Pergman, Dedee Pfeiffer as Denise Brisbane, Natalie Alyn Lind as Danielle Sullivan, Jade Pettyjohn as Grace Sullivan, Jesse James Keitel as Jerrie Kennedy, Valerie Mahaffey as Helen Pergman with John Carroll Lynch as Rick Legarski and Ryan Phillippe as Cody Hoyt. Based on the series of books by C.J. Box, “Big Sky” is executive produced by David E. Kelley, Ross Fineman, Matthew Gross, Paul McGuigan, C.J. Box and Gwyneth Horder-Payton, and is produced by 20th Television. 20th Television is a part of Disney Television Studios, alongside ABC Signature and Touchstone Television.

    FOR LIFE (SEASON 2) – WEDNESDAY, NOV. 18 (10:00-11:00 p.m.)

    Aaron Wallace’s fight continues in season two of “For Life,” as the wrongfully convicted prisoner-turned-litigator and social crusader embarks on a more personal journey. Aaron is motivated by the hope of being reunited with his family and reclaiming a life of freedom to take up the mantle against systemic injustice from outside the prison walls. With continued help from the people who supported him—his family, a wily one-time public defender, Henry Roswell, and his former prison warden, Safiya Masry—Aaron continues his battle against the very political machine that once put him away, undeservedly. Inspired by the life of Isaac Wright Jr., “For Life” continues to shine an unrelenting light upon the institutional wrongs of our penal and legal systems. “For Life” stars Nicholas Pinnock as Aaron Wallace, Indira Varma as Safiya Masry, Joy Bryant as Marie Wallace, Dorian Missick as Jamal Bishop, Tyla Harris as Jasmine Wallace and Timothy Busfield as Henry Roswell. Hank Steinberg is the creator and executive producer; Curtis “50 Cent” Jackson via G-Unit Film & Television, Doug Robinson and Alison Greenspan of Doug Robinson Productions, Isaac Wright Jr. and Russell Fine are executive producers. “For Life” is a co-production of Sony Pictures Television Inc. and ABC Signature. ABC Signature is a part of Disney Television Studios, alongside 20th Television and Touchstone Television.

    A MILLION LITTLE THINGS (SEASON 3) – THURSDAY, NOV. 19 (10:01-11:00 p.m.)

    Friendship isn’t a big thing. It’s a million little things. Our gang ended last season with many challenges in front of them. In season three, we’ll see our group of friends once again lean on each other in ways that are both moving and aspirational—something we could all use right now. And just when the friends seem to find their new normal, their lives are upended when, like ours, COVID-19 rocks their world. We’ll see how the topics our show depicts—depression, breast cancer, chemical dependency, domestic violence, friendship, family and love—are heightened by the challenges our world is facing right now. We’ll rediscover what our gang has always known in their hearts: With the love and support of your friends, you can get through anything. “A Million Little Things” stars David Giuntoli as Eddie Saville, Romany Malco as Rome Howard, Allison Miller as Maggie Bloom, Christina Moses as Regina Howard, Grace Park as Katherine Saville, James Roday Rodriguez as Gary Mendez, Stephanie Szostak as Delilah Dixon, Tristan Byon as Theo Saville, Lizzy Greene as Sophie Dixon and Chance Hurstfield as Danny Dixon. DJ Nash is the creator and executive producer; Aaron Kaplan, Dana Honor and David Marshall Grant are executive producers; Nina Lopez-Corrado, Terrence Coli, and Geoffrey Nauffts serve as co-executive producer on the series, from ABC Signature/Kapital Entertainment. ABC Signature is a part of Disney Television Studios, alongside 20th Television and Touchstone Television.

    Grey's Anatomy Season 17 Preview: It's a 'Whole New World' for Meredith & Co.

    (9/7/20) Grey’s Anatomy doesn’t have a premiere date yet — hey, at least we now know when production is getting underway! — but already, Season 17 intel is beginning to trickle out. Or maybe it’s more like leftover Season 16 intel, since the ABC drama still had four episodes left to shoot when it closed up shop in March.

    “In even the best of times, a television writer’s primary job is to know how to pivot,” showrunner Krista Vernoff tells TVLine. “We are not working to protect stories we had [planned] for the end of Season 16. That said, you will get to see some of the immediate moments from where we left off.”

    Deciding to incorporate those scenes was a no-brainer for Vernoff, who’s also in charge of Grey’s spinoff Station 19. “There was great material that we had already shot but did not get a chance to air,” she says, so “we found a way to build it into our premiere.”

    Beyond that, the executive producer previews that Grey Sloan’s doctors will be on the frontlines of the same crisis we’re all facing. In Season 17, “we are navigating Covid,” she says, “and that is a whole new world for our hospital and for all of our characters.”

    At least a few things won’t change between Season 16 and 17 — and potentially for years after. As TVLine reported in late July, Kevin McKidd (Owen), Kim Raver (Teddy) and Camilla Luddington (Jo) have all signed new three-year contracts. In addition, Richard Flood (Cormac) and Anthony Hill (Winston) have been bumped up to series-regular status.

    ‘Grey’s Anatomy’ Sets First Table Read; Eyes Post-Labor Day Filming Restart

    (9/1/20) For more than a month now, Grey’s Anatomy, as well as most other ABC drama series based in Los Angeles, had been targeting September production restarts. Deadline can report exclusively, that the veteran medical drama is looking to begin filming next week, Sept. 8, immediately following the Labor Day holiday weekend. The cast is expected to reconvene for their first (virtual) table read this Thursday, Sept. 3, I hear. Reps for ABC Signature, which produces the series, and ABC Entertainment declined comment.

    Like with everything else, all start dates are tentative as the pandemic situation remains fluid. At some point in July, I had heard Aug. 24 mentioned as a potential date for Grey’s Anatomy to resume production. All early tentative restart dates for U.S. TV shows were pushed back amid the spike in COVID-19 cases over the summer.

    Grey’s Anatomy, which is heading into its 17th season, was one of the first series to shut down production in March amid a fast growing coronavirus outbreak. The drama had just wrapped Season 21 of its 25-episode 16th season when filming was suspended.

    “This decision was made to ensure the health and safety of the whole cast and crew and the safety of our loved ones outside of work,” executive producer/showrunner Krista Vernoff and fellow executive producers Debbie Allen and James Williams wrote in a note to cast and crew back then, announcing the shutdown. “Please take care of yourselves and each other.”

    Like its fellow medical dramas, Grey’s Anatomy is expected to incorporate the ongoing pandemic in its storylines for the upcoming season.

    ABC Eyes October Return For Scripted Originals

    (8/27/20) The Bachelorette’s long-awaited upcoming season has finally scored a date on the ABC fall schedule as the Disney-owned network unveils plans for its unscripted slate.

    The dating format will launch on Tuesday October 13 at 8pm. This comes amidst behind-the scenes drama on the season, which is understood to feature more than one Bachelorette.

    Clare Crawley is thought to have left the show, which filmed in a quarantine bubble, after finding love and is reported to have been replaced by Tayshia Adams.

    Elsewhere, The network’s slate of classic game shows including Celebrity Family Feud, Press Your Luck and Match Game will be taking over Thursday nights between 8pm and 11pm from Thursday September 24.

    This confirms that its Thursday night dramas Grey’s Anatomy, Station 19 and A Million Little Things will air a little later in the fall. Deadline understands that ABC expects its scripted shows, many of which have not yet gone back into production, to premiere in October and November.

    The reboot of Supermarket Sweep, featuring Leslie Jones, will launch at 8pm on Sunday October 18 in between America’s Funniest Home Videos and Who Wants To Be A Millionaire?. Card Sharks will replace The Rookie in the Sunday night 10pm slot until the police drama is back up and running.

    Shark Tank returns on Friday October 16 at 8pm, while as previously announced Dancing With The Stars, with new host and exec producer Tyra Banks, launched at 8pm on Monday September 14.

    The unscripted schedule highlights the fact that non-scripted shows have been much quicker to return to production following the COVID-19 shutdown.

    “We’re fortunate to have such a strong unscripted slate to launch our first wave of programming this fall,” said Karey Burke, president, ABC Entertainment. “Presenting the new Supermarket Sweep with Leslie Jones alongside fresh, original episodes of returning shows that viewers have come to know and love is invigorating. And with our scripted series ramping up production, we look forward to announcing more premiere dates very soon.”

    Camilla Luddington and Matthew Alan welcome baby boy

    (8/25/20) (Photo) “Grey’s Anatomy” actress Camilla Luddington and husband Matthew Alan welcomed their second child together, a baby boy, she announced on Tuesday.

    “After what felt like a year long third trimester… it finally happened!!” Luddington, 36, wrote on Instagram along with a photo of herself with her newborn in the hospital bed.

    She added, “Matt and I are SOOO happy to announce the birth of our sweet baby BOY Lucas, otherwise known as my little lion ?? (shoutout to Leo’s!).”

    Luddington and the 41-year-old “13 Reasons Why” actor already share 3-year-old daughter Hayden.

    Luddington opened up about choosing their baby’s name, saying that it was an easy decision.

    “[Lucas] was the only boys’ name my husband and I ever really liked,” she recently told People, adding that the moniker “topped our boys’ name list back when I was pregnant with Hayden.”

    She also said that she wasn’t expecting to have a boy.

    “This time, we were also convinced I was having a girl again because my morning sickness was so bad, so we were already thinking of new girls’ names,” she said in the interview. “When we found out we were having a boy, we knew instantly he would be Lucas! His middle name is my husband’s [first name], Matthew.”

    She first announced she would be having another baby in March.

    Luddington and Alan got married in August 2019 after getting engaged the previous year. They welcomed Hayden in April 2017.

    Ellen Pompeo Talks Watching 'Myself Age From 33 to 50' on Grey's Anatomy: 'It's Not So Fun... It's a Motherf--ker'

    (8/24/20) Ellen Pompeo is opening up about one of the downsides of primetime job security.

    Speaking to Dax Shepard in the latest episode of his Armchair Expert podcast, the Grey’s Anatomy star — who is entering her 17th season playing Meredith Grey — laments that watching herself age “from 33 to 50 on screen [is] not so fun,” adding, “You really see [the difference] because I’m in the same clothes [playing] the same character. So the way I see myself aging — it’s a motherf–ker.”

    As a result, Pompeo says she has added incentive to walk away from ABC’s top-rated drama before she and the series overstay their welcome.

    “I do not want to be the grapes dying on the vine,” she confesses to Shepard. “Certainly, to dip out sooner rather than later at this point… [and] leave while the show is still on top is definitely a goal. I’m not trying to stay on the show forever. No way. If I get too aggravated and am no longer grateful there, I should not be there.”

    Although ABC has not renewed Grey’s past its upcoming 17th season (which is when Pompeo’s current deal is set to expire), the network is already laying the groundwork for Season 18 and beyond. As reported last month, three of Pompeo’s co-stars — Kevin McKidd, Camilla Luddington and Kim Raver — have inked new contracts that would keep them on the show through a potential Season 19.

    For her part, ABC president Karey Burke has previously stated that Grey’s will remain on the air “as long as Ellen is interested in playing Meredith.”

    Giacomo Gianniotti Thinks DeLuca Will 'Thrive' In Season 17 COVID Storyline

    (8/9/20) It should come as no surprise that TV's major medical dramas are planning to incorporate COVID-19 into their storylines; from New Amsterdam to The Good Doctor to of course, the mother of them all Grey's Anatomy, it would be difficult and possibly even silly for a show set in a modern-day hospital to pretend the ongoing coronavirus crisis isn't happening. How they'll make the pandemic part of their storylines and season openers is another matter altogether, though, and while most shows haven't yet started filming new episodes, they're hard at work figuring out how to write the biggest medical event of our time into their series.

    Previously, Entertainment Weekly reported that Grey's executive producer Krista Vernoff had said the COVID storylines wouldn't be all bleak, with the show likely revealing the "joy and fun to be had in [medical professionals] who are quarantining away from the hospital"; now, a new report is saying that the COVID stories we'll see will jump ahead further than where we left doctors of Grey Sloan last season.

    Speaking to ET Online, Giacomo Gianniotti revealed that Grey's will kick off Season 17 "a month and a half" into the pandemic.

    "It's going to take place a little beyond where we left off in the last season. We might have some flashbacks. We might have some things where we're referencing last season, just to have context leading up. But we are going to have a little leap when we start this season in terms of time," he explained.

    Gianniotti also said that while he hasn't received any scripts, and production — previously intended to start in August but now hoping to resume in September — is still up in the air, he thinks his character Andrew DeLuca will do well with this new challenge.

    "I think he thrives in chaos and he certainly proved that in past seasons that when there's a lot going on, he steps up," he explained. "This is going to be an obviously stressful situation, but I think an exciting one where he can really shine and then thrive."

    Grey's Anatomy Seasons 1-16 are available on Netflix.

    Ellen Pompeo: I Probably Would Have Left Grey's Anatomy After Season 6, If...

    (8/4/20) Grey’s Anatomy, which is entering Season 17 on ABC this fall, might’ve had a much shorter lifespan had opportunity knocked on Ellen Pompeo‘s door when she was in her 20s.

    “If I started the show when I was younger, [like] 25, I probably would have dipped out when I was 31, 32, when my six-year contract was up,” the now 50-year-old actress shares in the latest episode of Jemele Hill’s Unbothered podcast. “I knew coming up on 40, it’s like, I don’t want to be out there chasing [film roles]… begging. I’d rather just see this as the blessing that it is.”

    Elaborating on her decision to prioritize commerce over art, Pompeo said, “A healthy home life was more important than career. I didn’t grow up with a particularly happy childhood… I [now] have this great husband and these three beautiful children, so to have a happy home life was really something I needed to complete, to close the hole in my heart. And so I made a decision to make money, and not chase creative acting roles.”

    Although ABC has not renewed Grey’s past its upcoming 17th season (which is when Pompeo’s current deal is set to expire), the network is already laying the groundwork for Season 18 and beyond. As reported last week, three of Pompeo’s co-stars — Kevin McKidd, Camilla Luddington and Kim Raver — have inked new contracts that would keep them on the show through a potential Season 19.

    For her part, ABC president Karey Burke has previously stated that Grey’s will live on for “as long as Ellen is interested in playing Meredith Grey.”

    ‘Grey’s Anatomy’: Kim Raver, Camilla Luddington & Kevin McKidd Close New Deals To Continue On ABC Drama

    (7/31/20) Grey’s Anatomy‘s main cast will remain intact heading into Season 17. Kim Raver, Camilla Luddington and Kevin McKidd, whose contracts were all up at the end of last season, have signed new multi-year contracts to continue on the long-running medical drama, I have learned. I hear the pacts are for three years, indicating that ABC and Grey’s Anatomy producer ABC Studios are looking to extend the blockbuster medical drama beyond its upcoming, record-breaking 17th season.

    Grey’s Anatomy is in the middle of a two-year pickup which also includes a two-year deal for star Ellen Pompeo, expiring at the end of Season 17. The new contracts for McKidd, Raver and Luddington, which I hear come with significant salary bumps, would carry them past next May should Grey’s be renewed for an 18th season.

    ABC brass certainly hope that would be the case.

    “We are in conversations now with the producers” about the upcoming 17th season and beyond, ABC Entertainment president Karey Burke told Deadline last month. “I’m hopeful that Grey’s Anatomy stays a part of our schedule. They certainly know that we’d like it to be part of our schedule for as long as they are interested in making more episodes.”

    Burke shared similar sentiment in January. “Grey’s Anatomy will live as long as Ellen is interested in playing Meredith Grey,” she said back then.

    Raver was originally a series regular in Seasons 6-8. She returned to the show for a guest arc in Season 14, reprising her role as Dr. Teddy Altman, the former head of cardiothoracic surgery at Seattle Grace Mercy West Hospital. She became a series regular again at the start of Season 15.

    Luddington joined Grey’s as a recurring in Season 9 and was upped to a regular the following season. She plays Jo Karev (formerly Brooke Stadler and Jo Wilson), an attending general surgeon at Grey Sloan Memorial Hospital who was married to Alex Karev until he left her for his ex-wife, Izzie, last season.

    McKidd joined Grey’s Anatomy in Season 5, playing Army veteran Owen Hunt, the head of trauma and former chief of surgery at Grey Sloan Memorial Hospital.

    In addition to the returning cast led by Pompeo, Raver, Luddington and McKidd will be joined next season by Richard Flood and Anthony Hill, who were just promoted to new series regulars on the hugely popular series.

    Grey’s Anatomy, which moved to 9 PM on Thursday this past season, is the longest-running medical drama on television and remains ABC’s flagship series. It is now part of a formidable 8-10 PM block with spinoff Station 19, overseen by executive producer/showrunner Krista Vernoff. Raver and McKidd already have appeared on Station 19; I hear the trio’s new contracts include provisions about a continuing presence on the spinoff as the two series become more closely integrated.

    Like many other broadcast series, Grey’s Anatomy‘s most recent 16th season was cut short by the coronavirus pandemic. It was one of the first series to shut down production in the face of the health crisis.

    Raver is repped Gersh, Atlas Artists and Sutton, Barth & Vennari. Luddington is repped by UTA, Main Title Entertainment and McKuin Frankel Whitehead. McKidd is repped by WME and Independent Talent Group.

    Grey's Anatomy's Coronavirus Storyline Won't Be All 'Death and Despair'

    (7/31/20) Grey’s Anatomy‘s Season 17 incorporation of the real world’s coronavirus pandemic will not be all about “death and despair,” says showrunner Krista Vernoff.

    As a guest on THR’s TV’s Top 5 podcast this week, Vernoff was asked if COVID-19 would in some way be a “Big Bad” for the doctors to deal with, or but a new part of their lives that lives alongside the usual drama. “It sort of sits somewhere in the middle,” she previewed, “depending on the episode.”

    As a factor in Season 17 storytelling, Vernoff said, “There’s joy and fun to be had in people who are quarantining away from the hospital,” especially for the docs who, to protect loved ones, crash elsewhere between shifts. As we have seen in real life, “Many of [these doctors] aren’t going home to their families; they’re getting Airbnbs and living together,” Vernoff noted.

    “There’s a lot of story to tell that is sort of COVID-related but not about death and despair,” she added.

    Vernoff also pointed out there are storytelling possibilities when it comes to the cancellation or postponement of elective surgeries, both in how that can result in surgical nurses being furloughed due to lack of work, or in Dr. Grey & Co. not getting to do what they do best. “Our show is a surgical show,” the EP reminded, “and there are a lot of surgeries that are simply not happening.”

    What’s more, there are medical stories to be found in the fact that “death has increased in this country particularly because people were in the early months [of an illness] and are still afraid to go to the doctor, afraid to go to the hospital,” said Vernoff.

    In fact, when the Grey’s boss reached out to the medical community at the start of the pandemic to see if there was a helpful message she could tweet out, the suggestions were a la “Come to the doctor at the first sign of stroke” or “at the first sign of heart attack,” she shared. “Because people weren’t going. And they were dying.”

    Grey's Anatomy Promotes 2 Actors to Series Regular in Season 17 — Plus, Who's Moving to Station 19 Full-Time?

    (7/30/20) Ahead of its upcoming 17th season, Grey’s Anatomy is making a number of staffing changes, one of which could directly impact the romantic life of Meredith Grey.

    An ABC rep confirms to TVLine that Richard Flood — who joined the Grey’s cast last fall as Dr. Cormac Hayes, a potential love interest for Ellen Pompeo’s titular MD — has been promoted to a series regular. When Season 16 (abruptly) ended, Meredith was grappling with how best to help troubled ex-boyfriend Andrew DeLuca (Giacomo Gianniotti) while at the same time contemplating overtures made by Flood’s “McWidow.” (Showrunner Krista Vernoff recently confessed to TVLine that even she is torn about which guy Mer should ultimately gravitate toward; might Flood’s promotion offer a clue?)

    Additionally, Anthony Hill — who guest-starred last season as Dr. Winston Ndugu, an old colleague of Maggie’s (Kelly McCreary) — has been upped to a series regular. You’ll recall that when Maggie and Winston reconnected at a medical conference, sparks flew.

    Rounding out the Grey’s newsapalooza, cast member Stefania Spampinato is officially making the jump to sister show Station 19, where she will be a series regular in Season 4. The actress’ full-time relocation hardly comes as a surprise, seeing as her character, Dr. Carina DeLuca, made nearly a dozen appearances on the firefighter-themed spinoff last season after striking up a romantic relationship with Maya Bishop (played by Station 19 regular Danielle Savre). Spampinato joined Grey’s in Season 14 as Andrew’s sister.

    “I am so excited to add Anthony, Stefania and Richard to the Station 19 and Grey’s Anatomy families,” said Vernoff, who oversees both shows, in a statement. “They are huge talents who made a big impact with our fans, with our casts and with our writers, who are eager to write more for them.”

    Grey’s Anatomy saw its 16th season cut short by four episodes due to COVID-19. As we reported back in April, sources say that one of the scrapped hours was to feature the death of a major character. It remains unclear whether the rumored departure will now be folded into Season 17 or delayed indefinitely.

    Another unknown: when Grey’s will return to the studio to begin production. In a recent interview, Vernoff did not float even a tentative date for getting back to work, although she did confirm that when shooting does resume, the pandemic will “for sure” be incorporated into the action.

    “There’s no way to be a long-running medical show and not do the medical story of our lifetimes,” the EP maintained. “I feel like our show has an opportunity and a responsibility to tell some of those stories. Our conversations have been constantly about how we keep alive humor and romance while we tell these really painful stories.”

    Emmys 2020 Nominations

    (7/28/20) This year’s ceremony, in whatever socially distant form it takes, will air Sunday, Sept. 20 on ABC, hosted for a third time by late-night TV vet Jimmy Kimmel.

    Jennifer Aniston, The Morning Show
    Olivia Colman, The Crown
    Jodie Comer, Killing Eve
    Laura Linney, Ozark
    Sandra Oh, Killing Eve
    Zendaya, Euphoria.

    ‘Killing Eve’ Season 4 Shoot Delayed As Coronavirus Sticks Knife Into BBC America Show

    (7/24/20) Production on Season 4 of BBC America’s Killing Eve has been postponed indefinitely as the show’s complicated European shoot schedule has been hammered by coronavirus.

    Deadline can reveal that Sid Gentle Films was originally aiming to get cameras rolling on the Emmy and Golden Globe-winning drama in August, as it has with the past three series. But the company has now abandoned the plans and is yet to set a restart date for later this year.

    The main reason for the delay is because Killing Eve is a jigsaw of European location shoots, many of which have been rendered difficult at this time due to the pandemic. Producers are being tight-lipped about where Season 4 will take Villanelle (Jodie Comer) and Eve Polastri (Sandra Oh), but past locations include Amsterdam, Barcelona, Bucharest and Tuscany.

    There have also been some industry rumors that Oh has been reluctant to fly into Europe to begin shooting, but this was downplayed by a source close to the show. One prominent British drama producer acknowledged, however, that getting Hollywood talent on a plane is not going to be straightforward for anyone right now.

    The Killing Eve production delay will almost certainly push back its premiere date in 2021. The show works on a fairly fast turnaround basis, shooting in late summer and through the autumn, before premiering in early April on BBC America.

    A spokesman for the show said: “Killing Eve shoots across multiple European locations. Due to the uncertainty of the world as a result of Covid-19, no shooting schedules for Killing Eve season four have been locked in at this point and there are various scenarios in play.”

    Killing Eve has been in the headlines in recent weeks. Writer Kayleigh Llewellyn tweeted a picture of the show’s all-white writers’ room, prompting a social media pile-on over the show’s lack of diversity. Oh herself has also talked about her experiences of working in the UK. “Sometimes it would be me and 75 white people and I have not come from that,” she said. “The development of people behind the camera is very slow in the UK.”

    Grey's Anatomy Season 17 Will Address the Coronavirus Pandemic

    (7/21/20) Grey's Anatomy is ready to add the current real-life public health crisis to the lengthy list of disasters faced by the surgeons of Grey Sloan Memorial Hospital. Executive producer Krista Vernoff has revealed that the ABC drama is planning to address the coronavirus pandemic when it returns for Season 17.

    Vernoff appears in a new Emmys panel called "Quaranstreaming: Comfort TV That Keeps Us Going," which premieres in full on YouTube and on Tuesday night at 8/7c. As first reported by Entertainment Weekly, Vernoff confirmed on the panel that the show plans to incorporate COVID-19 into the storyline of its next season.

    "We're going to address this pandemic for sure," Vernoff explained. "There's no way to be a long-running medical show and not do the medical story of our lifetimes."

    Vernoff also revealed that after hearing from real-life doctors about the ongoing coronavirus crisis, she began to see similarities between what they are grappling with in the real world and what the character of Owen Hunt (Kevin McKidd), a trauma surgeon and war veteran, has been trained for on the show.

    "Every year, we have doctors come and tell us their stories, and usually they're telling their funniest or craziest stories. This year, it has felt more like therapy," Vernoff said. She noted that the doctors talk about the pandemic "as war — a war that they were not trained for. And that's been one of our big conversations about Owen, is that he's actually trained for this in a way that most of the other doctors aren't." Vernoff added that she feels Grey's Anatomy has "an opportunity and a responsibility to tell some of those stories."

    A premiere date for Grey's Anatomy Season 17 has not yet been set. Grey's Anatomy Seasons 1-16 are currently available to stream on Netflix.

    Hallmark Renews ‘Home & Family’, ‘Good Witch’, ‘Chesapeake Shores’, Sets Date For Christmas Kickoffs

    (7/15/20) The Hallmark Channel on Wednesday said it has renewed its flagship daily lifestyle series Home & Family for a ninth season along with reupping its original series Good Witch for Season 7 and Chesapeake Shores for Season 5 as Crown Media Family Networks unveiled is 2020-21 programming slate.

    Crown Media also announced the first 18 of 40 Christmas movies planned for the company’s two flagship networks, Hallmark Channel and Hallmark Movies & Mysteries. In the works are projects with the likes of current network regulars Ashley Williams and Kimberly Williams-Paisley on a two-part movie about real sisters, with each of them playing the lead in one of the films. The company is also developing projects with Holly Robinson Peete and Tamera Mowry-Housley.

    Both Hallmark Channel’s “Countdown to Christmas” and HM&M’s “Miracles of Christmas” movie blocks will kick off October 23, Crown Media said, the former with 23 new original films and the latter with 17 originals.

    The announcements come as Hallmark Channel in April renewed its original series When Calls The Heart for an eighth season, after finishing its seventh season (its first without Lori Loughlin.)

    The Emmy-nominated Home & Family will return hosts Debbie Matenopoulos and Cameron Mathison to the show, which features celebrity interviews and tips on cooking, DIY, gardening, wellness and more.

    Good Witch stars Catherine Bell, who has portrayed the lead character Cassie Nightingale for the past 13 years. Family drama Chesapeake Shores is based on Sherryl Woods’ bestselling novels and stars Jesse Metcalfe, Meghan Ory, Treat Williams and Diane Ladd.

    Hallmark Channel also said it is bringing back its pet-centric specials American Humane Hero Dog Awards (on October 19) along with Kitten Bowl VIII and American Rescue Dog Show set for February 2021.

    Here are the 18 holiday movies announced today:

    Hallmark Channel’s Countdown to Christmas:
    • “A Royal Holiday”, starring Laura Osnes, Aaron Tveit and Krystal Joy Brown
    • “Jingle Bell Bride”, starring Julie Gonzalo and Ronnie Rowe
    • “A Christmas Tree Grows in Brooklyn”, starring Rochelle Aytes and Mark Taylor
    • “If I Only Had Christmas”, starring Candace Cameron Bure
    • “Deliver by Christmas”, starring Alvina August and Eion Bailey
    • “On the 12th Date of Christmas”, starring Mallory Jansen and Tyler Hynes
    • “Christmas Waltz”, starring Lacey Chabert
    • “Christmas in Vienna”, starring Sarah Drew and Brennan Elliott
    • “Christmas in Evergreen 4”, starring Rukiya Bernard and Holly Robinson Peete
    • “Chateau Christmas”, starring Merritt Patterson and Luke Macfarlane
    • “Cross Country Christmas”, starring Rachael Leigh Cook
    • “Christmas Carnival”, starring Tamera Mowry-Housley
    • “When Calls the Heart Christmas 2020”, starring Erin Krakow, Pascale Hutton, Jack Wagner, Kavan Smith, Chris McNally, Kevin McGarry, Paul Greene, Andrea Brooks and Martin Cummins

    HM&M’s Miracles of Christmas
    • “Christmas Tree Lane” starring Alicia Witt and Andrew Walker
    • “Holly & Ivy” starring Janel Parrish, Jeremy Jordan, and Marisol Nichols
    • “The Christmas Bow” starring Lucia Micarelli and Michael Rady
    • “Cranberry Christmas” starring Nikki DeLoach and Benjamin Ayres
    • “Christmas Doctor” starring Holly Robinson Peete.

    Educating Young Minds

    (7/1/20) Educating Young Minds has partnered with Treadwell Entertainment Group, Artistic Fortune, and Benefits Plus to launch Access / No Excuse webinar series, an initiative to provide informative and inspiring webinars/seminars and internships for at-risk high school students. The series will be led by some of the most influential entertainment leaders like actor/producer Anthony Anderson, actress/director Debbie Allen, and director/producer/ Kenny Ortega. Other participants include Netflix and Lego Group Board Director Anne Sweeney, Grammy Museum Founding Executive Director Bob Santelli, CAA Agent Brian Boone, USC Rossier School of Education Dean Dr. Pedro Noguera, and ActOne Group President Brett Howroyd. Launching on July 18, the participants will teach, motivate, and inspire students to believe in their own capabilities, understand the importance of a strong education, and seek opportunities wherever they dream possible. Each webinar will accept up to 2,500 students. After a presentation from each week’s featured guest, students will have the opportunity to ask questions and interact with these individuals who can provide insight into their own personal journeys and help shine a light on the opportunities that lie ahead. EYM also will provide additional online support throughout the summer and beyond for students and family members including internships, arts programs, SAT Prep, immersive labs/augmented reality series, online tutorials and early learners online curriculum.

    ‘Take Me Out’ Joins Broadway Spring 2021 Line-Up; Revival Stars Patrick J. Adams, Jesse Tyler Ferguson, Jesse Williams

    (7/1/20) Producers of Broadway’s Take Me Out starring Patrick J. Adams, Jesse Tyler Ferguson and Jesse Williams have set an opening date of April 22, 2021, with previews beginning March 22.

    The Second Stage Theater staging of the Richard Greenberg play is the latest production targeting a Spring opening after being interrupted or postponed this year due to Broadway’s COVID-19 shutdown. Take Me Out is directed by Scott Ellis.

    In addition to Adams, Ferguson and Williams, Take Me Out, at the Second Stage’s Hayes Theater, will feature Julian Cihi, Hiram Delgado, Brandon J. Dirden, Carl Lundstedt, Ken Marks, Michael Oberholtzer, Eduardo Ramos and Tyler Lansing Weaks. The production had been scheduled to begin previews on April 2, 2020 and officially open on April 23, 2020.

    Also aiming for Spring 2021 openings are the Tony Kushner-Jeanine Tesori musical Caroline, or Change, The Music Man, Flying Over Sunset, American Buffalo, Plaza Suite and The Minutes. Birthday Candles, with Debra Messing, will open in Fall 2021. The Scott Rudin-produced Our Town, starring Dustin Hoffman, will open sometime in 2021.

    The Broadway League recently announced that theaters are officially closed at least until January 2021.

    Take Me Out, first staged on Broadway in 2003, follows a New York baseball team called the Empires. When Darren Lemming (Jesse Williams), the star center fielder, comes out as gay, the reception off the field reveals a barrage of long-held unspoken prejudices. As Second Stage describes it, “Darren is forced to contend with the challenges of being a gay person of color within the confines of a classic American institution. As the Empires struggle to rally toward a championship season, the players and their fans begin to question tradition, their loyalties, and the price of victory.”

    The full creative team for Take Me Out includes scenic design by David Rockwell, costume design by Linda Cho, lighting design by Kenneth Posner and sound design by Fitz Patton.

    Sandra Oh Reveals Why Shonda Rhimes Wouldn't Let Her Play Olivia Pope on 'Scandal'

    (6/26/20) Sandra Oh really wanted to play Olivia Pope. In the latest edition of Variety's "Actors on Actors" series, the 48-year-old actress recalls reading the pilot for Scandal and immediately wanting to play the leading lady.

    "I remember exactly where I was when I read that damn pilot," Oh tells Kerry Washington, who went on to play Olivia Pope. "I was on Grey’s [Anatomy]. We were on stage five. Someone snuck it to me, I don’t know who it was, but I got my hands on that pilot and I read it and I was just like, 'How could I play Olivia Pope?'"

    Oh wanted to play the anti-hero fixer so badly that she asked Shonda Rhimes if she could take on the role. Rhimes, the creator of both Grey's Anatomy and Scandal, rejected Oh's request in favor of having her continue her Grey's role of Cristina Yang.

    "I remember going to Shonda, and it’s like, 'How could I do this? What is this script? Could I do this too?'" Oh recalls. "She goes, 'No, you’ve got to play Cristina Yang!'"

    "It’s so wonderful and rare when you get in your hands something that you know is electric, that you can feel," she continues, adding that she's "so glad" Washington ended up booking the project.

    As for Washington's experience on Scandal, she admits, "I don’t feel like there’s anything that I haven’t been asked to make real."

    "It’s just a gymnasium of character, where you’re just required to, week after week, be in these heightened experiences of the most important moments of a person’s life, so that requires a level of athleticism almost," Washington explains. "I felt like I, too, was very protective of Olivia Pope -- and devoted. Maybe that’s the right word: I was so devoted to her."

    Though Oh didn't end up landing the role of Olivia Pope, she's thankful for her time starring on Grey's Anatomy.

    "What I was able to get from Grey’s is to have the responsibility and the relationship with the writer to be able to direct where she’s going," Oh says. "If something kind of came up which was like, 'That is completely wrong,' I would go toe-to-toe with Shonda and a lot of the writers, which has been challenging."

    "But I think ultimately, for the entire product and our relationship, if you’re fighting for the show, if you’re fighting for your character, people can tell that," she adds.

    ‘Over The Moon’ Trailer: Netflix & Pearl Studio’s Animated Musical Adventure Reveals Voice Cast

    (6/23/20) (Video) Netflix and Pearl Studio have released the first trailer for family feature Over The Moon, the animated musical retelling of the classic Chinese myth. The film’s voice cast has also been revealed, including Phillipa Soo, Ken Jeong, John Cho, Ruthie Ann Miles, Margaret Cho, Kimiko Glenn, Artt Butler, Sandra Oh and newcomers Cathy Ang and Robert G Chiu.

    Directed by former Disney animator Glen Keane, the pic is slated to debut in the fall. It follows a determined, bright young girl with a passion for science who builds a rocket ship to the moon to prove the existence of a legendary Moon Goddess. There she ends up on an unexpected quest, and discovers a whimsical land of fantastical creatures. Check out the blast-off above. Newcomer Ang voices lead character Fei Fei; Hamilton ?star Soo voices the moon goddess Chang’e?; Jeong is Gobi, a Lunarian who becomes an unexpected companion to Fei Fei on her adventure; Chiu voices Chin,? Fei Fei’s rambunctious, high-energy brother-to-be; John Cho and Miles voice Fei Fei’s parents; Oh is Mrs Zhong,? Fei Fei’s future stepmother; Glenn takes on Auntie Mei and Margaret Cho is Auntie Ling.

    John Kahrs co-directs while Christopher Curtis, Marjorie Duffield and Helen Park are writing the songs with a score from Oscar winner Steven Price. Producers are Gennie Rim and Peilin Chou. Audrey Wells (The Hate U Give) wrote the screenplay.

    Keane, who spent 38 years at Disney, is best known for his work on classic Disney title characters from films like The Little Mermaid, Pocahontas, Aladdin, Beauty And The Beast and Tarzan. In 2012, he left Disney to launch Glen Keane Productions and in 2018 won an Oscar for Best Animated Short with Dear Basketball which he animated and directed in collaboration with Kobe Bryant and John Williams.

    ‘Grey’s Anatomy’: ABC Boss “Hopeful” About Season 18 As Talks About Medical Drama’s Future Get Underway

    (6/17/20) This past season, ABC said goodbye to its top comedy series, Modern Family. Could Grey’s Anatomy, the network’s top drama — and biggest series overall — be next this coming season?

    The hugely popular medical drama is heading into a record-breaking 17th season, the second of a two-year pickup. For a legacy show that has been as important to a network as Grey’s Anatomy has been to ABC, a decision on a final season is usually done well in advance so the creative team has the time to craft a satisfying last chapter and fans have the opportunity to celebrate the series throughout its final run.

    “We are in conversations now with the producers” about the upcoming 17th season and beyond, ABC Entertainment President Karey Burke told Deadline in conjunction with the reveal of the network’s 2020-21 schedule, noting that the show starring Ellen Pompeo “had just gone back into the writers room” to start work on next season.

    “I can’t comment any further,” Burke said, adding, “I’m hopeful that Grey’s Anatomy stays a part of our schedule. They certainly know that we’d like it to be part of our schedule for as long as they are interested in making more episodes.”

    Burke shared similar hope in January that the drama would not end with Season 17. “Grey’s Anatomy will live as long as Ellen is interested in playing Meredith Grey,” she said back then.

    ABC brass have not gotten an indication from the Grey’s Anatomy producing team yet what direction they may be leaning toward. Burke indicated that, because of the pandemic, any decisions, including the one on Grey’s Anatomy future, may be delayed.

    “It’s an unusual year. No conversations are happening in any traditional way,” she said. “Everyone is being very thoughtful to hold off on predictions and try to have as thoughtful and informed a conversation around a show’s ability to keep going or not based on such a fluid production environment.”

    Grey’s Anatomy, which moved to 9 PM on Thursday this past season, is the longest running medical drama on television and remains ABC’s flagship series. It is now part of a formidable 8-10 PM block with spinoff Station 19, overseen by executive producer/showrunner Krista Vernoff.

    Like many other broadcast series, Grey’s Anatomy‘s most recent 16th season was cut short by the coronavirus pandemic. It was one of the first series to shut down production in the face of the health crisis.


    (6/17/20) (New programs in UPPER CASE)

    8 PM — Dancing with the Stars
    10 PM — The Good Doctor

    8 PM — The Bachelorette
    10 PM — BIG SKY

    8 PM — The Goldbergs
    8:30 PM — American Housewife
    9 PM — The Conners
    10 PM — Stumptown

    8 PM — Station 19
    9 PM — Grey’s Anatomy
    10 PM — A Million Little Things

    8 PM — Shark Tank
    9 PM — 20/20 (Two Hours)

    8 PM — Saturday Night Football

    7 PM — America’s Funniest Home Videos
    9 PM — Who Wants To Be A Millionaire
    10 PM — The Rookie

    Lin-Manuel Miranda, Viola Davis, Cynthia Erivo, Sandra Oh And More Sign Open Letter Blasting Theater Industry’s Racism

    (6/5/20) As protest and rallies against racial injustice and the killing of Black lives continue, there is a seismic shift happening in the country as the civic unrest is shining a blinding light on systemic racism against Black, Indigenous and People of Color (BIPOC) — and the world of theater is the latest to get that spotlight.

    An open letter addressed to “White American Theater” was published on Monday demanding change. The letter was filled with ugly truths that those who have worked in the theater industry have experienced for decades. Among the 300 BIPOCs who signed the letter were Lin-Manuel Miranda, Viola Davis, Sandra Oh, Uzo Aduba, Sterling K. Brown, Cynthia Erivo, Yahya Abdul-Mateen II, Danai Gurira, Andre Holland, Conrad Ricamora, Tanya Saracho, Anika Noni Rose, Jessica Hagedorn, Leslie Odom Jr., Katori Hall and more.

    The letter calls bluntly calls out the industry: “We see you. We have always seen you. We have watched you pretend not to see us.”

    “We have watched you exploit us, shame us, diminish us, and exclude us. We see you. We have always seen you. And now you will see us.”

    It continues to drag theater’s history of tokenism, white privilege, patriarchy, blatant racism, bias and hypocrisy: “We have watched you amplify our voices when we are heralded by the press, but refuse to defend our aesthetic when we are not, allowing our livelihoods to be destroyed by a monolithic and racist culture.”

    “Join us in demanding change for BIPOC theater artists at #WeSeeYou #TomorrowTherellBeMoreOfUs,” Miranda tweeted, sharing the letter and a petition with everyone.

    The open letter comes as the protests following the killing of George Floyd and other Black lives continue around the globe. It also comes when there seems to be a reckoning in all industries when it comes to racial inequality. More recently, Griffin Matthews shared their racist experiences with the theater industry while many organizations have been called out as hypocrites as they support the protests but have a history of discrimination.

    Patrick Dempsey Drama Devils Acquired By The CW for Fall

    (6/4/20) The CW is bringing in McDreamy to shore up its coronavirus-compromised, acquisition-heavy fall schedule.

    The network has landed the international drama series Devils, starring Grey’s Anatomy vet Patrick Dempsey and Italian actor Alessandro Borghi, for Fall 2020. The series will air Wednesdays at 8 pm, leading into the investigative drama Coroner.

    The Tuesday-at-8 pm slot was originally set to be occupied by Two Sentence Horror Stories and Dead Pixels. The former will now air back-to-back episodes Sundays from 8-9 pm (replacing Masters of Illusion, which moves to Fridays), while the latter is being eyed for a Summer 2020 bow. Reruns of Penn & Teller: Fool Us, meanwhile, will no longer air on Fridays.

    As previously reported, the majority of The CW’s returning series are being delayed until early 2021 due to the coronavirus pandemic.

    Back to Devils, the series centers on “the charismatic yet ruthless Head of Trading at NYL, one of the world’s most important investment banks (played by Borghi), and his mentor, (Dempsey). After Dominic appoints another colleague over Massimo following a bitter promotion battle, Massimo finds himself named prime suspect in a murder investigation. Fighting to clear his name, Massimo becomes involved in an intercontinental financial war and is forced to choose between supporting Dominic or going up against him.”

    Katherine Heigl dreading telling black daughter, 8, about George Floyd

    (6/1/20) Katherine Heigl is agonizing over how to explain George Floyd’s death while in police custody to her black 8-year-old daughter, Adalaide.

    “I can’t sleep,” the actress, 41, wrote on Sunday alongside several photos of Adalaide and her other two children.

    “And when I do, I wake with a single thought in my head. How will I tell Adalaide? How will I explain the unexplainable? How can I protect her? How can I break a piece of her beautiful divine spirit to do so? I can’t sleep. I lay in my bed in the dark and weep for every mother of a beautiful divine black child who has to extinguish a piece of their beloved baby’s spirit to try to keep them alive in a country that has too many sleeping soundly.”

    Heigl continued: “Now I weep. Because what should have changed by now, by then, forever ago still is. Hopelessness is seeping in. Fear that there is nothing I can do, like a slow moving poison, is spreading through me. Then I look at my daughters. My sister. My nephews and niece. George Floyd. Ahmaud Arbery. Breonna Taylor. The hundreds, thousands millions more we haven’t even heard about. I look and the fear turns to something else. The sorrow warms and then bursts into flames of rage.”

    The nation has erupted in protests following Floyd’s death at the hands of Minnesota police on May 25.

    The “Grey’s Anatomy” star and her husband, country singerJosh Kelley adopted daughter Naleigh from South Korea at 9 months old in 2009 and Adelaide at birth in 2012. Four years later Heigl gave birth to their son, Joshua.

    ‘Grey’s Anatomy’ Season 16 Finale Breaks Ratings Records In Delayed Viewing

    (5/28/20) The season 16 finale of ABC’s Grey’s Anatomy drew 16.5 million Total Viewers after 35 days of delayed viewing on linear and digital platforms, marking the show’s most-watched telecast since its September season premiere (9/26/19).

    The April 9 season finale surged by +9.2 million Total Viewers and by +318% with Adults 18-49 from Live+Same Day to Multiplatform+35 Day. Notching a 5.98 rating among Adults 18-49, Grey’s Anatomy more than quadrupled its initial rating after 35 days of multiplatform viewing (+318%), according to data provided by Nielsen.

    In its 16th season, Grey’s Anatomy is ABC’s No. 1 program this season in Total Viewers (15.7 million) and Adults 18-49 (5.92 rating) with 35 days of delayed viewing across all platforms.

    Grey’s Anatomy‘s 16th season was cut short by production halts due to the coronavirus pandemic. The last produced episode, #1621, titled “Put on a Happy Face,” served as the Season 16 finale on April 9. The episode was written by Mark Driscoll and Tameson Duffy and directed by Deborah Pratt.

    Grey’s Anatomy, the longest-running medical drama on television, has been renewed for Season 17. It has not been decided yet whether the four unproduced episodes from Season 16 will be tacked onto the show’s order for next season or if they will open Season 17 next fall.

    Ellen Pompeo Pays Tribute to Ex-Grey's Rival Kate Walsh on 15th Anniversary of Meredith and Addison's First Face-Off

    (5/22/20) Former Grey’s Anatomy rivals Ellen Pompeo and Kate Walsh reunited on social media late Friday to mark the 15th anniversary of Meredith and Addison’s legendary first run-in.

    Walsh got the Twitter party started by noting that May 22 marks the 15th anniversary of Grey’s Anatomy‘s Season 1 finale and also her introduction as Addison. In the episode’s closing moments, Addison reveals to a gobsmacked Meredith that her new boyfriend Derek is actually married — to her (watch video below).

    “Unreal that today marks 15 years to the day since this little lady walked on to your screen and checked ya for screwing her husband,” Walsh cracked on Twitter.

    Shortly thereafter, Pompeo — who was tagged in Walsh’s tweet — enthusiastically responded, “Thank God I messed with your hubby!!” She then added, “It worked out for us both… that scene when your character showed up was such a defining moment for [Grey’s]. From that point on we had them hooked!!!”

    @katewalsh thank god I messed with your hubby!! it worked out well for us both!!! Love you so much and THAT scene …when your character showed up …was such a defining moment for this show. From that point on we had them hooked!!! — Ellen Pompeo (@EllenPompeo) May 22, 2020

    Walsh, of course, exited Grey’s at the end of Season 3 to headline the Addison-centric spinoff Private Practice. The offshoot ran for six seasons, concluding in Jan. 2013.

    Grey's EP Shares How That Teddy Scene Made It Into Station 19's Finale: 'You Could Tell She Cared, But… '

    (5/18/20) When Station 19’s Maya begged Carina to forgive her for cheating with Jack in the Season 3 finale, only one person was yelling, “Do it! Do it!” louder than viewers: Grey’s Anatomy’s Teddy, whose fiancé had just learned in that series’ makeshift season ender that she had been unfaithful. Was it wishful thinking on Teddy’s part that a couple in love could wipe the slate clean… or a hint that, had Grey’s been able to finish its Season 16, Owen would already have forgiven her for sleeping with Tom?

    “There were four episodes of Grey’s that we could not shoot,” reminds Krista Vernoff, the showrunner for both ABC dramas. “So we’re gonna have to play those stories through on Grey’s in the fall. Some scenes, I had to go in and edit or change when I couldn’t air the [missing] Grey’s episodes.

    “But what I liked about that [Maya/Carina/Teddy] scene, and the reason I allowed Teddy to remain a part of it,” she continues, “was that I felt like you couldn’t tell whether she had been forgiven or not. You could tell that she cared deeply about the subject, but you didn’t know what had happened in her own life since Episode 21 of Grey’s” — aka the one in which Owen heard the X-rated voicemail from his would-be wife’s goodbye tryst with Tom.

    Gracie Awards: Michelle Williams, Amy Poehler And Niecy Nash Among Honorees

    (5/12/20) The Alliance for Women in Media Foundation (AWMF) has unveiled the 100 winners of the 45th annual Gracie Awards. Honorees include Michelle Williams, Amy Poehler, Niecy Nash, Natasha Lyonne, Tamron Hall, Naomi Watts, Angela Yee, Norah O’Donnell, Stephanie Beatriz, and Soledad O’Brien, and many other talented women in television, radio and digital media.

    The Gracies recognize exemplary programming created by, for and about women in radio, television, and interactive media. Honorees are selected in national, local and student markets, including both commercial and non-commercial outlets.

    A complete list be seen below.


    60 Minutes: The Chibok Girls (60 Minutes)
    CBS News
    News Magazine

    Abby McEnany (Work in Progress)
    Actress in a Breakthrough Role

    Alex Duda (The Kelly Clarkson Show)
    Showrunner – Talk Show

    Am I Next? Trans and Targeted
    ABC NEWS Nightline
    Hard News Feature

    Angela Kang (The Walking Dead)
    Showrunner- Scripted

    Better Things
    FX Networks

    YouTube Originals
    Non-Fiction Entertainment

    Caroline Waterlow (Qualified)
    ESPN Films
    Producer- Documentary /Unscripted / Non-Fiction

    Catherine Reitman (Workin’ Moms)
    Wolf + Rabbit Entertainment (CBC/Netflix)
    Actress in a Leading Role – Comedy or Musical

    Catherine Reitman (Workin’ Moms)
    Wolf + Rabbit Entertainment (CBC/Netflix)
    Director – Comedy

    Clarissa Ward (CNN International)
    CNN International

    Danai Gurira (The Walking Dead)
    Actress in a Leading Role – Drama

    Fiona Shaw (Killing Eve)
    Actress in a Supporting Role – Drama

    Francesca Gregorini (Killing Eve)
    Director – Scripted

    Gender Discrimination in the FBI
    NBC News Investigative Unit
    Interview Feature

    Grey’s Anatomy
    ABC Studios
    Drama- Grand Award

    Izzie Pick Ibarra (THE MASKED SINGER)
    FOX Broadcasting Company
    Showrunner – Unscripted

    Michelle Williams (Fosse/Verdon)
    FX Networks
    Actress in a Leading Role – Made for TV Movie or Limited Series

    Mission Unstoppable
    Produced by Litton Entertainment
    Family Series

    MSNBC 2019 Democratic Debate (Atlanta)
    Special or Variety – Breakthrough

    Naomi Watts (The Loudest Voice)
    Actress in a Supporting Role – Made for TV Movie or Limited Series

    ‘Grey’s Anatomy’ star Caterina Scorsone and Rob Giles split

    (5/9/20) “Grey’s Anatomy” actress Caterina Scorsone and her husband of over ten years, musician and writer Rob Giles, are splitting up.

    “Caterina and Rob have separated,” Scorsone’s rep confirmed to Page Six on Friday. “They remain friends and are committed to co-parenting their children in a spirit of love.”

    Scorsone, who plays Amelia Shepherd on the long-running medical drama, and Giles wed in 2009. Formerly a musician who played with The Police’s Andy Summers, Giles pivoted to film and television writing. According to IMDb, he’s written two episodes of the “Grey’s Anatomy” spin-off series, “Station 19.”

    The couple share three daughters: Eliza, 7, Paloma “Pippa” Michaela, 3, and Arwen Lucinda, born in December 2019.

    Scorsone, 38, has been open about her struggles in dealing with Pippa’s Down syndrome diagnosis, telling the “Motherly” podcast in 2019 that it sent her into a “tailspin” at first.

    Station 19 May Have Just Confirmed DeLuca's Grey's Anatomy Diagnosis

    (5/9/20) Grey's Anatomy may have had to end Season 16 early already, but we are still getting to see some of our favorite Grey Sloan Memorial docs on the spin-off series Station 19. Thursday's penultimate episode for Season 3 actually gave us a big update on DeLuca (Giacomo Gianniotti), who we last saw being carted off by Meredith (Ellen Pompeo) after breaking down in the hospital hallway in the unintended season finale of Grey's.

    DeLuca's mental health was questioned throughout the latter half of Season 16 of Grey's Anatomy, especially when he became more manic about diagnosing his patients. Meredith and his sister Carina (Stefania Spampinato) became increasingly concerned that DeLuca was exhibiting early signs of Bipolar disorder, the same illness his and Carina's father suffers with. DeLuca fought their diagnosis, claiming they just wouldn't believe him when he was right, and to be fair all of his judgements did end up being correct.

    The last episode of Grey's Anatomy was the first time we saw DeLuca acknowledge for himself that something wasn't quite right, but that episode wasn't intended to be the season finale. Grey's had to end their season early due to a production shut down caused by the COVID-19 pandemic. The season still had three more episodes to go, which undoubtedly would have given more answers about exactly what was going on with DeLuca.

    Fans were expecting to have to wait until at least the fall and Season 17 of Grey's to get answers, but an update came from Carina, who is dating Maya (Danielle Savre) on Station 19. The two characters were discussing their relationships with their fathers when Carina explained that her father was diagnosed with Bipolar 1, and that her baby brother had recently learned he had the same condition.

    That diagnosis wasn't officially stated on Grey's, but before the production shut down, the shows were running concurrently and crossing over every week. Station 19 was able to finish filming Season 3 before the pandemic hit, but if Grey's had been able to continue, it would have episodes that complimented what was happening on Station 19. In other words, we would have seen DeLuca officially get diagnosed on Grey's before Carina mentioned it to Maya on Station 19.

    It remains to be seen how Grey's will tackle DeLuca and his mental state when the show eventually returns, as the premature ending has messed up the concurrent timelines of the two series. However, since Station 19 is a canon spin-off, and shares a showrunner with Grey's in Krista Vernoff, we can take Carina's word for it that DeLuca has gotten an official diagnosis, and hopefully the help he needs to manage it. We want him back on his feet not only for his own sake, but to be there for his sister because the rest of her conversation with Maya about dads was a real disaster. That drama will continue in next week's finale.

    Station 19 will finish its Season 3 next Thursday at 9/8c on ABC.

    Grey's Anatomy Boss Facing Creative 'Conundrum' With Mer-Centric Triangle

    (4/27/20) Grey’s Anatomy showrunner Krista Vernoff is torn between Meredith’s two lovers.

    Ahead of the ABC medical drama’s likely delayed 17th season, Vernoff tells TVLine that when it comes to Meredith’s latest romantic predicament — does Ellen Pompeo‘s MD get back with sorta ex-love DeLuca or pursue a relationship with new doc on the block Cormac ‘McWidow’ Hayes — the EP has backed herself into the best kind of corner.

    “I’m at the point with that story where I don’t know who I am rooting for,” Vernoff confesses to TVLine. “I don’t know if I think that DeLuca is rising to a level of dark and twisty and life experience that makes him somehow a [suitably] mature partner for Meredith. Or if all that Hayes has been through in his life already makes him her equal. I am delighted to have such a conundrum."

    Vernoff credits DeLuca and Hayes’ respective portrayers, Giacomo Gianniotti and Richard Flood, for bringing so much complexity to the love triangle. “I thought that both Giacomo and Richard rose so beautifully to the occasion of the storytelling,” she enthuses. “You write a script and you think it’s one thing and then you see it shot and put it together and it becomes something entirely different… I honestly don’t know how it will end.”

    Grey’s Anatomy’s 16th season came to a premature conclusion earlier this month as a result of the coronavirus pandemic. As we previously reported, the original finale was slated to revolve around a cataclysmic event that would have likely claimed the life of a major character. Grey’s fans may be able to glean clues about the ill-fated finale in this season’s final episodes of sister series Station 19.

    “Ironically, when fans watch Episode 15 and 16 of Station 19, they will probably have a feeling of some of what we had planned for [the original Grey’s finale],” Vernoff previously told TVLine.

    Ellen Pompeo: Harvey Weinstein comments made before I knew he was a rapist

    (4/23/20) Actress Ellen Pompeo has responded to criticism over a newly resurfaced clip of the “Grey’s Anatomy” star appearing to empathize with convicted rapist, Harvey Weinstein.

    Pompeo, 50, has been accused by many of victim blaming in the controversial clip cut from an hour-long Oxford Union Q&A. The television star was quick to assure fans the snippet is being taken out of context and that the featured panel discussion took place before the flood of accusations against the former film exec came to light.

    “Hey girls sorry if video clips are upsetting!!,” Pompeo tweeted Thursday afternoon. “It’s out of context & it’s too serious a subject to talk about on a platform like this…people who have been abused or assaulted should seek guidance from a therapist… this is not a healthy place for topics this serious.”

    She continued, “For those who feel offended or are taking this personally this panel was 2 + years ago and it was way before the whole stories of the women came out I Certainly didn’t know he was a rapist at that point … that took shit to a whole different level.”

    During the July 2018 discussion in question, the actress addressed women who may have found themselves in compromising positions with Weinstein, saying, “I think we bear some responsibility, not all, but it takes two to tango for sure.

    “That’s not to blame the victim, that’s just to say — I did go into a room with Harvey Weinstein, I sat at a table with him, I had a probably two and a half hours with him. He never said anything inappropriate to me, he never made any sort of physical advance to me.”

    In 2017 — prompted by the #MeToo movement — exposés by The New York Times and The New Yorker accused Weinstein of preying on Hollywood stars for over 30 years.

    Ellen Pompeo under fire for resurfaced comments about Harvey Weinstein victims

    (4/23/20) (Video) Ellen Pompeo is facing backlash for resurfaced remarks she made in a July 2018 interview about Harvey Weinstein’s victims.

    In a one-minute clip that was cut from an hour-long Oxford Union Q&A, the “Grey’s Anatomy” star said, “I think we bear some responsibility, not all, but it takes two to tango for sure.”

    She continued, “That’s not to blame the victim, that’s just to say — I did go into a room with Harvey Weinstein, I sat at a table with him, I had a probably two and a half hours with him. He never said anything inappropriate to me, he never made any sort of physical advance to me.”

    Pompeo, 50, explained that she had been sent for a midday meeting with the disgraced producer by an agent.

    “I wouldn’t have gone into that room at night. But he did nothing inappropriate toward me. Now had he, I would have picked up that glass and smashed him across the side of the face with it.

    “So I mean, it’s all what we’re willing to tolerate in our self-esteem, and what are we going to put up with, and what are we going to compromise to be liked, to be loved, to be accepted? How bad do we want to be in show business?”

    The original question from the interviewer, which was not included in the clip going around online, was that amid women speaking out during the #MeToo movement, “What do you think needs to happen for this to be a permanent watermark that actually changes the way things are run in Hollywood, certainly internal dynamics forever?”

    Pompeo begins her answer by stating that people need to know that kind of behavior will not be tolerated.

    “I’m not going to make excuses for those pigs in Hollywood who do disgusting things to women,” she said. “However, I do think it’s generations of men, these men clearly were brought up by older men and they clearly watched other men … These men have learned this behavior and I think women also have to be responsible for the signals we put out, for the messages we put out, and the way we present ourselves.”

    Pompeo went on to say that women flirt, and know they are flirting to get what they want, using an example of batting her eyelashes at 5 years old for more candy from a shop owner.

    “I think we’re aware of our power, especially women, we’re aware of our power of seduction very early on and we use it and it comes in good (sic) handy, right? … But there has to be a balance in there,” she said before launching into her comments about Weinstein.

    Twitter users were outraged by the clip on Thursday.

    “What the f..k is wrong with ellen pompeo. This is absolutely disgusting,” one user wrote, with another adding, “I truly do wonder what’s going on inside of ellen pompeo’s brain. Who told her saying s..t like this was okay.”

    However, some claimed the clip needed more information. “So you brought a clip where we dont get to hear the question she was answering and we dont get the exact context she meant,” someone pointed out.

    Pompeo has played Dr. Meredith Grey on the long-running ABC drama since its inception in 2005. When her contract was renewed in 2018, she became the highest paid actress in a television drama series.

    Grey's Anatomy's Ellen Pompeo Rips 'Old White Guy TV Docs' Like Dr. Phil and Dr. Oz for 'Careless' COVID-19 Comments: 'Walk That S--t Right Back'

    (4/20/20) Grey’s Anatomy MD Ellen Pompeo is taking a scalpel to “old white guy TV docs” like Dr. Phil and Dr. Oz.

    In the wake of the pair’s controversial comments regarding how and when to ease social restrictions brought on by the coronavirus pandemic, Pompeo — without mentioning them by name — seemingly fired back at the talk show hosts (and actual doctors), noting that “the old white guy TV docs who say stupid selfish s–t should yes… walk that s–t right back.

    “Staying home is for very good reasons… one of them is to stop the spread to nurses doctors and anyone who works in a hospital housekeeping… security… maintenance… to keep their risk of contracting lower and the hospitals can only handle so much intake,” Pompeo tweeted Saturday.

    She added: “You took an oath so so many years ago to do no harm… making careless statements in this environment when so many healthcare workers are suffering physically and emotionally… is defying that oath.”

    Dr. Phil has come under fire for likening deaths from COVID-19 to that of car accidents or smoking. Dr. Oz, meanwhile, made the highly controversial suggestion that if schools were to open in the near term it “may only cost us 2 to 3 percent in terms of total mortality.” He has since backpedaled on his original comments.

    Read Pompeo’s tweets below.

    Staying home is for very good reasons…one of them is to stop the spread to nurses doctors and anyone who works in a hospital housekeeping …security .. maintenance…. …to keep their risk of contracting lower and The hospitals can only handle so much intake. — Ellen Pompeo (@EllenPompeo) April 18, 2020

    Also the old white guy tv docs who say stupid selfish shit should yes …walk that shit riht back .to your lazy boys and sit your stupid asses down in your living rooms on your golf courses where you live..tired out of touch old fools don’t get me started today — Ellen Pompeo (@EllenPompeo) April 18, 2020

    Also to those out of touch tv docs which I’m sure they would call me lol…you took an oath so so many years ago to do no harm… making careless statements in this environment when so many healthcare workers are suffering physically and emotionally….is defying that oath — Ellen Pompeo (@EllenPompeo) April 18, 2020

    And I love friendly reminders so here’s one…so many healthcare professionals already before a pandemic… experience sexism racism pay inequities and discrimination in however many forms that comes which are many…they still do their jobs with pride and selflessness.. — Ellen Pompeo (@EllenPompeo) April 18, 2020

    Sky’s Patrick Dempsey-Fronted Financial Drama ‘Devils’ Sold To 160 Territories By NBCUniversal

    (4/17/20) Sky’s London-set financial thriller Devils is set to journey to 160 territories internationally after NBCUniversal Global Distribution closed a raft of deals for the Patrick Dempsey series.

    Produced by Italy’s Lux Vide in association with Orange Studio for Sky Italia, Devils premiered at Mipcom last year and stars Dempsey as the charismatic American CEO of an international investment bank.

    The 10-part series has been picked up in territories including Russia (AMedia TV); Latin America and the Caribbean (Universal TV); Africa (Showmax); India (Eros); Denmark and Sweden (C More); the Netherlands (RTL); and Southeast Asia (Blue Ant Entertainment).

    Devils will also air across Sky’s European footprint in Italy (where it premieres tonight), the UK, Germany, Austria and Switzerland. NBCUniversal Global Distribution is currently in talks with U.S. buyers, and Devils‘ producers are confident that it will find a home in America.

    Nicola Maccanico, Sky Italia’s executive vice president of programming, said the global coronavirus pandemic had given Devils extra resonance. He said: “What we did not expect, and we are not happy about this, is how contemporary the series is considering the crisis that we are in today. The connection between the economy, finance, political institutions and all the different cultures is something we are living today. This is becoming a global economic crisis.”

    “When you put together this kind of project, you are not fully covered [financially] and you have to trust yourself to make something with quality for it to sell internationally,” added Lux Vide CEO Luca Bernabei. “It’s a conspiracy thriller that will hold the attention of a wide audience, but at the same time allow them to get inside the complex world of finance in an engaging way.” He said that work is already underway on a second season.

    Based on a book by Italian trader Guido Maria Brera, Devils features Grey’s Anatomy star Dempsey as bank CEO Dominic Morgan, who welcomes Massimo Ruggero, played by Suburra’s Alessandro Borghi, a ruthless head of trading to the world of finance. Ruggero ends up involved in an intercontinental financial war rocking Europe, and he has to choose whether to ally himself with his mentor or fight him.

    James Pickens Jr. guests on The Connors 4/28/20

    (4/16/20) “CPAPs, Hickeys and Biscuits” – Dan and Louise take their relationship to the next level and come to appreciate the complexities of aging. Meanwhile, Darlene spends the night in jail and hands off parenting duties to Ben. Mark and a friend work on a class experiment that leaves them both with hickeys, and Becky contemplates marrying Emilio on “The Conners,” TUESDAY, APRIL 28 (8:00-8:30 p.m. EDT), on ABC. (TV-PG, DL) Episodes can also be viewed the next day on demand and on Hulu.

    The series stars John Goodman as Dan Conner, Laurie Metcalf as Jackie Harris, Sara Gilbert as Darlene Conner, Lecy Goranson as Becky Conner-Healy, Michael Fishman as D.J. Conner, Emma Kenney as Harris Conner-Healy, Ames McNamara as Mark Conner-Healy and Jayden Rey as Mary Conner.

    Guest starring is Katey Sagal as Louise, Jay R. Ferguson as Ben, James Pickens Jr. as Chuck, Stephen Monroe Taylor as Dwight, Noel Fisher as Ed Jr., Carmina Garay as Harper and Jack Guzman as Officer Rodriguez.

    The teleplay for “CPAPs, Hickeys and Biscuits” was written by Kimberly Altamirano and directed by Lynda Tarryk.

    Grey's Anatomy Boss Reveals Why Jo Was Able to So Quickly Bounce Back From Alex's Shocking Betrayal

    (4/15/20) ( Grey’s Anatomy’s decision to have Jo rebound so quickly from Alex’s betrayal was as much a humane one as it was a creative one. Since the twist came not too long after the character’s Season 15 mental breakdown, which was brought on by Jo’s discovery that she was a product of rape, showrunner Krista Vernoff could not in good conscience send the beleaguered doc — or her portrayer, Camilla Luddington — down another harrowing road.

    “I didn’t want to put anyone through it,” Vernoff tells TVLine. “[Camilla] had so beautifully gone through many months of very dark storytelling, and I didn’t want any of us to watch Jo go into a hole again.”

    Jo’s remarkable resilience in the wake of learning — via a Dear John letter, no less — that hubby Alex had abruptly dumped her to be with ex-wife Izzie and their young twins “also felt honest,” Vernoff maintains, “because I’ve had the experience in my life where the pain of not knowing is so much worse than a very painful truth. Jo had so many episodes of not knowing [where Alex was] that even though the [eventual] answer was horridly painful, there was really honest relief [in just knowing what was up]. Getting an answer finally allowed her to strangely feel better than she had when she was just in the dark.

    “Jo had imagined every possible worst-case scenario,” the EP continues. “And even though one of them came true, just having the information allowed her to move on. It felt like she had done a lot of grieving for the relationship in the weeks prior to receiving that letter.”

    Was Grey's Planning to Kill Off a Major Character in Original Season 16 Finale?

    (4/14/20) ( It appears a major Grey’s Anatomy character has dodged a bullet — for the time being at least.

    Sources confirm to TVLine that the ABC drama’s original Season 16 finale — one of four episodes scrapped as a result of the coronavirus pandemic — was to feature a cataclysmic event that would have likely claimed the life of a major character. One insider says the event in question was going to be an explosion, something Grey’s showrunner Krista Vernoff would neither confirm or deny in a recent interview with TVLine.

    It remains unclear which cast member was headed for Grey Sloan’s legendary revolving door. Another unknown is whether the rumored departure will now be folded into Season 17 or delayed indefinitely.

    As we previously reported, Grey’s fans may be able to glean clues about the ill-fated finale in this season’s final episodes of sister series Station 19. (It would stand to reason that an explosion would reverberate on Station 19, given its firefighter premise.)

    “Ironically, when fans watch Episode 15 and 16 of Station 19, they will probably have a feeling of some of what we had planned for [the original Grey’s finale],” Vernoff previously told TVLine.

    Production on Grey’s Anatomy’s 16th season was shut down before the show was able to complete production on the final four episodes. Luckily, Episode 21 — which ended up serving as a makeshift finale — functioned well as a season-ender. “From the minute we read the script for 21,” Vernoff noted, “it — coincidentally — felt like a season finale.”

    With Grey’s off the air until (at least) fall, Station 19 this week shifts back to its old 9 pm timeslot with the first of its final four Season 3 episodes.

    Grey's EP Krista Vernoff on Abruptly Hitting Pause on Teddy-Centric Love Triangle: 'I Feel Badly for Kim Raver'

    (4/14/20) ( Though it left us with a helluva cliffhanger, Grey’s Anatomy’s Owen/Teddy/Tom triangle was not supposed to come to the abrupt halt that it did in last week’s makeshift finale. The revelation of Teddy’s dalliance with Tom — and Owen’s subsequent no-show at his and his fiancée’s wedding — were setting the stage for a dramatic and twisty (and now scrapped) final four episodes.

    “That [triangle] was very prevalent in the back half of this season, and certainly prevalent in what was going to be the next four scripts,” showrunner Krista Vernoff says of the ill-fated, un-produced final string of Season 16 episodes, which were scrapped due to the COVID-19 crisis. “I feel a little badly for [Teddy’s portrayer] Kim Raver that we had to end the story where we did, because I feel like she is going to absorb a lot of fan hate all summer.”

    Such a potentially harsh reception would be partly attributed to the fact that, as Vernoff muses, infidelity stories on TV seldom focus on the female point of view. “I think it’s really, really rare that women get to cheat and still be redeemable human beings — we do not see that depicted often on television,” she maintains. “But Teddy is such a rich, long-standing character that it’s hard to just totally hate her.”

    Vernoff admits that she doesn’t know which man Teddy will ultimately choose. “All three of them feel like whole, rich and conflicted human beings,” she shares. “My empathy and sympathy changes from week to week and scene to scene. I think it’s a really beautiful story, and I don’t know where it ends.”

    In fact, the coronavirus shutdown may lead Vernoff to reevaluate her original plans for the love-struck trio. Reveals the EP: “I have a feeling that taking three or four months off between [the new ‘finale’] and the [Season 17 premiere] will probably lead us to change some of what we had planned.”

    Grey's Anatomy Star and EP 'Fought Really Hard' to Cast [Spoiler] in Alex's Nostalgia-Heavy Farewell Episode

    (4/12/20) Grey’s Anatomy‘s polarizing Alex-Izzie ‘reunion’ episode changed dramatically from script to screen — and the show’s top EP is divulging details about the 11th hour tweak.

    As showrunner Krista Vernoff reveals to TVLine, Elizabeth Finch’s original and “beautifully written” script for the pivotal Season 16 episode that served as Justin Chambers’ swan song referenced Alex and Izzie’s twins Eli and Alexis, but viewers were not supposed to actually meet the children. Grey’s co-star and EP Debbie Allen, who directed the March 5 hour, “fought really hard to cast and shoot the kids,” says Vernoff. “None of that was in the original script. And that was my favorite material in the episode — the visuals of those two kids.” Vernoff adds that “Leave a Light On” was a “labor of love” for the entire cast and crew, particularly longtime editor Vanessa Delgado, who was tasked with “putting together 16 seasons worth of clips” for the flashback-heavy episode, which gave closure to not only Alex’s storyline but Izzie’s as well.

    “The Izzie story and those eggs was just hanging out there” since Katherine Heigl’s abrupt 2010 exit, Vernoff notes. “I thought it was amazing that we could finally let people know that Izzie was alive and well and raising [Alex’s] kids.”

    TV Ratings: Station 19 Draws Largest Audience Ever, Grey's Finale Tops Night

    (4/10/20) Ahead of next week’s time slot shift, ABC’s Station 19 this Thursday fired up 7.5 million total viewers — its largest audience ever — and a 1.3 rating (read recap), up two tenths in the demo to equal its series high.

    Leading out of that, Grey’s Anatomy‘s ersatz season finale (7.3 mil/1.4) hit a one-year high in audience while steady/leading the night in the demo. How to Get Away With Murder (3 mil/0.6, read recap) was steady.


    FOX | Last Man Standing (4.1 mil/0.6) dipped in the demo.

    CBS | Adrift among Young Sheldon and Mom reruns, Man With a Plan (6 mil/0.8) dipped 14 and 11 percent while Broke (5.2 mil/0.7) dropped 27 and 22 percent. Tommy (5.3 mil/0.6) was steady. NBC | Leading out of a Superstore rerun, Brooklyn Nine-Nine (2.1 mil/0.6) ticked up a tenth, Will & Grace (2.7 mil/0.6) dipped with its I Love Lucy homage, and Indebted (1.4 mil/0.3) was flat.

    Grey's James Pickens Jr. Dissects Season 16's Heartbreaking Conclusion: 'It's Gonna Take a Minute to Get Over'

    (4/9/20) ( Thursday’s Season 16 finale of Grey’s Anatomy took Richard’s loved ones — and us along with them — on an emotional roller-coaster ride. One minute, he was being diagnosed with Alzheimer’s; the next, he was having a hip re-replaced as an antidote to cobalt poisoning. In the end, he recovered both physically and mentally… which completely and totally undid his reunion with estranged wife Catherine. Here, to put the episode’s turnabouts in perspective for TVLine, is original cast member James Pickens Jr.

    TVLINE | As this story has unfolded, have you been aware that viewers have been upset and worried about Richard?

    [Laughs] That’s an understatement. I think after last week’s episode, I got more texts than I have in the entire 16 seasons I’ve been doing the show. It looked like my phone was blowing up, just with friends saying, “Oh my God, what’s going on?” But I was very appreciative.

    TVLINE | Was there any point when you were worried — like, “Wait, are they killing me off?”

    [Laughs] You know, there are no guarantees in this business. But early on, when [showrunner] Krista [Vernoff] pitched this story, one of the first things she said was, “Don’t worry — you’re gonna pull through. We just want to let you know what this is gonna look like.” So I could exhale a little bit.

    TVLINE | Let’s talk about the end of the finale. I love Richard with Catherine, so I was bummed that the first thing he did when he got out of surgery was push her away.

    Yeah, it seemed like the wounds had started to heal, but they’re both such strong-willed people and so passionate in what they think — obviously, that translates to their love for one another. But he really felt betrayed by her. First she fires him, then she turns around and buys this hospital that he was turning around with Karev. Now she’s regretting her actions, but he’s wondering, “Is it just because I’m sick?” So I don’t think he’s giving her a pass. He’s still pretty pissed. It’s gonna take a minute to get over all that.

    TVLINE | Could you see Richard, in his anger, turning to Gemma?

    Ah, that was such a great arc. Jasmine [Guy] is a dear, dear friend of mine. I must have known her for close to 40 years, I would imagine. But if Richard is nothing else, I think he is a man of integrity. He’s had his moments — he has strayed, back in the Ellis days. But I think with Catherine, it’s different. He really does love her. Gemma made him feel like he was still desirable, but I don’t think he wanted to act on that. So I don’t think that’ll manifest into anything else.

    TVLINE | Since Richard’s hip re-replacement cured him of his hand tremors, do you see surgery as a part of his future again?

    I wouldn’t be surprised if he went back to it. He’s a man who likes control, and when you don’t have it, that’s a scary place to be. Now that the shakes are gone, he’s reenergized. So he could go back to surgery. But I think his real forte is teaching. That’s where his experience has helped to shape the interns and attendings on the show, and I’d like to see them explore what that looks like now.

    TVLINE | Did you have any idea what the original finale was going to entail?

    I really didn’t. But with this extended period of time we now have — this hiatus, for lack of a better term — I’m sure the writers are going to hunker down and come up with some very interesting stuff. I wouldn’t be surprised by anything they have in mind when we go forward. They have a lot of options to play with!

    Grey's Anatomy Boss Never Considered Killing Off Alex Karev — Here's Why

    (4/9/20) ( With Justin Chambers unavailable to shoot additional episodes of Grey’s Anatomy, showrunner Krista Vernoff had precious few options when it came to writing Alex Karev off the show last month.

    “At the end of the day, there were three choices,” the EP explains to TVLine. “Kill Alex off camera; have Alex be alive and in Seattle — and still married to Jo — and we just never see him; or [reunite him] with Izzie.”

    As we learned in the March 5 episode, Vernoff went with Option 3, which she saw as the only viable one. Killing Alex would’ve been “cruel to everyone — particularly Meredith and Jo,” she says of the character’s BFF and wife, respectively. “There was no way to not put those characters through gut-wrenching, ongoing grief if we had killed Alex off camera.”

    An Alex death also would have been unfair to Grey’s diehards, Vernoff says. “Some fans were upset, particularly the Jolex shippers, that [Alex left Jo to be with Izzie] — and I understand why. But I would fight real hard anyone who tried to tell me that fans would not have been equally or more upset if I had killed Alex Karev off camera.”

    And Option 2 — having Alex remain in Seattle and married to Jo — would have done a disservice to Chambers’ TV wife, Camilla Luddington. “It wasn’t fair to her to keep her married to a character who was off screen,” Vernoff says. “It would absolutely eliminate [the chance for her to play] so many colors that she is so good at playing.”

    As a result, “this wasn’t even a debate in the writers room,” stresses Vernoff, adding that giving Alex a happy ending with Izzie “was so clearly the right course.”

    Grey's Anatomy Season 16 Finale Recap: The Last Cut Is the Deepest

    (4/9/20) ( For an episode that was never supposed to be the season finale, Thursday’s Grey’s Anatomy sure did the trick. (For intel on what the intended season finale would’ve entailed, straight from showrunner Krista Vernoff, click here.) In addition to revealing the reason for Richard’s deterioration, the episode ushered into the world Amelia and Link’s son, inched Meredith and Cormac closer to a first date and gave Owen an earful that prompted him to bail on his and Teddy’s wedding. What, exactly, did he hear? Read on, and I’ll try to do justice to the telltale voicemail.

    ‘IT’S A CAREER-DEFINING MOMENT’ | As “Put On a Happy Face” began, Meredith, DeLuca and their peers were working round-the-clock to diagnose Richard. Well, some of them were, anyway. Koracick, Amelia and Maggie were so convinced that he had Alzheimer’s that Catherine was going to take the patient home. Luckily, before she could, they discovered that he’d lost feeling in his feet. And his hands. WTF? Turned out, he had severe acute onset motor and sensory nerve degeneration, which Mer was quick to point out was inconsistent with an Alzheimer’s diagnosis. She was right all along! Next, it was DeLuca’s turn to shine. No sooner had Richard been wheeled into the O.R. for a biopsy than Andrew raced in, knocked all of Bailey’s sterile equipment off their trays and announced that Webber had had a hip replacement. If that new hip was made of cobalt, it could be deteriorating and, thus, causing all of his symptoms. And it was — DeLuca was right!

    Elsewhere, Tom was taken aback to learn that Owen and Teddy were getting hitched that very night. In Koracick’s estimation, she was racing down the aisle with her babydaddy in hopes of convincing herself that she could live without her actual Mr. Right. “I’ve seen a few shotgun weddings,” he cracked, “but usually, it’s not the bride holding the gun.” Later, he paged Teddy to his office and implored her not to throw her life away. That night, he’d wait for her in his car in Lot B to take her anywhere she wanted to go. Between kisses, she admitted, “I love you, too,” and as the lovers got busy on the couch, the bride-to-be dropped her cell phone in such a way that it apparently dialed Owen’s number. So when he later had Levi play the message aloud while they were in surgery, all that was missing was a bow-chicka-bow-bow soundtrack. “Teddy’s idea of a wedding gift,” he said, trying to make light of the message before anyone heard who was making his fiancée moan.

    ‘YOU STOLE THE FATHER OF MY BABY WHILE I’M IN ACTIVE LABOR!’ | Meanwhile, Jackson, Jo and Cormac prepared to perform surgery on a teenager named Daya to implant in her face some of her leg muscles so that she could for the first time do what the title of the episode says. Since the girl was eager for her widowed dad to swipe right and get back out there already, talk in the O.R. turned to dating. What was Jackson’s dating-app pic? Jo asked. “A shirtless selfie of you on your yacht or your jet?” Ha. When Cormac admitted that he didn’t have a profile pic, or even a profile, Jo remarked that of course, he didn’t — he had his own personal matchmaker. What did that mean? he wanted to know. More and more, he got the impression that people were discussing his personal life in ways that he wasn’t privy to. At Grey Sloan? Ya think? The surgery was a success, BTW. And Dad never swiped right, we learned, because he was already dating his daughter’s algebra teacher.

    In other developments, Amelia’s busy day of surgeries was cut short when her water broke. She and Link were good to go, though, their usual adorable selves. Just one teensy problem: Bailey needed Link to remove Richard’s poisonous hip, stat. He could go, Amelia said — but Bailey had to stay and hold her hand. As the mom-to-be marveled that anyone would ever go through labor pains, she realized… oh, she was making Bailey sit through a birth after she just lost her daughter. It was OK, Bailey assured her. She wasn’t going anywhere; that was against the rules of Pregnancy Club. (Aww.) While they and Carina welcomed the newborn, Link removed tons of sludge from Richard’s hip. “If this is happening to other people,” he told DeLuca, “it’s gonna be a game-changer.” It already was for Richard — the surgery was a success.

    ‘HE’S BEAUTIFUL’ | As the hour and the season came to an end, Link was introduced to his son. “He’s so small,” he marveled. “Don’t say that to the person who just pushed him out,” Amelia replied. Those two are gonna be a fun mom-and-pop operation! Once he was out of surgery, Owen listened to Teddy’s accidental message in full and heard her insisting that she wasn’t going to run away with Tom. “This was goodbye,” she told him. Which was hardly consolation to Hunt, who phoned his mom to say he’d been called in to last-minute surgery and have all the wedding guests sent home. Unaware that she’d been busted, Teddy was shocked. Back at Grey Sloan, when Richard awakened, he knew his name, where he was… “If this is a quiz, you might want to ask some tougher questions,” he told Jackson and Maggie. He appeared to be right as rain.

    That is, he was right as rain until Catherine entered. Sure, she’d had a change of heart during his medical crisis, but that had in no way diminished his anger toward her. He still wanted nothing to do with his Cleopatra. As Mer left the hospital, Cormac asked her for a drink, but she was too exhausted. “Will you ask me another time?” You bet he would. She then found DeLuca sorta sitting on the floor freaked out and unsure of what was wrong. So she sweetly helped him up and out. If he needed an advocate — and clearly, he did — he couldn’t have asked for a better one.

    Grey's Anatomy Boss on What Would've Happened in the Original (and Now Scrapped) Season 16 Finale

    (4/9/20) ( Grey’s Anatomy boss Krista Vernoff is not revealing what would’ve happened in the ABC drama’s original, now-jettisoned-due-to-COVID-19 Season 16 finale, but clues — if not outright spoilers — are about to leak. And you’ll never guess where. (Or maybe you will!)

    As Vernoff tells TVLine, hints about the ill-fated Grey’s finale will be embedded in this season’s final two episodes of companion series Station 19, set to air in early May. Unlike Grey’s, which shut down production with four episodes left to shoot, Station 19 was able to complete its current season before the coronavirus pandemic brought scripted television to a standstill.

    “Ironically, when fans watch Episode 15 and 16 of Station 19, they will probably have a feeling of some of what we had planned for [the original Grey’s finale],” says Vernoff, who runs both shows. In an effort to minimize the spoilage, and also protect those Grey’s storylines that will be folded into Season 17, Vernoff adds that she edited a little bit of the Grey’s content out of Station 19.

    “This is the strangest thing any of us have ever experienced in our lifetimes,” she says of the COVID-19 crisis. “And, creatively, it is presenting unique challenges, for sure.”

    Luckily, the cliffhanger-rich Episode 21 — aka the makeshift finale that aired Thursday night (read recap) and the last installment that the show was able to shoot before the work stoppage — functioned well as a season-ender. “From the minute we read the script for 21,” Vernoff notes, “it — coincidentally — felt like a season finale.”

    House, ER, Scrubs Casts Reunite to Pay Tribute to the 'Real Healthcare Heroes' on Coronavirus Front Lines

    (4/7/20) (Video) Former House doctor Olivia Wilde is bringing together some of the biggest names in fake medicine to pay tribute to the actual hospital workers on the front lines of the coronavirus pandemic.

    “The closest… I’ve ever come to being a doctor is putting on a costume,” the actress formerly known as Thirteen notes at the start of the epic mashup, before adding tongue-in-cheek, “And while it is close, it is not quite the same. I just want to say thank you to all the real healthcare heroes out there.”

    Among the TV vets featured in the video are Wilde’s former House co-stars Lisa Edelstein, Omar Epps, Jennifer Morrison, Kal Pen and Peter Jacobson. Wilde also recruited cast members from ER (Julianna Margulies and Maura Tierney), Scrubs (Zach Braff, Sarah Chalke and Donald Faison) and Grey’s Anatomy (alums Patrick Dempsey, Sandra Oh and Kate Walsh). Nurse Jackie‘s Edie Falco, The Good Doctor‘s Freddie Highmore and Doogie Howser himself, Neil Patrick Harris, also make cameos.

    TV Ratings: Broke Starts Strong as All of CBS Thursday Hits Season Highs

    (4/4/20) CBS had a very, very good Thursday, enjoying all kinds of season highs in every single time slot.

    Young Sheldon delivered 10 million total viewers and a 1.3 rating, up 12 and 18 percent to hit season highs in both measures. Man With a Plan opened Season 4 with 7.1 million viewers and a 0.9 rating, on par with its previous average (5.3 mil/0.9) while besting anything The Unicorn did in the time slot.

    Mom (7.6 mil/1.0) then rose 19 and 25 percent to season highs. Broke debuted to 7.1 million viewers and a 0.9 rating crushing Carol’s Second Act‘s best numbers in the time slot. Closing the Eye’s night, Tommy (5.5 mil/0.6) ticked up 15 and 20 percent to mark its own season highs.


    ABC | Station 19 (7.3 mil/1.1) ticked up to its second largest audience of the season while steady in the demo. Grey’s Anatomy (7.1 mil/1.4) hit a season high in audience while ticking up to its second best rating of the season. And How to Get Away With Murder (3 mil/0.6) returned up from its fall average, hitting and tying final-season highs.

    FOX | Last Man Standing (4.1 mil/0.7) dipped.

    NBC | Superstore (3.3 mil/0.7), Brooklyn Nine-Nine (2.2 mil/0.5), Indebted (1.4 mil/0.3) and SVU (3.5 mil/0.6) all ticked down.

    Grey's Recap: Slip Slidin' Away — Plus, Congratulations! It's a [Spoiler]!

    (4/2/20) ( Thursday’s Grey’s Anatomy was a rough one. On one hand, we had Richard, his faculties fading before our — and his loved ones’ — eyes. On the other, we had Tom, asked to save the life of his ex-wife’s son — a dead ringer for the boy they lost. At least, to lighten things up, the show gave us a patient who emerged from anesthesia with a song on her lips as well as in her heart, and Amelia having contractions that were so intense, she hilariously described them as being like “when guys get kicked in the guys,” only worse. Read on, and we’ll go over my notes, musical and otherwise, from “Sing It Again.”

    ‘LET’S ROUND UP THE TROOPS’ | As the hour began, Bailey assembled a war room of Grey Sloan’s best and brightest to try to diagnose Richard. “Prepare yourselves,” warned Maggie. “He’s not himself.” And he became progressively less like himself, or at least less like the Webber of 2020. He still believed that Catherine had been with him in L.A. and that he and his Cleopatra had reunited. He even thought that his speech had been a hit, not inspiration for mean-spirited Internet memes. When Bailey later caught DeLuca visiting Richard, she kicked out the suspended resident — but, um, did want to see the list of symptoms for which Dr. Riley had suggested he keep an eye. For her part, Catherine was unimpressed by the progress that her estranged husband’s proteges had made. “You look like a bunch of feckless interns,” she hissed. “You need to work harder.”

    Afterwards, during a moment alone with Jackson, Catherine turned up the volume on her attack. “You’re letting him down,” she told her son. “Do you know that?” But, of course, really she was just deflecting, because she felt so guilty about the fact that she’d let her pride stand in the way of their reconciliation. If she’d been around, she would’ve noticed Richard slipping away. Speaking of which, he literally did that from his hospital room and wound up in the O.R. about to take a scalpel to his own belly. Though Meredith was able to talk him down, the poor guy still had lower to sink. “Ellis,” he told her, “something’s wrong with me.” Told ya it was a brutal episode! When it ended, Richard thought that he was at Seattle Grace and worried that Adele would be pissed if he was late again for dinner. When a desperate Meredith subsequently found DeLuca in the medical library, rather than send him home for the rest that everyone kept telling him he needed, she enlisted his help on Richard’s case.

    ‘I HOPE YOU AND STRAWBERRY SHORTCAKE LIVE HAPPILY EVER AFTER’ | Elsewhere in the hospital, Koracick’s remarried ex, Dana, showed up with her new son, Guthrie — who not only looked but sounded like poor, ill-fated David. The boy had a brain tumor that had spread to his spine, and his mom wanted Tom to remove it. Sensing just how utterly this surprise visit, not to mention Guthrie’s resemblance to David, had rocked Tom’s world, Teddy paged Amelia. Understanding completely, she was happy to scrub in… but began having contractions during surgery! Get Tom now, Amelia yelled at Taryn. Even though he couldn’t be near Guthrie without feeling like he was drowning, Tom attempted to perform the operation… then, when the kid began crashing, froze.

    Watching from the gallery, Teddy leapt into action, speaking to Tom over the intercom and miraculously bringing his focus back to the task at hand. After he stabilized Guthrie and sent him down the road to recovery, Koracick thanked the woman he loved, who in turn apologized for having caused him pain; he’d had more than enough for one lifetime. “You’ve taken away more than you’ve caused,” he reassured her. Off that tender moment, Teddy ran into Owen, who pulled her into a supply closet for a quickie. “Let’s screw the plan,” she told her fiancé. “I wanna get married to you as soon as possible. Let’s do it this weekend.” And, considering that they kept right on tearing off one another’s clothes, I think it’s safe to assume they were in agreement about fast-tracking the nuptials.

    ‘THESE DOCTORS BROKE MY WIFE’ | On the lighter side, after Owen and Link treated a woman with a broken foot, she woke up singing every word she said. “So she’s just like this now?” asked her husband as if wondering whether he’d kept the receipt and could maybe exchange her. But he changed his tune after a moment in which it appeared that he might lose her. After that, he was even willing to sing with her. In other developments, Levi quickly went from being so braggy about his new housing situation that Taryn snarked, “You’re crashing with an attending, we get it!” to being ready to move out because Jo snapped at him in the pit. She didn’t want him to do that, though; she simply wasn’t going to change the way she worked just because they were roomies. Finally, when Link joined Amelia, her contractions growing ever stronger, they shared a cute moment of panic over the fact that once the baby came out, it would never again be as safe as it was right that second. And the second after… and the one after that. Because it turned out that Amelia was in false labor. It was a… case of Braxton Hicks contractions. “Suddenly,” Amelia deadpanned, “they hurt less.” Amelia and Link FTW, always.

    Grey's Anatomy Has 'Beautiful Stories' Yet to Be Told, Says Kim Raver — But Coronavirus Safety 'Surpasses All'

    (3/30/20) When coronavirus concerns prompted Grey’s Anatomy to press PAUSE on production on March 12 — and, two weeks later, call Season 16 a wrap — the ABC drama was still four episodes shy of its finale. And “we’ve still got such beautiful stories to tell,” says Kim Raver, who plays Teddy. “But we have to be in the reality of what’s happening in the world right now and find that strength to do what’s right to keep everyone healthy. It kind of surpasses all — especially because we’re a medical show.

    “I also really want to make sure we take care of our first-responders and medical teams,” she continues. “So I was very happy that [series creator] Shonda [Rhimes] sort of handed over all of our masks and hospital gowns — everything we had. I was in New York doing Third Watch on 9/11, and [the producers] did the same thing, donating lights and anything else that they could use at Ground Zero. In these moments, I really believe that the good comes out” in people.

    For her part, Raver has been checking on her neighbors, in particular the older ones, reaching out to friends and family, and posting quarantine pastimes on Instagram. “We have to take care of one another, and we’re finding ways to do it properly, to flatten the curve,” she says, adding that she likes to imagine that Grey’s is helping, too, just by being on (at least for a couple more weeks). “It has such a huge family [of fans]. I hope it gives that feeling of not being so alone during this really hard time.”

    'Disappointed' Grey's Anatomy Boss Assures Early Finale Will Be 'Satisfying'

    (3/28/20) Despite the halting of production and Friday’s early finale announcement, Grey’s Anatomy showrunner Krista Vernoff has assured fans that the stand-in Season 16 closer will be a “satisfying” one.

    “We are disappointed that we don’t get to complete our storytelling this season. The good news? 1621 plays like a satisfying finale!” she tweeted. “It’s not where we planned to end, but it’s beautiful & the questions that linger we will answer next year. #GreysAnatomy #StayHome” She also reminded viewers that Grey’s will resume its storytelling in Season 17.

    Season 16 will now conclude Thursday, April 9 (at 9/8c on ABC), while its remaining episodes have been scrapped. The move came as a result of the network’s decision to not resume production, which shut down earlier this month in response to the coronavirus crisis. This change brings the episode count from its original 25 down to 21.

    The series’ two remaining episodes will be April 2’s “Sing It Again,” in which Owen and Link treat an older woman who wakes up from surgery and can’t stop singing, and April 9’s “Put on a Happy Face,” which will now serve as the season ender. According to ABC’s official logline: “Link tries to convince Amelia to take it easy during the final stage of her pregnancy; Hayes asks Meredith a surprising question; Owen makes a shocking discovery.”

    Grey's Anatomy Sets Early Finale, Scraps Remaining Season 16 Episodes

    (3/27/20) Grey Sloan Memorial is closing its doors ahead of schedule. The Season 16 finale of Grey’s Anatomy will now air on Thursday, April 9 (ABC, 9/8c), TVLine has learned.

    The major scheduling change comes as a result of ABC deciding not to resume production on Season 16, which shut down earlier this month in response to the coronavirus crisis. Twenty-one of 25 episodes were completed when production was halted; the status of the remaining four Season 16 episodes is TBD. (Click here for a complete list of other early finales.)

    Neither Station 19 nor How to Get Away With Murder (which resumes its farewell season on April 2 and finales on May 14) are affected by the Grey’s programming changes.

    That means Grey’s only has two new episodes left to air this season: April 2’s “Sing It Again,” in which Owen and Link treat an older woman who wakes up from surgery and can’t stop singing, and April 9’s “Put on a Happy Face,” which will now serve as the season ender.

    Here’s what fans can expect from the new finale, according to ABC’s official synopsis: “Link tries to convince Amelia to take it easy during the final stage of her pregnancy; Hayes asks Meredith a surprising question; Owen makes a shocking discovery.”

    “Out of an abundance of caution, production is postponed on Grey’s Anatomy effective immediately,” showrunner/EP Krista Vernoff, director/EP Debbie Allen and line producer James Williams said in a letter to the ABC drama’s cast and crew on March 12. “We are going home now for at least two weeks and waiting to see how the coronavirus situation evolves. This decision was made to ensure the health and safety of the whole cast and crew and the safety of our loved ones outside of work, and it was made in accordance with Mayor Garcetti’s suggestion that we not gather in groups of more than 50.

    “Stay safe, stay healthy, stay hydrated, stay home as much as possible, and wash your hands frequently,” the trio added. “Please take care of yourselves and each other. As updates come in, we will keep you informed. Thank you for all that you do!”

    Where the original ‘Grey’s Anatomy’ cast is today

    (3/27/20)Fifteen years ago today, we met Meredith Grey and the interns of Seattle Grace Hospital. After years of untimely character deaths and mysterious show exits, very few original “Grey’s Anatomy” cast members are still standing strong on the hit ABC series. The recent exit of Justin Chambers marks the end of the first class of interns, besides Meredith, of course. Here’s what the original cast of the show is doing today.

    1 Isaiah Washington

    Isaiah Washington was the first original cast member to leave the show. In 2007, Washington’s character, Preston Burke, was written off the series — following the Season 3 finale — after the actor reportedly used a homophobic slur in reference to co-star T.R. Knight during an on-set argument with Patrick Dempsey. Although Washington issued an apology at the time, he went on to deny it ever happened during a pressroom interview at the Golden Globes that year. Plot-wise, his exit came after his character leaves fiancée Cristina Yang (Sandra Oh) at the altar.

    “I’m saddened by the outcome,” Washington told Entertainment Weekly later that year.

    Washington, 56, then appeared on one more episode in 2014, which ironically was centered around Oh’s exit from the series.

    After “Grey’s,” Washington went on to star in the CW series “The 100,” and while he’s still making movies, he most recently made headlines in 2019 when he revealed he was “walking away” from the Democratic party and was supporting Donald Trump.

    2 T.R. Knight

    T.R. Knight, 46, left the show in 2009 under mysterious circumstances after playing George O’Malley for five seasons. According to Entertainment Weekly, Knight realized his character was getting very little screen time, saying there was a “breakdown of communication” between him and series creator Shonda Rhimes.

    “My five-year experience proved to me that I could not trust any answer that was given [about George],” he told the mag. “And with respect, I’m going to leave it at that.”

    George was killed off the show after he uncharacteristically decides to join the Army. When a disfigured John Doe comes into the hospital, Meredith realizes it’s George, but it’s ultimately too late and he dies.

    Knight went on to do various guest-starring roles on shows like “The Good Wife” and “11.22.63.” If there was any bad blood with Rhimes, it didn’t stop her from casting him in her short-lived series “The Catch” in 2016. Knight is currently filming a TV series called “The Flight Attendant” with Kaley Cuoco.

    3 Katherine Heigl

    Perhaps the most dramatic “Grey’s Anatomy” exit occurred when Katherine Heigl left the show. Even though we said goodbye to Izzie Stevens in 2010, the drama with Heigl, 41, began in 2008 when she controversially told the Los Angeles Times (via The New York Times) that she’d withdrawn her name from the Emmy contenders list.

    “I did not feel that I was given the material this season to warrant an Emmy nomination,” she said. “In addition, I did not want to potentially take away an opportunity from an actress who was given such materials.”

    There had already been rumors at the time that she’d been trying to get out of her contract, but she would continue playing the part until 2010, when she confirmed she was “done.”

    Two years later, Shonda Rhimes finally commented on Heigl’s interview about the Emmys, saying, “On some level, it stung and on some level I was not surprised.” Then in 2014, while discussing her hit show “Scandal,” Rhimes doubled down on her comments. “There are no Heigls in this situation,” she told The Hollywood Reporter, adding of her “no a–hole” policy, “I don’t put up with bulls–t or nasty people. I don’t have time for it.”

    Heigl, who says she immediately apologized to Rhimes for her comments, told Howard Stern in 2016 that the fallout led her to seek therapy. “I was not handling it well. I was feeling completely like the biggest piece of s–t on the bottom of your shoe. I was really struggling with it and how to not take it all personally and not to feel that there’s something really deeply wrong with me,” she said.

    Heigl starred in some films, and she is still acting pretty consistently. Most recently, she appeared on the final season of “Suits” after Meghan Markle left the show and is starring alongside Sarah Chalke in Netflix’s adaption of Kristin Hannah’s novel “Firefly Lane,” which is set to come out sometime this year.

    4 Kate Walsh

    Technically, Kate Walsh was not one of the original “Grey’s Anatomy” cast members, but Addison Montgomery was too iconic of a character not to include in this roundup. Plus, with all the drama of the previous listed cast members, it’s nice to include a happy ending.

    Walsh left Seattle Grace Hospital at the end of Season 3 for her own Shonda Rhimes-produced spin-off show, “Private Practice.” The show ran six seasons, from 2007-2013, and centered on Walsh’s character after leaving Seattle for sunny Los Angeles.

    In June 2013, Walsh announced she would be departing the series and a few months after that, ABC announced the show would be ending.

    Walsh, 52, went on to be on various shows including “13 Reasons Why” and “The Umbrella Academy.”

    5 Eric Dane

    Like Kate Walsh, Eric Dane is not one of the original cast members, but it’s hard to do a roundup without including one of the show’s most prominent characters, even if he didn’t come in until the end of Season 2.

    McSteamy, aka Mark Sloan, met his demise after a plane crash at the end of Season 8. He made his final appearance in the very beginning of Season 9.

    “After much consideration and conversations, he and I have decided that this is the right time for his storyline to end,” Rhimes told TVLine at the time. “I wish him the best and I look forward to watching him as he continues to steam up the big and small screen.”

    He has said that he left the show to take a job on TNT’s “The Last Ship,” which he called an opportunity he couldn’t pass up at the time.

    These days, you can watch Dane, 47, in a very different role on HBO’s “Euphoria.”

    6 Sandra Oh

    No one needs to Google Sandra Oh to find out what she’s doing these days. Oh’s exit from the series in 2013 was devastating for longtime fans. “Creatively, I really feel like I gave it my all, and I feel ready to let her go,” she told The Hollywood Reporter of saying goodbye to Cristina Yang. Cristina exited the show by taking a coveted position at a medical research facility in Zurich.

    Oh, 48, went on to take home the Golden Globe in 2019 for playing Eve Polastri on the hit BBC series “Killing Eve,” but there’s a chance “Grey’s” fans will get one last moment with her “Grey’s” character.

    “I told [Shonda Rhimes], ‘If you guys want to finish it out however you want to finish it out, I’d be more than happy to come back. And if it doesn’t fit in that way, I totally understand. I just want you to know that I’m available,’” she said. “Who knows! I might be doing something fabulous and it might not work out but I did say, ‘Yes, of course I would.’”

    7 Patrick Dempsey

    If you’re sensing a trend here … There appeared to be some tension behind the scenes with McDreamy’s exit from the show, too.

    Before he left the series, Patrick Dempsey commented that he was ready to depart the show after his contract was up in 2015.

    “Acting (in ‘Grey’s Anatomy’) has been a blessing for me and has allowed me to do all this,” he said in an interview during a charity event in 2014. “But it’s transitional for me right now. I’m looking forward to the next thing, creatively.”

    Soon after that, sources told Page Six that Shonda Rhimes had enough of Dempsey’s “diva” behavior, and “suspended him” from the show. “The word on set is that he isn’t coming back full time,” the source added.

    Soon after, Derek Shepherd was killed in a car crash.

    Following his exit, Dempsey, 54, went on to star in “Bridget Jones’s Baby,” a miniseries called “The Truth About the Harry Quebert Affair” and has a show this year called “Devils.”

    8 Sara Ramirez

    Another important character who was there early on, but not quite there from the beginning, was Dr. Callie Torres. In 2016, after 10 years on the show, Sara Ramirez announced she was saying goodbye.

    “I’m deeply grateful to have spent the last 10 years with my family at Grey’s Anatomy and ABC, but for now I’m taking some welcome time off,” she said in a statement on social media.

    Insiders told Variety at the time “leaving the show was truly Ramirez’s decision and that there was no bad blood behind the scenes.”

    After leaving the series, the 44-year-old joined the cast of “Madam Secretary,” which aired its series finale in December 2019.

    9 Justin Chambers

    Fans were not pleased with the most recent “Grey’s Anatomy” exit. In a bizarre ending to his long storyline, Alex Karev skips town without saying goodbye to anyone — including his wife, Jo — to move to a farm in Kansas where (surprise!) Izzie had Alex’s children without telling him. So in four separate letters, he says his goodbyes, proving that he may in fact be “evil spawn” after all.

    “THE DISRESPECT FOR ALEX KAREV, SHONDA WTF ARE YOU DOING #GreysAnatomy,” one fan tweeted. Another commented, “Are you really saying Justin Chambers is completely fine with his character being butchered like this after years of doing this show? I AM MAD as hell at what they did to alex karev #GreysAnatomy.”

    The backlash was so strong, Ellen Pompeo took to Instagram to comment on his exit, “For me personally for Karev to go back to the beginning…. was the best possible storyline. It pays homage to those incredible first years and the incredible cast …that created a foundation so strong that the show is still standing.”

    It was announced in January that Chambers, 49, was leaving the show after 15 years. Page Six exclusively revealed at the time that Chambers, who said he left to “diversify my acting roles and career choices,” was working on his mental health at Privé-Swiss, a luxury rehab center in Connecticut.

    And despite fans begging Shonda Rhimes not to kill him off, following the episode, many wrote that they wished he’d died versus the ending they gave him.

    In an exclusive video, Chambers said he was “very excited” for the next chapter of his life and said he hopes to get into producing documentaries in the future.

    “‘Grey’s’ has been very supportive of me and I’m very grateful and it’s been a great ride,” he said.

    10 Chandra Wilson

    Chandra Wilson may not have been one of the original interns on “Grey’s Anatomy,” but Miranda Bailey has been on the series since the very beginning. With the nickname “The Nazi,” Wilson’s character was the no-nonsense resident who told Meredith and Co. what to do.

    The 50-year-old appears to be in for the long-haul, although in 2018, fans were worried her exit was close when Bailey suffered a heart attack.

    “Let’s say Bailey has been stressed,” she told Entertainment Weekly at the time. “Is Bailey leaving? I think this is the right thing to say: Bailey’s been stressed and needs to take care of herself.”

    11 James Pickens Jr.

    Another Seattle Grace mainstay is James Pickens Jr., who still plays Richard Webber on the ABC series. For a long period of time, he was the chief of surgery at the hospital. Although it appears Pickens is also here to stay, fans have also worried that his departure is coming.

    In a recent episode, it was revealed that Webber’s hand has an uncontrollable shake, and he’s not sure the cause behind it. In the episode, he gives his stethoscope to someone, saying, “I don’t need it anymore, but I really hope you do.”

    “Webber’s shaking hand. PROTECT WEBBER AT ALL COSTS. #GreysAnatomy,” a fan posted on Twitter.

    There have been no reports that Pickens will leave the series.

    12 Ellen Pompeo

    And finally, nobody turned a profit from “Grey’s Anatomy” quite like Ellen Pompeo, who in 2019, landed on the Forbes top 10 highest-paid actresses list with $22 million. But it wasn’t without a fight. In 2018, when she signed a new deal with the network, she said, “For me, Patrick [Dempsey] leaving the show [in 2015] was a defining moment, deal-wise. They could always use him as leverage against me — ‘We don’t need you; we have Patrick’ — which they did for years. I don’t know if they also did that to him, because he and I never discussed our deals. There were many times where I reached out about joining together to negotiate, but he was never interested in that.”

    Pompeo, 50, has never shied away from the drama that followed the show. In a 2019 Variety interview, she revealed, “The first 10 years we had serious culture issues, very bad behavior, really toxic work environment.”

    She added that she made it her mission to fix the behind-the-scenes mess so she could be “happy and proud” of her experience.

    By May 2019, it was announced the show — and Pompeo’s contract — had been extended through 2021.

    ‘Killing Eve’: AMC Networks Moves Up Third Season Premiere By Two Weeks

    (3/27/20) Fans of Killing Eve, the Sandra Oh and Jodie Comer-fronted psychopath drama, are in for an early thrill after AMC Networks moved the show’s third season premiere forward by two weeks.

    AMC Networks Entertainment Group will now launch the Phoebe Waller-Bridge-created drama on Sunday April 12 as opposed to its previous premiere of April 26. The eight-part series will be simulcast on BBC America and AMC.

    “We know how adored this series is and we know how keen people are for great content right now,” said Sarah Barnett, president of AMC Networks Entertainment Group and AMC Studios. “This season of Killing Eve digs deep psychologically, and with actors like Sandra Oh, Jodie Comer and Fiona Shaw the results are nothing short of astonishing. We literally couldn’t wait for fans to see it.”

    It is the latest scheduling move for the AMC Networks Entertainment Group, which postponed the launch of its zombie spinoff series The Walking Dead: Beyond World to the end of the year as a result of the Coronavirus. AMC was one of a number of linear networks facing an ad-hit in Q2.

    The third season of Killing Eve, which has already been renewed for a fourth season, continues the story of two women with brutal pasts, addicted to each other but now trying desperately to live their lives without their drug of choice. For Villanelle (Comer), the assassin without a job, Eve (Oh) is dead. For Eve, the ex-MI6 operative hiding in plain sight, Villanelle will never find her. All seems fine until a shocking and personal death sets them on a collision course yet again. The journey back to each other will cost both of them friends, family, and allegiances…and perhaps a share of their souls. Fiona Shaw and Kim Bodnia also star.

    Season 3 cast also includes Harriet Walter (Succession), Danny Sapani (Harlots), Gemma Whelan (Game of Thrones), Camille Cottin (Call My Agent), Steve Pemberton (Inside No. 9), Raj Bajaj (A Christmas Prince: The Royal Wedding), Turlough Convery (Ready Player One), Pedja Bjelac (Harry Potter) and Evgenia Dodina (One Week and a Day).

    Killing Eve is produced by Sid Gentle Films Ltd. for BBC America and is distributed by Endeavor Content.

    British writer Suzanne Heathcote (Fear the Walking Dead) serves as lead writer and executive producer for season three, continuing the tradition of passing the baton to a new female writing voice. Executive producers are Sally Woodward Gentle, Lee Morris, Phoebe Waller-Bridge, Gina Mingacci, Damon Thomas, Jeff Melvoin, Suzanne Heathcote and Sandra Oh. Nigel Watson also serves as producer on the series.

    TV Ratings: Million Things, Deputy and Legacies Steady With Finales; SVU Up

    (3/27/20) In the latest TV ratings, A Million Little Things closed out its sophomore season with 4.34 million total viewers and a 0.7 rating, ticking up to its largest audience since its fall finale while steady in the demo.

    Opening ABC’s night, Station 19 (7.3 mil/1.2) and Grey’s Anatomy (6.5 mil/1.3) both dipped in the demo from last week’s season highs.


    FOX | Last Man Standing (4.5 mil/0.8) ticked down, while Outmatched (2.6 mil/0.6) and Deputy (3.9 mil/0.6) were steady with their freshman finales.

    THE CW | Katy Keene (549K/0.1) and the Legacies “spring finale” (626K/0.2) were steady in the demo.

    NBC | Superstore (3.64 mil/0.9) and Brooklyn Nine-Nine (2.3 mil/0.7) were steady in the demo, with the former hitting a season high in audience. A pair of Indebteds did 1.6 mil/0.4 and then 1.5 mil/0.3, with the latter tying a series low. SVU returned from a month-long break to 3.8 mil (its largest audience since its fall finale) and a 0.8, matching its best rating since the season opener.

    Kim Raver Shares How Grey's Twist Impacts the Messy Owen/Teddy/Tom Love Triangle: 'It's Like a Grenade'

    (3/26/20) ( Rest assured, Grey’s Anatomy fans, you weren’t the only ones shocked to learn that the best friend after whom Teddy named her daughter had also been one of the loves of her life. “It was a complete surprise” to Kim Raver, too, the actress tells TVLine. “I was like, ‘This is so amazing! But at the same time, it makes total sense.'” Here, she not only reflects on the revelation and its implications, she hints at how it will impact the engaged doctor’s future interactions with the men in her life.

    TVLINE | When did you first hear that Teddy had been involved in a lesbian love triangle while she was living in New York?

    [Showrunner] Krista Vernoff gives us opportunities to pitch storylines at the beginning and end of each season, so I said, “It would be great if we knew what was making Teddy tick… and we’ve heard so much about Allison… ” Then Krista came up with this. I never expected it! And it’s a surprise, but then you’re saying, “Oooh! Now it all makes so much sense!” It’s such a beautiful piece [of the puzzle that explains] Teddy’s behavior in the present. She’s really struggling, you know?

    TVLINE | Oh, I do. So when Teddy goes back to Seattle after getting closure with Allison’s other girlfriend in L.A., does she have greater clarity about her situation with Owen and Tom?

    Well, to realize that Allison had really loved both her and Claire was a huge aha moment for Teddy, but it doesn’t solve [her current predicament] right away. She’s still in it when she goes home. It’s amazing to watch her — and frustrating. You want to throw something at your TV. [Laughs]

    TVLINE | And I have.

    But it’s not like she has this aha moment, and everything resolves itself. It’s more like she has that moment… but what is she going to do with it? It’s like a grenade that she’s holding. She’s like, ‘Oh my God, it might explode! What do I do?” But it definitely has its effects going forward. There’s some crazy stuff that comes up in the subsequent episodes.

    TVLINE | What should viewers glean from Teddy’s romance with Allison? Is she bisexual? Was Allison just that magical?

    I’m not sure yet. For now, [the takeaway is] that love is love for Teddy. Her love for Allison was so great that it led her there. I don’t know if it defines her. Claire, played so beautifully by Rya Kihlstedt, also gave her such an incredible gift of forgiveness [in the current story]. She really puts the pieces together so beautifully for Teddy to then understand her present situation. I think the way we approach love is very much informed by our past in a way, and now that Teddy has a new understanding that you can love two people, what is she going to do with that?

    Grey's Anatomy Recap: Sexual Healing — Plus, WTH! Is [Spoiler] Dying?

    (3/26/20) ( And you thought medical conventions were boring! When Thursday’s Grey’s Anatomy sent a handful of its finest to L.A. to support Richard as he presented his PATH pen at a surgical-innovation conference, Maggie fell into bed (and quite possibly love) with a sexy former resident, Teddy attempted to make amends for being the other woman in a long-ago lesbian love triangle, and Richard… Oh, Richard. In the span of an hour, he took us from thinking he was getting back together with Catherine to totally falling apart. Read on, and we’ll review all of the big twists of “Love of My Life.”

    ‘COME HERE AND KISS ME, CLEOPATRA’ | As the episode began, an excited but exhausted Richard arrived at the hotel and heard from Maggie (probably more for our benefit than his) how sorry Meredith was that she couldn’t be there for his speech; her babysitter had gotten sick (isn’t that what residents are for?). Next to arrive was Cormac, who immediately flashed back to a previous entrance, upon which he’d first seen his beautiful wife. (Of note: Cormac bald > Cormac with hair.) After Richard retired to his room to work on his speech, Catherine shocked him — and, frankly, us — by showing up on his doorstep. “I’m here to stop the foolishness,” she said before launching into an apology. For his part, he offered that there was nothing between him and Gemma, though, uh, she had kissed him. “We can fix this,” Catherine said. And it looked like she was right. They even, as Jackson had predicted, laughed about her buying Pac-North, a terrible investment, she noted. The board thought her doing so was a sign of early dementia! Once they agreed that they’d had the most expensive fight since Antony and Cleopatra, they reunited horizontally.

    ‘FOR THE FIRST TIME THAT I CAN REMEMBER, NO ONE IN A 50-MILE RADIUS DEPENDS ON MY BREASTS FOR SURVIVAL’ | At heart-valve happy hour with Teddy, Maggie imagined that the conference was like summer camp… or the Olympic village. You mean professional by day, crazy hookups by night? Teddy asked. Innocent Maggie didn’t realize that was what the Olympic village was like. But she warmed to the concept when she glimpsed one of her former residents from Tufts, a total smokeshow named Winston. Three times he’d attended that conference, and he’d never seen her there. “What are you, stalking me?” she joked. “Not stalking,” he replied, “seeking.” Turned out, he’d had a crush on her since his first day at Tufts, but she’d been his chief, so he couldn’t ask her out. (Ha — as if that would stop anyone at Grey Sloan!) Then she’d moved to Seattle right before he became an attending, so he never got a chance to ask her out. Now, obviously, he wasn’t going to let it pass him by. Next thing we knew, they were making love in his hotel room. (Jackson who?) Afterwards, they did a quick getting-to-know-you round, bonded over losing their moms, and admitted that they’d never fallen so hard for anyone in one night.

    ‘DON’T BE STRONG, BE A MESS’ | Over drinks with Teddy, Cormac shared that he hated conferences and had only come because Bailey had asked him to represent peds. Didn’t seem like a good idea for the new guy to say no. While his companion talked to a sales rep, he drifted off, reminiscing about his first interactions with his then-future wife Abigail, a starving mixed-media artist making a quick $500 at a past conference by giving out pens… that she didn’t realize were from a company that made erectile-dysfunction medication. Charmed, he took all of her pens off her hands. From there, we fast-forwarded to Abigail getting a hysterectomy at 33. When she worried about bleeding out and dying, he reassured that, if she did, he and the boys would move on. “Don’t get me wrong,” he added, “it’ll be a tough coupla days.” From there, we flashed-forward a few more years and found Mrs. Hayes dying of cancer and giving Cormac instructions on how to handle it with their sons. “Let them know it’s OK to fall apart,” she told him as he did just that. As she went on with her dire to-do list, she made a point of saying that he could and should fall in love again. He didn’t want to — which, she noted, was exactly why he needed to hear her say it. Back in the present, Cormac railed against the sales rep, whose “magic” device had made him a widower. “You’re lucky,” Hayes concluded, “I haven’t put that pen through your throat.”

    ‘THE LAST THING I EXPECTED WAS FOR THE TWO OF YOU TO GET TOGETHER’ | Left alone at the bar, Teddy ran into Claire, a doctor she’d worked with in New York who had left after 9/11 claimed the life of her significant other, the woman after whom Allison is named. (Hey, that’s Sherri Saum!) After a brief catch-up, we flashed back to the three of them cohabiting in New York. When Claire was called away to the hospital, we discovered that Allison was also involved with Teddy. In the present, Claire was surprised to learn that Teddy had named her daughter after… “My best friend,” Teddy said. But it was OK, Claire insisted. Twenty years later, Teddy could admit that she’d had a love affair with Allison. In the past, Teddy and Allison, as you’d hope, felt guilty about sneaking around and lying to Claire. “I love her,” Allison said. “But I love you more.” A lot more, it seemed. “It tore me up,” Teddy told Claire in the present. Uh-huh, but not enough to stop. In fact, as the Twin Towers fell around Allison, she’d tried to call Teddy, not Claire. Phone records… that was how she had found out. Ow to the nth. (For more on this twist, click here to read Kim Raver’s take on the revelation.)

    ‘IS IT GONNA BE WEIRD IF I MEET THIS MAN ON WHAT AMOUNTS TO OUR FIRST DATE?’ | As the hour rounded the corner and headed toward the finish line, a random remark from Catherine prompted Richard to have an idea for a medical breakthrough, Maggie marveled that she didn’t know it was possible to like someone so much when she knew so little about him, and Teddy approached Claire to apologize. Teddy hadn’t really believed that it was possible for Allison, or anyone, to love two people at the same time. “But now” — thanks to Tom and Owen — “I do.” Lucky for Teddy, Claire could never stay mad at anybody for loving Allison. She was, after all, Sherri Saum Allison. Just before Richard’s presentation began, Winston asked Maggie to move back to Boston. Or he’d move to Seattle, either way. When she said that she needed time to make a decision — also spreadsheets — he understood. “Get a focus group together,” he joked. “I just don’t think I’m gonna feel any differently about this in a few hours or a few months. But you do you.”

    When at last Richard went on, he announced that, with Catherine’s help, he’d figured out how to cure cancer. Come again? Oh no. Something was very wrong with Richard. Projected on screen wasn’t medical data but what looked like a child’s doodles, a smiley face, even. “Dear Lord, he’s drunk,” Catherine whispered to Jackson, watching in Seattle. (Wait, Seattle?!?) Oh, man. This was hard to watch. When eventually Maggie intervened, he didn’t even know who she was. And, thanks to cutaways, we learned that he’d imagined his whole reunion with Catherine. (Damn it.) Maggie feared that Richard was having a stroke, but as the episode concluded, neither she nor we were sure what was wrong with her father.

    James Pickens Jr. guests on The Connors 4/7/20

    (3/23/20) “The Icewoman Cometh” – Bev is back from Arizona and has come to the realization that she’d like to use her finances to spread happiness. She has decided to fund Mark’s tuition to a prestigious coding camp, while Darlene tries to convince her to give the money to Harris instead. Dan realizes how much he misses Louise, and Becky persuades him to visit her on tour, on “The Conners,” TUESDAY, APRIL 7 (8:00-8:30 p.m. EDT), on ABC. Episodes can also be viewed the next day on demand and on Hulu.

    The series stars John Goodman as Dan Conner, Laurie Metcalf as Jackie Harris, Sara Gilbert as Darlene Conner, Lecy Goranson as Becky Conner-Healy, Michael Fishman as D.J. Conner, Emma Kenney as Harris Conner-Healy, Ames McNamara as Mark Conner-Healy and Jayden Rey as Mary Conner.

    Guest starring is Katey Sagal as Louise, Estelle Parsons as Beverly Harris, James Pickens Jr. as Chuck, Stephen Monroe Taylor as Dwight, Steve Agee as Tony and Paul Hipp as Zach.

    “The Icewoman Cometh” was written by Amy Fox and directed by Don Scardino.

    ‘Grey’s Anatomy’, ‘Station 19’, ‘The Good Doctor’ Among Medical Shows Donating Supplies Amid Coronavirus Crisis

    (3/20/20) TV medical dramas continue to do their part to help hospitals and medical workers who are in dire need of supplies during the coronavirus crisis.

    ABC’s Grey’s Anatomy, Station 19 and The Good Doctor are among the shows donating masks, gowns and gloves to those medical workers and hospitals in need.

    “At Station 19, we were lucky enough to have about 300 of the coveted N95 masks which we donated to our local fire station. They were tremendously grateful. At Grey’s Anatomy, we have a back-stock of gowns and gloves which we are donating as well,” Krista Vernoff, executive producer of Grey’s Anatomy and Station 19 told Good Morning America in a statement. “We are all overwhelmed with gratitude for our healthcare workers during this incredibly difficult time, and in addition to these donations, we are doing our part to help them by staying home.”

    The Good Doctor, which films in Vancouver, British Columbia, is working with its local provincial government to determine which medical supplies are needed that the show is able to provide.

    As previously reported, Fox medical drama The Resident donated personal protective equipment to Atlanta’s Grady Memorial Hospital in the city where the series is filmed.

    The lack of adequate medical supplies has become a crisis unto itself during the coronavirus pandemic. Despite efforts to increase coronavirus testing capacity in the U.S., some tests have not been to be conducted because of needed supplies, such as swabs and protective gear, for medical workers performing the tests.

    TV Ratings: Superstore Ties 2-Year High; Grey's, Station 19 at Season Highs

    (3/20/20) In the latest TV ratings, NBC’s Superstore returned from a three-week break to 3.8 million total viewers and a 0.9 demo rating, surging 46 and 50 percent to mark its best its largest audience in a year and match its best demo number in two years.

    Leading out of that, Brooklyn Nine-Nine (2.5 mil/0.7) ticked up to its second largest audience of the season and matched this season’s demo high; Will & Grace (2.8 mil/0.7) rose to season highs (including its best rating since April 4); and Indebted (1.9 mil/0.5) ticked up to a demo high.


    ABC | Station 19 (7.5 mil/1.3) rose 14 and 18 percent to season highs; Grey’s Anatomy (7.1 mil/1.5) was up 13 and 25 percent, hitting and matching season highs; and A Million Little Things (4.2 mil/0.7) ticked up 10 and 16 percent.

    THE CW | Katy Keene (515K/0.1) and Legacies (642K/0.2) were flat in the demo, though the latter rose 23 percent in audience.

    FOX | Last Man Standing (4.7 mil/0.8) surged 27 and 33 percent, Outmatched (2.6 mil/0.6) was up 30 and 20 percent (hitting its best rating in six episodes), and Deputy (4 mil/0.6) copped its second largest audience thus far while up a tenth in the demo.

    Grey's Anatomy Recap: Patients Tested — Plus, Which Couple Did the Split?

    (3/19/20) ( “You get a surgery… and you get a surgery… and you get a surgery!” Yep, Grey’s Anatomy’s Meredith went full-on Oprah during pro-bono day at Grey Sloan. And, though at times it looked like her patients might riot, Thursday’s episode ended with only one casualty: a relationship (which honestly had been on life-support for weeks now). Who found themselves suddenly single? Read on and find out.

    ‘SHE’S SUCH A LEGEND’ | As “Give a Little Bit” began, Mer phoned Jo, awakening her at 5 a.m. Grey had 25 patients lined up and only four surgeons on tap — dammit, she needed Karev. Fine, Jo grumbled. But “it’s not Karev anymore.” At a more reasonable hour, Richard and Maggie bumped into each other at the hospital and shared that they’d both heard from lawyers. Maggie’s uncle had settled his lawsuit, as Webber had predicted he would. And Catherine had filed separation papers. (In a totally Catherine move, she was “letting” Richard keep his house.) When Amelia arrived, she excitedly announced to Owen, Teddy and Jo that Link was her babydaddy. But Jo already knew from Link, and Owen and Teddy were super awkward about the whole thing. Relegated to the clinic, DeLuca treated a teenager named Cindy who’d come in with her Aunt Opal. Given Cindy’s reluctance to speak, Andrew asked a nurse to page Bailey: Cindy fit the profile for human trafficking! Or… was this just a case of DeLuca’s mania making his imagination overactive? It seemed — or was meant to seem — like the latter.

    When Bailey checked out the girl, she drew a different conclusion than DeLuca had and, fearing he was on the verge of an episode, ordered him to go home and rest, then report to her office in the a.m. Instead, speaking as quickly as an auctioneer, he told Cindy and Opal that Grey was going to perform the teen’s surgery for free. Yeah, that was gonna go well. Mer and her team — Owen, Cormac, Jo, Hannah and Helm — were already up to their surgical masks in patients! What’s more, pro-bono day was quickly becoming disorganized, a situation made worse when DeLuca had Helm move around operations and operating rooms. “Tell DeLuca to stay off my schedule,” Mer instructed Taryn, “and my floor!” Eventually, though Cindy privately told DeLuca that she just wanted to go home, he spirited her away from her aunt to pre-op. Oh, DeLuca! In the pit, Koracick, sensing just how cranky and restless the patients were getting, told Mer to fix it, and he’d pay the overtime. As a matter of fact, Griffin had given the hospital a big enough donation to hold pro-bono day a couple of times a year. In about half a second, Mer deduced why the inventor had been so wildly generous. “Wow,” she told Tom, “I didn’t know you were that dirty.” (Right, ‘cause only Mer can break the rules for a good cause!)

    ‘DO YOU HATE THE NEEDY?’ | Elsewhere in the pit, Teddy treated Kyle, Station 19’s troubled vet, who was handcuffed to his bed and accompanied by a police escort. “If you work with me, I promise you I’ll help you,” she told him. After Kyle went kinda dead-eyed, Altman paged Tom… but got Amelia. “Do people really prefer him,” she asked, “because that concerns me on multiple levels.” Shortly, the arrival of Kyle’s girlfriend Ashley — his emergency contact — lit his short fuse, which in a way gave his doctors a better idea of what they were dealing with. In a heartbreaking subsequent scene, he explained that he had been pushing Ashley away because he tended to blow up that way daily; she didn’t deserve that. “Neither do you,” replied Amelia. When not treating Kyle, she learned that the Mariners had been courting Link to take back his old job at twice the pay, but since he was going to be a father and didn’t want to be away that much, he was turning them down. What’s more, Link had recommended Nico for the position, which he described to a concerned Levi as “a job I take unless I’m an idiot.” This only served to prove Helm’s point to Schmitt: that his boyfriend didn’t think of him, much less treat him, as an equal. But we’ll get back to Schmico in a bit. While awaiting Kyle’s MRI results, Teddy informed Tom that Amelia’s baby was Link’s. Aand… with that hanging in the air, she fled to look at Kyle’s scans. Oh, Teddy! (There was a lot of “Oh, [insert name here]!” this week.)

    When suddenly a Code Violet was called, meaning someone was getting violent with hospital staff, the doctors all rushed to a waiting area, where they discovered that the cause for alarm was… an out-of-control DeLuca, who had a crying Cindy in the corner. He barked at security to arrest Opal and begged everyone to follow protocol. They knew what to do when someone was in danger, so come on, join hands (those were the days!) and form a human circle around her. Instead, everyone formed a circle around DeLuca. In disbelief, he wept that they had to save Cindy. (Giacomo Gianniotti was fantastically raw in this scene, wasn’t he?) Finally, Bailey got DeLuca to come down off the chair he’d leapt onto and leave with security. But after his subsequent powwow with the chief, he stormed past Meredith, announcing that he’d quit. When Grey tried to stop him, he grumbled, “I’m not your business anymore. I don’t work for you, and I don’t love you.” Harsh, dude. In response, she said, “But I love you. You went to jail for me.” He’d saved her, now she wanted to return the favor. So she beseeched him to accept Bailey’s suspension rather than walk. He agreed — on one condition: Mer had to convince Bailey to call the national trafficking hotline to investigate Cindy.

    ‘I THINK I JUST DUMPED MYSELF’ | In surgery with Link, Levi found out that he’d turned down the Mariners so that he wouldn’t be away so much from Amelia and their baby. In other words, “you sacrificed the job for the person you love.” This being, like, a novel idea to Schmitt — that people consider their partners and their feelings now and then — he tried to discuss it with Nico, who was as interested in the idea of compromise as he was in developing love handles. “I’m tired of telling you I want more,” Levi said. Whelp, “I hope you’ll find someone who’ll give that to you,” replied Nico. Stick a scalpel in them, they’re done. Meanwhile, Amelia approached Mer about operating on Kyle during pro-bono day rather than let him be put off again by the VA. When other patients overheard that someone might be cutting in line, they were ready to mutiny. So Mer announced, “You’re all going to get your surgeries.” Thanks to a wealthy benefactor, pro-bono day was being extended… and there would now be one every month… which was more than I think Tom bargained for and did more for Grey’s legendary status than his pariah status. But at least Kyle was going to get his surgery and once again become the guy Ashley described, the one who used to dance to “Brown-Eyed Girl” in the aisles at the grocery.

    As the hour drew to a close, the angry way that Opal led Cindy out of the hospital suggested that holy s—! DeLuca wasn’t just manic, he was right. Opal was a sex trafficker! (The trafficking hotline even asked Bailey — too late — not to scare the suspect away.) After Jackson’s long day of having his extra ticket to a big basketball game turned down by everyone from Owen to Tom — ha! Kidding. He couldn’t bring himself to ask Tom. But upon learning from Maggie that Richard had stepped down from surgery, he did ask his depressed soon-to-be-ex-stepfather and got not just a yes but a hell to the yes. Off his earlier non-conversation with Teddy, Tom told her that, having been cheated on himself, he never slept with married women, one of which she would soon be. Translation: “I love you, and I want to make this easy for you. Go home, plan your wedding, I’ll be just fine.” When Owen later found Teddy crying outside, she shared that “I… had a really rough patient” today. (Oh, Teddy!)

    ‘WE CAN BE SUPER SAD TOGETHER’ | In bed with Link, Amelia suggested that if the Mariners was his dream job, maybe he shouldn’t sacrifice it. They should always fight for their dreams. Um, it’s 81 away games per season, he explained. “OK,” she replied, “but the next dream.” At Joe’s, Jo invited a newly-homeless Levi to move in with her. “Jo,” he responded hilariously, “that time in my mom’s basement was a one-time thing. I’m a gay man.” Duh — that was why he was getting the invite. That, and she didn’t want to have to give up her home just because Alex was no longer in it; she wanted to change it instead. And in the last seconds of “Give a Little Bit,” we saw DeLuca racing along an empty highway on his motorcycle at a speed matched only by the rapidity of his speech during a manic episode. This did not seem to bode well for him.

    TV Ratings: Unicorn, Carol's Second Act Rise With Freshman Finales

    (3/13/20) In the latest TV ratings, CBS’ Young Sheldon drew 8.8 million total viewers — Thursday night’s largest audience — and a 1.1 rating, rising two tenths in the demo from last week. Leading out of that, The Unicorn‘s season finale (5.8 mil/0.7), Mom‘s 150th episode (6.4 mil/0.8) and Carol’s Second Act‘s first finale (5.2 mil/0.7) all ticked up one tenth in the demo, while Tommy (4.9 mil/0.5) was steady.


    ABC | Station 19 (6.6 mil/1.0) and Million Little Things (3.9 mil/0.6) were steady, while Grey’s Anatomy (6.3 mil/1.2, read recap and get shutdown news) dipped a tenth from Alex’s sendoff.

    FOX | Last Man Standing (3.6 mil/0.6) and Outmatched (2.1 mil/0.5) were steady, while Deputy (3.5 mil/0.6) ticked up.

    THE CW | Katy Keene (601K/0.1) added a few eyeballs while steady in the demo. Legacies returned from a four-week break to its smallest audience yet (511K) while steady in the demo (with a 0.2).

    NBC | Brooklyn Nine-Nine (2.3 mil/0.6, read recap) and Will & Grace (2.3 mil/0.5) were steady, while Indebted (1.5 mil/0.4) ticked up from last week’s lows.

    Grey's Anatomy Halts Production on Season 16 Due to Coronavirus Crisis

    (3/12/20) Add Grey’s Anatomy to the growing list of TV series suspending production due to the coronavirus pandemic.

    “Out of an abundance of caution, production is postponed on Grey’s Anatomy effective immediately,” showrunner/EP Krista Vernoff, director/EP Debbie Allen and line producer James Williams said in a letter to the ABC drama’s cast and crew on Thursday. “We are going home now for at least two weeks and waiting to see how the coronavirus situation evolves. This decision was made to ensure the health and safety of the whole cast and crew and the safety of our loved ones outside of work, and it was made in accordance with Mayor Garcetti’s suggestion that we not gather in groups of more than 50.

    “Stay safe, stay healthy, stay hydrated, stay home as much as possible, and wash your hands frequently,” the trio added. “Please take care of yourselves and each other. As updates come in, we will keep you informed. Thank you for all that you do!”

    The shutdown occurred following production of Episode 21, four shy of Season 16’s 25-episode order.

    Other shows halting work on their current seasons due to the coronavirus outbreak are the The CW’s Riverdale, Netflix’s Russian Doll, Apple TV+’s The Morning Show and NBC’s America’s Got Talent.

    Grey's Recap: Amelia's Babydaddy Is…

    (3/12/20) ( Promos for Thursday’s Grey’s Anatomy promised that you would get “the paternity results you’ve been waiting for.” But the show has such a habit of faking us out that I — and perhaps you, too — went into the episode wondering if we’d really be told whether Owen or Link is the father of Amelia’s baby. Aand… did we find out which of the guys would end up passing out cigars? Did at least Amelia learn whose name should go in the “dad” section of the birth certificate? Read on…

    ‘GET A DORM, FACE-EATERS’ | As “Life on Mars?” began, Link and Jo groused at the sight of a couple in love (and making out) at the train station. At Grey Sloan, Amelia learned from Mer that Alex was gone and gone for good. But Grey didn’t really want to talk about it. Nearby, Owen and Teddy discussed wedding plans, the bride-to-be a little less enthusiastically than her groom. Cut to: the elevator doors opening, revealing, of course, Koracick, the ex that she so recently kissed in a panic. Oh s—, she’d gone so far as to sleep with Tom. His pillow still smelled like her hair, he told her. Still, it meant nothing, she insisted. She’d just freaked at the prospect of Amelia having Owen’s baby. Off their exchange, Teddy blurted out to Maggie that she had sex with her ex. Of all the people not to tell a secret to, Teddy! At the coffee cart, Vic apologized to Jackson for moving into his place without asking. She was also quick to say that she’d found a new place — she was moving in with new dad Dean. “That is certainly news,” said Jackson, clearly having noticed the hugeness of Dean’s biceps. Back inside, Richard balked at the arrival of his office furniture from Pac-North; he hadn’t ordered it and didn’t want it. In the pit, Mer and Levi treated a diabetic named Noelle, who’d fallen off a ladder while painting a house. Fumes, she guessed.

    Shortly, Koracick took a meeting with wealthy inventor Griffin Ford (Jonathan Cake), who was responsible for the rocket that exploded last week on Station 19. He feared that he had a brain tumor, cancer, something, that had caused him to miscalculate so disastrously. In the ambulance bay, Link and Jo were surprised that in rolled a fella named Brad, who’d jumped onto the train tracks. He hadn’t jumped, said his girlfriend, he’d fallen when they were saying goodbye. Holy crap, exclaimed Jo (well, maybe not “Holy crap,” but close) — the two of them were the face-eaters that she and Link had grumbled over. In trauma, Amelia joined Link, Jo and Blake in trying to save Brad’s limbs. Amelia made a point of shutting the blinds so that Brad’s girlfriend didn’t see the grisly procedure. Thankfully, the fact that he had fallen on his guitar had probably saved his life, the docs told Brad’s girlfriend after he was out of the woods. Mainly, Link and Jo were stunned that the couple hadn’t heard the train coming. “Not even the ding-ding of the door?”

    ‘IF ANY BILLIONAIRES TRY AND GET IN YOUR WAY, PUSH THEM ASIDE’ | As Noelle fretted about basically her declining Yelp rating, Mer and Levi realized that the patient wasn’t taking her insulin on the regular. With her parents now in assisted-living, Noelle had been forced to ration her medication to make ends meet. When Grey was paged by Koracick, she was understandably ticked to discover that Griffin had been given an entire floor of Grey Sloan — actual patients needed to be there, she argued, not an indulgent Richie Rich. While she examined him, he complimented her on her infamous “list” article, and she challenged him on the results of him asking Catherine for a favor. As soon as possible, Grey pawned him off on Jackson. “Your mom, your mess,” she said. Mer was just about to send Noelle to surgery when the patient started crashing. So she was still headed to the ER, just faster now, and more urgently.

    Later, Vic was surprised to find that Jackson was upset that she’d moved in with Dean. WTH was she supposed to do — Jackson was ticked when she moved in with him, ticked when she moved out, and he was jealous over someone who’d only hit on Maggie once upon a time because he hadn’t known she had a boyfriend. Vic had friends — big whoop. She wasn’t putting up with Jackson’s bullcrap. Back on Griffin’s floor, the one-percenter wouldn’t accept a diagnosis of “Nothing’s wrong with you.” If nothing was wrong with him, he might go to prison for crashing that rocket. However, if Koracick could find something wrong with him, something to, say, get him off the hook, the doc could (hint, hint) do wonders (hint, hint) with the zillionaire’s fortune. Though Mer was in an understandably foul mood after Noelle needlessly passed away, Koracick asked Grey what she’d do if she had Griffin’s kind of money. (Coming next week: pro-bono day!) He also wanted to know how she decided when to break the rules. She listened to her gut, she said, and hoped what she did “improves this mess of a world just a little bit.”

    ‘AMELIA’S BABY MIGHT BE YOURS’ | Spotting Teddy hurrying away from him, Owen confronted her in the stairway, and she informed him that he might be Amelia’s babydaddy. If he is, “what does that mean for us?” she asked. When he hesitated to answer for even a nanosecond, she took it… let’s say poorly. “Wow,” she huffed before storming away. When Teddy dissed Amelia to Maggie, Maggie reminded her of how long she’d waited to tell Owen she was pregnant. Do not mess with Pierce’s sisters! After learning that Brad’s girlfriend wasn’t as devoted to him as originally thought, Link agreed with Jo that “all love sucks eventually.” It doesn’t, though, she argued. Because of how well Alex loved her, she felt worthy of love. “That is mine to keep.” Furthermore, she suggested — strongly — that Link not blow it with Amelia. She’d given him a choice… a choice that Jo hadn’t had with Alex.

    ‘TELLING ME YOU’RE DOING YOUR JOB ISN’T PART OF DOING YOUR JOB’ | In Bailey-mandated counseling, DeLuca… well, he mainly complained to his therapist. He resented being made to get a shrink’s OK to operate again, and he wasn’t having manic incidents, he insisted. What people perceived as mania was just passion for the job. That said, he had had a couple of stressful weeks. But that was it. Off Richard’s earlier upset, Bailey had his office set up the way it used to be. Of course he hadn’t wanted that Pac-North furniture. “You’re just like her,” meaning Catherine, yelled Richard. Bailey offered to put his office back the way that it had been, but he didn’t want that. He’d tear it apart himself — and he began doing exactly that. Later, Bailey was surprised to learn that Webber had handed off his entire service to DeLuca for the day. Later still, Richard apologized to Bailey, and he announced that he’d decided to step away from surgery indefinitely. He wanted to focus on his path pen and other innovations. If she really wanted to help him, she could support him in his next adventure, he said. “I want to look ahead.” She argued that Grey Sloan needed him. “And that’s how I want to step away, at the top of my game,” he replied.

    ‘I DON’T KNOW IF I KNOW HOW TO DO THIS WITHOUT HIM… OR IF I WANT TO’ | As the episode drew to a close, Koracick told Griffin that he had a minor aneurysm, one that might resolve on its own or might need surgery. “When will we know?” Griffin asked. “When we see the size of the check,” Tom replied. Meeting Vic after work, Jackson explained that he wasn’t a teenager and couldn’t just do things on a whim at this stage of his life. He wanted to be friends for a while, get to know each oth— “Bye, Jackson,” she said. (And she may well be my favorite character in the Grey’s-verse these days. Hughes for the win!) Alone with Bailey, Mer lamented that on a sucky day like this had been, Alex would’ve been the one to make her laugh. Bailey, in turn, shared that Richard was stepping away from surgery. In Koracick’s office, Teddy attempted to offer him a better apology than she’d initially given. But he didn’t want to hear what a great guy he was. And as if to prove that he wasn’t a great guy, he kissed her. Passionately. At Joe’s, DeLuca crudely hit on Jo. She responded by throwing a drink in his face and telling him, “Get help before it’s too late.” At Owen and Teddy’s, Hunt assured his fiancée that she hadn’t done anything wrong. Ha — if he only knew. “If you need to tell me anything, my answer is ‘I love you, and we’ll figure it out.’ That’s my answer always.” Finally, Link brought his guitar to Mer’s and stood outside in the rain until Amelia noticed and opened the door. “I wanted to write you a song,” he told her. He hadn’t, but at least what he had to say was music to her ears. “I don’t want to live without you,” he admitted. “You make me wanna write love songs in the rain. I don’t give a crap whose baby it is. I fell in love with you, Amelia, and I fell in love with this baby.” So he wanted to be with them no matter what? “I do,” he said. “I really needed to hear that,” she replied. Because she’d gotten the test results, and the baby is his! Hurrah!

    ‘Grey’s Anatomy’: Anthony Hill & Sherri Saum Join ABC Drama

    (3/9/20) Teddy (Kim Raver) and Maggie (Kelly McCreary) will be running into a couple old friends from their past in an upcoming episode of Grey’s Anatomy.

    Anthony Hill (Watchmen) will play Winston, a past resident at Tufts who Maggie used to work with, and Sherri Saum (Locke & Key) will play an old friend of Teddy’s. No details are being revealed. Maggie and Teddy run into their old pals at the LA Surgical Innovation Conference they are attending. The characters will be introduced in the “Love of My Life” episode on March 26.

    Grey’s Anatomy stars Ellen Pompeo as Meredith Grey, Chandra Wilson as Miranda Bailey, James Pickens Jr. as Richard Webber, Kevin McKidd as Owen Hunt, Jesse Williams as Jackson Avery, Caterina Scorsone as Amelia Shepherd, Camilla Luddington as Jo Wilson, Kelly McCreary as Maggie Pierce, Raver as Teddy Altman, Giacomo Gianniotti as Andrew DeLuca, Greg Germann as Tom Koracick, Chris Carmack as Atticus “Link” Lincoln and Jake Borelli as Levi Schmitt.

    Grey’s Anatomy was created and is executive produced by Shonda Rhimes. Betsy Beers, Mark Gordon, Krista Vernoff, Debbie Allen, Zoanne Clack, Fred Einesman, Andy Reaser and Meg Marinis are executive producers. The series is produced by ABC Studios. ABC Studios is a part of Disney Television Studios, a collection of studios comprised of 20th Century Fox Television, ABC Studios and Fox 21 Television Studios.

    Hill recently played a pivotal guest role on HBO’s Watchmen. He also recently guest starred on the first season of the Shondaland drama For tyhe People on ABC. He is repped by Metropolitan Talent Agency and Authentic Talent and Literary Management.

    Saum’s recent credits include Locke and Key, Limetown and The Fosters. She’s repped by A3 Artists Agency and manager Warren Binder.

    Camilla Luddington's Pregnancy News

    (3/9/20) Grey’s Anatomy vet Camilla Luddington announced on Monday that she is pregnant with her second child — which, if the ABC serial were to write it in, sure would throw soon-to-be-ex husband Alex a curve ball!

    Stemming from original cast member Justin Chambers’ abrupt parting of ways with Grey’s, the March 5 episode revealed — via a series of handwritten letters from the MIA doc that characters read to themselves on-screen — that he had reconnected with former love Izzie and was now living with her in Kansas, along with their 5-year-old twins, Eli and Alexis.

    Alex wrote to his wife Jo that “it felt like no time had passed” when he reconnected with Izzie after years of silence. And if it had just been a case of him missing his first wife, that’d be one thing. But she’d had his kids, via the eggs Alex had fertilized back when Izzie was fighting cancer. “I need to give these kids the family you and I never had,” he told Jo. “When I told you I loved you, I meant it, but Izzie has our kids.” Ergo, the enclosed, signed divorce papers. #Ouch #StillTooSoon As entertaining as it might be to speculate that Grey’s will write in Luddington’s second pregnancy (after shooting around her first one, during Season 13), and thus give birth to a bouncing bundle of dramatic irony, the fact is that the show has kept hidden the actress’ pregnancy for months already, Luddington revealed. So it would appear that ship has sailed…?

    Luddington and her husband Matt have a daughter, Hayden, who turns 3 in April.

    Grey's Anatomy Co-Star Details 'Emotional Fallout Amongst Cast' in Wake of Justin Chambers' Abrupt Exit

    (3/7/20) The Grey’s Anatomy ensemble had an “emotional” reaction upon learning that original cast member Justin Chambers had checked out after 16 years, reveals co-star Chris Carmack.

    “The Grey’s community is definitely a family and supportive of one another,” the actor tells “There was an emotional fallout amongst cast and crew when we found out.”

    Echoing the sentiment of Grey’s leading lady Ellen Pompeo, Carmack says he was a fan of this week’s polarizing, flashback-heavy Alex tribute episode, which revealed that Chambers’ MIA doc had secretly reunited with first love Izzie. “It was really kind of beautiful to look back on Alex Karev and his 16 years of life on the show,” he raves.

    “Watching him and Meredith and their first go around, and him and Izzie. How incredible to see a flashback of 16 years ago that was actually shot as part of the television show. It was very tangible and emotional.”

    Looking ahead, Carmack predicts that Alex’s now-ex wife Jo will bounce back from the ordeal, eventually. “Jo is a tough character,” he maintains. “She has come so far and has grown so much. She’s a survivor she can stand on her own. I think she’s going to rise from the smoke of all this… She’s a strong cookie. She has a lot to give to the world and the medical community and to the patients at Grey Sloan.”

    Grey's Anatomy's Ellen Pompeo: Alex's Sendoff Was 'The Best Possible Storyline... Let's Not Be Sad'

    (3/6/20) You can count Ellen Pompeo among the Grey’s Anatomy fans who enjoyed Alex Karev’s bittersweet sendoff.

    In an Instagram post on Friday — accompanied by a video of scenes that Alex and Meredith shared throughout the years — the ABC drama’s leading lady praised the exit storyline that was crafted for Justin Chambers’ character in the March 5 episode.

    Through a series of lengthy letters to Meredith, Jo and Bailey (recited via voiceover by Chambers, who did not actually appear in the episode), Alex revealed that he had reconnected with former love Izzie and was now living with her on a farm in Kansas, along with their twins, Eli and Alexis.

    “For me personally for Karev to go back to the beginning…. was the best possible storyline. It pays homage to those incredible first years and the incredible cast …that created a foundation so strong that the show is still standing,” Pompeo wrote. “So let’s not be sad. As our fearless leader [episode director Debbie Allen] always says let’s PULL UP and celebrate the actors, the writers and the fantastic crew who make this show come to life every week.”

    In a poll published after Alex’s farewell episode, 50 percent of TVLine readers said they hated the character’s departure, while only 23 percent loved it and 26 percent fell somewhere in the middle. (As for us? We found Alex’s exit pretty satisfying.)

    Grey’s showrunner Krista Vernoff also released a statement following Thursday’s episode, admitting that “it is nearly impossible to say goodbye to Alex Karev… We have loved writing Alex. And we have loved watching Justin Chambers’ nuanced portrayal of him.”

    TV Ratings: Grey's Rises With Alex Reveal, Young Sheldon Eyes New Low

    (3/6/20) ABC’s Grey’s Anatomy this Thursday drew 6.3 million total viewers and a 1.3 demo rating, rising to its best numbers since its Jan. 23 midseason opener.

    Bookending the reveal of Dr. Alex Karev’s fate (which 51 percent of TVLine readers no less than “hated”), Station 19 (6.1 mil/1.0) ticked down, while A Million Little Things (3.7 mil/0.6) was steady.


    THE CW | Katy Keene (515K/0.1) added a few eyeballs while grasping onto that precious 0.1 rating.

    FOX | Last Man Standing (3.5 mil/0.6) and Deputy (3.3 mil/0.5) each dipped in the demo, while Outmatched (2.1 mil/0.5) was steady.

    CBS | Young Sheldon (8.5 mil/0.9) dipped a tenth in the demo to mark a series low; everything else was steady. (Sorry, I have a phoner to get to.)

    NBC | Leading out of a Superstore rerun, Brooklyn Nine-Nine (1.9 mil/0.6) and Will & Grace (2.1 mil/0.5) each ticked up, while Indebted (1.4 mil/0.3) hit and tied its lowest numbers thus far.

    Grey's Anatomy Recap: Alex's Exit Is Finally Explained — Are You Buying It?

    (3/5/20) ( Warning: The following contains spoilers for Thursday’s Alex-centric episode of Grey’s Anatomy. If you’d prefer to watch first, read later, scrub out (and get the tissues).

    From the start, the deck was stacked against Thursday’s pivotal episode of Grey’s Anatomy. How, we wondered, could the show possibly craft a satisfying send-off for original cast member Justin Chambers’ Alex Karev when it didn’t have the actor on board to play it? Could it even be done without scenes in which we saw the beloved doctor say goodbye to his bride, Jo, and his person, Meredith? Well, now we have our answer — voiceovers. Voiceovers galore, as a matter of fact. But before you grade Alex’s flashback-filled sendoff in the poll below, let’s review the twists and turns — and the show’s version of our Best of Karev countdown — of “Leave a Light On.”

    ‘SHE HAD OUR KIDS’ | As the hour began, we flashed all the way back to Season 1 of Grey’s — and that was just the first of a zillion OMG TBT moments in the episode. In the present, Richard tossed a letter from Alex into the trash at an AA meeting. Link delivered a bundle of mail to Jo — including a missive from her missing husband. Miranda received a letter, and so did Mer — from “Evil Spawn.” In voiceover, we heard from Karev that he wouldn’t be returning and was, in fact, already gone. “This is not the way I wanted to do this,” he wrote to his person. “But you know me — any chance to take the easy way out.” He couldn’t come back to Seattle, he continued, because if he did, Grey would yell at him and screw his head back on straight. And “the one perfect thing isn’t [there] — not anymore.” His departure wasn’t about work or Mer or Jo… He was with Izzie now! What?!? (His wife might argue that that had something to do with her.)

    Alex went on to say that he couldn’t come home because it wasn’t home anymore. He’d reached out to Izzie when he’d been gathering letters to help Mer keep her medical license. Really, though, he’d been looking for an excuse to contact his old flame “to see where she landed.” (Cue the Alex/Izzie flashbacks.) When she had picked up the phone, he’d heard kids in the background — his kids, she eventually admitted. Eli and Alexis. “I should’ve told Jo or told you,” he said. But instead, he’d gone to Kansas and met the 5-year-olds, who’d loved him at once and asked if they could call him Dad. “Now I live on a freaking farm in Nowhere, Kansas.” Izzie was doing great, he reported, and he couldn’t even be mad that she’d had their children without telling him. He loved them and loved being able to let them wake up with two parents when he’d so rarely awakened to one. “You always said Cristina was your person, then I was your person,” he told Mer. “But you’ve never needed anyone but you.” She was welcome to drag him back to Seattle; however, he’d prefer that she just visit and let the moppets call her Auntie Mer. Until then, “try not to hate me too much.”

    ‘I LOVE YOU, JO’ | As Jo read her letter, Alex admitted in voiceover that she deserved more than words on paper. “This cowardice, this letter… it’s officially the worst thing I’ve ever done.” After insisting that he loved Jo, he acknowledged that it probably wasn’t fair for him to say that since he also loved Izzie. And when he’d reconnected with her, “it felt like no time had passed.” And he could’ve turned away from that, if it had just been a case of him missing her. She’d had his kids. “I need to give these kids the family you and I never had,” he told Jo. (Cut to a shot of the kids climbing into bed with a Chambers body double.) “When I told you I loved you, I meant it, but Izzie has our kids.” And given the chance to be their father, he had to take it. “I wish getting everything I ever wanted didn’t have to hurt you in the process. Maybe ‘I love you’ is the wrong thing to say” — maybe “thank you” was right, Alex suggested. Anyway, he had already seen a lawyer and had left Jo the whole kit and caboodle, including his shares of Grey Sloan. “You deserve everything good in this life, Jo. I hope you find so much better than me. I’m sorry. I don’t know how to end this. I don’t want to,” he concluded. “Goodbye.”

    ‘I’M JUST WRITING TO SAY GOODBYE… AND THANKS’ | In his letter to Bailey, Alex acknowledged that they hadn’t liked one another very much in the beginning. He thought she’d decided he was garbage, like all his other teachers before her. But unlike them, she’d let him grow up. So “it would’ve been pretty great if I’d just stayed there and repaid you for everything,” he said. They both knew, though, that that wasn’t possible. “It took me a long time to say it, but I’m a good peds surgeon. You kicked my ass and asked more of me than anyone” — and hired people you did the same (hi, Arizona!). He’d even become the person Bailey trusted to run the hospital. Now he had a chance to be chief at Shawnee Hospital. He knew that the fact that he now had two kids with Izzie was probably making Bailey’s head explode, and since they wanted pizza sushi, which isn’t a thing, he was going to cut his letter short, saying merely goodbye and thank you… and “I love you, Dr. Bailey.”

    ‘SEE ONE, DO ONE, TEACH ONE’ | At his AA meeting, Richard began by discussing his love of being a doctor — and his love of his students. That day, he went on, he’d received a letter from a former one, and not the one he would’ve put money on to succeed. Instead of continue to work with the best of the best, this student — Alex — had chosen to give it all up for the woman he says he loves and their children. Richard wanted to yell at him — he’d been where Alex was, in love with two people at the same time. “But I missed my own chance to watch my own child grow into an adult… so I guess I just wanted to say goodbye.” Instead, Richard was left with a note and an apology. “I’ve seen people leave… I’ve done the leaving… Lately, it seems like all the people I love disappear, and I can’t find a way to make it stop” — any more than he could make his hand stop shaking. (Argh. How many times is this episode gonna make me cry? It’s freaking hard to recap misty-eyed!)

    ‘I AM DOWN… FOR ALL OF IT’ | As the episode neared its conclusion, we flashed back to a scene in which Jo encouraged Alex to check on Izzie if he was curious about how she was doing. Instead of do so, he told Jo what he imagined Jo’s wonderful life was like. “When I picture her, she’s always smiling,” he said. “She’s as happy as I am with you.” From there, we flashed even further back to revisit Alex and Izzie’s romance in such a way that the show made a pretty compelling case for them being together. From there, we cut back to Bailey and Ben’s house in the present. She reported to her husband that Alex had left his wife, job, everything, and was raising a family with Izzie. What does this have to do with Joey? Ben asked. Alex survived his awful upbringing by luck, by chance, Bailey replied. “Joey’s future shouldn’t be a matter of chance.” OK, Ben said. He’d wanted to talk about taking in the boy, but his answer was nonetheless OK. Joey should have a family. “But that family should learn to talk together first.” With that, Bailey apologized. “Congratulations, Miranda,” smiled Ben. “It’s a boy.” At Grey Sloan, Jo told Link he could quit hovering. He wasn’t hovering, he was just deciding whether to take her day-drinking. Before he could, she got a page to go to work. “You’re my hero,” he said. “Mine, too,” she replied. At Mer’s, Zola told her mom that she was supposed to show Alex her science project when she was done. So could they? Erm… no, Grey began to explain.

    Grey's Boss Speaks Out in Wake of Shocking Alex Farewell Episode

    (3/5/20) ( (Video) Grey’s Anatomy showrunner Krista Vernoff, the architect of Thursday’s very surprising “Farewell to Alex Karev”-themed episode (read recap here), is sharing her thoughts on the character — and his portrayer, Justin Chambers — in a new statement provided to TVLine.

    “It is nearly impossible to say goodbye to Alex Karev,” Vernoff acknowledges. “That is as true for me and for all of the writers at Grey’s Anatomy as it is for the fans. We have loved writing Alex. And we have loved watching Justin Chambers’ nuanced portrayal of him.

    “For 16 seasons, 16 years, we have grown up alongside Alex Karev,” she continues. “We have been frustrated by his limitations and we have been inspired by his growth and we have come to love him deeply and to think of him as one of our very best friends. We will miss him terribly. And we will always be grateful for his impact, on our show, on our hearts, on our fans, on the world.”

    Vernoff’s only previous comments regarding Chambers’ abrupt departure came late last month when she intimated to Variety that finding a way to organically write Alex out has been a bit of challenge. “It was a very careful threading of a needle, where we are giving a little bit of information and pain to Jo,” she said, adding, “We’re, episode by episode, illuminating the story of where Alex is. And it takes us quite a few more episodes to get there and to give the audience clarity.”

    As viewers learned in Thursday’s episode, Alex left town to reunite with ex-wife Izzie — and settle down with their two children (who he only recently learned existed).

    In confirming his Grey’s exit in early January, Chambers said that he was looking to to “diversify” his “acting roles and career choices,” adding, “As I turn 50 — and am blessed with my remarkable, supportive wife and five wonderful children — now is that time.”

    Grey's Anatomy Reveals the Fate of Justin Chambers' Alex: He's [Spoiler]

    (3/5/20) ( Warning: The following contains spoilers from Thursday’s Grey’s Anatomy. If you’d rather watch first, read and comment later, scrub out now.

    Finally, Grey’s Anatomy’s much-missed Alex Karev is no longer just “in Iowa with his mother” or “going through something.” Thursday’s episode revealed that the doctor left town — and current wife Jo — to reunite with ex-wife Izzie (!!!). As Alex explained in a series of very lengthy letters to Meredith, Jo and Bailey (recited via voiceover by Justin Chambers, who did not actually appear in the episode), the doc recently reconnected with Izzie and learned that she, after leaving Seattle a decade ago, secretly gave birth to their twins, Eli and Alexis. And she’s been living with them on a farm in Kansas. And after Mer’s trial last fall, Alex visited Izzie and met his children for the first time — and opted to stay put.

    Chambers made his final appearance on the long-running ABC drama in Nov. 14’s “My Shot,” in which Alex testified before the medical board on behalf of his person, Meredith. Nearly two months later, the actor announced his departure, issuing a statement that read, in part, “There’s no good time to say goodbye to a show and character that’s defined so much of my life for the past 15 years. For some time now, however, I have hoped to diversify my acting roles and career choices. And, as I turn 50 and am blessed with my remarkable, supportive wife and five wonderful children, now is that time.”

    In the immediate aftermath of “My Shot” — the installment that preceded the midseason finale — Karev was said to be out of town, caring for his ailing mom. But soon, viewers learned that he had told bride Jo that he was “going through something” and ceased to return her calls. Even Mer had difficulty getting him to text her back. Now, for better or worse, we know his ultimate fate — and are left to wonder how those that he left behind will respond.

    TV Ratings: Tommy and Deputy Rise

    (2/28/20) In the latest TV ratings, CBS’ Tommy — following a two-hour block of sitcom reruns — delivered 4.6 million total viewers and a 0.5 rating, ticking up a tenth in the demo to mark its best rating yet.

    Elsewhere on Thursday….

    ABC | Station 19 (6.6 mil/1.0), Grey’s Anatomy (6 mil/1.1) and A Million Little Things (3.7 mil/0.6) were all steady, with S19 delivering Thursday’s largest audience and Grey’s eking out the nightly demo win.

    THE CW | Katy Keene‘s audience dipped for a third straight week (to 488,000), as the freshman drama clutched firmly onto its 0.1 demo rating.

    FOX | Last Man Standing (4.1 mil/0.7) and Outmatched (2.5 mil/0.5) were steady, while Deputy (3.6 mil/0.6) ticked up.

    NBC | Superstore (2.6 mil/0.6) and Brooklyn Nine-Nine (1.8 mil/0.5, read recap) dipped, while Will & Grace (2.1 mil/0.4) and Indebted (1.5 mil/0.4) were steady. SVU (3.3 mil/0.6) celebrated its three-season (!) renewal by matching its series low in the demo (last hit on Feb. 6).

    Grey’s Anatomy: Alex Exit Mystery Will Be Solved in Next Week's Episode — Watch 'Goodbye' Video

    (2/28/20) (Video) Grey’s Anatomy will pay tribute to Alex Karev in a special farewell-themed episode set to air next Thursday, March 5 — and we have a first look at the sure-to-be emotional hour.

    Titled “Leave a Light On,” the Elisabeth R. Finch-penned and Debbie Allen-directed installment promises to bring closure to the long-running character’s storyline following last fall’s abrupt departure of original cast member Justin Chambers. It remains unclear how exactly Grey’s will tie up the loose end that is Alex, especially considering Chambers was not actually involved in the production of the episode in question; the actor’s final episode aired back in November. But based on the above teaser, not to mention the cryptic hint dropped by Alex’s wife Jo in this week’s episode, it’s safe to say his ending will be as sad as it is expository.

    “He left me,” Jo tearfully deduced in the final moments of Thursday’s ep. “I think he woke up one day and felt the need to escape his life and me."

    In confirming his Grey’s exit last month, Chambers said that he was looking to to “diversify” his “acting roles and career choices,” adding, “As I turn 50 and am blessed with my remarkable, supportive wife and five wonderful children, now is that time.”

    Showrunner Krista Vernoff, meanwhile, described the challenge of figuring out how and when to explain Alex’s abrupt vanishing act as “a very careful threading of a needle, where we are giving a little bit of information and pain to [wife] Jo,” adding, “We’re, episode by episode, illuminating the story of where Alex is. And it takes us quite a few more episodes to get there and to give the audience clarity.”

    Grey's Anatomy Recap: Oh, Hell Snow! — Plus, [Spoiler] Kisses [Spoiler]

    (2/28/20) ( That’s cold, Grey’s Anatomy. Literally cold. Thursday’s “Snowblind” not only smacked Seattle with a blizzard straight out of The Day After Tomorrow, it threatened to turn DeLuca into an Olaf with better hair. Read on — if you think you can stand the goosebumps — and find out how close Andrew came to actually getting iced.

    ‘WE USUALLY LET THE PARENTS DO THE SCREAMING ON THIS FLOOR’ | As “Snowblind” began, the storm that raged through Station 19 was still going strong. Levi was running around Grey Sloan looking for a patient of Jo’s named Ms. Anderson (that he’d misplaced!), Jackson was flummoxed by his first tiff with Vic during a phone call, and Meredith texted Alex that she knew he wasn’t really in Iowa. So where was he? In Peds, no sooner had Cormac told his 6-year-old patient’s parents that hurrah, Seattle Pres had a new liver for the youngster than he discovered that he couldn’t get said liver because most of the roads in Seattle were closed. Immediately, DeLuca volunteered to retrieve the organ — on foot. Though Meredith fretted aloud that it was eight degrees outside with a wind chill of minus 15, he assured her that he was used to cold temps — he’d been a cross-country skier. When she further suggested that maybe he wasn’t thinking straight, he pointed out that Cormac had just been yelling on the phone in Peds. Was Hayes sounding like the elder DeLuca now, too?

    While Cormac and Meredith operated on the little girl, whose condition was looking, ahem, liver-die, Grey filled him in on the circumstances surrounding her firing and found him to be supportive. They also discussed Cristina and Alex (his MIA co-chief) a little bit, and mid-surgery, learned that DeLuca had made it to Seattle Pres and had just left for Grey Sloan with the McGuffin. Time passing, Mer and Cormac talked about losing their spouses; after he was widowed, he’d run to Switzerland; she’d run to San Francisco. Holy crap, just then, DeLuca came in from the cold with the liver — the idiot hadn’t worn gloves for his one-man performance of The Iceman Cometh! And from the looks of his digits, he could lose some fingers — not a great thing for a surgeon! Though Andrew insisted that it was no big deal, Jackson warned that if he didn’t follow his orders starting right then, he could lose one or both of his hands.

    ‘SHOULD I HAVE HIS JOB, LOSING PEOPLE?’ | Entering the doctors’ lounge, Teddy and Maggie tried to keep quiet for the sake of Link, who after awakening on the couch reported that Amelia wasn’t coming to work, much less returning his calls or texts. (Basically, a remix of DeLuca after he’d been dumped by Sam.) Quickly, Maggie shushed Link, lest he let on that Teddy’s fiancé might be Amelia’s babydaddy. So of course, at that very moment in came Tom, who unwittingly said just enough about Amelia’s leave to make Teddy suspicious. Later, Teddy and Maggie teamed up with Owen to treat a pregnant woman whose wife had accidentally hit her with her car. Meanwhile, Bailey’s interest in Joey high as ever, she was upset to learn that Link had discharged the young man and further upset to learn that he’d turned down a chance to speak to a social worker about his options. He was 18, he pointed out. Therefore, he didn’t have to.

    Rather than let Joey take a job at the local burger joint, Bailey insisted that he come with her — they’d find him something at Grey Sloan. During her version of a job fair, Joey observed the trauma that went down as Owen made the decision to perform a C-section in hopes of saving the mom-to-be and her baby. She was also going to need heart surgery! (Sheesh!) Miraculously, mother and child both pulled through. Witnessing this, Joey was deeply impressed. Post-op, Teddy admitted to Tom that she was worried that Owen was Amelia’s babydaddy. Sweetly, Koracick reassured the woman that he loves that Hunt loved her and only her; she didn’t have to worry about Amelia. He went on to admit that he knew people disliked him, and he secretly hated it. She didn’t — “I like you… a lot,” she said. (Oh, you could just feel his heart breaking all over again. Or maybe that was just mine.)

    ‘LET’S SHOW YOUR CLASSMATES WHAT YOU’RE MADE OF’ | In the residents’ lab, Richard finally found a doctor-in-training in whom he could take an interest: Tess Desmond, who hated the way her peers treated their jobs as if they were slumming, working retail. She even impressed him with her compassionate treatment of a patient who was worried about her pets — to the point that he passed over a miffed Helm to let her perform a lap choly. Tess was just about to make an incision when Levi spotted her and raced in — oy, she wasn’t a resident at all, she was his missing patient, Ms. Anderson. Afterwards, Jo and Richard reassured Tess that her kind of cancer was very treatable. But this was her fourth type of cancer — people were losing interest, she said. Everyone’s lives went on, but hers came to a crawl. So the wannabe doctor had seized the chance to live her dream during the storm. Later, Richard encouraged Tess not to give up. If she could survive four cancers, she could definitely finish med school. He also admitted that he was having trouble with his hands — it could mean the end of his medical career. He seemed to think that it did, that was for sure. He gave Tess his stethoscope and said, “I don’t need it anymore.”

    ‘THAT MIGHT HAVE BEEN THE COOLEST THING I’VE EVER SEEN’ | In other developments, things remained tense between Levi and Nico — at least on Levi’s side. Nico, on the other hand, was eager to put behind them the fact that he wasn’t out to his parents. As the hour neared its conclusion, Jackson told DeLuca that the next 12 hours were critical; they’d decide whether he lost a hand, digits… or nothing. Despite the dire situation caused by his stupidity, madness or a combination of both, he hollered at Carina and Meredith when they expressed concern about his mental state. He didn’t suggest that Grey had Alzheimer’s every time she forgot something, he pointed out. Bailey finally asked Joey to live with her family while he finished high school. She had an extra room, extra food, extra love and “a husband who will understand… eventually.” Happily, the teen agreed. After overhearing the new mom’s wife say that she’d seen the baby and “she is so you,” Teddy asked Maggie, “Am I crazy? Am I seeing stuff that isn’t there” in this Amelia situation? “You aren’t crazy,” Maggie replied. (Seriously, has she ever been able to keep a secret?!?)

    Jackson and Maggie kissed and made up after their spat, but Levi and Nico’s relationship remained… challenged. Levi didn’t feel like their romance was real, given the way his boyfriend kept trying to shut him up with sex. In response, Nico said that he was sick of Levi trying to change him. If he wasn’t enough as is, then… OK, OK, Schmitt said. You’re enough. Then, wait… whaaat? Teddy showed up at Tom’s and freaking kissed him. Oh, Teddy, not cool! Not. Cool. When Ben got home, he was surprised to find Joey playing video games with Tuck. And Jo opened her door expecting to see Alex. It was just Link, though, bringing donuts and despair. Alex “left me,” Jo exclaimed. “I think he woke up one day and felt the need to escape his life and me… I called his mom. He wasn’t there. He’d never been there. He left me… and I can’t… breathe.” Damn, it’s been a rough season for Jo. Leaving Grey Sloan for the day, Cormac asked Mer what DeLuca is to her. “He’s one of my firsts,” she admitted — the first person she’d said “I love you” to after Derek. “I’ve been lonely,” Hayes confessed. He’d never met someone like her, who’d also been widowed so young. It helped. Oh, and BTW, Yang “talked about having a twisted sister,” he added. “I’m guessing that’s you.” Mermac, it is!

    Sandra Oh to Lead Netflix Dramedy From Amanda Peet, GoT Creators

    (2/22/20) Sandra Oh is heading to Netflix. The Killing Eve star will play the titular role in The Chair, a six-episode dramedy about the chair of an English department at a major university.

    Amanda Peet (Togetherness) co-created the series and will write, executive-produce and serve as showrunner. Game of Thrones creators David Benioff (Peet’s husband) and D.B. Weiss, Thrones veteran Bernie Caulfield, and Oh will also have EP titles.

    The pilot was co-written by Peet and Annie Julia Wyman. While the series will be Peet’s first as a writer and showrunner, she has two plays under her writer’s belt — The Commons of Pensacola, produced by the Manhattan Theatre Club in 2013, and Our Very Own Carlin McCullough, produced at Los Angeles’ Geffen Playhouse in 2018.

    Jay Duplass (Transparent) will also star in the half-hour series. Peet and Duplass previously worked together on HBO’s Togetherness, which ran for two seasons from 2015 to 2016.

    Oh remains attached to BBC America/AMC’s Killing Eve, which was renewed for a fourth season ahead of its April 26 Season 3 premiere. Peet can be seen next in front of the camera in Season 2 of USA Network’s Dirty John. She’s also set to begin filming HBO’s The Gilded Age.

    Ratings: Last Man Standing and Grey's Anatomy Rebound From Series Lows

    (2/21/20) In the latest TV ratings, Fox’s Last Man Standing this Thursday drew 3.6 million total viewers and a 0.7 rating, ticking up in the demo from last week’s series low. Leading out of that, Outmatched (2.1 mil/0.5) and Deputy (3.3 mil/0.5) were steady.

    Over on ABC, Station 19 (6.3 mil/1.0) and Grey’s Anatomy (6 mil/1.1) each rose, with the latter rebounding from a series low, while Million Little Things (3.7 mil/0.6) was flat.


    THE CW | Katy Keene (538K/0.1) added a literal handful of eyeballs while clutching onto that 0.1; get Legacies scoop.

    CBS | Young Sheldon (9 mil/1.0), Carol’s Second Act (4.7 mil/0.6) and Tommy (4.7 mil/0.4) were all steady, while The Unicorn (6 mil/0.7) and Mom (6.3 mil/0.7) both dipped in the demo.

    NBC | Superstore (2.7 mil/0.7), Brooklyn Nine-Nine (1.9 mil/0.6) and Indebted (1.6 mil/0.4) all ticked up, while Will & Grace (2 mil/0.4) and SVU (3.4 mil/0.7) were steady.

    Grey's Recap: Grin and 'Bear' It — Plus, Which Twosomes Called It Quits?

    (2/20/20) ( Grey’s Anatomy’s Maggie was right all along: Camping is a bad idea. In Thursday’s episode, Jackson and Jo had occasion to work on a couple of patients who were mauled by a bear and rescued when Station 19’s firefighters went overnighting in the woods. And, in perilous situations that drew at least a little less blood, DeLuca was put (way!) out when Meredith took over Suzanne’s perplexing case, and as you were forewarned, Levi learned that Nico didn’t want his parents to meet his boyfriend. Perhaps not surprisingly, by the end of the hour, two couples had broken up — but not necessarily the two you might’ve expected. Who called it quits, and why? Read on…

    ‘I THOUGHT THE NATURE WOULD BE COMFORTING’ | As “A Diagnosis” began, unhappy campers Rachel and her poor, noseless husband Scott were wheeled into Grey Sloan as Maya arrived with his schnoz and caught Carina’s eye (which resulted in their flirtation at the end of S19). As news of the grizzly case spread throughout the hospital, Jo wondered aloud to Link if she and Alex were dealing with a surprise bear situation of their own. (Way to make it about you, Jo!) She also managed to make Link wonder whether Amelia’s brain tumor was back. Nearby, Scott learned that his nose had been — wait, whaaaat? — implanted in his arm to keep blood flowing through it till Jackson could reattach it in its, er, usual place. As if that wasn’t insane enough, a couple of rooms away, Rachel was being reunited with her… worried lover Brian?!? (Yeah, Grey’s had the crazy turned up to 11 Thursday!) Turned out, she had intended to tell Scott she was in love with Brian on their camping trip. But then her husband had gone and jumped in front of a bear for her.

    Off this revelation, Jo endeavored to help keep Scott in the dark. Neither he nor Rachel needed any more stress at the moment — arguably especially him, since he was about to get his nose replaced on his face. While Jo operated on Rachel with Owen, she asked what he would do if Amelia’s baby turned out to be his. She wasn’t telling tales, mind you, she was just rolling through worst-case scenarios when it came to Alex. Had he reconnected with an old girlfriend? she feared. (Izzie, is that you?) While Rachel recovered, Brian defended himself to Jo. He wasn’t a terrible person, just a person who was terribly in love. So he no longer judged “homewreckers.” At the same time, Scott was taking a major turn for the worse.

    At the same time, Riley asked if Andrew if he was still dating his boss. That he was made sense to Riley; it explained the care that Grey had shown for him. Next thing we knew, Bailey was informing DeLuca that Mer was taking over his case, telling him that he should be grateful and ordering him to go home and get some rest. Needless to say, it did not go well. What’s more, Riley was leaving — she wasn’t going to stick around and consult with Grey on what had been her own case. Thankfully, just in time, Riley and DeLuca got some test results that gave them [insert episode title here] for Suzanne: Her white cells were eating her other blood cells! But they’d have to act fast to save her before her organs shut down.

    ‘YOU GREW UP IN A WOLF PACK’ | Hiding out at home for the day, Amelia received a text from Link asking if she was OK and tea and sympathy from Maggie, who needed reminding that when she had been low, her sorta sis had given her the space that she wanted. But Maggie had grown up an only child; Amelia, as part of a wolf pack. And a wolf only isolates, Pierce knew, when it was curling up to die. So she was taking the day off to spend it with Amelia. In time, the mom-to-be confided in Maggie that her baby might be Owen’s, and she was terrified, because she and Link weren’t just good, they were almost “painfully good.” Now, he wasn’t sure whether he wanted to be with Amelia if the baby wasn’t his (which in turn made her wonder if she really wanted to be with him). “Biology doesn’t matter,” Amelia argued. “Love matters.” After all, she loved Maggie like a sister despite the fact that they didn’t share DNA. Maggie suggested that maybe Link’s fear had more to do with worries about something reigniting between Amelia and Owen than it did a lack of love for Amelia. Sweetly, Maggie also reassured Amelia that, no matter what, she wouldn’t be alone.

    ‘YOU ARE EVERYTHING THAT I NEVER KNEW I NEEDED’ | As the hour drew to a close, Jo reported to Rachel that Scott had died. In response, she recoiled from Brian and tearfully asked him to leave. Immediately, Jo placed a weepy call to Alex, leaving a message in which she pleaded with him to tell her what was going on, because “I’d jump in front of a bear for you.” Cormac brought Joey’s siblings to see him, thanks to Bailey, and they had an awfully sweet reunion. A frenzied DeLuca injected Suzanne with steroids without so much as a discussion with Grey. When Mer hit the roof, Riley came to Andrew’s defense. A commercial break later, Suzanne was doing a million times better. She was going to be fine, Mer reported. DeLuca was so pissed, though, he wouldn’t even go in to let Suzanne and her sister thank him. Mer had taken over the case, he argued, so she might as well take the credit. As she challenged him on his behavior, he went completely off the rails. “I don’t need this, and I don’t need you,” he said. “We’re done.” (Coincidence that he did so in front of Cormac?)

    Levi told Nico that he really, really wanted to meet his family. “They’re critical,” said Nico — of him. So much so that he had never told them that he was gay. Naturally, Levi was shocked. Nico had called him a “baby gay,” yet he wasn’t even out to his parents?!? Aaand Link went to Mer’s and learned that Amelia wasn’t going to pick up the paternity-test results — ever. She wanted to raise her baby with someone who loved it — and her — no matter what. In other words, her sisters. “Go home, Link,” Amelia told him. “It’s over.” Just then, Jackson came knocking to apologize for leaving Maggie alone in the woods last season. “Plus, you were right,” he added. “There were bears.” Finally, Mer texted Alex, asking where he was, because she needed him. We saw the bubbles indicating that he was responding, but alas, no reply came.

    Grey's Anatomy Boss Breaks Silence on Justin Chambers' Exit, Says 'Clarity' on Alex's Fate Still a 'Few Episodes' Away

    (2/19/20) Grey’s Anatomy fans will get “clarity” — if not closure — regarding the disappearance of Alex Karev, promises showrunner Krista Vernoff.

    Addressing for the first time the sudden departure of original cast member Justin Chambers, the EP confesses to our sister site Variety that figuring out how and when to explain Alex’s vanishing act “was a very careful threading of a needle, where we are giving a little bit of information and pain to Jo,” adding, “We’re, episode by episode, illuminating the story of where Alex is. And it takes us quite a few more episodes to get there and to give the audience clarity.”

    Vernoff is, of course, somewhat limited in her ability to craft a truly satisfying ending for Alex, given the abruptness of Chambers’ exit; his final Grey’s episode aired back in November, and there are no plans for him to return to finish out his character’s storyline. Last week’s episode offered the first clues about Alex’s fate when Jo disclosed to Amelia that her other half — who left town to care for his ailing mother — suddenly, inexplicably stopped returning her calls. “Jo went through so much pain and so much grief just last season that I wanted to be careful,” Vernoff says. “And so it’s a bit of a mystery [what’s going on with Alex], so that we don’t watch Jo in the same place that we watched her last season. We did it as carefully as we could. But it takes a while to get there.”

    In confirming his Grey’s exit last month, Chambers said that he was looking to “to diversify my acting roles and career choices,” adding, “As I turn 50 and am blessed with my remarkable, supportive wife and five wonderful children, now is that time.”

    TV Ratings: Grey's, Last Man Standing Eye Lows; Katy Keene Hits 0.1 in Week 2

    (2/14/20) In the latest TV ratings, ABC’s Grey’s Anatomy this Thursday drew 5.6 million total viewers and a 1.0 rating, dipping a tenth in the demo to mark a new series low. Bookending the medical drama, Station 19 (6 mil/0.9) was steady, while Million Little Things (3.7 mil/0.6) hit and tied series lows.

    Elsewhere on Thursday….

    THE CW | Katy Keene (557K/0.1) ticked down in Week 2, while Legacies (6223K/0.2) held steady.

    FOX | Last Man Standing (3.7 mil/0.6) dipped to revival lows, Outmatched (2.2 mil/0.5) posted its lowest numbers thus far, and Deputy (3.4 mil/0.5) was down a tenth.

    CBS | Young Sheldon (8.8 mil/1.0) and Week 2 of Tommy (4.4 mil/0.4) were steady, while The Unicorn (6 mil/0.8), Mom (6.3 mil/0.8) and Carol’s Second Act (4.9 mil/0.6) all ticked up. NBC | Newly renewed Superstore (2.3 mil/0.6) and Will & Grace (2 mil/0.4) each drew their smallest audiences ever while matching all-time demo lows. Brooklyn Nine-Nine (1.8 mil/0.5) and Indebted (1.5 mil/0.3) each dipped in the demo, while SVU (3.3 mil/0.7) ticked up.

    Killing Eve Premiere Date

    (2/14/20) (Video) BBC America has officially set a date with Villanelle and Eve for Sunday, April 26, when Season 3 of the critically-acclaimed Killing Eve premieres, it was announced via the above teaser.

    New cast additions for the upcoming season include Gemma Whelan (Game of Thrones’ Yara Greyjoy), Pedja Bjelac (Harry Potter and the Goblet of Fire), Camille Cottin (Call My Agent), Steve Pemberton (Inside No. 9), Raj Bajaj (A Christmas Prince: The Royal Wedding), Turlough Convery (Ready Player One) and Evgenia Dodina (One Week and a Day).

    Last month, the series was renewed for Season 4, well ahead of the show’s springtime return. Following in the footsteps of Season 1’s Phoebe Waller-Bridge, Season 2’s Emerald Fennell and the upcoming season’s Suzanne Heathcote, Killing Eve will continue its tradition of naming a new female lead writer for Season 4.

    Grey's Recap: Paternity Stressed — Plus, Our First Clues About Alex's Exit

    (2/13/20) ( Warning: The following contains spoilers for Thursday’s Grey’s Anatomy.

    Thursday’s Grey’s Anatomy not only promised to reveal whether Link or Owen was the father of Amelia’s baby (but didn’t!), it reunited MerLuca in a big way and dropped our first clues about how Justin Chambers’ exit as Alex was finally going to be explained. Read on, and we’ll go over all the deets of the Jesse Williams-directed episode.

    ‘LINK LOVES YOU — STOP AVOIDING HIM’ | As “Save the Last Dance for Me” began, Meredith and DeLuca woke up in bed together to find a text that said that Suzanne had had chest pains overnight. He quickly revealed that he’d used his girlfriend’s name to entice a diagnostics whiz from UCSF — Dr. Lauren Riley (Supernatural’s Shoshannah Stern) — to consult on the puzzling case. At Pac-North, Richard broke it to Owen that their hospital had been purchased by… well, his wife. “Now we have to report to Grey Sloan and interview for our jobs,” he added — with Koracick. Just then, Maggie arrived for her first day at Pac-North, blissfully unaware of what had transpired. At Grey Sloan, Nico gently informed Levi that they weren’t at the cohabiting step of their relationship, so his boyfriend needed to find his own place, stat. When Amelia bumped into Jo, Dr. Karev lectured Link’s lover about having kept him in the dark. He might look like a Ken doll, but he had feelings, dammit. In no time, Amelia deduced that Jo was going through something every bit as much as Link was. “Alex hasn’t been returning my calls,” Jo admitted. He’d only told her that he’s been going through something and needed time — which she suspected was revenge for when she’d needed time. (But that doesn’t really sound very Alex-y at all, does it?)

    When Dr. Riley arrived, she informed Suzanne that she was going to run a bazillion tests — some of them for a second time. And she wasn’t nearly as keen on working with DeLuca as she was with getting to Mer already. Upon learning that Suzanne wasn’t really Grey’s patient, she’d only consulted, Dr. Riley was ready to bolt. “But you’re too good to just walk away,” DeLuca suggested. And, much to Lauren’s chagrin, he was right. Before the patient underwent a procedure with Maggie, she marveled at how much her daughter — who’d accidentally been outed by her aunt — must need her super cool mom right about then. All the more reason that she had to get better! Once Suzanne had come out from under anesthesia, Dr. Riley proposed that they cut off all treatment, to see whether the many drugs she was on were masking the underlying condition that was the big problem. Suzanne’s sister was livid over the idea. So Dr. Riley appealed directly to her — if she was in Suzanne’s position, she’d want her favorite sister to make this impossible decision for her. In the end, they agreed to cut off treatment. (After which Lauren admitted to DeLuca that she was an only child.)

    ‘GOD, HOW I MISS O.R. 2’ | During Richard’s interview with Koracick… well, it wasn’t an interview at all, really. Tom informed Webber that Catherine had told him her soon-to-be-ex-husband’s job was safe. She just wanted him back at Grey Sloan. And Richard had thought that he could do that. But nope, he wouldn’t, couldn’t (!) let Catherine move him around like a pawn. Or a bishop. Or even the queen that Koracick suggested he was to his estranged missus. When it was Maggie’s turn, Tom told her that she still had a job. But her department was no longer hers — having left him in the lurch, she’d be working under Teddy. When Owen balked at being made to wait till Koracick had interviewed even the residents, Tom promised to get him outta there in time for his wedding. (Snap.) At least the turmoil seemed to allow Jackson and Maggie to be in one another’s proximity without sniping at one another. That night, Jackson found Richard sitting outside Grey Sloan. His stepson told him that he did, too, know where he worked — he worked there at Grey Sloan, whether he liked it or not. Jackson even seemed to think that soon enough, Richard and Catherine would be laughing about their “split.” Moments later, Jackson reported to Mer and Bailey that Richard had walked, and he wanted to, too. Were they just gonna take this BS or fight back? Choosing the latter, Mer, Richard, Bailey, Owen and Jackson stormed the conference room to point out to Tom that he couldn’t afford to let all of his best doctors quit. “We’re a family,” Bailey said. And he didn’t get to screw with their family. That being the case, Richard and Owen were rehired, Maggie and Teddy would be cardio co-chiefs, and Cormac and Alex would be peds co-chiefs (as if that was going to be an issue). And best of luck, Tom, finding the co-budget to co-pay for all of those co-chiefs!

    ‘I MADE A PROMISE THAT WE WOULD NEVER SPLIT UP’ | When young Joey from Station 19 was done being treated by Nico, Bailey broke it to him that his foster siblings had been taken away by social services. He did not take it well. Shortly, Jo found him trying to sneak out of the hospital. “Nurse Jones” had said it was OK, he lied. Later, Bailey reported back to him that social services tried to keep siblings together. But they weren’t his biological brothers and sister, Joey exclaimed. Taking the lead, Jo insisted that he not do anything rash. Of all people, she understood what he was going through. “But you can’t help them if you’re dead.” While operating on Joey, Bailey revealed to Jo that she’d done some research on the boy — he was a good kid. Make that a great one. And Jo knew that no one was going to adopt a 17-year-old. That evening, Jo assured Bailey that Joey’s case in the foster system wasn’t hopeless, it just wasn’t easy. (But you could see the wheels turning in one — or was it both? — of their heads… )

    ‘WHAT’S GONNA HAPPEN THEN?’ | Off her talk with Jo, Amelia paged Link to the plant room to ask what would happen if it turned out that the baby was Owen’s. He’d said he loves her. Did he love her enough to be in her and this baby’s life no matter what? In response, Link admitted that he couldn’t pretend that he didn’t think her history with Owen would impact their future if the baby turned out to be her ex-husband’s. So basically, they’d have to wait and see. Later, the former marrieds ran into one another while Owen was trying not to let steam come out of his ears over Koracick. “You stole his girlfriend,” Amelia reminded him. So “just let Tom have his fun — or his pain. He’s lonely.” Owen was awestruck: How did she manage to feel everyone’s feelings so much and so well 24/7? As the episode drew to a close, Amelia texted Link that she hadn’t taken the paternity test yet — she needed time.

    ‘I USED TO BE A ROMANTIC’ | In other developments, Cormac, whose kids were visiting Grey Sloan, continued to charm Mer (or at least us). Levi treated a cancer patient named Irene who was living her best life with her husband for as long as she possibly could. Which wasn’t going to be much longer, Schmitt and Grey sadly had to report. Irene’s husband, having taken a shine to Levi, asked for his help in setting up the cafeteria like a ballroom so that the dance enthusiasts could have one last twirl around the floor. (To the tune of “Moon River,” no less.) Later, while Mer observed that once upon a time, she would’ve been the one setting up the makeshift ballroom for the doomed couple, not a resident, Irene asked Levi if he’d met the love of his life yet. He had, but he had difficulty communicating that to Nico. If they were on the same page, they might’ve been reading different books. Finally, Jo returned home to her and Alex’s empty apartment. Unless I miss my mark, she was definitely considering filling it with Joey and his siblings.

    Grey's Jake Borelli Previews Freeform's Gay Romcom The Thing About Harry: 'It's Not Trying to Be Political, But… '

    (2/13/20) Jake Borelli isn’t kidding when he says that Freeform’s crazy-cute gay Valentine is “just a romcom through and through. It’s not trying to be anything else.”

    Yet the movie, about high-school nemeses Sam and Harry (Borelli and newcomer Niko Terho) dancing on the thin lines between love and hate, and friendship and romance, is more than a mere When Harry Met Sammy. “It’s not trying to be political, but it is,” says the Grey’s Anatomy actor, “just because it’s two queer people at the helm of it.”

    In this age when the Hallmark Channel would even consider, much less go through with, yanking a commercial featuring lesbian brides, and “equality is being threatened, the fact that this got made,” he continues, “and is being supported by huge companies like Freeform and [its parent] Disney is just massive.” Lest you need reminding, Harry is also massively appealing. “This is a movie anyone can relate to,” says Borelli. “We’re not really talking about the things that a lot of queer content does, like coming out and overcoming shame. It’s just a story about two young guys trying to fall in love and keep that love once they’ve found it.”

    If those guys have killer chemistry, credit, at least in part, director Peter Paige (Good Trouble). “Once we started production, he thought it would be a good idea for Niko and me to have a bonding moment,” Borelli says. “Since Niko was a professional soccer player at one time, Peter had him teach me how to play soccer, which was one of our more intense bonding moments, because I am not a great athlete!

    “He had such patience,” though, he adds, “and I learned quite a bit about soccer.” At least enough to know that it wasn’t for him since he has “absolutely not” continued to play.

    Ratings: CBS' Tommy Is Not Quite Evil, Katy Keene Does Riverdale-y Numbers

    (2/7/20) CBS’ Tommy debuted on Thursday night to a 0.4 demo rating — matching predecessor Evil‘s season low — while giving the time slot its biggest audience of the season, with 4.8 million total viewers.

    On the sitcom front, Young Sheldon (9 mil/1.0) and Mom (6.3 mil/0.7) were steady, The Unicorn (6.2 mil/0.7) ticked up and Carol’s Second Act (4.8 mil/0.5) dipped.


    THE CW | Katy Keene‘s debut numbers (661K/0.2) were more on par with its sorta-sire Riverdale‘s latest than time slot predecessor Supernatural‘s season-to-date average (1.14 mil/0.3). Legacies (620K/0.2) in turn dipped to hit and match series lows.

    FOX | Last Man Standing (4 mil/0.8) rebounded from last week’s revival lows, while Outmatched (2.7 mil/0.6) and Deputy (3.5 mil/0.6) were steady.

    ABC | Station 19 (5.9 mil/0.9) dipped, Grey’s Anatomy (5.5 mil/1.1) was steady and Million Little things (3.8 mil/0.7) ticked up.

    NBC | Brooklyn Nine-Nine‘s opener (2.7 mil/0.7) was on par with its prior season average, but the second half-hour slipped to 2 mil/0.5. Leading out of Will & Grace (2.3 mil/0.5), Indebted debuted to 2.1 mil and a 0.4. SVU (3.2 mil/0.6) was steady.

    Grey's Recap: Food for Thought

    (2/6/20) ( Not since Season 12’s “Guess Who’s Coming to Dinner” has Grey’s Anatomy dished out a meal as tense as the one in Thursday’s “The Last Supper.” Jackson and Maggie thought they’d be sitting down to a celebration of their parents’ anniversary — with Station 19’s Vic and Dean on hand as collateral damage — but as regular viewers could have predicted, the get-together turned out to be more of a coming-apart. Read on, and I’ll serve up the details, course by course.

    ‘YOU’RE CLEARLY IN THE MOOD TO CELEBRATE’ | As the episode began, Maggie ran into Jackson at Grey Sloan and snarkily related that Koracick had to think about whether or not to let her return to her old job. Nearby, Richard and Catherine bickered about whether they should still have the dinner. Catherine maintained that absolutely, they should; even though they were separating, they wanted the kids to know that they would still be a family. (This, despite the fact that the kids didn’t much want to be a family or even in the same hospital as each other.) That evening, Maggie was first to arrive for the “anniversary party” — and the first to notice the thickness of the tension in the mansion. Jackson showed up next with a gift that outshone his stepsister/ex-girlfriend’s. In no time, Catherine got the wine flowing — and not a moment too soon. Richard was anxious to break it to Jackson and Maggie that they were splitting up. Before he could, though, Vic arrived — with, to Jackson’s surprise, Dean.

    “Did you know they were bringing dates to dinner?” Catherine asked Richard privately. Of course he didn’t. Anyway, they obviously couldn’t break their news now. Adding place settings to the table, Maggie accused Jackson of being unable to be alone. He’d gone immediately from April to her, and even on his “nature walk,” he’d wound up meeting a woman named Kate. (Remember her?) Back in the living room, Dean fussed at Vic for not warning Maggie that he was coming. “Time to eat,” cried Catherine. Good God, someone hide the knives! After sharing that she’d made — made? Catherine Avery cooked? — shrimp scampi, she inquired whether Vic was allergic. Heavens no, said Dean. “She’ll put anything in her mouth.” Come again? “Anything that’s food,” he quickly clarified. And believe it or not, things got worse from there. Dean made the mistake of asking whether Richard and Catherine had been married when Jackson and Maggie got together — the gift that keeps on giving!

    ‘WHEN I WAS IN TRAINING, THEY CALLED [PAC-NORTH] THE MORGUE’ | From there, topics included Maggie’s dislike of rich guys (at least those who aren’t down to earth), Richard’s job at Pac-North (aka the Morgue) and that “coffee” that Richard had had with his “friend.” Later, Maggie regaled the group with the story of Catherine’s very un-Catherine-like, super-romantic proposal to Richard. (Did I see the Averys softening toward one another?) “You’ve had your ups and downs,” Jackson noted, making a toast to his mom and stepdad, “but you always push through.” They are, in his estimation, the gold standard of coupledom. Afterwards, Catherine stole a moment alone with Richard to suggest that Jackson was right, they did always persevere, so maybe they shouldn’t give up. (I had seen them softening! Just not enough… ) “Apologize,” Richard said. “If you love me and you want this to work, say you’re sorry that you didn’t stand by me as I had to leave [Grey Sloan] and rebuild my life.” In response, she said, “I am sorry, but… ” Which wasn’t what he wanted to hear. He didn’t think that apologies could include the word “but.” So “it’s too late,” he declared. (Such children — and they were only getting warmed up!)

    Back at the table, Catherine lashed out at Richard, who was busy chuckling at texts that he was receiving. She assumed they were from the “Pac-North heifer” he was seeing. (That’s no way to talk about Jasmine Guy!) But they were actually from Alex, who’d just given Webber the go-ahead to make Maggie an offer to be Pac-North’s cardio chief. Was that what Catherine hadn’t wanted to discuss with Jackson? No, that, his mom said, was that she and Richard were splitting up. She just hadn’t intended for him and Maggie to find out at a potluck free-for-all. Ironically, it was when Vic walked in on Jackson comforting his mom afterwards that she at last gave his new girlfriend a chance — as well as a taste of her famous cobbler. Outside, Richard confided in Maggie that yes, he really did think it was over between him and Catherine. About that offer, though… she wanted to see it. “Alex thinks I’m worth this much?” she marveled. “Then I guess I’ve got a new job.” When she went back inside, she ran into Dean and somehow let him leave without saying, “You’re adorable. I should totally date you.” But at least Maggie apologized to Vic for taking out some of her unresolved anger on her.

    ‘EXCEPT FOR THE BALL GAG AND JOCKSTRAP, WE’RE GOOD’ | In the episode’s other plot, Levi, still recovering from his attack of heartbreak syndrome, learned from his mom that his ornery Uncle Saul was on his last legs. Since only Schmitt had ever really gotten along with the grump, off he and Nico went to pay him a visit at his nursing home. Once there, Levi found out that Uncle Saul was in end-stage heart failure. Like, really end-stage. No sooner had Schmitt revealed that Nico was his boyfriend than Uncle Saul croaked. “I killed him with my gayness,” gasped Levi. Owing to Jewish tradition — which Schmitt had gleaned from Google — he couldn’t leave his uncle’s body alone until another relative arrived to sit with it. Once Aunt Gertie showed up, Levi backed off from calling Nico his boyfriend and just introduced him as his friend. Since Aunt Gertie and Uncle Saul had agreed that the end was The End, she told his corpse, “Love ya, buddy,” and split. That night, Levi and Nico were still there, still waiting for a relative to spell them, when at last a man played by Peter Strauss came in and began weeping over Uncle Saul. The mystery man knew all about Levi… and, for that matter, his boyfriend. Of course Saul had known that Levi was gay. “Takes one to know one,” said the man, whose name was Daniel and who was the love of Saul’s life. Aww.

    Later, Daniel revealed that he’d been trained in how to prepare Saul’s body and offered to teach Levi. In fact, “it would be an honor,” said the older man. During the process, Schmitt asked why Uncle Saul had been with Aunt Gertie instead of making a home with Daniel. It was different for Levi’s generation, Daniel explained. Uncle Saul was ashamed of himself. Maybe, Daniel theorized, Levi had been with Saul at the end so that he’d never again take for granted that “you have the freedom that he wouldn’t give himself.” As the episode drew to a close, Levi was back home and informing his mother that he was moving out. Her saying that she accepted him wasn’t the same thing as actually accepting and being proud of her “super gay” son. So he thanked her for the food and the laundry, and split. Finally, Catherine and Richard had one last spat, this time about him dragging Maggie’s career down along with his own. He could damn well hire her if he wanted, he said. “And there isn’t a thing you can do to stop me.” In response, she made a phone call to inquire about buying Pac-North. “This is absurd,” cried Richard. And petty as hell. “Maybe it’ll be a good investment,” said Catherine, “or maybe I’ll just shut it down.” Such children!

    Grey's Co-Star Previews Thursday's 'Last Supper': 'If You Want to Say Your Goodbyes, Now Would Be a Good Time'

    (2/5/20) This week’s episode of Grey’s Anatomy promises to be a big one, in particular for Jake Borelli’s Levi.

    As “The Last Supper” begins, “he’s still at home recovering from [his bout with] heartbreak syndrome,” the actor tells TVLine. “Since he lives in his mom’s basement, we get to delve into their relationship a little bit more… and she lets him know that his uncle, who is kind of a jerk, is in hospice.

    “She basically says, ‘If you want to go and say your goodbyes, now would be a good time,'” he continues. “Out of Levi’s whole family, he’s had the best relationship with his Uncle Saul. Now that he’s out and proud and growing in his own confidence, he decides this would be a good time to introduce his uncle to [his boyfriend] Nico.”

    So, off goes Grey’s first gay male couple to the nursing home. Once they arrive, though, it’s Levi who might need to be on life support. “Uncle Saul’s reaction sort of shocks him,” Borelli teases. “We get to explore Levi coming out to other family members and how the rest of them react.

    “We saw a little bit of his mom’s reaction to it, but now we’re starting to see behind the veil,” he adds. “His mom is sort of okay with [his sexual orientation], but she doesn’t want to talk about it with the rest of the family, and she doesn’t want it outside of the basement. In her own way, she’s kept him in the closet.”

    “The Last Supper,” which also focuses on what Jackson and Maggie think is going to be a celebration of their quarrelsome parents Catherine and Richard’s wedding anniversary — but most definitely isn’t any such thing — airs Thursday at 9/8c on ABC.

    Grey's Anatomy Vet Patrick Dempsey Eyes Network TV Comeback in CBS Political Drama Ways & Means

    (2/4/20) Five years after checking out of ABC’s Grey’s Anatomy, Patrick Dempsey is eyeing a TV comeback in another hourlong drama — this time at CBS.

    TVLine has learned that Dempsey has been tapped to star in Ways & Means (fka The Whip), a politically-themed drama from Without a Trace EP Ed Redlich that has just scored a CBS pilot order. The potential series finds the erstwhile McDreamy playing a powerful Congressional leader who, after having lost faith in politics, finds himself working secretly with an idealistic young Congresswoman from the opposing party to subvert the hopelessly gridlocked system he helped create. Together, they’ll attempt to save American politics (provided they don’t get caught).

    Redlich is co-writing the script with noted GOP political consultant Mike Murphy, and the duo will serve as EPs alongside Denise Di Novi, Tom Lassally and former CBS president Nina Tassler. Joannie Burstein is a Co-EP.

    Should Ways & Means get picked up to series, it would serve as Dempsey’s first full-time series gig since exiting Grey’s in March 2015 after 11 years; his fan-favorite character was killed in a car crash.

    ”It had been long enough,” he later said of his Grey’s exit. “It was time for me to move on with other things and other interests. I probably should have moved on a couple of years earlier. I stayed a bit longer than I should have.”

    Dempsey briefly returned to the small screen in 2018 in the Epix 10-part limited series The Truth About the Harry Quebert Affair.

    Ratings: Good Place Rises With Series Finale, Last Man Standing Eyes Lows

    (1/31/20) NBC’s The Good Place wrapped its four-season run on Thursday night with 2.4 million total viewers and a 0.7 rating, ticking up in the demo to match its season high. The Seth Meyers-hosted aftershow then did 2.1 mil and a 0.6.

    Bookending the acclaimed comedy’s sendoff, Superstore (2.8 mil/0.7) and SVU (3.6 mil/0.6) were both steady.


    ABC | Station 19 (6.1 mil/1.0) slipped 16 percent from its season opener, while Grey’s Anatomy (5.6 mil/1.1) fell 21 percent to match its series low (set on Halloween Night 2019). In its second week in a later slot, A Million Little Things (3.8 mil/0.6) similarly dipped to series lows.

    FOX | Last Man Standing (3.9 mil/0.7) and Outmatched (2.3 mil/0.6) each ticked down, with the former hitting revival lows. Deputy (3.3 mil/0.6) ticked up after a multi-week slide.

    THE CW | Monday-bound Supernatural‘s winter finale (1.09 mil/0.3) and Legacies (864K/0.3, read recap) each ticked up.

    CBS | Young Sheldon (8.6 mil/1.0), The Unicorn (5.8 mil/0.6), Mom (6 mil/0.7) and Carol’s Second Act (4.6 mil/0.6) were all steady in the demo, while Evil (3.2 mil/0.5, read post mortem) rose a tenth with its season finale.

    Grey's Anatomy Recap: Not So Fast!

    (1/30/20) ( Bad news travelled slowly in Thursday’s Grey’s Anatomy. Two months after Maggie quit Grey Sloan (kidding — I know it’s only been days in Grey’s time!), Richard learned that his daughter had traded the operating room for the unemployment line. In other developments, Amelia broke it to Link that there was a chance that their baby wasn’t actually his, and despite the twinkle in Cormac’s eye whenever he spoke with Meredith, she began to wonder whether she’d made a mistake by declaring herself dumped by DeLuca when all he’d actually asked her to do was take a hot minute and give their relationship some thought. But, of course, those are just the headlines. If you read on, we’ll get as deep into the nitty-gritty as Grey Sloan’s docs do a patient’s chest cavity during open-heart surgery!

    ‘SEATTLE IS KINDA WELL-KNOWN FOR ITS COFFEE’ | As “A Hard Pill to Swallow” began, Meredith was texting Cristina, who was playing coy about her “gift.” When the present in question entered the doctors’ lounge, Cormac put even greater distance between himself and his crankypants introduction at Grey Sloan by helping Amelia tie her shoe and offering Mer coffee. (I know it sounds simple, but the twinkle in his eye as he did it — as he does most everything — really sold it.) “That is a very well-wrapped gift,” Amelia cracked after he left the lounge. Seemingly determined to turn a blind eye to McWidow’s appeal, Mer grumpily re-untied Amelia’s shoe. (If they say romance is dead, that’s why!) Afterwards, Mer grumbled to DeLuca that she hadn’t liked being told to take some time, but — in Italian, she added — she missed him. She didn’t have to, he noted; he hadn’t dumped her. Outside the hospital, Amelia broke it to Link that she was more pregnant than she thought, which meant that he might not be the father. “I don’t need a paternity test to know that I want to be with you, she assured him. “You have yet to make me cry. I’m in love with you, Link.” Even if Owen did turn out to be the dad, that wasn’t going to change.

    Back at work after taking some time to process her recent miscarriage, Bailey teamed up with DeLuca to treat a mother of two named Suzanne (Suits’ Sarah Rafferty), who wasn’t recovering from her appendectomy as expected. She kept spiking a fever every night, therefore she couldn’t be sent home… which was where she was desperately needed since her girls’ dad had died only a year ago. In the pit, Cormac, who seemed not to even know who Cristina was, partnered with Mer to treat a 17-year-old who was coughing up blood. After some tests were run, the docs remained mystified. Elsewhere, Teddy wept to Owen that she’d lost her engagement ring. Though he allowed that his mom might kill his fiancée, it’d be OK — they’d find it. Elsewhere, Link, Jo and Jackson treated an idiot who capped a night of drinking at a local bar by swallowing a goldfish that turned out not to be a goldfish. While all this was going on, Richard showed up at Mer’s and suggested Maggie join him for breakfast. But upon seeing her disheveled state, he decided, uh, maybe they’d eat in — he’d cook. Which he could do, he added. A mess, Maggie didn’t want to accept his forgiveness for “killing” Sabi. “I’m useless and mean and awful,” she cried. She preferred to go back to him not being able to look at her.greys-anatomy-recap-season-16-episode-11-hard-pill-to-swallow

    ‘YOU CAN LOVE HER AND BE MAD AT HER AT THE SAME TIME’ | Later, Bailey and DeLuca freaked out Suzanne’s kids — not hospital fans after losing their dad — by insisting on doing a CT and keeping her for another night. Before operating on the dude who’d swallowed the poisonous fish, Link assured Jo that he was cool with Amelia not having a paternity test; he liked Owen, and the baby would have, like, eight parents. Jo was stunned that Link could be — or insist he was — so chill, and told him that he could be in love with and incensed with Amelia at the same time. “Both things can be true.” Treating the blood-spewing teen, Cormac confessed to Mer that he always gets testy this time of year. “It’s when I lost [my boys’] mom — cancer. So I hope we can start over.” Certainly, she understood. And soon, they understood why the young jock had the lungs of a 60-year-old: He was vaping. After filling in the boy’s father and friends, Cormac deferred to Mer when she recommended a different course of treatment than he did. By and by, Teddy and Owen discovered that Leo had swallowed her ring. Hey, at least he wasn’t an adult who swallowed a poison fish.

    Back at Mer’s, Richard admitted that he hadn’t been able to look at Maggie after Sabi died not because she’d “killed” his niece but because he’d pushed her to operate. But it wasn’t his fault — at all, Maggie countered. She hadn’t asked the right questions, and because Pac-North’s protocol was different than Grey Sloan’s, her cousin was dead. “I was arrogant and blinded by emotion,” she said. And when she pleaded again to be left alone, her father complied. In the O.R., Mer’s course of treatment didn’t work out, so Cormac leapt in with his. He’d been in a similar situation with his Swiss boss, a Dr. Yang — did he really not know her first name? Or any better than to tell her person she was an absolute nightmare? Bailey and DeLuca ran into still more trouble with Suzanne, too. While she was getting an MRI, she began coding. Once she was stable, she reassured her petrified kids that she wasn’t sick like their daddy had been, and these doctors were going to figure out what was wrong. “Create a war room,” Bailey ordered DeLuca. “We are not letting this mother die.” After fish guy came out of surgery, his fiancée came roaring in and dumped him for his stupidity. “When somebody shows you who they are over and over,” she yelled in front of Link, “you believe them.”

    ‘FAMILY DOESN’T OPERATE ON FAMILY’ | Maggie thought she’d gotten rid of her dad, but he came back with more food. “Please just yell — be mad at me,” she begged him. She wanted all the punishment that was coming her way. Instead of RSVP yes to her pity party, Richard recalled that when he was temperamental as a kid, his mother would suggest they eat, then talk about it. So that was what he was doing with her. Once they’d had at least a little bite, Richard told Maggie definitively that it was his fault. He knew the rules, and he’d broken them by all but forcing his daughter to operate on her cousin. She’d settle with his brother, letting him feel that some justice had been done by Sabi, and she’d never make the same mistake again. It happened to every doctor at some awful point or another. Back at Grey Sloan, Owen suggested to Teddy that they keep the ring in a safe for special occasions, and instead she’d wear a necklace with the family’s initials on it.

    As Cormac outlined the long road to recovery the teen vaper faced, he reassured the kid’s dad that he wasn’t stupid, e-cigarettes are just evil. After riding Bailey all day, Koracick finally got an earful from her: She had a miscarriage, dammit, and she’d been doing some self-care. In response, he suggested that she light a candle. He and his ex had some experience with that, too. He still lit a candle for the children they didn’t have on what would have been their birthdays. (That’s the Tom we know and love.) Paged by Link to the plant room, Amelia was concerned. And kinda rightfully. He should’ve known from the start if there had been any doubt about the baby’s paternity, he said. Now he deserved to know. Everyone involved did. He wanted to be the guy to whom the paternity didn’t matter but, rather than shoot off his mouth, suggested they gather information and then figure it out. Finally, Mer responded to DeLuca’s text, but he wasn’t looking for a date, he wanted Grey’s help with Suzanne’s confounding case. And when Richard came home, Catherine expressed her skepticism that his discussion with Maggie had taken all day. She had to trust him if this was going to work. “Who says this is working?” she replied before admitting, “Richard, I think it’s time for us to have a much bigger conversation.” Yikes.

    Supernatural Vet to Grey's

    (1/28/20) Grey’s Anatomy is paging Shoshannah Stern: The Supernatural veteran will guest-star in an upcoming episode of the long-running ABC drama.

    Stern will play Dr. Lauren Riley, a diagnostics expert who helps DeLuca with a supposedly “incurable” patient. The episode, directed by Grey’s star Jesse Williams, will air Thursday, Feb. 13 at 9/8c.

    Known for playing hunter Eileen Leahy on Supernatural, Stern has also appeared on Weeds, Jericho and the Sundance dramedy This Close, which the deaf actress also co-created with Josh Feldman.

    Grey's Anatomy: Jesse Williams Is Broadway-Bound — What Exactly Does This Mean for Jackson?

    (1/27/20) Is another Grey’s Anatomy doc about to go AWOL?

    With Jesse Williams set to make his Broadway debut in early April — in a revival of Richard Greenberg’s Tony-winning play Take Me Out — conventional wisdom suggests that viewers will be seeing less of his character, Dr. Jackson Avery, come spring. After all, Grey’s will still be in production on Season 16 when Take Me Out begins previews on April, 2. (And that’s not accounting for rehearsals, which will likely put Williams in New York well before then).

    But as showrunner Krista Vernoff explains to TVLine, a plan has long been in place to accommodate Williams’ extracurricular activity. “I’ve known since the beginning of the season and I’ve been able to plan [Jackson]’s storyline [accordingly],” the EP assures us, adding that, through the magic of air travel, Jackson will be staying put in Seattle while Williams is in New York. “Jesse is able to fly back one day a week; we’re just making it work [because] this was important to him.”

    Last summer, Williams inked a new two-year deal with Grey’s that will keep him around through Season 17. The actor joined the long-running medical drama in Season 6.

    News of Williams’ professional juggling act comes as Grey’s fans are still reeling from the sudden departure of original cast member Justin Chambers, whose final episode as Alex aired in November.

    Ratings: Station 19 Hits Audience High With Crossover, Deputy Dips Again

    (1/24/20) ABC’s Station 19 opened Season 3 on Thursday night with 7 million total viewers — its largest audience ever — and a 1.2 demo rating, up from its sophomore average (5.3 mil/1.0) while just shy of Grey’s Anatomy‘s fall demo average in the leadoff slot (1.3).

    Christening later time slots and after a nine-week break, Grey’s Anatomy (6.7 mil/1.4) and A Million Little Things (4.2 mil/0.8) were both on par with their fall finales. What’s more, Grey’s improved on Million Things‘ fall average in the hammock slot (4.5 mil/0.8), while AMLT improved on HTGAWM‘s fall average (2.3 mil/0.5).

    All told, #TGIT was up 40 and 22 percent from the fall line-up’s average. Elsewhere….

    THE CW | Supernatural (1.02 mil/0.2) hit and tied season (series?) lows, while Legacies (720K/0.2) was steady.

    FOX | Last Man Standing (4.5 mil/0.8) was steady, while Outmatched‘s series premiere retained 3.2 mil/0.7 (improving on the time slot YOY by a tenth). With a slightly softer lead-in, Deputy (3.2 mil0.5) dipped for a third straight week.

    NBC | Superstore (2.7 mil/0.7), The Good Place (2.1 mil/0.6) and Will & Grace (2.3 mil/0.5) all rose a tenth, while Perfect Harmony (1.4 mil/0.3) was flat with its finale.

    Grey's Anatomy Midseason Premiere Recap: All Hands on Doc — Plus, Seismic Shifts for Two Couples

    (1/23/20) ( Warning: The following contains spoilers from Thursday’s midseason premiere of Grey’s Anatomy. If you’d rather watch first, read later, scrub out now.

    When everybody left Joe’s Bar in Station 19’s Season 3 premiere Thursday, they all had a pulse. But would they still have one by the conclusion of Grey’s Anatomy’s midseason premiere? That was the question as we headed into “Help Me Through the Night.” And the answer? Read on…

    ‘JO STOLE A BABY’ | Early on in the episode, Meredith showed up at Jolex’s to tell Alex about his replacement, only to find Jo and Link preoccupied with the baby that she insisted she hadn’t abducted, she just hadn’t brought to Grey Sloan yet. When the doctors received texts about multiple incoming traumas, they all hightailed it to the hospital — even Jo. Though she’d had two glasses of wine and therefore couldn’t work, she was going to take Link’s advice and sneak the baby into the nursery. At Grey Sloan, Tom ordered DeLuca to babysit Elliot until his heart restarted — a d—k move, it seemed to Andrew. But really, Koracick just didn’t want him to have to see the condition his fellow residents were in post-Joe’s. (More of this Tom, please.)

    Shortly after Mer arrived with Link and Jo, Richard and Owen showed up — Grey had called in reinforcements, to whom Bailey was quick to give privileges. (Very Wild West, isn’t it, the way chiefs are always giving doctors privileges? Like sheriffs deputizing townsfolk willy-nilly.) Taking Richard aside, Ben confided that he was concerned about Bailey operating on her residents when she’d yet to process her miscarriage; Warren wanted Webber to be with Miranda in the O.R. Nearby, Amelia and Teddy discovered that Casey had a temporal lobe contusion, which was why his PTSD had been exacerbated. While they were discovering this, Parker vanished into the hospital.

    ‘I LOVE YOU, MEREDITH GREY’ | While Tom reverted to obnoxious form, questioning whether Jackson was up to the task of reconstructing Blake’s face, Koracick also hinted at his softer side, revealing that his protégé had a grandmother who was local and should be called. Off that scene, Teddy defended her ex to Owen, who suggested that she and Amelia look for Casey in whatever the hospital’s equivalent of a bomb shelter was. Amid all the hubbub, Cormac found Jo with the baby in the nursery, and not only gave the tot his wellness check, endeared himself by sensing her attachment to the infant. The father of two teenage “hellions” even admitted that, were he in Jo’s shoes, he might’ve stolen the baby. (Wait, is McWidow actually being positioned as a post-Alex love interest for Jo? Too soon, Grey’s. Much. Too. Soon.)

    Before a delirious Taryn went into surgery, she blathered on about how Levi “got the love of my life fired, which is you,” she told Mer. “Surprise.” Helm would get over it, though, she was sure, if she ever met someone else. Just then, Schmitt collapsed. When he came to, suffering from symptoms of a heart attack, he told Grey that there was no one to call. His mother would just have a heart attack of her own, his estranged bestie was in surgery, and his boyfriend was operating on his bestie! Elsewhere, while working on Blake with Owen and Jackson, resident Hannah (who seemed to be getting more screentime in the wake of Dahlia’s firing, no?) marveled that Teddy could do a lot better than Tom. Er, what? Yeah, she didn’t realize that Altman was with Hunt. In turn, Jackson was taken aback to learn that the couple wasn’t engaged. “I figured [you were] ’cause you have two kids together, you live together, you marry everyone… ” Good one, Avery.

    ‘LET’S GET THE SAW READY’ | When suddenly Taryn’s vitals plummeted during surgery, Bailey was called in with Richard hot on her heels. To save the patient’s life, they’d have to crack open her chest, a job that Bailey, shaken as she was, wisely handed off to Webber. Though it was touch-and-go for a minute — and Bailey freaked out, crying, “You’re gonna lose her!” — Richard stopped the bleeding, and Taryn pulled through. Afterwards, Webber updated Miranda on her residents, prompting her to reflect upon the fact that everyone she’d touched, or had someone touch, that day had lived. Yet she couldn’t save her daughter. “She just was, and now she isn’t,” she said, breaking down in Richard’s arms. (Chandra Wilson crushed the scene — and a lot of us with her, I suspect.) In another O.R., Jackson advised Owen that if Teddy is “somebody you feel like you wanna be with forever, that should include now.” In other words, shrug off the pressure of not ever having proposed and get it done!

    Just as Avery and Hunt’s surgery on Simms was wrapping up, Owen noticed that the patient was, for lack of a better term, leaking brains. So Tom leapt in to keep his protégé’s head in his skull, as it were. Before locating Casey in the hyperbaric chamber, Teddy wondered aloud to Amelia whether Owen had been triggered by the mountain of obligations with which she’d arrived in Seattle. Sweetly, Amelia suggested that if he felt trapped, he would’ve already proposed; he was just trying to do things differently this time. Elsewhere, DeLuca was texting Mer to ask if they could talk later when Elliott’s heart regained its beat. Grey couldn’t reply, though, because she was checking out Schmitt with Teddy, who discovered that his general state of high anxiety had given him broken-heart syndrome, which presents like a heart attack but isn’t. At least Mer forgave him for ratting her out — one less thing for Levi to stress over.

    ‘MARRY ME, TEDDY’ | The following day, when Levi awakened, Nico was at his bedside, sweetly saying that his heart had been broken, too, when his boyfriend seemed to be in jeopardy. After a snuggle in Schmitt’s hospital bed, Nico took him to see Taryn, who forgave him for getting Mer in trouble. The residents all had a laugh about Helm’s confession to Grey, too. “She didn’t say it back, did she?” asked Taryn. Yeah, no. When Simms’ grandma arrived, Jackson and Owen were stunned to hear how “emotional” she thought “Dr. Tommy” was, and further stunned to learn that since Blake hadn’t wanted to leave her, Koracick had arranged for her to move along with him. But the biggest shock came when Tom sincerely thanked Owen for catching the brain leak and shook his nemesis’ hand. Off that twist, Hunt pulled Teddy into a nearby room and proposed. “There’s no perfect moment” to do this, he said, “and I am not a perfect man, but the one thing I know for sure is you’re the perfect woman for me.”

    At first, Teddy hesitated for fear that Owen felt obligated and was repeating a pattern. But after he assured her that he was starting a new pattern — loving her and their family — she said yes with a kiss. Nearby, Amelia was just about to tell Link what she’d discovered during her ultrasound when Owen and Teddy came out with their joyful news. So instead, Amelia fibbed that what she’d wanted to tell Link was that they’re having a boy. Elated, he asked, “What do you think of the name Scout like Atticus and Scout?” At the same time, Richard and Mer approached Bailey with tissues, donuts and shoulders to cry on. Finally, Maggie was awakened from a nap on her sister’s couch by DeLuca, who wanted her to know that Elliott’s heart had restarted. He was just about to ask his ex’s advice on his situation with Mer when Maggie was served legal documents stating that she was being sued for the wrongful death of her cousin, Sabi. So I guess we won’t be getting Fun Maggie back anytime soon.

    Station 19 Season 3 Premiere Recap: Which of Grey's Anatomy's Imperiled Staffers Made It Out of Joe's Bar Alive?

    (1/23/20) ( The line “Yeah, that’s not good” is only uttered once during the Season 3 premiere of Station 19. But really, it could’ve been repeated over and over, because a whole mess of not-good, very-bad things happened, some of which seemed to bode awfully poorly for the futures of the Grey’s Anatomy doctors involved in that series’ winter finale. Read on, and we’ll go over them one by one…

    TWO WEEKS AGO | Since “I Know This Bar” took place not only in the present (picking up at the point that Grey’s turned Joe’s into a parking lot) but also the recent past (two weeks earlier), I’m going to detail the events of that not-so-ancient history first for the sake of a linear read. So… 14 days ago, the Station 19 crew threw Ben and Bailey a “You’re having a firehouse baby” party, just before which Vic introduced new beau, Jackson, to her friends. Besides being the first that Bailey knew about Jackson and Vic’s relationship, the celebration also clued in Pruitt to the attraction simmering between Andy and Sullivan when the captain volunteered to join her on a routine call. While away from the station, he apologized for hurting her but maintained that they couldn’t break the rules and be together. Yet they fell in love, which was also against the rules, she angrily noted. “And you did nothing to discourage it!”

    Later, alone with Sullivan at the station, Andy suggested that “if Ripley were still here, I think he might tell you to screw the rules.” So Sullivan at last came clean about why he’d pumped the brakes: “They’re making me battalion chief, and I want you to make captain, but that’s not gonna happen if we’re together.” Sensing that he was more worried about his own promotion than hers, and to hell with their relationship, she walked away. At home, Pruitt raged at his daughter about the situation she was in — or rather, the one she’d put him in. “Your decisions reflect on me and my legacy!” he hollered. When he refused to follow Andy’s order to get out, she stormed out herself. And, of course, the whole shouting match was overheard by Maya, who’d have had to have been deaf to have missed it.

    HERE AND NOW | In our current timeline, chaos reigned in the aftermath of the car crash at Joe’s. Grey’s residents Helm and Simms appeared to be in particularly bad shape, and Casey, suffering from PTSD, kept asking whether a bomb had gone off. Though Ben was able to ascertain that the car wasn’t leaking gas and therefore wasn’t a fire risk, the structural integrity of the bar had been compromised, so he had to get everyone upstairs and outside asap. Trouble was, the back door had been blocked by a cement truck. While Station 19’s firefighters raced to the scene, Vic panicking upon finding out that her “hot doctor lover” was among those in the bar, Ben and Levi treated the car’s driver, a woman named Joan who’d swerved wildly as she was racing husband Don to the hospital, lest he die of a heart attack.

    While trying to figure out how they could move the cement truck the fastest, Vic sensed that Andy was judging her for worrying about Jackson when, having so recently lost Ripley, her “vagina should be a war widow,” right? So Vic explained how she’d grieved — Barrett Doss delivering a helluva monologue — and theorized that Andy was grieving something, too. (If she only knew… !) By and by, the firefighters all pulled together to push the cement truck out of the way, only for it to wind up being blocked by the arriving tow truck! D’oh! Inside, Ben had a distraught Joan perform CPR on Don and even affix EKG paddles. Miraculously, they were able to restart his heart. After Travis got him out of the car and out of the front window to safety, Joan attempted to use her crafting scissors to cut herself free of her seatbelt — just as the car lurched forward, causing her to stab herself in the carotid artery. RIP, Joan.

    UNHAPPY ENDINGS | Nearby, a delirious Taryn babbled on about how they had to get out of there, because Ben was having a baby and all that, prompting Warren to admit to Jackson that no… no, he and Bailey weren’t expecting anymore. Just as the cement truck was finally moved from the back exit, Blake started choking and turning blue, and Bailey arrived on the scene. Upon learning that her husband was in the bar, she tried to pull rank, but in this instance, she had none. “Dr. Bailey, you are not my chief!” Dean had to remind her as he ordered her to stay back so that she didn’t cost him any time — time she’d be livid if he cost her in an O.R. Once she was eventually reunited with Ben, he tried to blame her miscarriage on the stress that his job caused her. It wasn’t that, she reassured him. Just, “life scares me to death sometimes.” Right there with ya, Miranda.

    As all of Grey’s docs were taken to the hospital, as far as we knew alive if not well, Maya challenged Andy to talk to her — she apparently hadn’t, not really, since the night of her and her dad’s big blowup. So Andy, while stressing that she hadn’t slept with Sullivan, revealed that the captain had torpedoed their budding romance for the sake of possible promotions. Armed with this new intel, Maya immediately dumped Jack, who guessed that, with a new fire chief soon to be named, she was hoping that when the promotions trickled down, she might make captain. Meanwhile, blaming himself for Joan’s death, Travis told Vic that the deceased had spoken about her and her husband’s dog, Cleo. So they made a detour en route back to the station so that he could feed the pooch. (I’d love to say that I didn’t tear up as Cleo greeted Travis, but er… I can’t. Animals get me every time.) Back at the firehouse, Sullivan first called Andy out for insubordination, then ordered her to take a week off so that she could figure out how to at least pretend to respect him. Snap!

    Grey's Anatomy Eyes 'Really Painful' Season 16 Storyline Involving [Spoiler]

    (1/23/20) The second half of Grey’s Anatomy‘s 16th season — which kicks off Thursday at 9/8c on ABC — will feature a “really painful” storyline that delves into “mental health,” previews showrunner Krista Vernoff, who also describes the forthcoming plot as “beautiful and impactful and important.”

    Vernoff declined to reveal which Grey’s character(s) the story will focus on, but Jo (Camilla Luddington) would seem to be a prime suspect given her past struggles with mental health and the fact that her marriage to Alex is presumably headed for upheaval in light of Justin Chambers’ abrupt departure. (Our interview with Vernoff took place prior to news of Chambers’ exit.)

    That said, the storyline in question could also very well center on Kelly McCreary’s Maggie, whom Vernoff confirms will be “in a very dark place” when Grey’s returns. “She’s never made an error that led to the death of a patient, and now she’s done it — and it was her cousin,” the EP notes. “People who love her have to rise to the occasion to help her.”

    The Thing About Harry: Will Former Foes Become More Than Friends in Freeform Gay Rom-Com? Watch Video

    (1/18/20) (Video) The new year is barely underway, but Freeform — like chain drugstores everywhere — is eagerly anticipating Valentine’s Day. In that spirit, on Friday the cable network released a clip from its gay-themed V-Day original film The Thing About Harry.

    The movie follows high school enemies Sam (Jake Borelli, Grey’s Anatomy) and Harry (newcomer Niko Terho), who are forced to share a car ride to their Missouri hometown for a friend’s Valentine’s Day engagement party. The twist? Harry has come out in the years since high school; Sam, as we learn in the video, did so much earlier.

    The pair wind up stuck spending the night together in a roadside motel, which is where we find them in the sneak peek above. “So, you really didn’t know?” Harry wonders, cracking open a beer. “I really did not,” Sam replies, which leads to a sweet conversation about how each regarded the other during their adolescence.

    “Truth is, I admired you,” Harry tells his flustered road-trip companion. “You were out, and living in Missouri. Me, I was just too scared.”

    Britt Baron (GLOW) and Karamo (Queer Eye) co-star. Peter Paige (The Fosters) pulls double duty: He directs and appears in the film as Sam’s loving roommate, Casey.

    The Thing About Harry will premiere on Saturday, Feb. 15, at 8/7c.

    Sandra Oh-Narrated Chimpanzee Doc & Return Of ‘Meerkat Manor’ To Air On BBC America – TCA

    (1/17/20) BBC America boarded a chimpanzee documentary narrated by Killing Eve’s Sandra Oh and is bringing back documentary series Meerkat Manor.

    The cable network will air She Walks With Apes on Wednesday April 22, marking the 50th anniversary of Earth Day. The film, which was originally commissioned by Canada’s CBC, follows three women who went into the jungles of Africa and Borneo to live with great apes. It features Jane Goodall, the world’s foremost expert on chimpanzees, who was the subject of Brett Morgen’s Nat Geo doc Jane.

    The film is a fresh take on Goodall’s early years living with the chimpanzees, and also reveals rarely seen images of Dian Fossey, the legendary scientist who was murdered while working with the mountain gorillas of Rwanda. The two-hour documentary also gives credit to the third pioneering woman, Canadian Biruté Galdikas, who went to live among the orangutans of Borneo 50 years ago and is still there today. The three women became known as the “Trimates.”

    The film was filmed over the course of a year by the father-daughter filmmaking team of Caitlin and Mark Starowicz, who trudged through jungles to tell the story of the women who helped launch the global environmental movement. Filmed in 4K, She Walks With Apes was produced by Grand Passage Media.

    Elsewhere, BBC America is co-producing the return of a new installment of Meerkat Manor, which previously aired on Animal Planet. Meerkat Manor: Rise of the Dynasty (w/t), which launches in 2021, is the tale of survival revolving around three families who are descendants of meerkat matriarch Flower.

    Produced in association with Oxford Scientific Films, the series will consist of 13 half-hour episodes. It is distributed globally by Endemol Shine International Distribution.

    “Both of these additions to BBC America’s best-in-class nature lineup are outstanding,” said Sarah Barnett, President, AMC Networks Entertainment Group & AMC Studios. “Funny, engaging, profoundly moving and most of all joyful, nature programming is embraced by our audiences and we are delighted to keep fueling passion for our planet and the natural world we’re all part of.”

    Ellen Pompeo Affirms: Grey's Co-star Justin Chambers' Exit Is a Huge Loss

    (1/11/20) Ellen Pompeo has spoken: Justin Chambers’ unexpected exit from Grey’s Anatomy marks one of the long-running serial’s biggest losses.

    TVLine on Jan. 10 confirmed that the final episode featuring Chambers, an original cast member, has already aired, back on Nov. 14. (In the following episode, viewers learned that Alex Karev had returned home to care for his ailing mother.) The fact that Chambers will not be given a proper onscreen sendoff suggests his departure came abruptly and without much notice.

    On Saturday, nearly 24 hours after the news broke, Grey’s lead Pompeo commented on a Vanity Fair tweet which posited that ABC’s top-rated (and broadcast-TV’s No. 2 overall) drama “is about to feel one of its biggest losses yet,” saying: “Truer words have never been spoken” — her first comments on the matter.

    In a Friday statement, Chambers himself said, “There’s no good time to say goodbye to a show and character that’s defined so much of my life for the past 15 years. “For some time now, however, I have hoped to diversify my acting roles and career choices. And, as I turn 50 and am blessed with my remarkable, supportive wife and five wonderful children, now is that time. As I move on from Grey’s Anatomy, I want to thank the ABC family, Shonda [Rhimes], original cast members Ellen Pompeo, Chandra Wilson and James Pickens, and the rest of the amazing cast and crew, both past and present, and, of course, the fans for an extraordinary ride.”

    ‘Grey’s Anatomy’ curse: Justin Chambers joins long list of casualties

    (1/11/20) Another original “Grey’s Anatomy” character has flatlined.

    Sure, Justin Chambers’ surprise exit from ABC’s long-running medical drama has left fans reeling — but it’s far from the first time they’ve been shocked by a star character’s sudden departure.

    Chambers’ Dr. Alex Karev was a staple of the show for 15 years, which premiered in 2005 when the main characters were interns at a Seattle hospital. Now, only Dr. Meredith Grey, played by Ellen Pompeo, 50, remains among the original interns in the series created by Shonda Rhimes.

    The 49-year-old actor announced he would be leaving the show to pursue other gigs, though Page Six reports that the actor was also seeking treatment for “stress, depression and life-coaching,” according to one source. “There is a lot going on with [‘Grey’s Anatomy’] behind the scenes right now.”

    But this season isn’t the only one with more drama than the confines of Grey Sloan Memorial Hospital. The show has seen an unusually high volume of eyebrow-raising scandals and cast departures, many of which sent shock waves through the world of TV.

    After all these years, the mounting losses haven’t done a thing to damage the show’s enduring viewership: “Grey’s Anatomy” is still the third-most watched show on network TV in the coveted 18 to 49 demo.

    Here’s a look back on the most high-profile departures in “Grey’s” history — which, should be noted, does not include Pompeo. She’s currently the highest-paid actress on a TV drama and is safely signed on for the show’s upcoming 17th season. But then again, as history proves, no one’s safe in Shondaland.

    Katherine Heigl: Heigl, 41, played Izzie Stevens on “Grey’s Anatomy” from 2005 to 2010 (winning an Emmy in 2007) and in her downtime, she became the queen of rom-coms, with movies such as “Knocked Up” (2007), “27 Dresses” (2008) and “The Ugly Truth” (2009). But the year after her Emmy win, she didn’t submit herself because of the quality of the writing — she said she didn’t feel that the material warranted consideration.

    After that much-publicized controversial comment, it was over. She reached an agreement with Rhimes to be released from her contract.

    Izzie never officially died on the show, but her storylines became increasingly outlandish: getting cancer, getting fired from her job and divorcing Alex (Chambers). Heigl got a rep for being difficult to work with and hasn’t recovered since.

    Patrick Dempsey: In one of the biggest shockers, McDreamy himself got the axe. Dempsey, 53, was once one of the faces of the show, starring as Derek “McDreamy” Shepherd for 11 seasons (2005-2015). He was unceremoniously written off via a tragic car crash, leaving fans seriously McBummed.

    Although he and Rhimes both publicly stated they were cordial and that he wanted to leave, co-star Ellen Pompeo later appeared on “Red Table Talk” where she said, “We haven’t spoken since he’s left the show.”

    “I think after a certain period of time, no matter how much money you make, you want control out of your own schedule,” he told People about his departure in 2015.

    Sara Ramirez: Ramirez, 44, who played Dr. Callie Torres for 11 seasons, reportedly surprised Rhimes herself when she announced her departure from the show in 2016. Rhimes told Vulture that this departure was different from all the others. Speaking at Vulture Festival that year, Rhimes said, “It wasn’t a big, planned thing. I had a different plan going and then Sara came and said, ‘I really need to take a break.’ “ She left after Season 12. Rather than dying, Callie was written off by her moving to New York.

    Isaiah Washington: In October 2006, backstage rumors surfaced that Washington, 56, who played surgeon Preston Burke, reportedly used a homophobic slur to refer to his co-star T.R. Knight in an argument with Dempsey. Knight came out publicly as gay following the incident, and Washington issued an apology. Fast forward to the Golden Globes in January 2007, where “Grey’s” was named Best Drama.

    On June 7, 2007, ABC announced it had decided not to renew Washington’s contract, and that he would be dropped from the show — though he did return for an episode in 2014. That one, coincidentally, marked the departure of yet another high profile actor on the show, Sandra Oh, 48. As far as anyone knows, Oh left to pursue other opportunities. In 2019, she won a “Best Actress” Golden Globe for her performance in the smash hit “Killing Eve.”

    T.R. Knight: Knight, 46, was cast as Dr. George O’Malley and appeared in Episode 1. O’Malley worked his way up from intern to resident, having a major love storyline with Izzie (Heigl). In 2009, two years after Isaiah Washington left the show after his comments regarding Knight, “Grey’s” wrote Knight’s character out of the show.

    The departure was slow and painful. Knight said he watched his character gradually get less airtime. By that point, he and Rhimes were experiencing what he called a “breakdown in communication.” He was surprisingly candid in explaining why he asked to leave the show.

    “My five-year experience proved to me that I could not trust any answer that was given [about O’Malley],” he told Entertainment Weekly. “And with respect, I’m going to leave it at that.”

    Brooke Smith: Smith, 52, was brought on the show in 2006 to play the workaholic attending surgeon — who happened to be a lesbian. The character, Dr. Erica Hahn, sparked up a romance with Callie (Ramirez), leading up to a passionate (network TV!) kiss. She was booted from the show in 2008, reportedly in an effort to tone down the LGBTQ storylines on the show, according to E!

    Rhimes denied that Smith’s sexuality was her reason for leaving the show — certainly “Grey’s Anatomy” hasn’t shied away from queer characters, she pointed out. Nevertheless, the departure sent the message that it’s “OK to be gay — just not too gay,” said NPR’s TV critic Andrew Wallenstein.

    Jessica Capshaw and Sarah Drew: One man’s ceiling would seem to be another man’s floor on “Grey’s Anatomy.” Jessica Capshaw, who had been on the medical drama for 10 seasons as Dr. Arizona Robbins, and Sarah Drew, who played Dr. April Kepner for nine seasons, were written out at the end of Season 14. The timing of the double exit raised eyebrows as it coincided with star Ellen Pompeo signing a new two-year deal that paid her as much as $20 million a year.

    Justin Chambers working on mental health amid ‘Grey’s Anatomy’ exit

    (1/11/20) “Grey’s Anatomy” star Justin Chambers announced on Friday that he’s exiting the hit series after 15 years to “diversify my acting roles and career choices.”

    Sources exclusively told Page Six that the star was also recently addressing some mental health issues at the same luxury facility where Selena Gomez and “Game of Thrones” star Kit Harington have been patients.

    A source told Page Six that Chambers spent time at Privé-Swiss in Connecticut before leaving Wednesday to fly back to LA.

    “Justin has been at [Privé-Swiss] for stress and life coaching. He has been seen in the area at different places over several weeks including at a restaurant at Old Saybrook — where he was nice and chatted to other diners, but looked very thin.”

    A second source told us that, “Justin was at Privé-Swiss being treated for stress, depression and life-coaching. There is a lot going on with [‘Grey’s Anatomy”] behind-the-scenes right now.”

    In a statement to Page Six, Chambers said: “There’s no good time to say goodbye to a show and character that’s defined so much of my life for the past 15 years. For some time now, however, I have hoped to diversify my acting roles and career choices. And, as I turn 50 and am blessed with my remarkable, supportive wife and five wonderful children, now is that time.”

    He added, “As I move on from ‘Grey’s Anatomy,’ I want to thank the ABC family, Shonda Rimes, original cast members Ellen Pompeo, Chandra Wilson and James Pickens, and the rest of the amazing cast and crew, both past and present, and, of course, the fans for an extraordinary ride.

    A rep for the facility said: “Privé-Swiss does not comment on clients, past or present.”

    More than a decade ago, Chambers opened up about a longtime sleep disorder that led him to check into the same UCLA Medical Center where Britney Spears was once treated.

    He told People in 2008: “It’s a biological sleep disorder. Your mind keeps racing, and your body is tired. It wants to go to sleep, but it can’t.”

    ‘Grey’s Anatomy’ fans beg Shonda Rhimes not to kill off Alex Karev

    (1/11/20) Shortly after Justin Chambers announced that he’ll soon be leaving ABC staple “Grey’s Anatomy,” fans of his character — Alex Karev — rallied to beg show creator Shonda Rhimes not to kill off the charismatic surgeon, as she’s done to several fan favorites over the years.

    Fans were disappointed with the news of Chambers’ departure, but were even more concerned with the fate of Karev, hoping Rhimes doesn’t take him out à la George O’Malley, Lexi Grey, Mark Sloan or Derek Shepherd.

    “If Shonda kills off Alex, I’ll be no good. Just let him move away, like Christiana,” wrote one fan, with another adding, “I already know Shonda Rhimes about to slaughter his a– and have us more depressed than we was for [Derek].”

    Another fan noted how many loved ones protagonist Meredith Grey has lost over the years, writing, “Shonda bet not kill off Alex Karev. Meredith lost way too many people already … now Justin Chambers is leaving so if Alex dies, me and Shonda gone have a problem.”

    Other fans complained that viewers have been begging her to get rid of Owen Hunt — played by Kevin McKidd — for at least two seasons.

    “Shonda getting rid of everybody but who we want gone … *cough cough* Owen,” wrote one tweeter, with another agreeing, “Shonda Rhimes getting rid of everyone but Owen is really beyond me.”

    “Grey’s Anatomy losing Karev is a fatal loss for the show,” tweeted another fan. “Greatest character arc of all time. Ellen is incredible but now we have no core cast members and without fodder for storylines they just keep randomly giving Owen Hunt more babies. He has enough. We’ve all had enough, Shonda.”

    Justin Chambers' Last Grey's Anatomy Episode Has Already Aired — No Big Sendoff Ahead for Alex

    (1/10/20) Grey’s Anatomy fans have already seen the last of Alex Karev. TVLine has confirmed that the final episode featuring Justin Chambers — whose departure from the show was announced early Friday — aired on Nov. 14. In the Nov. 21 episode, viewers learned that Alex had returned home to care for his ailing mother.

    The fact that Chambers will not be given a proper onscreen sendoff suggests his departure came abruptly and without much notice.

    Reps for ABC declined to comment for this story.

    “There’s no good time to say goodbye to a show and character that’s defined so much of my life for the past 15 years,” Chambers said in a statement. “For some time now, however, I have hoped to diversify my acting roles and career choices. And, as I turn 50 and am blessed with my remarkable, supportive wife and five wonderful children, now is that time. As I move on from Grey’s Anatomy, I want to thank the ABC family, Shonda Rimes, original cast members Ellen Pompeo, Chandra Wilson and James Pickens, and the rest of the amazing cast and crew, both past and present, and, of course, the fans for an extraordinary ride.”

    Chambers’ departure might explain the speediness with which the show — and Grey Sloan — replaced Karev as head of peds with McWidow, Shameless vet Richard Flood’s Cormac Hayes.

    Grey's Anatomy Shocker: Justin Chambers to Exit After 16 Seasons

    (1/10/20) The revolving door at Grey’s Anatomy is back in spinning mode: Justin Chambers is leaving ABC’s venerable medical drama after playing Dr. Alex Karev for 16 seasons.

    Even more surprising, Chambers’ final episode already aired — two months ago — meaning there is no big sendoff ahead for Alex.

    “There’s no good time to say goodbye to a show and character that’s defined so much of my life for the past 15 years,” Chambers said in a statement to our sister site Deadline. “For some time now, however, I have hoped to diversify my acting roles and career choices. And, as I turn 50 and am blessed with my remarkable, supportive wife and five wonderful children, now is that time. As I move on from Grey’s Anatomy, I want to thank the ABC family, Shonda Rimes, original cast members Ellen Pompeo, Chandra Wilson and James Pickens, and the rest of the amazing cast and crew, both past and present, and, of course, the fans for an extraordinary ride.”

    The Chambers news ends a relatively quiet stretch on the Greys casting front. Jessica Capshaw and Sarah Drew exited the ABC drama, in an abrupt one-two punch, at the end of Season 14, and two years before that Sara Ramirez ended her decade-plus run as Callie. And in April 2015, original cast member Patrick Dempsey shockingly left the series when Derek aka McDreamy was killed off after a car accident.

    Titular star Ellen Pompeo, Chandra Wilson and James Pickens Jr. are now the lone remaining original cast members.

    Grey's Anatomy EP Krista Vernoff Responds to Pac-North Spinoff Buzz

    (1/10/20) If ABC wants to add another Grey’s Anatomy spinoff to its lineup, it won’t have to look far. The recently-introduced Pacific Northwest General, a competitor to the series’ primary hospital, Grey Sloan Memorial, practically screams “third Grey’s offshoot” (following the late Private Practice and the current Station 19). In fact, Season 16 has already seen three of the series’ established characters — Alex, Richard and Owen — defect to Pac-North. And it’s only half over.

    Although Grey’s showrunner Krista Vernoff, who has also taken on oversight of Station 19, admits that she “loves hearing” all of the Pac-North spinoff chatter, she insists, “I’m not spinning it off.” Rather, Pac-North was merely a necessary creation in the wake of last season’s Grey’s finale, in which Bailey handed out pink slips like they were scrubs.

    “It was born of the question, ‘What happens when Bailey fires everybody?'” Vernoff explains. “As a showrunner, you can’t just fire four people and go, ‘Psych! They’re all back at work!’ So we had to come up with what might really happen, and Pac-North was born.”

    Looking ahead, Vernoff teases that she has “fun plans” for the Pac-North plot as Season 16 progresses. But of course, her idea of “fun” might be different than its beleaguered chief Alex’s. “That hospital,” she concludes with a laugh, “is a mess.”

    NAACP Image Awards Nominees

    (1/9/20) Outstanding Directing in a Drama Series

    • Ava DuVernay – “When They See Us” – Part Four (Netflix)
    • Carl H. Seaton, Jr. – “Snowfall” – Hedgehogs (FX Networks)
    • Curtis “50 Cent” Jackson – “Power” – Forgot About Dre (STARZ)
    • Debbie Allen – “Grey’s Anatomy” – Silent All These Years (ABC)
    • Jet Wilkinson – “The Chi” – The Scorpion and the Frog (Showtime).

    ABC Boss Hopes For Season 18 Of ‘Grey’s Anatomy’, Reveals Number Of ‘Station 19’ Crossovers – TCA

    (1/8/20) ABC’s medical drama Grey’s Anatomy made more history last spring with a two-year renewal for seasons 16 and 17. The series’ star, Ellen Pompeo, is signed for both seasons — the current sixteenth and the next seventeen. Will the 2020-21 season — presently the last in Pompeo’s contract — be Grey’s last?

    “I hope not,” ABC Entertainment President Karey Burke said during TCA. “Grey’s Anatomy will live as long as Ellen is interested in playing Meredith Grey.”

    Soon moving to 9 PM, Grey’s Anatomy, the longest running medical drama on television, will be proceeded on Thursdays by the third season of spinoff Station 19, with Grey’s executive producer/showrunner Krista Vernoff now in charge of both series, creating opportunities for seamless narrative.

    Season 19 will kick off its third season with a two-hour Station 19-Grey’s crossover. It will be one of four such crossover events through the season, Burke said today.

    In an interview with Deadline in November, Vernoff said that the two shows will interconnect “every few episodes.” “We don’t want to do it every week, we don’t want to create a mold, we don’t want to fall into any kind of pattern, we don’t want people to ever know what to expect,” she said. “We have found many different, really quite exciting and fun ways to interact between the two shows.”

    Today, Vernoff was complicated by Burke about the way she has done that.

    “You will start to see relationships emerge between characters that exist in the Station world and the Grey’s world in a really organic ways,” Burke said. “I am incredibly impressed by what Krista and her team have done to make those worlds feel very seamless in a organic way, not feel forced. And then we will have throughout the season four tentpole events that revolve around big emergencies that would naturally start with first responders (on Station 19) and end up in the hospital (ion Grey’s) and will take the storytelling to a two-hour block.”

    ‘The Thing About Harry’: Freeform Casts & Sets Premiere Date For Road-Trip Valentine’s Day Movie From ‘Good Trouble’ Director – Update

    (1/6/20) Freeform said today that its road-trip rom-com The Thing About Harry will be a post-Valentine’s Day offering. The TV movie starring Karamo Brown, Britt Baron and Peter Paige is set to premiere at 8 p.m. Saturday, February 15, on the Disney-owned cable outlet.

    PREVIOUSLY, November 11: Jake Borelli (Grey’s Anatomy) and newcomer Niko Terho lead the cast of The Thing About Harry, a Valentine’s Day-themed road-trip movie from Freeform. Karamo Brown, Britt Baron and the film director Peter Paige also star in the romantic comedy, with production underway in Chicago for a February premiere.

    Borelli will play Sam, a handsome, funny, neurotic, intelligent young gay man who combines a scathing wit with an overly idealistic worldview. Sam came out when he was still in high school, something that took a lot of courage in his small Missouri town, but was bullied constantly. Terho will portray Harry, an emotionally uncomplicated, promiscuous player who has always left a string of broken hearts in his wake. Under the surface, Harry actually yearns for love, family and stability, but the thought of commitment still terrifies him.

    Karamo (Queer Eye) will play Paul, an exceedingly well put-together yet overbearing and pretentious gay man. Baron (GLOW), will play Stasia, Sam’s edgy and opinionated best friend. Paige (Queer as Folk) returns to the screen as Casey, Sam’s warm-hearted roommate, who always wants the best for Sam.

    “It’s been an honor to partner with Freeform in making great television with LGBTQ+ characters as leads,” The Thing About Harry executive producers Paige, Greg Gugliotta and F.J. Denny in a statement. “True equality can only be achieved when you see yourself reflected in the movies, music and stories that paint our culture. “As young gay men in the ’90s, whenever a rom-com opened, we would watch the leading lady fall in love and imagine what it would be like if the boy was saying all those things to another boy. We’ve always wanted to make a movie — an unabashedly romantic comedy — that queer boys wouldn’t have to translate. It’s rewarding to take the genre to a new, all-inclusive level.”

    ‘Grey’s Anatomy’ star Ellen Pompeo sells chic Hamptons farmhouse

    (1/6/20) ( Actress Ellen Pompeo, best known for her starring role in “Grey’s Anatomy,” wrapped up an East Coast home sale just in time for the new year. Her modern farmhouse in the Hamptons sold in late December for $2.995 million, records show.

    She’s been busy in the real estate realm over the last few years, selling a Hollywood Hills Midcentury for $2.075 million in 2017 and a Spanish villa in the same neighborhood for $2.765 million a year later.

    Pompeo designed this one herself. Built in 2013, it spans 2,400 square feet on eight acres in Sag Harbor, N.Y., a waterfront community in East Hampton.

    Past a rustic gray-blue exterior, the three-story floor plan boasts busy living spaces with hardwood floors, white-painted beams, paneled walls and marble accents. There’s a two-story living room, as well as a chef’s kitchen, breakfast nook and expansive dining porch. Through walls of glass, the space overlooks a densely landscaped yard.

    Five bedrooms and four bathrooms complete the floor plan, including a master suite with a private lounge and office. Outside, a wood deck descends to a gunite pool surrounded by lawns.

    The Corcoran Group held the listing. Martha Gundersen of Douglas Elliman represented the buyer.

    Pompeo’s role as Dr. Meredith Grey in “Grey’s Anatomy” landed her a Golden Globe nomination in 2007. On the big screen, she has appeared in “Old School,” “Daredevil” and “Life of the Party.” She paid $925,000 for the home in 2011, records show.

    Killing Eve Gets Early Season 4 Renewal Ahead of Its Springtime Return

    (1/3/20) BBC America has renewed its acclaimed Killing Eve for a fourth season, months ahead of its Season 3 premiere this spring.

    “How could we not have massive confidence in Killing Eve? It has won big in every major award show and is the highest growing show on U.S. television for six years,” AMC Networks Entertainment Group president Sarah Barnett said in a statement. “The reason for this series’ emphatic embrace is the brilliant women who breathed it into being: Phoebe Waller-Bridge, Emerald Fennell, Sandra Oh, Jodie Comer, Fiona Shaw and it’s fairy godmother, executive producer Sally Woodward Gentle. Season 3 lead writer Suzanne Heathcote takes Eve, Villanelle and Carolyn to places more thrilling, twisted and surprising than ever. Our addicted fans will not be disappointed.”

    “I am beyond thrilled that we can continue our extraordinary journey,” said executive producer Sally Woodward Gentle. “It is testament to everyone involved that we have been picked up so early — the magnificent actors, writers, directors and production team. We are extremely lucky to work with such fierce and dedicated people.”

    Following in the footsteps of Season 1’s Phoebe Waller-Bridge, Season 2’s Emerald Fennell and the upcoming season’s Suzanne Heathcote, Killing Eve will continue its tradition of naming a new female lead writer for Season 4.

    Simulcast on BBC America and AMC, Season 2 of Killing Eve had the highest rate of growth of any returning TV drama since the final season of AMC’s Breaking Bad in 2013, doubling its freshman audience in Live+SD ratings, to north of 1 million total viewers.

    Hunters: Al Pacino Thriller Gets February Premiere Date at Amazon

    (1/3/20) (Video) The hunt is almost on at Amazon.

    The streamer announced Friday that its Al Pacino-led thriller Hunters will drop on Friday, Feb. 21.

    Executive-produced by Oscar winner Jordan Peele (Get Out, Us), Hunters stars Pacino as Meyer Offerman, the co-founder of a diverse band of Nazi hunters living in 1977 New York City. When the grandmother of Jonah Heidelbaum (Jack & Bobby‘s Logan Lerman) is suddenly killed, Meyer recruits Jonah to The Hunters, who discover that hundreds of high-ranking Nazi officials are living among them and conspiring to create a Fourth Reich in the United States.

    “The eclectic team of Hunters will set out on a bloody quest to bring the Nazis to justice and thwart their new genocidal plans,” the drama’s logline reads.

    Hunters also stars Jerrika Hinton (Grey’s Anatomy), Josh Radnor (How I Met Your Mother), Carol Kane (Unbreakable Kimmy Schmidt), Dylan Baker (The Good Wife), Tiffany Boone (The Chi) and Lena Olin (Alias), among others.

    In addition to a premiere date, Amazon has unveiled a new, full-length trailer for the series, which offers a more thorough introduction to the titular group — or, as they’re described in the video, “a lock-picker, a spy, a soldier, a master of disguise and two weapons experts.”

    Station 19 Season 3 Premiere: Ben and Schmitt Rise to the Challenge of Grey's Fall Cliffhanger

    (12/30/19) (Photo1, Photo2, Photo3) Grey’s Anatomy is enlisting Suits vet Sarah Rafferty to anchor a multi-episode medical mystery plot — and we have an exclusive first look at her recurring Season 16 stint.

    Rafferty will make her debut in the Jan. 30 episode as Suzanne, a patient who comes in to Grey Sloan for a routine procedure, but develops puzzling complications that stump Bailey and DeLuca.

    As previously reported, when Grey’s returns from its winter break on Jan. 23 it will do so in its old Thursday-at-9 pm time slot, with spinoff series Station 19 will now leading off Thursday. (Grey’s spent eight of its 16 seasons airing Thursdays at 9 pm before turning the time slot over to Scandal beginning in Season 11.) The move to the later hour will allow showrunner Krista Vernoff to ramp up the show’s adult content.

    “There are different rules for a 9 pm show than there are for an 8 pm show, and we hope to take advantage of those rules,” Vernoff previously shared to our sister site Deadline. “Grey’s was definitely allowed to be a sexier show when it was on at 9 [pm]. So we are excited by the change back to our [previous Thursday] time slot.”

    Rafferty’s debut episode is titled “A Hard Pill to Swallow.”

    Station 19 Season 3 Premiere: Ben and Schmitt Rise to the Challenge of Grey's Fall Cliffhanger

    (12/23/19) (Photo) “Last call” might take on a whole new meaning when Grey’s Anatomy’s midseason-finale cliffhanger is resolved in the Season 3 premiere of its spinoff, Station 19, on Thursday, Jan. 23.

    Fans of the ABC dramas will recall that in the closing moments of Grey’s “Let’s All Go to the Bar” back in November, a car came crashing into Joe’s while it was full of characters from both series: Grey’s Jackson, Schmitt, Nico, Helm, Casey and Blake, and Station 19‘s Chief Herrera and Ben, who had been drowning his sorrows over wife Bailey’s miscarriage. In this exclusive first look at Station 19‘s third-season opener, Schmitt and Ben appear to be ready to leap into action — Ben, a man after our own hearts, holding onto his beer as he does so!

    When the shows return — er, maybe you’ve heard? — they’ll have swapped timeslots, with Station 19 displacing Grey’s from its berth in order to better facilitate crossovers. “Ever since Station 19 premiered, in the writers’ room, we always thought the better progression was from firefighters to the hospital,” showrunner Krista Vernoff has said. Now, “with Station 19 airing at 8 o’clock and Grey’s airing at 9, there are very organic opportunities for Grey’s to, for example, inherit patients we see rescued on Station 19.”

    But Station 19’s new timeslot may be the least of its changes in Season 3. “It’s quite a different show this year,” Vernoff has teased. “It’s messier emotionally than it’s ever been. People are a little less polite this season, a little less kind, a little more competitive and dirtier, literally and metaphorically.”

    SAG Awards Nominations

    (12/12/19) The Screen Actors Guild Award Winners will be revealed in a ceremony January 19 live on TNT and TBS.


    Outstanding Performance by an Ensemble in a Drama Series

    IAIN ARMITAGE / Ziggy Chapman
    DARBY CAMP / Chloe Mackenzie
    CAMERON CROVETTI / Josh Wright
    LAURA DERN / Renata Klein
    MARTIN DONOVAN / Martin Howard
    MERRIN DUNGEY / Det. Adrienne Quinlan
    CRYSTAL FOX / Elizabeth Howard
    IVY GEORGE / Amabella Klein
    NICOLE KIDMAN / Celeste Wright
    ZOË KRAVITZ / Bonnie Carlson
    KATHRYN NEWTON / Abigail Carlson
    JEFFREY NORDLING / Gordon Klein
    DENIS O’HARE / Ira Farber
    ADAM SCOTT / Ed Mackenzie
    DOUGLAS SMITH / Corey Brockfield
    MERYL STREEP / Mary Louise Wright
    JAMES TUPPER / Nathan Carlson
    ROBIN WEIGERT / Dr. Amanda Reisman
    REESE WITHERSPOON / Madeline Mackenzie
    SHAILENE WOODLEY / Jane Chapman

    MARION BAILEY / Queen Elizabeth the Queen Mother
    HELENA BONHAM CARTER / Princess Margaret
    OLIVIA COLMAN / Queen Elizabeth II
    CHARLES DANCE / Lord Mountbatten
    BEN DANIELS / Lord Snowdon
    ERIN DOHERTY / Princess Anne
    CHARLES EDWARDS / Martin Charteris
    TOBIAS MENZIES / Prince Philip, Duke of Edinburgh
    JOSH O’CONNOR / Prince Charles
    SAM PHILLIPS / Equerry
    DAVID RINTOUL / Michael Adeane
    JASON WATKINS / Harold Wilson

    ALFIE ALLEN / Theon Greyjoy
    PILOU ASBÆK / Euron Greyjoy
    JACOB ANDERSON / Grey Worm
    JOHN BRADLEY / Samwell Tarly
    GWENDOLINE CHRISTIE / Brienne of Tarth
    EMILIA CLARKE / Daenerys Targaryen
    NIKOLAJ COSTER-WALDAU / Jaime Lannister
    BEN CROMPTON / Dolorous Edd
    LIAM CUNNINGHAM / Davos Seaworth
    JOE DEMPSIE / Gendry
    PETER DINKLAGE / Tyrion Lannister
    RICHARD DORMER / Beric Dondarrion
    JEROME FLYNN / Bronn
    IAIN GLEN / Jorah Mormont
    KIT HARINGTON / Jon Snow
    LENA HEADEY / Cersei Lannister
    CONLETH HILL / Varys
    KRISTOFER HIVJU / Tormund Giantsbane
    RORY McCANN / The Hound
    STAZ NAIR / Qhono
    DANIEL PORTMAN / Podrick Payne
    BELLA RAMSEY / Lyanna Mormont
    RICHARD RYCROFT / Maester Wolkan
    SOPHIE TURNER / Sansa Stark
    MAISIE WILLIAMS / Arya Stark

    ANN DOWD / Aunt Lydia
    O-T FAGBENLE / Luke
    JOSEPH FIENNES / Commander Waterford
    KRISTEN GUTOSKIE / Martha Beth
    NINA KIRI / Alam/Ofrobert
    ASHLEIGH LaTHROP / Ofmatthew
    ELISABETH MOSS / Offred/June
    BAHIA WATSON / Oferic
    BRADLEY WHITFORD / Commander Lawrence
    SAMIRA WILEY / Moira

    CARA BUONO / Karen Wheeler
    JAKE BUSEY / Bruce
    NATALIA DYER / Nancy Wheeler
    CARY ELWES / Mayor Larry Kline
    PRIAH FERGUSON / Erica Sinclair
    BRETT GELMAN / Murray
    DAVID HARBOUR / Jim Hopper
    MAYA HAWKE / Robin Buckley
    CHARLIE HEATON / Jonathan Byers
    JOE KEERY / Steve Harrington
    GATEN MATARAZZO / Dustin Henderson
    CALEB McLAUGHLIN / Lucas Sinclair
    DACRE MONTGOMERY / Billy Hargrove
    MICHAEL PARK / Tom Holloway
    FRANCESCA REALE / Heather Holloway
    WINONA RYDER / Joyce Byers
    NOAH SCHNAPP / Will Byers
    SADIE SINK / Max Mayfield
    FINN WOLFHARD / Mike Wheeler

    New Study Shows Grey's Anatomy's Episode About Rape Increased Calls to Crisis Hotlines

    (12/4/19) During one of its most difficult episodes, Grey's Anatomy took care to include several key viewer discretion warnings and information about how to reach out to various crisis hotlines, and that decision had some measurable effects on the public.

    A new study published by The Journal of the American Medical Association found that the Season 15 episode titled "Silent All These Years," which included a post-episode PSA from Ellen Pompeo that encouraged audiences to reach out to the Rape, Abuse, and Incest National Network (RAINN) hotline (1-800-656-4673), was directly linked to an increase in searches related to the hotline as well as a 1,000 percent increase in engagements with the organization's Twitter account, the day after the episode aired.

    Trevor Torgerson, the Oklahoma State University medical student who co-authored the study, told Axios that he also uncovered a sharp uptick in communications with RAINN's hotline in conjunction with the episode as well.

    "More importantly, the RAINN hotline saw their call volume increase by 43 percent in the 48 hours after the episode," Torgerson told the site. "These findings are important as it displays another way for the media and involved parties to reach survivors of sexual violence who may not be aware of the resources otherwise."

    Grey's Anatomy's "Silent All These Years," which aired in March, featured devastating descriptions of sexual assault, after Jo (Camilla Luddington) visited her estranged birth mother (Michelle Forbes) and found out the horrific details of her pregnancy.

    It was one of several episodes throughout the season that directed audiences to seek help if they were to identify with the characters' crises. A previous episode centered on Jo's history with domestic abuse went so far as to re-title itself "1-800-799-7233" in order to direct audiences to a helpline.

    Grey's Anatomy returns to ABC on Thursday, Jan. 23, 2020 for a crossover event with Station 19, starting at 8/7c.

    ‘Them’: Brooke Smith, Anika Noni Rose, P.J. Byrne, Malcolm Mays, Jeremiah Birkett & Sophie Guest To Recur on Amazon Anthology Series

    (12/2/19) Brooke Smith (Bombshell), Anika Noni Rose (Power, The Quad), P.J. Byrne (Black Lightning), Malcolm Mays (Snowfall), Jeremiah Birkett (Euphoria, Lucifer) and Sophie Guest (The Good Nanny) are set to recur opposite Deborah Ayorinde and Ashley Thomas in Amazon’s Them (fka Them: Covenant), the first season of the anthology horror series from executive producer Lena Waithe and writer and executive producer Little Marvin. The project, from Vertigo Entertainment and Sony Pictures TV, has a two-season straight-to-series order.

    Written by Little Marvin, the 1953-set Them centers on Alfred and Lucky Emory (Ayorinde and Thomas), who decide to move their family from North Carolina to an all-white Los Angeles neighborhood. The family’s home on a tree-lined, seemingly idyllic street becomes ground zero where malevolent forces both real and supernatural threaten to taunt, ravage and destroy them.

    Smith will play Helen Koistra, the realtor who moves the Emory family into their new home to the chagrin of their white neighbors.

    Rose will play Ella Mae, a petite, loving, god-fearing, if a bit fastidious housewife. Like the Emorys, Ella Mae and her family are a pioneering black family in lily-white Compton.

    Byrne will portray Stu Berks, Henry’s patronizing new boss at the aeronautics plant. A 1950’s version of the white dude who says shit like “I can’t be racist, I have black friends”.

    Mays is Calvin, the first friendly face Henry meets at his new job in the aeronautics plant. Good humored and affable, Calvin helps Henry navigate the racial tension of being the first black engineer of the newly integrated office.

    Birkett and Guest’s characters are being kept under wraps.

    Little Marvin executive produces with Waithe, along with Roy Lee, Miri Yoon and Michael Connolly of Vertigo Entertainment. David Matthews as executive producer and showrunner. Sony Pictures TV, which has a deal with Vertigo, is the studio.

    Smith will next be seen as Irena Briganti in Bombshell. Her most recent TV credits include Unbelievable, The Good Fight, The Act and Project Blue Book and she previously recurred on Bates Motel. Smith is repped by Paradigm and manager Sue Leibman/Barking Dog Entertainment.

    Rose will next be seen in a recurring role on Hulu’s upcoming adaptation of Little Fires Everywhere. Her other recent television credits include Power and The Quad. She’s repped by Innovative, David Williams Management, GoodManagement and Schreck Rose Dapello.

    Byrne was most recently seen in a recurring role in Black Lightning and in the second installment of Big Little Lies. He’ll next appear on the big screen as Neil Cavuto in Bombshell.

    Mays played Kevin Hamilton for two seasons on FX’s Snowfall. He also starred in Antoine Fuqua’s boxing movie Southpaw and the Cuba Gooding Jr.-Dennis Haysbert film Life of a King. He can be seen starring opposite Anna Kendrick in IFC’s The Day Shall Come from See-Saw Films.

    Birkett appeared in recurring roles on Euphoria and Lucifer. On the film side, he can currently be seen in Lucy in the Sky. He is repped by Pantheon, Matt Sherman Management and Skrzyniarz & Mallean.

    Guest was most recently seen starring as Sophie Walsh in the Lifetime thrillers The Good Nanny and Fatal Defense. Her film work includes The Fault In Our Stars and Love the Coopers. She’s repped by Coast to Coast Talent Group and Treadwell Entertainment Group.

    Ellen Pompeo supports Gabrielle Union amid ‘America Got Talent’ exit

    (11/28/19) Ellen Pompeo fired off a series of tweets Thursday defending Gabrielle Union after her recent ouster from “America’s Got Talent.”

    “I support @itsgabrielleu commitment to speaking up to injustice. It takes courage,” the “Grey’s Anatomy” star wrote.

    Union, 47, and fellow judge Julianne Hough exited “America’s Got Talent” last week. On Wednesday, reports surfaced of alleged toxicity on the NBC talent competition series. Union is said to have addressed racially insensitive incidents with producers, according to Variety.

    “Workplace cultures will continue to be toxic until there is unity and solidarity among all women,” Pompeo tweeted.

    “If you go for self in these moments you undermine the work we are out here trying to do. Obviously this network feels like they can operate like this and it’s okay,” she continued.

    The actress also encouraged women to look elsewhere for entertainment.

    “With that said GIRLS….instead of wack jugglers and messy Simon Cowell [a judge and executive producer on ‘America’s Got Talent’] watch @ReeseW and Jennifer Anniston [sic] in The Morning Show!! Soooo much better. Hard to believe these networks are still getting away with this,” Pompeo continued. “Our work continues @itsgabrielleu.”

    Pompeo, who previously spoke about a “toxic” environment on “Grey’s Anatomy,” also addressed her own network.

    “Also I feel important to mention our problems on the Greys set and every set has them…some kind of issue …there’s lots of people in a workplace.. point is… exec producers and the NETWORK cared enough to help us make change support is crucial,” she tweeted.

    Union spoke out Wednesday, stating she is “humbled and thankful” amid the controversy.

    “So many tears, so much gratitude. THANK YOU!” Union tweeted. “Just when you feel lost, adrift, alone… you got me up off the ground. Humbled and thankful, forever.”

    Reps for NBC did not immediately respond to our request for comment.

    Loretta Devine on Black-ish 12/10/19

    (11/26/19) “Father Christmas” – Pops doesn’t do Christmas, so when he shows up to the house full of holiday cheer with Lynette (Loretta Devine), Dre is thrown off. Pops wants to make up for lost time and go all out this Christmas. The whole family gets into the holiday spirit until someone from Lynette’s past shows up on “black-ish,” TUESDAY, DEC. 10 (9:30–10:00 p.m. EST), on ABC. Episodes can also be viewed the next day on, the ABC app and Hulu.

    ABC’s “black-ish” stars Anthony Anderson as Andre “Dre” Johnson, Tracee Ellis Ross as Rainbow Johnson, Laurence Fishburne as Pops, Yara Shahidi as Zoey Johnson, Marcus Scribner as Andre Johnson Jr., Miles Brown as Jack Johnson, Marsai Martin as Diane Johnson, Jenifer Lewis as Ruby, Peter Mackenzie as Mr. Stevens, Deon Cole as Charlie Telphy and Jeff Meacham as Josh.

    Guest starring Loretta Devine as Lynette, Baron Vaughn as Doug and Raven-Symoné as Rhonda.

    “Father Christmas” was written by Mary Fitzgerald and directed by Anthony Anderson.

    Ratings: Grey's Dominates Non-NFL Fare With Final Bow in Longtime Slot

    (11/22/19) ABC’s Grey’s Anatomy this Thursday drew 6.4 million total viewers and a 1.3 demo rating with its fall finale (and its final airing before changing time slots after the holiday break), adding a few eyeballs week-to-week while steady in the demo. A Million Little Things (4.6 mil/0.8) was also steady in the demo with its own fall finale, while How to Get Away With Murder (2.2 mil/0.4, reader grade “A”) tied its demo low heading into a four(!)-month hiatus.


    FOX | Thursday Night Football was down sharply from last week, posting its second-lowest fast nationals of the season.

    THE CW | Supernatural (1.15 mil/0.2) and Legacies (845K/0.2) both ticked down, with the former hitting a series low in the demo.

    NBC | Superstore (2.7 mil/0.7) and SVU (3.8 mil/0.6) dipped, Perfect Harmony (1.9 mil/0.4) and The Good Place (2 mil/0.6) were steady, and Will & Grace (2.2 mil/0.5) ticked up from last week’s lows.

    CBS | Young Sheldon (8.3 mil/1.0) slipped two tenths to match its series low, Mom (6 mil/0.8) dipped one tenth, while The Unicorn (5.7 mil/0.7), Carol’s Second Act (4.9 mil/0.6) and Evil (3.5 mil/0.5) were all steady.

    Grey's Recap: Legends of the Fall Finale — Plus, Shocks Around the Docs

    (11/21/19) ( Just in time for Grey’s Anatomy to take its winter break, Meredith returned to work in Thursday’s “Let’s All Go to the Bar.” But the episode wasn’t all choruses of “For She’s a Jolly Good Doctor.” On the contrary, the action-packed fall finale also dropped a baby in Jo’s arms, sped up the swirling of Maggie’s downward spiral and gave DeLuca some stiff competition for Grey — courtesy of Cristina! Read on…

    ‘IT’S WEIRD SPENDING ALL YOUR TIME IN A PLACE MOST PEOPLE HATE’ | As the hour began, Mer was texting with Cristina, who wrote that she’d sent a package; being welcomed back by her Grey Sloan colleagues; and throwing shade at DeLuca. “I was gonna tell you [Bailey rehired me],” she said, “but you were too busy dumping me.” While outside Catherine, as far as I know still unaware that Jaggie is finito, got an eyeful of Jackson flirting with Vic, inside Amelia and Link, and Levi and Nico, were busy canoodling. When Amelia and Link came up for air, Jo related that she’d become a safe haven volunteer and had just gotten her first call that a baby had been dropped off at a fire station. While Maggie, still shaken after losing Sabi, treated Elliot, who was set to receive his fourth aortic valve replacement, Bailey discovered that her patient of the week was Station 19’s Captain Herrera, who feared that his cancer had returned. Meredith was about to discuss a tumor with 13-year-old patient Jamie and her mom when she was interrupted by Cormac Hayes (Richard Flood), as newly-minted chief of pediatric surgery. And, at Pac-North, when not noticing how handsy Gemma was with Richard, Owen stepped in for an absent Alex to give Dr. Daphne Lopez a walk-through in hopes of enticing her to join the staff.

    At Station 19, Jo met Vic and kinda freaked her out by calling her Jackson’s girlfriend. “Did he… say something?” asked Vic. Then, as the firefighters got called away, Jo was handed the baby in need by Ben. At Grey Sloan, Maggie asked Teddy to scrub in on her valve replacement and grew increasingly anxious about the possibility of losing Elliot, who’d just — and I mean just — become a dad. (His significant other was still icing her lady parts, that’s how new the newborn was.) Meanwhile, Miranda discovered that Chief Herrera had a tumor, which she refused to let him assume was malignant. Off Catherine’s awkward meeting with Vic, Jackson explained that he and Maggie had broken up months ago, but his mom didn’t have to worry about it affecting her marriage. She, in turn, said that she didn’t know how much longer her marriage would be an issue — she was duly suspicious of his relationship with Gemma. Oh, come on, said Jackson. Richard would lie down in traffic for his wife! “I might ask him to,” she snarked.

    ‘PREGNANCY CLUB JUST GOT LESS FUN’ | During a coffee break/impromptu AA meeting with Gemma at Pac-North, Richard learned that she’d started to drink when she became a young widow. At Station 19, Jo was struck by the surreal situation in which she found herself, caring for a baby who, like her, had been abandoned as a newborn. “We prefer the term ‘surrendered,'” Ben told her, because the parent(s) didn’t feel they could care for the child. (Anyone not expecting Jo to want to adopt this baby?) When Helm and Schmitt argued about his ratting out Mer as they wheeled Elliot to the O.R., he asked them 1) to lay off and b) to take him past the nursery so he could get what might be his last peek at his baby. (Damn, this episode jumped around a lot!) While comparing notes on her pregnancy with Amelia, Bailey was shocked to learn that her colleague hadn’t had an ultrasound yet. “Best way to fight fear is with information,” Miranda told her. “You can’t fix what you don’t know.” Treating Jamie, Mer clashed big time with Cormac. “Who are you, exactly?” he asked, six feet of bad attitude in a lab coat. Later, before bringing the “surrendered” baby to Grey Sloan, Jo told Ben that she’d hoped being a safe haven volunteer would better help her understand her mother; it had not. “Link thinks this is too much, too soon,” she admitted. And it appeared that he might have been right. In the O.R., Maggie got seriously snippy with a chatty Teddy. As soon as she was called away, Pierce realized that — uh-oh — the heart wasn’t restarting. Thankfully, Teddy returned in time to suggest that if they waited a while, it still could.

    Hilariously, when Catherine arrived at Pac-North, she had to tell a nurse who she was — and was informed that Richard was having coffee with “his wife.” After Cormac scared Jamie and her mom to death with talk of the possibility that her tumor was cancer, Meredith all but face-palmed. Meanwhile, Link almost laughed at DeLuca for telling Mer to “take some time” because they weren’t equals, and strongly advised him to go undo whatever he’d done, stat. When Bailey was informing Chief Herrera that he had lymphoma, she began bleeding. By the time Ben got there, sadly, she had lost the baby. When it turned out that Jamie didn’t have cancer, Mer informed Cormac that he was in her house and told him that he was going to remove the mass — which turned out to be a gall stone?!? — right then and there. At Pac North, Richard warned Owen against getting too chummy with the lovely Daphne; he knew firsthand what a slippery slope that was. Meeting Jackson for lunch, Catherine announced that Richard was having an affair — just because he had been in his office with Gemma with the door closed. Back at Grey Sloan, Bailey begged Ben to go home, go drink with his buddies, anything but stick around “with those sad, beautiful eyes.” Immediately after, she learned that Amelia was getting her ultrasound imminently, and rather than scare her, said that she had elected to find out the gender of the baby: It’s a girl, Miranda said. Or it had been.

    IN CLOSING | As the episode drew to a conclusion, Teddy explained to Elliot’s babymama that they weren’t sure how long it would take his heart to restart. In response, the poor woman asked a distraught Maggie what had happened. More like demanded to know — and Pierce couldn’t take it. “I would like to tender my resignation,” she told Koracick afterwards. “I had a bad feeling. I can’t be a surgeon if I can’t trust my own gut.” When he immediately offered Teddy Maggie’s position as cardio chief, she launched into a speech about how he had to stop offering her things in hopes of obtaining a future with her. That wasn’t what he was doing, he said. But he would marry her in a heartbeat — whereas Owen had yet to propose, he noted. Cormac at last showed a sweeter side, telling Jamie not to worry about the boy she liked — his sons and all boys her age were basically scared of girls. Catherine texted Richard that she was leaving for Chicago on foundation business. When Link showed up at Jo and Alex’s, the baby was there. It appeared that she was keeping him, or hoping to. Finally, Cristina texted Mer that the package she’d sent wasn’t an it, it was a him — she’d basically sent Cormac. At Amelia’s ultrasound, Carina revealed that the mom-to-be wasn’t 20 weeks pregnant, she was 24 — meaning that the baby was… aw, crap! Owen’s. And a car crashed into Joe’s Bar while Jackson, Ben, Chief Herrera, Levi, Nico, Helm, Casey and Blake were all there, setting the stage for [see here].

    Krista Vernoff On How ‘Grey’s Anatomy’ Fall Finale Tees Off Season 3 Of ‘Station 19’, Sexier ‘Grey’s’ At 9 PM, “Messier” ‘Station 19’ & “More Unified Storytelling”

    (11/21/19) Coming off its 350th episode last week, ABC’s flagship drama Grey’s Anatomy airs its fall finale tonight. It will help set up the January return of spinoff series Station 19 with new showrunner, Grey’s Anatomy‘s Krista Vernoff, who is pulling double duty running both series this season.

    The fall finale of Grey’s Anatomy also will mark the medical drama’s last airing at 8 PM for now. ABC just unveiled its winter scheduling plans, which include Grey’s and Station 19 still airing as a 8-10 PM block on Thursday, but switching places, with firefighter drama Station 19 at 8 PM and medical juggernaut Grey’s Anatomy at 9 PM.

    It’s been a Grey’s Anatomy staple that a fall or season finale would feature a cataclysmic event and end with a cliffhanger. But instead of tuning in to the next Grey’s premiere to find out what happens next, this time viewers will need to watch the Season 3 premiere of Station 19 on Jan. 23.

    “It felt very organic to launch the premiere of Station 19 off this incident that happens on Grey’s Anatomy,” Vernoff said. “We often do catastrophes or disasters in the season finale of Grey’s Anatomy, and it felt organic to do that and then allow the Station 19 first responders to be on the scene when we come back in January. There is an incident at the end of the Grey’s episode that requires you to come back in January at 8 PM to see how the first responders handle it.”

    The storyline will carry through to the Grey’s winter premiere at 9 PM to complete the two series’ first crossover this season.

    While “this is a big splashy way to premiere the new season of Station 19,” it’s not going to be an every week thing,” Vernoff cautioned about upcoming Station 19-Grey’s crossovers.

    The two shows will interconnect “every few episodes,” she added. “We don’t want to do it every week, we don’t want to create a mold, we don’t want to fall into any kind of pattern, we don’t want people to ever know what to expect. We have found many different, really quite exciting and fun ways to interact between the two shows.”

    That would involve more characters from each show appearing on the other. “We have got big casts from both shows and natural ways for them to interact with each other,” Vernoff said. “It’s always really fun when we find ways to bring the Grey’s characters onto Station 19 and vice versa. It feels like our worlds have grown and the possibilities for storytelling have grown.”

    That was part of the plan for Vernoff taking over both series.

    “The network hired me to run Station 19 so that Station 19 and Grey’s Anatomy could be a more unified world with a more unified timeline and a more unified storytelling,” she said.

    Vernoff gave big thumbs-up to the Thursday scheduling change, which will have Station 19 leading to Grey’s Anatomy after airing behind the mothership series for its first two seasons.

    “With Station 19 airing at 8 o’clock and Grey’s Anatomy airing at 9 o’clock there are very organic opportunities for Grey’s Anatomy to, for example, inherit patients we see rescued on Station 19,” she said.

    This is how Vernoff had envisioned the two series airing from the start.

    “Ever since Station 19 premiered, in the writers room we always thought the better progression was from firefighters to the hospital,” she said. “I didn’t think it was going to happen but I was thrilled ABC had made the decision. I literally cheered when they let me know that. It’s really exciting and opens up the storytelling.”

    Vernoff also is happy about Grey’s Anatomy’s return to the Thursday 9 PM slot where it had aired for eight seasons before it was moved to the 8 PM time period in fall 2014 to anchor TGIT. There are significant limitations on adult content from 8-9 PM, which is designated as a family viewing hour.

    “There are different rules for a 9 PM show than there are for an 8 PM show, and we hope to take advantage of those rules,” Vernoff said. “Grey’s was definitely allowed to be a sexier show when it was on at 9 o’clock. So we are excited by the change back to our original (Thursday) time slot.”

    As for Grey’s successor at 8 PM, Station 19, “I think it’s quite a different show this year,” she said. “It’s messier visually, and it’s messier emotionally than it’s ever been. It was an exciting thing for me to dive into the world of firefighters; it’s very different from the world of surgeons, and to educate myself and talk to these heroes who run towards a fire.”

    “I kept coming back to this image of sweat and soot and feeling like that needed to be a thing on this show, that it needed to feel grittier in all ways,” Vernoff continued. “The friendships are really more complicated this season. People are a little less polite this season, a little less kind, a little more competitive and dirtier, literally and metaphorically.”

    “It’s Meredith first day back at work after 8 episodes of cleaning services on the side of the road. So she is very excited to be back at work but that is a little bit complicated by the fact that her relationship has hit the skids.”

    In a typical Grey’s fashion, “right when you think you know what’s happening and where a thing is landing, you’re wrong, it is full of surprises. It was written by Kiley Donovan, who is doing both Station 19 and Grey’s Anatomy with me, and she found a beautiful way to introduce some of the characters from Station 19 and to intrigue people to want to come visit that world next year.”

    Grey's Anatomy Back To 9pm as ABC Unveils Midseason Schedule

    (11/21/19) Grey’s Anatomy is getting a new Thursday-night shift.

    ABC has unveiled its midseason schedule and the big news is that Shonda Rhimes’ enduring medical drama is moving from 8 pm back to its signature 9 pm perch beginning in late January to make way for the return of spinoff series Station 19, which will now lead off the night. To christen the rejiggered lineup, which kicks off Thursday, Jan. 23, ABC will stage a “dramatic two-hour crossover event” between the two shows.

    Grey’s spent eight of its 16 seasons airing Thursdays at 9 pm before turning the time slot over to Scandal beginning in Season 11.

    A Million Little Things, meanwhile, will shift to 10 pm, where it will remain until it finishes out Season 2 in late March. And then on April 2, How to Get Away With Murder will reclaim its 10 pm spot for the remainder of its final season.

    ABC’s early 2020 game plan also finds the new 50 Cent-produced drama For Life (watch trailer here) taking over Emergence‘s Tuesday-at-10 pm slot beginning Feb. 11 when the latter series wraps its 13-episode rookie run. The network will decide Emergence‘s fate in the spring.

    Additionally, American Idol will return Sunday, Feb. 16.

    Scroll down for a snapshot of Fox’s midseason game plan (new series in CAPS):

    Sunday, Jan. 5
    7 pm America’s Funniest Home Videos

    Monday, Jan. 6
    8 pm The Bachelor (season premiere)

    Tuesday, Jan. 7
    9 pm mixed-ish
    9: 30 black-ish
    10 pm Emergence

    Wednesday, Jan. 8
    9 pm Modern Family
    9:31 pm Single Parents
    10 pm Stumptown

    Monday, Jan. 13
    10 pm The Good Doctor

    Wednesday, Jan. 15
    8 pm The Goldbergs
    8:30 pm Schooled

    Friday, Jan. 17
    8 pm American Housewife
    9 pm Fresh Off the Boat

    Tuesday, Jan. 21
    8 pm The Conners
    8:30 pm Bless this Mess

    Thursday, Jan. 23
    8 pm Station 19 (new time)
    9 pm Grey’s Anatomy (new time)
    10 pm A Million Little Things (new time)

    Sunday, Feb. 9
    8 pm The Oscars

    Tuesday, Feb. 11
    10 pm FOR LIFE

    Sunday, Feb. 16
    8 pm American Idol

    Sunday, Feb. 23
    10 pm The Rookie

    Thursday, April 2
    10 pm How to Get Away With Murder

    Ratings: Will & Grace Eyes New Low, Perfect Harmony Also Dips

    (11/15/19) NBC’s Perfect Harmony (with 1.9 million total viewers and a 0.4 demo rating) and Will & Grace (2.1 mil/0.4) both ticked down this Thursday, with the former matching its season low and the latter eyeing a new series low. Elsewhere on the Peacock network, Superstore (2.7 mil/0.7) and The Good Place (2.1 mil/0.6, read recap) were steady, while SVU (3.8 mil/0.7) ticked up.

    Also this Thursday in Ratingsland….

    FOX | Thursday Night Football (12 mil/3.4) is up sharply from last week’s fast nationals.

    ABC | Grey’s Anatomy (6.3 mil/1.3) and A Million Little Things (4.6 mil/0.8) were steady, while How to Get Away With Murder (2.3 mil/0.5) ticked up.

    THE CW | Supernatural (1.32 mil/0.3) was steady, while Legacies (882K/0.3) ticked up.

    CBS | Young Sheldon (9 mil/1.2) and Mom (6.3 mil/0.9) ticked up and both hit season highs in the demo, The Unicorn (5.7 mil/0.7) and Carol’s Second Act (4.8 mil/0.6) dipped, and Evil (3.3 mil/0.5) was steady.

    Grey's Recap: Meredith's Judgment Day Arrives in the Series' 350th (!) Episode

    (11/15/19) ( Thursday’s Grey’s Anatomy — the ABC drama’s 350th! — found Meredith fighting for her life… ’s work. And she wasn’t fighting alone, either. Colleagues and patients alike lined up to throw down on behalf of the doctor who’d committed insurance fraud in order to get little Gabby the surgery that she needed. Were their efforts sufficient to allow Mer to wriggle off the hot seat? Read on and find out!

    ‘THIS ONE’S GONNA BE A CIRCUS’ | As “My Shot” began, Richard apologized for not calling Jackson back to attend Sabi’s services (tellingly, Catherine hadn’t attended, either), Bailey groused that she didn’t recall her entire staff of attendings putting in requests for the day off, Jo instructed the interns to try not to kill anybody while the big kids were busy, and an anxious Mer arrived for her day in court a hotel with her crew (her sisters, DeLuca and Alex). Quicker than you could say, “Objection!” things went from bad to worse — she saw that on the panel was the doctor who had been responsible for Derek’s death! (And he didn’t even remember her!)

    First on the witness stand was an embittered Bailey, who testified that she hadn’t grown close to Mer despite the fact that she’d named her son after Miranda. On cross, prosecuting attorney Ashley (wasn’t that Mrs. Maisel’s mother, Marin Hinkle? It was!) listed a litany of sins that Grey had committed, sparking a series of quick-cut flashbacks. Soon, DeLuca was being grilled about his relationship with Mer — “Is it consensual?” — and her treatment of him after Alex nearly beat him to death. Next, poor Levi was forced to admit that he’d taken his concerns that Gabby’s bracelet was mislabeled as Ellis to Bailey.

    ‘IT’S A CRAP PILE OF CRAP’ | When Jo arrived, Alex filled her in on the s—-show thus far. During a 15-minute break, Mer told DeLuca that if she lost her license and he could still practice, they’d never make it. Once the hearing was back in session, Ashley quoted some damning comments from Owen about Mer, and prompted Richard to lie that he and he alone had gotten Adele a trial drug rather than the placebo that she was prescribed. Next thing we knew, a former staffer of Webber’s was admitting that Grey had never been supposed to work at Seattle Grace.

    When Alex took his turn in the hot seat, and was questioned by Derek’s killer about Zola’s adoption, Mer went ballistic and announced that she remembered him “as the coward who stood over my dying husband… after you failed to get him a head CT! You don’t deserve to judge anyone!” As the court was thrown into chaos and recessed, the guy keeled over! Immediately, the zillion doctors in attendance leapt into action — with Mer ordering a damn head CT once he reached Grey Sloan! Meanwhile, Maggie appeared to be drinking away her sorrow over Sabi’s demise when Jackson entered the bar. “Did you come to gloat?” she asked. He hadn’t, so she admitted her fear that Richard would never speak to her again.

    ‘YOU FLAT-OUT LIED!’ | Back at the hotel where the hearing was being held, Bailey called Richard on his lie and defended her decision to answer questions about Grey as if she didn’t know her at all. “Meredith Grey could commit murder, and you’d hide the body,” huffed Bailey. “You choose her, you always choose her.” If Miranda was jealous, she could lay off; he got enough of that from his wife. At Grey Sloan, Amelia beseeched Tom to perform a craniotomy on her brother’s killer, and he cancelled the rest of his day to do so. (That’s the Koracick we know and want to love.)

    At the hotel, Richard admitted to Bailey that OK, he did sometimes give Mer special treatment. She was family — and brilliant. So it was worth putting his career in jeopardy for her. In turn, she argued that she had lost her job, her best surgeons and her best friends because he had supported Mer instead of coming to her. Inside, it was being announced that the hearing was being postponed when in came Alex with an army of Mer’s former patients, including Gabby and… Katie Bryce, is that you?!? (It was!) One by one, they testified to Mer’s amazingness.

    ‘SINCERELY, DR. CRISTINA YANG’ | At Grey Sloan, as Tom concluded his surgery, Amelia declined Link’s offer to get out of there. She needed to stay with the man who’d taken away her favorite person in the world. “But up here, far away from the scalpels,” he said. Her anger at Derek’s killer was understandably intense. Suddenly, the patient flatlined. At the hotel, Alex read a letter from Cristina and would’ve read testimony from Callie and Arizona, too, had he not been hushed up. Before the room adjourned, Bailey piped up — on Mer’s behalf. “She deserved to lose her job” for what she did, Miranda said, but “no one should be questioning her license.” Mer was the best… well, aside from Bailey herself.

    As the hour neared its conclusion, everyone waited around while the medical board deliberated Mer’s fate. When Amelia returned to the hotel, she shared with Mer that Derek’s killer had died. Also, she hadn’t done it! Just then, Mer’s lawyer revealed that it was over — the verdict was, in essence, that Grey would get to keep her license. Off that, Bailey invited Mer back to Grey Sloan. And she didn’t just accept, she gave the chief “a big, fat yes.” At Mer’s, Jackson and Maggie pondered whether Richard and Catherine were having “problems.” After the text came in that Mer got to keep her license, Jackson came thisclose to kissing Maggie but managed to stop himself.

    At the hospital, Blake delighted in telling the interns that Levi had been the one who’d ratted out Mer. After the doctor of the hour got home, DeLuca showed up asking to talk. The look in her eye when she spoke about Derek, he said, was different than the look in her eye when she spoke about him. She didn’t respect him the way she had her husband; maybe she never would. So “take some time, Meredith, and figure out what it is that you want… and let me know if I’m a part of that.”

    T.R. Knight Takes Flight

    (11/12/19) Grey’s Anatomy vet T.R. Knight is boarding HBO Max’s upcoming drama The Flight Attendant.

    Based on Chris Bohjalian’s bestseller, the dark comedic thriller stars Kaley Cuoco (The Big Bang Theory) as Cassandra “Cassie” Bowden, a flight attendant who wakes up hungover in a Dubai hotel room… with a dead body next to her. Knight will play the series-regular role of Cassie’s older brother Davey, who “gently” disagrees with her life choices and is constantly frustrated that his sister remembers their childhood very differently.

    The cast also includes Michiel Huisman (Game of Thrones), Sonoya Mizuno (Maniac), Colin Woodell (The Originals), Merle Dandridge (Greenleaf) and Griffin Matthews (Dear White People).

    Grey's Actor Jake Borelli to Lead Gay-Themed Valentine's Movie at Freeform

    (11/11/19) Freeform on Monday greenlit its first-ever Valentine’s Day movie — and with no disrespect to Sally, this romantic comedy is all about Harry.

    Titled The Thing About Harry, the gay-themed original film will center on high school enemies Sam (played by Grey’s Anatomy‘s Jake Borelli) and Harry (newcomer Niko Terho), who are forced to share a car ride to their Missouri hometown for a friend’s engagement party on Valentine’s Day. But when Sam learns Harry has come out, things take a turn, and the two men “begin to develop a deep friendship — with neither admitting a potential romance may be brewing — leaving them wondering if one road trip could change the rest of their lives,” the project’s logline reads.

    Borelli’s Sam is described as a “handsome, funny, neurotic, intelligent gay man” who has both “a scathing wit” and “an overly idealistic worldview.” Sam came out when he was still in high school, for which he was constantly bullied in his small Missouri town. Terho’s Harry, meanwhile, is an “emotionally uncomplicated, promiscuous player” who secretly “yearns for love, family and stability,” even though commitment terrifies him.

    Queer Eye‘s Karamo Brown will co-star as Paul, a gay man who is both “exceedingly well put-together” yet “overbearing and pretentious,” while GLOW‘s Britt Baron will play Stasia, Sam’s edgy and opinionated best friend. Peter Paige (The Fosters) will direct the movie and appear as Sam’s warm-hearted roommate, Casey.

    “It’s been an honor to partner with Freeform in making great television with LGBTQ+ characters as leads,” executive producers Paige, Greg Gugliotta and F.J. Denny said in a statement. “True equality can only be achieved when you see yourself reflected in the movies, music and stories that paint our culture. As young gay men in the 90s, whenever a rom-com opened, we would watch the leading lady fall in love, and imagine what it would be like if the boy was saying all those things to another boy. We’ve always wanted to make a movie — an unabashedly romantic comedy — that queer boys wouldn’t have to translate. It’s rewarding to take the genre to a new, all-inclusive level.”

    The Thing About Harry is, fittingly, slated for a February 2020 premiere on Freeform.

    No Gain For ‘Thursday Night Football’ Ratings; ‘Grey’s Anatomy’ Rises

    (11/8/19) The Oakland Raiders’ 26-24 victory over the Los Angeles Chargers came down to the final two minutes, helping keep Fox’s Thursday Night Football interesting with a primetime-best 2.6 rating in the adults 18-49 demographic and 9.42 million viewers.

    Those early numbers are mostly even with the season-low-hovering results of the past couple of weeks for the midweek NFL game; last week’s Halloween night 49ers-Cardinals matchup drew a 2.8/10.19 million in early numbers. Adjustments later today are likely, but as usual it gave Fox an easy win for the night in both metrics.

    Elsewhere, Grey’s Anatomy (1.3, 6.13M) jumped up two tenths in a return to normalcy and ranked as the night’s top-rated non-sports show, helping lead-out A Million Little Things (0.8, 4.49M) gain a tenth. CBS’ Young Sheldon (1.1, 8.73M) snagged the night’s best viewership number for a scripted program, pacing a comedy block that was even across the board with The Unicorn (0.8 5.93M), Mom (0.8, 6.20M) and Carol’s Second Act (0.7, 4.99M).

    NBC saw even results for Superstore (0.7, 2.61M), Perfect Harmony (0.5, 1.99M) and The Good Place (0.6, 1.99M), while Will & Grace (0.5, 2.18M) and Law & Order: SVU (0.6, 3.57M) ticked down.

    At 10 PM, SVU still won its time slot in both metrics, topping CBS’ Evil (0.5, 3.48M) and ABC’s How to Get Away with Murder (0.4, 2.27M) which both were steady with last week.

    The CW’s Supernatural (0.3, 1.12M) and Legacies (0.2, 790,000) were both even week-over-week.

    Grey's Anatomy Recap: In A Family Way — Plus, [Spoiler]'s Devastating Loss

    (11/8/19) ( All together now, Grey’s Anatomy fans: Damn it, Owen! You have it all now, buddy. A woman that you love, not one but two kids, a job far, far away from Tom. You didn’t have to react as badly as you did to Amelia’s revelation that she and Link are having a baby. It just wasn’t a good look for you, buddy. Read on, and not only will we shake our heads at the exes’ latest dustup, we’ll review the development that put kept Richard and Catherine at odds, and cover Maggie’s tragic introduction to some relatives that she didn’t realize she had.

    ‘WE COULD BE TWINS!’ | As “Papa Don’t Preach” began, Amelia grabbed an elephant of Leo’s Ellis’ — the literal elephant in the room? — as an excuse to visit Owen at Pac-North and disclose that she is with child. Or did she really have to? she asked Mer, who didn’t have time to dither. Wouldn’t Owen figure it out when her baby bump ballooned? At Grey Sloan, Maggie quickly deduced that Catherine wasn’t aware that she and Jackson had broken up. Maggie later filled in Jackson, adding that she hadn’t mentioned their relationship status to Richard, either — they were both in the dark?!? Soon, Maggie was distracted by the arrival of Sabi (Kelly McCreary’s sister, Crystal) and her dad, Chris — Webber’s niece and brother. Speaking of Richard, at Pac-North, he brushed off Gemma despite her apology for what had transpired between them. En route to her dad’s new workplace, Maggie got to know her relatives, with grumpy Chris making a point of saying that Richard was ashamed of them. (Apparently, the brothers had been estranged for five years, and Chris had been pretty nasty when he’d learned about the existence of Richard’s illegitimate daughter.)

    At Pac-North, Amelia had no sooner totally Amelia’d her baby news by blurting it out to Owen than in came Cassidy, a woman whose son Henry had called 911 when she’d taken a fall down the stairs. Moments later, Sabi and Chris arrived with Maggie, and it quickly became apparent that they weren’t just there for a family reunion: Sabi had an insanely large tumor. She even had a three-week-old scan of it! “This kind of tumor is operable,” Maggie explained. But they’d need new imaging, stat. Sabi was just as interested in getting the scoop on Maggie’s personal life as she was in getting better; she even hated Jackson on principle. In no time, the cousins decided that they could be twins — they loved a lot of the same things, from classical music to crossword puzzles. Though Richard was apologetic about the fact that he hadn’t mentioned this branch of the family tree to his daughter, she was more fascinated than ticked. Unfortunately, Sabi’s scan revealed that her tumor had grown. A lot.

    ‘WE’VE KNOWN EACH OTHER FOR TWO HOURS’ | Despite the fact that Sabi and Maggie are related and Maggie wasn’t a doctor at Pac-North, she was determined to be her cousin’s surgeon. When Chris balked at that notion, big time, Richard offered to bring in an on-call doctor. Maggie understood — kinda. If something went wrong in the O.R., she’d “always be the love child that killed your favorite niece.” When Mer stopped by to visit Alex, Maggie filled in her sister. Soon, they were joined by Amelia, who expressed surprise that Owen was being so weird about her pregnancy. (Had she met him? “Weird” is kinda Owen’s go-to.) Seconds later, Maggie was paged: Sabi was crashing. And at that point, Richard wanted his daughter to operate — fast. “Don’t put your daughter’s life in someone else’s hands,” he beseeched Chris, who grudgingly agreed to let Pierce do her genius thing. In the O.R., Alex told his crew to be on their best behavior and joked that maybe he could get Maggie to come work there one day. Outside, Chris grumbled to his brother that “the last time you tried to calm my nerves in a waiting room, Mom died.” Replied Richard: “I was 10 years old.” After Chris left to get some air, Gemma approached her crush and offered him some sympathy — and that isn’t a euphemism, she wasn’t making another pass, she was being understanding. But it didn’t look that way to Catherine when she walked in. She wouldn’t even shake Gemma’s hand.

    When Chris returned, Catherine’s chilliness dissipated — at least toward him. Reminiscing, Richard and Chris even started to get along… till the latter threw in Adele’s name. Quickly, the tension rose again to the point that it was too thick to be cut with a scalpel. Left alone with his wife, Richard attempted to explain about Gemma, which only made things worse. He was talking a lot, Catherine noted, for someone who said there was nothing to talk about! Outside the hospital, Gemma approached Catherine… who offered her a foundation job with better pay. “We have openings all over the country, though none here in Seattle, I’m afraid,” said Catherine, transparent as cellophane. In the O.R., Sabi took a nosedive because the staff didn’t work the way that Maggie did (or vice-versa). Still, Pierce was able to take control of the situation. She couldn’t lose her cousin… could she? While Chris climbed the walls, Richard reached out to him — and actually managed to get to him, it seemed. Sadly, at that moment, Alex was telling Maggie that it was too late, Sabi was brain dead. S—.

    ‘MA’AM, DID YOU KNOW THAT YOU WERE PREGNANT?’ | While Owen was treating Cassidy, he reported to her that she was expecting. Her response: “It didn’t work.” Yikes. It appeared that she had thrown herself down the stairs to terminate her pregnancy. When Amelia offered to speak with Cassidy, suggesting that she might be more comfortable talking to a woman, he took her up on it. By and by, Cassidy revealed that she couldn’t afford another pregnancy. But she hadn’t tossed herself down the stairs for a do-it-yourself abortion; she’d doubled up on an herb to terminate the pregnancy, but it hadn’t worked and had made her so dizzy that she’d taken a spill. Even with all of that information in mind, Owen, to Amelia’s consternation, refused to adhere to Cassidy’s wishes and end her pregnancy. At this point, he began getting extra testy with his ex. Oh, Owen. After talking with her sisters, Amelia returned to Cassidy and helped her get the medication that she needed to safely terminate her pregnancy. When Owen hit the roof, thinking that maybe Cassidy would’ve changed her mind, it led him and Amelia directly into a fight about the fact that she hadn’t wanted to have a baby with him but now was having one with Link.

    In the end, Owen concluded that it wasn’t that his former wife hadn’t wanted to have kids. “You just didn’t want to have them with me.” Instead of saying #braintumor, a—hole, and running, Amelia just ran. Moments later, he caught up with her and she apologized; she shouldn’t have ambushed him with her news. What’s more, she said that she hadn’t been ready before Leo and Betty to have kids. So in a way, she had him to thank for her present-day readiness. And like it or not, they were family now. Softening, Owen wondered how they were going to manage their fantastically big, messy family, and acknowledged that he had been awful to Cassidy. He owed her a Jell-O and then some. In the episode’s final moments, Maggie understandably melted down over Sabi’s death — she’d pushed her cousin and uncle to let her do the surgery! With Alex’s help, she pulled herself together enough to break it to Chris that his daughter had died on the table. “I did everything that I could,” she said, “but unfortunately, I couldn’t save her.” Chris did not take it well; he furiously reminded Richard and Maggie that he and Sabi hadn’t even wanted her to operate. Heartbreaking.

    Peter Facinelli, Teri Polo, Eric Dane Topline ‘The Ravine’ Drama

    (11/8/19) Peter Facinelli (Supergirl, Escaping the NXIVM Cult, Twilight saga), Teri Polo (The Fosters, Meet the Parents), and Eric Dane (Euphoria, Grey’s Anatomy) are attached to star in The Ravine from writer/director Keoni Waxman.

    In the indie drama, a group of friends is blindsided by news that someone they trusted has committed a terrible crime. In their quest for answers they fall on hard times but ultimately must turn toward faith.

    The pic is shooting in New Orleans this month. Phil Goldfine, Robert Pascuzzi, and Kelly Pascuzzi are producing.

    Facinelli is repped by Mainstay Entertainment and Abrams Artists Agency. Polo is with Gersh and manager Bob McGowan of McGowan Rodriguez Management. Dane is a client of CAA.

    James Comey Mini: Scoot McNairy Is Rod Rosenstein, William Sadler Is Michael Flynn, T.R. Knight Is Reince Priebus

    (11/7/19) Halt and Catch Fire‘s Scott McNairy has been set to play former US Deputy Attorney General Rod Rosenstein, William Sadler (When They See Us) will play former National Security Advisor Michael Flynn, and T. R. Knight (Grey’s Anatomy) will play former White House Chief of Staff Reince Priebus in the four-hour CBS Studios miniseries based on James Comey’s book A Higher Loyalty.

    They join Jeff Daniels (Comey), Brendan Gleeson (President Donald Trump), Holly Hunter (Acting Attorney General Sally Yates), Michael Kelly (Acting FBI Director Andrew McCabe), Jennifer Ehle (Patrice Comey), Peter Coyote (Robert Mueller), Steven Pasquale (ex-FBI agent Peter Strzok) and Oona Chaplin (FBI lawyer Lisa Page) in a miniseries that begins shortly with Billy Ray directing his scripted adaptation of Comey’s bestselling book A Higher Loyalty. The mini takes a look at the Trump presidency and its potential clashes with Constitutional Law.

    Rosenstein was confirmed as Deputy Attorney General in late April, 2017, and authored the memo that President Trump cited as the basis for his decision to dismiss Comey as FBI Director; Flynn, the retired Army Lieutenant General, was National Security Advisor, undone after just 24 days by his interactions with a Soviet ambassador, and later pleaded guilty for providing false information to the FBI, becoming a cooperative witness in the Mueller Investigation; Priebus was the longtime Republican National Committee chief who thwarted attempts to deny Trump the nomination. The new president rewarded that loyalty by tapping him chief of staff, only to drop him months later in favor of Homeland Security Chief John Kelly, giving Priebus the distinction of serving the shortest term in that post of anyone who didn’t come in as an interim replacement.

    CBS will set an airdate and decide whether to broadcast it on Showtime, CBS All Access or both. Alex Kurtzman, Shane Salerno and Heather Kadin are the executive producers. The mini is produced by Secret Hideout, The Story Factory and Home Run Productions in association with CBS Television Studios.

    McNairy is repped by The Group Management and WME; Sadler is Insurge Entertainment and Knight is SDB Partners and Paul Hasints LLP.

    Melissa George Joins Justin Theroux in Mosquito Coast at Apple TV+

    (11/4/19) Melissa George is putting down stakes along Mosquito Coast, Apple TV+’s forthcoming drama series starring fellow Alias alum Justin Theroux.

    Based on the novel by Justin’s uncle Paul Theroux, Mosquito Coast follows an idealistic inventor named Allie (Theroux) as he uproots his family and takes them to the jungles of Central America to start a new life. George — who most recently starred opposite Sean Penn in Hulu’s one-and-done The First — will play Allie’s wife Margot.

    The Mosquito Coast cast also includes relative newcomer Logan Polish (as Dina, Margot and Allie’s teenage daughter) and Stalker alum Gabriel Bateman (as Charlie, Margot and Allie’s son and youngest child.)

    Luther creator Neil Cross co-wote the first episode (with Tom Bissell) and will serve as showrunner and EP. Rupert Wyatt (Rise of the Planet of the Apes) will direct several episodes and also serve as an EP.

    The book was previously adapted as a 1986 film starring Harrison Ford in Theroux’s role.

    Halloween Ratings: #TGIT Dramas Go Low, While Four NBC Shows Rise

    (11/2/19) ABC’s Grey’s Anatomy delivered 5.7 million total viewers and a 1.1 demo rating on Halloween night, slipping to new series lows. A Million Little Things (4.1 mil/0.7) similarly tied its own demo low and drew its smallest Thursday audience thus far, while How to Get Away With Murder (2.23 mil/0.4) matched its demo low and equaled its second smallest audience.

    The news was far better over on NBC, where Perfect Harmony (2.5 mil/0.5), The Good Place (2.3 mil/0.7), Will & Grace (2.6 mil/0.6) and SVU (3.9 mil/0.7) all rose a tenth in the demo. Opening the Peacock’s night, Superstore (3.1 mil/0.7) was down a tenth in the demo. Also of note, all five NBC programs grew in audience week-to-week.

    Elsewhere, Fox’s Thursday Night Football coverage (10.3 mil/2.9) was up a tick from last week’s fast nationals…. and CBS’ first Young Sheldon rerun of the night delivered Thursday’s biggest non-sports audience, with 5.8 million viewers.

    T.R. Knight on GOD FRIENDED ME 11/17/19

    (10/31/19) “The Last Grenelle” – Miles is shocked when the clues he began following in Paris lead him to Gideon (T.R. Knight), who had been helping friend suggestions years ago before making a fateful decision to leave the God Account behind, on GOD FRIENDED ME, Sunday, Nov. 17 (8:30-9:30 PM, ET/8:00-9:00 PM, PT) on the CBS Television Network.

    Erin Brockovich-Inspired Drama From Grey's Anatomy Boss Set as ABC Pilot

    (10/31/19) ABC has given a put pilot commitment to Rebel, a drama series inspired by the life of Erin Brockovich, the character played by Julia Roberts in the award-winning 2000 film.

    Penned and executive-produced by Grey’s Anatomy showrunner Krista Vernoff, Rebel follows Annie “Rebel” Rebelsky, a legal consultant who, 20 years after a movie made her famous, is still working without a law degree.

    Rebel is described as a “funny, messy, brilliant and fearless real-life superhero” who cares desperately about the causes she fights for and the people she loves. As such, when she applies herself to a fight she believes in, she will win at almost any cost.

    As depicted in the Julia Roberts film, Brockovich was working as a paralegal on a pro bono real estate case when she discovered that a public utility company was contaminating a small town’s water supply. After she proceeded to intrepidly and tirelessly knock on doors to discuss the problem with reluctant, cancer-struck residents, Brockovich helped plaintiffs win $333 million in damages in one of the largest class-action lawsuits in history.

    Per our sister site Deadline, Brockovich herself will serve as an executive producer on Rebel, alongside John Davis and John Fox in the ABC Studios/Sony Pictures Television co-production.

    Somewhat similarly, ABC last TV season aired The Fix, a legal drama that starred Robin Tunney as a thinly veiled version Marcia Clark avatar who emerged from a sabbatical to investigate a movie star’s possible involvement in (yet another) murder.

    Grey's Recap: Till Death Do Us Part

    (10/31/19) ( Warning: The following contains frightful quantities of spoilers for Thursday’s Halloweenderful Grey’s Anatomy.

    Eat your heart out, American Horror Story! Thursday’s Halloween episode of Grey’s Anatomy was jam-packed with goosebump-inducing developments, from the discovery of a mass grave at Pac-North to the spectacle of Meredith in a prison cell instead of an O.R. But perhaps likeliest of all to make you squeal, if only with delight, was a wedding that was totally unexpected — at least on October 31st! If you think you can bear a relapse of the heebie-jeebies and/or the warm-fuzzies, read on, and we’ll go over all the thrills and chills!

    ‘ANYBODY EVER TELL YOU YOU SNORE LIKE A TRUCKER?’ | As “Whistlin’ Past the Graveyard” began, Meredith, her stay in the big house down to its last few hours, was understandably eager to get sprung. But even when the time arrived for her to be released, she remained stuck behind bars: The court had yet to send over the paperwork necessary for her to reacquaint herself with the taste of freedom. So she distracted herself by, as cellmate Paula put it, “whining about how you might lose your medical license” and ultimately getting to know the other woman. Turned out, Paula was a single mother of two who had been arrested for assaulting a cop (she hadn’t really) after being forced to leave her children home alone to work the graveyard shift at her second job. Now, her kids were in foster care, and she was looking at another month in the slammer before her hearing because she couldn’t afford bail. Do I really need to mention that, when Mer’s paperwork at last came through, she anonymously paid to get Paula out, too?

    While Mer was busy singing the last chorus of “Cell Block Tango,” Maggie was “killing the auntie game,” in her estimation. In PJ pants, but still. DeLuca, on the other hand, was struggling, in particular with Zola. When he offered to help her with her butterfly wings, she snapped, “You’re not my dad.” At Grey Sloan, Owen terrified Teddy by dropping off some old Halloween costumes that his mom had sewn for him and Megan back in the day. Did he expect his babymama to do the same? Teddy wondered. Levi told Taryn that he was spending Halloween in Capitol Hill with Nico, which was lovely. However, his mother had asked him not to post pictures, which was significantly less lovely. He’d thought she didn’t have an issue with his sexual orientation, but apparently, she did. After sharing with Amelia that she was pregnant, Bailey admitted that the hormonal surges were driving her crazy. “I can’t cry at work,” she exclaimed, “and certainly not in front of Tom Koracick!” Unfortunately, even Amelia’s advice on how to keep the tears at bay made Miranda weepy! Speaking of Amelia, Link invited her not just to lunch but to lunch with his divorced parents, aka the Bickersons, for his cancerversary — the anniversary of the day that his doctor told him that his scans were clear. Sure, their get-togethers always devolved into fights, but this time would be different, he was sure, because he and Amelia would tell them about the baby.

    ‘I DON’T HAVE MORE ROOM FOR DEAD BODIES TODAY’ | At Pac-North, Alex was just about to show the investors that he hoped would chip in for his new research wing the construction site when the foreman showed him that… er, his crew had dug up some bones. Like, a lot of ’em. Later, Karev revealed to Richard that he’d found out that, 100 years ago, Pac-North had been a mental hospital. If no one claimed the body of a deceased patient, that body got dumped. “That sure explains why this place feels haunted,” cracked Webber. When Jo stopped by in her corpse-bride outfit — and yes, since her wedding dress had been expensive, she was indeed going to wear it every Halloween! — patients started crashing right and left in the ICU. Not from the shock of seeing her, mind you. One of Pac-North’s fridges for blood was on the blink; the hospital had nearly killed a bunch of people! After Jo helped Alex get the situation back under control, he barked at some nurses to stop spreading ghostly rumors, inadvertently cluing in the investors to the fridge situation… and the burial-ground situation!

    Meanwhile, Link and Amelia’s lunch with his folks, Eric and Maureen, quickly went from bad (Amelia admitting that just last year, she’d been living with her ex and their two kids) to worse. So. Much. Worse. After Maureen announced that she was getting remarried — to Eric — Link lost it and yelled at his parents in disbelief. They’d used him as a pawn not only in their divorce but for years afterwards, and now they were getting back together?!? Over the course of his tirade, he accidentally slipped and mentioned the baby. So “oh yeah,” he huffed, “you’re gonna be grandparents.” When he went outside to get some much-needed air, he was followed by Amelia, who — as we well know — just happens to be one of the world’s leading experts on family dysfunction. She sweetly (and, it seemed, rightly) suggested that maybe his anger had less to do with his folks’ unexpected reunion than with them making his cancerversary all about them. Now, if he wanted to, they could split, she added. “Or… you can give them a chance to do better.” Link chose the latter option but came thisclose to regretting it when Eric and Maureen inquired when Amelia was due — because they’d already put a deposit down on a venue for a spring wedding. Thankfully, they quickly volunteered to forfeit the deposit if necessary. So they weren’t all bad… just mostly.

    ‘THEY CALL THESE FUN-SIZE? THEY’D BE MORE FUN IF THEY WERE BIGGER’ | At Grey Sloan, while working with Bailey and Teddy on a teenager who’d been hit by a car — not, as it appeared, struck in the chest with axe — Tom groused that there came a time when kids were just too old for trick-or-treating. When Bailey expressed her disbelief that he wanted to put an age limit on Halloween, he retorted that “a town in Canada did it — 16. After that, it’s just panhandling in a costume.” Later, Teddy — unaware that her ex-boyfriend was still in the room — floated the idea that Owen equated good Halloween costumes with good mothering. “You are not inept,” Tom reassured her, “except in your choice of babydaddies.” In the end, Bailey advised Teddy not to worry about the costumes, worry about spending time with Allison and Leo; that was what mattered. As for Tom, Miranda privately asked him why he was such a damn Halloween Grinch — prompting him to reveal that the holiday had always been his late son David’s favorite. One year, the boy had been especially psyched about the Luke Skywalker costume that he and his dad had put together… and he’d died two weeks before Halloween. Obviously, this reduced Bailey to tears (despite her use of Amelia’s waterworks-avoidance techniques), leading to a fantastically awkward moment between the nemeses.

    The other big case-of-the-week was that of Mary Rose, an 11-year-old with xeroderma pigmentosum, a condition that left her unable to withstand UV light. She’d gone outside without her protective gear and had come back with bad burns on her arms. And that was just the tip of the iceberg as far as her woes went: She was also upset that her usual doctor (Alex) no longer worked at Grey Sloan and that her injuries might make her unable to go out on Halloween night — the one time she could be a regular kid. In response, Jackson invited her to the hospital’s Halloween party… which Levi pointed out didn’t exist this year since Karev wasn’t around to assign it to a resident. Schmitt couldn’t take it over. “I have plans,” he said. “I know,” Jackson replied. “I just gave them to you.” Argh! While operating on Mary Rose, DeLuca opened up to Jackson about his recent difficulties: no phone time with his jailbird girlfriend and Zola’s sudden dislike of him. With kids, Harriet’s dad said, there’s always a reason for their behavior — you just have to figure out what it is. Later, DeLuca did just that, getting Zola to admit that Derek had once fixed her wings for her. “I don’t want to forget him,” she said. To reassure her that neither would she nor anyone else, he told a story about how her legendary dad had once saved lab tech Isaac. By doing a comical impersonation of Alex, Jackson got Mary Alice to open up, too. She revealed that she’d only rushed outside without her gear because her cat had run out. She hadn’t wanted to tell her moms, lest they respond by giving away her pet. Not to worry, said Jackson. He’d let doctor/patient confidentiality take care of this one.

    ‘YOU ARE TURNING A HOUSE OF HORRORS INTO A LEGIT HOSPITAL’ | As the hour drew to a close, Nico showed up at Grey Sloan since Levi kept getting delayed (especially by an adorable tyke who wanted to be a sunflower for Halloween). Delighted by his beau’s arrival, Schmitt took some selfies with him and posted them online. “Because,” he noted, “joy should be shared.” As Grey Sloan’s Halloween parade got underway, Teddy arrived with Leo and Allison, and was relieved to learn from Owen that he hadn’t expected her to make costumes, he’d just thought the old ones might fit. Well, instead, Teddy had improvised and made them zombies. “You dressed our babies up as dead babies?!?” he exclaimed. Priceless. At Pac-North, Alex shared with Jo that, despite the day from hell, he was still getting the funds that he needed for the hospital’s research center. The investors, he explained, had been “impressed with my ability to handle chaos.” Ha, replied Jo. “They should visit your childhood!” When he suggested that they celebrate, and she remarked that she was “absolutely dressed for that,” he got the kookily romantic idea to run off to the courthouse and retie the knot. During the impromptu ceremony, his vampire fangs nearly fell out of his mouth when Jo changed her vows from “for richer or poorer” to “for richer or pregnant… I’m pregnant.” She was just kidding, but at least she’d finally gotten the shocked reaction that he’d never given her amazing costume.

    Grey's Star Visits Power

    (10/26/19) Grey’s Anatomy star Jesse Williams will appear in this Sunday’s episode of Power as Kadeem, who is LaKeisha’s ex-lover and the father of her son, Cash, reports.

    Ratings: Will & Grace Improves NBC Time Slot (Whew!), #TGIT Lineup Rises

    (10/25/19) Will & Grace opened its final season on Thursday with 2.3 million total viewers and a 0.5 demo rating, marking revival lows but nonetheless improving on Sunnyside‘s broadcast average (1.4 mil/0.3) to give NBC its best numbers in the time slot since late March.

    Lead-out SVU (3.6 mil/0.7) in turn ticked up to a best-since-premiere audience while also rising a tenth in the demo.

    Opening NBC’s night, Superstore (2.9 mil/0.8), Perfect Harmony (2.1 mil/0.4) and The Good Place (1.9 mil/0.6) were all steady in the demo.


    FOX | Thursday Night Football (10.3 mil/2.9) is right on par with last week’s fast nationals.

    THE CW | Supernatural (1.25 mil/0.3) was steady, while Legacies (883K/0.2) dipped.

    ABC | Grey’s Anatomy (6.1 mil/1.3) and How to Get Away With Murder (2.4 mil/0.5) both rebounded from series lows, while A Million Little Things (4.4 mil/0.9) rose two tenths in the demo to a best-since-premiere rating.

    CBS | Young Sheldon (8.5 mil/1.1) and The Unicorn (5.9 mil/0.8) both ticked up, with the former hitting a season high in total audience. Mom (6.4 mil/0.8) and Carol’s Second Act (5.1 mil/0.7) held steady, with the former hitting a season high in total audience, while the recently renewed Evil (3.6 mil/0.5) slipped to season lows.

    Grey's Recap: Chamber Musing — Plus, [Spoiler]'s Going to Prison!

    (10/24/19) ( Familiar faces abounded in Thursday’s Grey’s Anatomy. Not only did Jo and Bailey wheel into the hyperbaric chamber a patient that the former recognized from her time in a psychiatric facility, but Richard found himself noticing a flirtatious look on the lovely mug of his old pal, Gemma. (Honestly, it was impossible to miss!) At the same time, Mer affixed her tried-and-true “Ugh, this again!” expression as she was due in court for bailing on her community service in “It’s Raining Men” — not that she’d be making that date. Was anyone left smiling by the end of the hour? Maybe Ben when he learned that Miranda was expecting? Or if he learned that she was? Keep reading, and all will be revealed.

    ‘BOUNDARIES… I DON’T SHARE FOOD’ | Early on in “Breathe Again,” Ben collapsed into bed after a hard night’s work and immediately started [see photo] — just as Bailey attempted to tell him that she was pregnant. As Richard was clocking out for the day — well, night — Gemma twisted his arm and convinced him to have breakfast with her. After Zola threw up on Mer’s shoe and complained of headaches, Mom rushed her to Grey Sloan and, specifically, to Tom for a CT; the little girl, who has spina bifada, needed a shunt revision, it turned out. And no, DeLuca — God, no! Mer would not be leaving her side, not even to go to court. Last but not least, Jo clocked unconscious patient Carly, who might have tried to commit suicide, as a former therapist of hers, and joined Bailey in the hyperbaric chamber in hopes of reviving her.

    Once inside, Jo told Bailey that her former therapist had been 13 years sober and was crazy possessive about her almonds. Also, “I couldn’t stand her; she was the worst.” In a flashback to Jo’s time in the treatment facility, we saw that Carly was indeed a tough cookie. But she was also sharp — sharp enough, even, to get Jo to open up about her mom pulling away her hand from hers. Back in the chamber, Jo freaked. If Carly, the one person who could help her, could snap and try to take her life, what hope was there for her? Desperate, Jo began to list the things that she knew by heart — a calming technique that Carly had taught her. When that didn’t work, Bailey blurted out that she was “super pregnant,” and that actually helped.

    Afterwards, Jo reassured Bailey that it was OK to admit if she was scared. “What’s said in the hyperbaric chamber stays in the hyperbaric chamber.” What’s more, Jo told Bailey that she’d learned in treatment that she could be feeling happy, excited and terrified. Cut to: another treatment-facility flashback. In this one, Carly busted Jo trying to skip out after their session, and expressed her wish that her patient could move past her shame and feel the anger toward her mother that she was denying. Back in the chamber, Bailey chilled out by rattling off a list of things she knew by heart. Just then, all the monitors attached to Carly went off — she was going downhill fast. Luckily, Jo deduced that she was always eating almonds because she was diabetic — she needed glucose. Once it was administered, her condition began to improve. Whew.

    In one more flashback, Jo hollered at Carly that she was in pain and hated that her therapist was treating it like a joke. Not that Carly was actually doing that at all. Jo still had trouble with anger — she didn’t want to be, like, say, Paul. But she only felt that way because she didn’t know what healthy anger looked like, Carly argued. To demonstrate, she threw stuff at the wall. See, Jo? Healthy anger is feeling the feeling but still controlling the behavior. At last, Jo was able to unleash some of her anger, even if her aim was so-so. Afterwards, Carly suggested that Jo’s body remembered what it had felt like to be abandoned by her mother as a newborn, and that feeling had come back to her when her mother had pulled away her hand at that diner. No wonder she’d had a big reaction — anyone would’ve, having been through what she had. Back in the present, Jo was relieved to discover that Carly hadn’t attempted to kill herself, and told the therapist that she couldn’t be her doctor. At last, Jo had learned boundaries, Carly said with a smile.

    ‘YOU MAKE ME SOUND LIKE AN ASS’ | Though Tom was pissed about Mer’s article, he still reassured her that he’d take good care of Zola. Mer’s lawyer Nancy texted that if her client’s daughter was doing OK, she should really hit the courtroom, stat. But no way was that going to happen. And, she told Maggie and Amelia, she couldn’t believe that DeLuca had thought she would go! She also couldn’t believe that he’d volunteered to sit out the surgery to stay with Mer. “Cristina and I would have mocked him mercilessly” for offering to be a human Kleenex, Grey exclaimed. In other words, Maggie and Amelia pointed out, Mer was unhappy with DeLuca for suggesting that she go to court and also for trying to be there for her. Yeah, she did sound kind of like an ass — he was in the doghouse no matter what he did. Anyway, the surgery, which seemed to take all of five minutes, was a total success.

    ‘LIFE IS TOO SHORT TO DEPRIVE OURSELVES’ | Over breakfast with Richard, Gemma thanked him — for his help in getting her the job at Pac-North, for getting a high heel out of her chest, the works. She was having trouble finding a sponsor, though. Not that she wanted to discuss AA. She moved over to his side of the table and casually asked how it worked with him and Catherine when she spent so much time out of town — and out of their bed. “It’s like the light’s gone out” since this last fight, he admitted, “and I don’t know how to turn it back on.” Shortly, Gemma was mentioning that the one thing better than having one man love her was… a rotation. To his credit, Richard removed her hand from his arm and made it plain that he loved his wife. Uh-huh, Gemma said. He loved Adele, too. When the going got rough, Richard always fell into either a bottle or another woman, and Gemma knew which one he could handle. Before he emphatically set her straight once more, she managed to plant a kiss on him (in which, again to his credit, he was neither a willing nor active participant).

    As the episode drew to a close, Catherine returned home, noted that Richard looked tired and told him to go back to sleep. Right on cue, Gemma texted, saying she was sorry if she’d been out of line… and signed off with two heart emojis. When Ben met Bailey at Grey Sloan, she blurted out that they were expecting. “I kind of think this might be great,” she added. “Or am I wrong?” She wasn’t wrong. Though Ben’s expression was at first hard to read, he was elated, almost beyond words. At Jo and Alex’s place, she declined his offer to listen to her talk about her rough day. But ya know what she did want to do? Throw stuff. He joined in — and nearly killed a lamp in the process. (Now, great — I want to throw stuff, too.) Finally, after checking in on a fully-recovered Zola, Mer was on the hunt for Jell-O — which DeLuca had already obtained for her. (So much for him being just “sexy and fun.”) When Nancy showed up, she told her client that she’d squeezed “a small drop of humanity” from the judge. Make that miniscule — Mer wouldn’t be making up her missed work-crew time on work crew, she’d be making it up… behind bars!

    Grey's Anatomy Taps Shameless Alum Richard Flood as the 'New Karev'

    (10/19/19) A Flood warning has gone into effect at Grey Sloan Memorial.

    Shameless vet Richard Flood (get it?) is joining Grey’s Anatomy in the recurring role of Dr. Cormac Hayes, the new head of Pediatric Surgery at Grey Sloan. Dr. Hayes is brought in to fill the void left by Justin Chambers’ Karev.

    As fans of the venerable ABC medical drama know, Karev was sacked in last season’s finale, and has since segued to Pacific Northwest General Hospital (where he is working with Richard, who also got fired from Grey Sloan). Flood’s first episode is set to air later this season.

    On Shameless, Flood played the boyfriend of Emmy Rossum’s Fiona in Seasons 8 and 9. Although current Grey’s showrunner Krista Vernoff previously served as an exec producer on Shameless, her stint did not overlap with Flood’s.

    Ratings: Evil Rises in Week 4, Superstore Closes In on Sheldon

    (10/18/19) CBS’ Evil this Thursday drew 3.8 million total viewers and a 0.7 rating, capping two steady weeks with its first uptick of Season 1.

    Opening the Eye’s night, Young Sheldon (7.8 mil/0.9) dipped another tenth, The Unicorn (5.3 mil/0.7) and Mom (5.8 mil/0.8) were steady, and Carol’s Second Act (5 mil/0.7) ticked up.


    FOX | Thursday Night Football (10 mil/3.0) is down 17 and 13 percent from last week’s fast nationals.

    ABC | Grey’s Anatomy (5.7 mil/1.2) slipped to new series lows, A Million Little Things (4 mil/0.7) dipped a tenth and HTGAWM (2.2 mil/0.5) was steady.

    THE CW | Supernatural (1.16 mil/0.3) and Legacies (846K/0.2) each dipped a tenth in the demo, while the former hit an audience low. NBC | Superstore (3 mil/0.8) hit a season high in audience and was steady in the demo, falling just a tenth shy of time slot rival Young Sheldon. Perfect Harmony (2.1 mil/0.4), The Good Place (2 mil/0.6), Sunnyside (1.2 mil/0.3) and SVU (3.4 mil/0.6) were all steady.

    Grey's Anatomy Recap: The Pen Is Mightier Than the Scalpel — Plus, [Spoiler] Is Moving to Pac-North!

    (10/18/19) ( We knew from last week’s Grey’s Anatomy that the article that Meredith was writing wasn’t going to win her any friends on the medical board — not with possible titles like “If You Die On Our Watch, We’ll Still Bankrupt Your Family.” But neither we nor she could have guessed at the way her story ideas would be twisted into “Hospital Hell at Grey Sloan Memorial.” Read on, and we’ll not only discuss just how hard Bailey hit the roof when she read the pieced-together piece, we’ll reveal who dared to challenge “chief of chiefs” Tom, and who was courted to jump ship from Grey Sloan to Pac-North.

    ‘BAILEY’S GOING TO KILL ME!’ | As “It’s Raining Men” began (and without even a riff of the Weather Girls’ classic to start us off), Mer’s sexy morning bedtime with DeLuca was interrupted by Amelia and Maggie, who revealed what the website to which she’d submitted her story ideas had done with them. To put it mildly, it wasn’t pretty. At Grey Sloan, Jackson informed Vic that the article included a list, which seemed to, as Helm put it, “torch” the hospital, and Owen informed Bailey that he was out until Tom’s restraining order was lifted. The first that the chief heard about Grey’s story was when a patient panicked and refused to be admitted. In the locker room, we learned that Dahlia had gotten a job in Michigan. So no transfer to Pac-North for her, I guess. Speaking of Pac-North, Alex learned that a psych patient had been found before he had wound up passing himself off as a doctor. So… yay? Back at Grey Sloan, Bailey didn’t want to hear from DeLuca that Mer had been as surprised as she was by what had been done with the information she provided the website. Instead, since a Dr. Kang had quit over the list, Bailey made Mer’s boyfriend chief resident. “You can fix what your girlfriend broke,” she hollered at him.

    Meanwhile, Jackson balked at Tom’s idea to videotape his surgery on a child as a way of controlling the damage from Mer’s article, and Teddy treated a woman named Alicia who had a guy fall from a plane on top of her. As will happen? (Oh, that’s why it was raining men. Hallelujah!) As for Jackson’s case, it was going to involve fixing the little girl’s skull for free — which was news to him. “Just when I thought I couldn’t possibly like you less,” Jackson huffed to Koracick, who had basically bribed the parents into letting the surgery be used as a promotional tool. As the episode went on, Tom only disgusted Jackson more and more. And honestly, he was super creepy, trying to get the girl’s dad to redo an interview just because the lighting had been bad. Where’s the Koracick we’d come to know and love? When Jackson stood up to Tom, Koracick reminded Catherine’s son that Mom had made him the boss. Off a talk with Jo, in which she pointed out that Mer, having been canned, could just “do the right thing,” Jackson went to his young patient’s parents and asked that they bump Tom from the surgery and replace him with Amelia. “Your little girl means more to me than some good press,” he explained. And immediately, they agreed to have Amelia scrub in in place of Koracick. That Tom was gonna blow a gasket was, in Jackson’s estimation, “an added bonus.” When Koracick interrupted the surgery, Jackson reminded him that he was really his boss, not the other way around. In response, Tom marveled that Jackson had blown a ton of great press that could’ve helped put out the fire Mer had started, and had taken arrogance to a level that even he had never achieved. After the miraculous operation was completed, Schmitt suggested that Jackson had made a mistake by not letting it be filmed — sure, Jackson’s career was secure, but not everyone was that lucky.

    ‘THIS PLACE IS REALLY SHAPING UP’ | At Pac-North, Owen arrived with the patient who had refused treatment at Grey Sloan. When Alex heard that Hunt was taking some time off to stay at home with Leo and Allison, he leapt into action, offering to take his former colleague on a tour. Clearly, he saw a potential recruit. And it appeared that he might be making headway with Owen, too, when they were distracted by a scream. A patient was bleeding all over the place because no test had been performed to see if the blood he was given would coagulate. So much for Pac-North “shaping up.” While treating the bloody patient, Alex flat out asked Owen to come pitch in with him and Richard at Pac-North. Hunt didn’t have to put up with Koracick and his BS.

    ‘MEREDITH CALLS BOWEL RESECTIONS HER ME TIME’ | Joining Teddy, Link and Taryn in treating Alicia, Maggie impressed Vic. “She’s kind of a genius, isn’t she?” the firefighter asked Ben, pretty much rhetorically. Nearby, Link tended to Alicia’s boyfriend Josh, who appeared to be going into shock — he found himself holding the severed thumb of the guy who’d fallen from the sky. After Alicia died during surgery, Teddy wept that the whole world was broken, a fact made even worse by the fact that she now had a daughter. In other developments, when the medical website dragged its feet changing the headline on Mer’s article, she ticked off her litter-pickup supervisor Lisa by walking off the job to try to do her own damage control with Bailey. (“Move to Switzerland” was the advice that Cristina texted her pal.) When Mer arrived at Grey Sloan, Jo warned her that Bailey might ask her to take back her name from little Bailey — it was that bad. And the list wasn’t Miranda’s only concern. Though her stress level throughout the episode was through the roof, Maggie suspected that that wasn’t the reason Bailey was so warm — it might be, er, hormonal, Pierce suggested. Later, Bailey wept to Ben that she knew it was coming “someday.” But now that it was here, it was hard. “No one warns you about all the feelings,” she cried. Could he help? Just sit with her, she pleaded.

    When Mer came face to face with Bailey, she explained that most of what was in the article wasn’t even directed at Grey Sloan. Miranda understood on one hand, but on the other, “the damage has been done.” As the hour drew to a close, Tom ran into Owen with Teddy at Grey Sloan, and informed Hunt that he was lifting the restraining order. It didn’t matter, though — Owen was going to work at Pac-North. After Josh broke down in front of Link over Alicia’s demise, he let Amelia act as his weighted blanket and confessed that he thought he was in love with her. “Love leads to divorce, to pain,” he said. “But I’m feeling it, I’m pretty sure, and it’s a feeling I like and I wanna name, because sometimes people fall out of the sky.” Her response: “OK.” Oh, Limelia, you two are the best. Finally, Mer filled in DeLuca on her talk with Bailey — and the fact that she now had to appear in court for walking off work crew. He argued that she should’ve worked within the system rather than do what she had — she didn’t need any more enemies at the moment. Yeah? Well, she didn’t need his lecturing, either, she huffed. And Maggie reported to Bailey that she was both perimenopausal… and pregnant! “Please tell me you’re not going to keep it a secret,” Pierce pleaded.

    Shonda Rhimes Teams With iHeartMedia To Launch Shondaland Audio

    (10/17/19) Shonda Rhimes has conquered television and now she has her eye on the podcast world. The Emmy-nominated superproducer and writer is partnering with iHeartMedia to launch Shondaland Audio.

    Rhimes is set to executive produce a new slate of iHeartRadio Originals on Shondaland Audio which will be distributed through the iHeartPodcast Network. The agreement includes a full slate of iHeartRadio Original Podcasts set to release over the next three years. Rhimes will oversee development and Sandie Bailey, Chief Digital and Design Officer, will manage day-to-day operations.

    “Podcasting continues to see tremendous growth and I’m excited to partner with iHeartMedia as Shondaland expands its storytelling journey into this medium which has seemed to usher in a unique sense of boldness, intimacy and connection,” said Rhimes. “With iHeartMedia we aim to share stories that are engaging, insightful, and reflect a robust world-view while staying true to the authentic storytelling voice that has become synonymous with Shondaland.”

    Rhimes isn’t a total stranger to the world of podcasting. In 2017, Shondaland launched Katie’s Crib, a weekly podcast following Scandal and Waitress actress Katie Lowes where she shared intimate conversations about the joys, pains, and hilarity of new motherhood with guests. New episodes of Katie’s Crib will be folded into the Shondaland Audio’s slate originals.

    Shondaland Audio will be an addition to iHeartMedia’s podcast library including iHeartRadio Original shows like The Ron Burgundy Podcast, Disgraceland, Chelsea Handler: Life will be the Death of Me, Noble Blood and Committed.

    James Tupper on A Million Little Things 10/31/19

    (10/14/19) “unleashed” – Gary’s growing tension with Maggie comes to a head as she accidentally lets Colin out while she’s on the phone with Eric. Meanwhile, Delilah does a podcast about suicide, which helps her open up to Andrew, on a new episode of “A Million Little Things,” airing THURSDAY, OCT. 31 (9:01-10:01 p.m. EDT), on ABC. (TV-14, D) Episodes can also be viewed the next day on, the ABC app and Hulu.

    “A Million Little Things” stars David Giuntoli as Eddie Saville, Romany Malco as Rome Howard, Allison Miller as Maggie Bloom, Christina Moses as Regina Howard, Grace Park as Katherine Saville, James Roday as Gary Mendez, Stephanie Szostak as Delilah Dixon, Tristan Byon as Theo Saville, Lizzy Greene as Sophie Dixon and Chance Hurstfield as Danny Dixon.

    Guest stars include Jason Ritter as Eric, James Tupper as Andrew and Dr. Jennifer Ashton as herself.

    The episode “unleashed” was written by Lauren Bachelis and Christopher Luccy, and directed by Tessa Blake.

    Ratings: Evil Takes First Dip, Legacies and Supernatural Return Steady

    (10/12/19) Evil took its first dip in the demo this Thursday, scoring a 0.5 rating to go with its 3.7 million total viewers. Fellow CBS freshmen The Unicorn (5.2 mil/0.7) and Carol’s Second Act (4.9 mil/0.6) also saw their first demo declines.

    Young Sheldon (7.5 mil/1.0) and Mom (5.8 mil/0.8) were steady in the demo yet slipped to new audience lows.


    THE CW | Supernatural (1.26 mil/0.4) was on par with its previous demo average and up a tick from its May finale, yet reported its second smallest audience ever. Legacies (824K/0.3) matched its freshman finale in the demo yet was down in audience.

    ABC | Grey’s Anatomy (6 mil/1.3), Million Little Things (4.3 mil/0.8) and HTGAWM (2.33 mil/0.5) were all steady.

    FOX | Thursday Night Football (12.5 mil/3.7) matched last week’s fast nationals.

    NBC | Superstore (2.8 mil/0.8), The Good Place (2 mil/0.6), Sunnyside (1.22 mil/0.3) and SVU (3.3 mil/0.6) were all steady in the demo, while Perfect Harmony (2.1 mil/0.4) took its first dip.

    Grey's Recap: Charmed, I'm Sure — Plus, Who Did Bailey Fire Now?!?

    (10/10/19) ( The staffing crisis at Grey Sloan only got worse in Thursday’s Grey’s Anatomy. When a Meredith fan called out Bailey for canning the award winner, the chief turned around and dropped a pink slip on the individual who’d spoken up, thus making herself even likelier to be called a witch than the Charmed sorceresses who passed through the episode as part of ABC’s Cast From the Past stunt. Who was the latest to get the axe? And who else wouldn’t be scrubbing in again at Grey Sloan anytime soon? Read on…

    ‘DO NOT WALK TOWARD THE LIGHT’ | Early on in “Reunited,” Richard discovered that, thanks to efforts he’d all but forgotten he made, his old friend Gemma (Jasmine Guy), now 62 days sober, worked at Pac North in the billing department. (And with him and Catherine on the outs… uh-oh.) Shortly, Webber broke it to estranged siblings Haylee (Alyssa Milano) and Heidi (Holly Marie Combs) that their sister Heather appeared to be brain-dead following a disfiguring fall into a construction site. Once a last, conclusive test was performed, it would be up to Haylee and Heidi to decide whether to take Heather off life-support.

    First, the siblings just reacted very differently to this development: Haylee by bringing in crystals in hopes of healing Heather, Heidi by saying her goodbyes. Then, they began quarreling, prompting Richard to adopt a parental tone as he hollered that they should make the decision about Heather together. By doing so, it would be like she had given them back to one another. Ironically, just as they agreed that Heather was gone and let Richard turn off her life-support, the deceased’s phone rang: Turned out, her bag had been stolen! They’d given permission to pull the plug on a stranger! After that rough day, Richard attempted to reach out to Catherine but got only voice-mail. So he accepted a dinner invitation from Gemma. (I repeat: Uh-oh.)

    ‘LOVE MAKES IT ALL WORTHWHILE’ | At Grey Sloan, Maggie — still struggling with the fact that Jackson had gone into a fog and come out with a new girlfriend — received words of wisdom from a spry patient named Bertie (Hal Linden). At the same time, Amelia and Link happened upon a South Korean woman roaming the halls looking for her birdie. You probably didn’t need Nico to come along and translate to guess that her birdie was going to actually be Bertie, did you? “This is the first woman I ever loved!” explained the old guy when they were reunited. He’d fallen for her when he’d been stationed in Korea during the war but had lost track of her (as had she him) when they both missed their train-station rendezvous. Sixty years later, she’d managed to find him online and had bought a plane ticket to Seattle after he’d posted about his surgery.

    Meanwhile, Dahlia seemed a lot less excited about performing an ALPPS procedure with Jo than she would’ve with Mer. The patient, Shirley, wasn’t too jazzed about Dr. Grey being replaced on her case, either. In fact, the only way Jo managed to get her into the O.R. was by convincing Bailey to allow Mer to perform “remote surgery” — basically, observing the whole thing via cell phone. Despite a touch-and-go moment during the procedure, it didn’t appear that Jo really needed a lot of supervision. Her first week as an attending, and she’d aced it — at which point Bailey hung up on Grey. Toward the end of the hour, a tearful Dahlia lit into the chief for firing Mer, who’d been the reason that she and so many interns had chosen to come to Grey Sloan. In response, Bailey sacked her on the spot. “Now you and your hero have something in common,” she said.

    ‘YOU’RE JUST HUMORING ME BECAUSE YOU KNOW I MISS THE SMELL OF BLOOD’ | In other developments, after being forced to leave not only rooms but patients because of Tom’s restraining order, Owen welcomed the chance to take Allison on a tour of Grey Sloan with Teddy, who felt like she was failing as a mother. After seeing the way his babymama lit up in the hospital, Owen suggested that she return to work, and he’d stay at home with their newborn. “A happy mom is a better mom,” he noted. And elated, she agreed. Elsewhere, Jackson turned an opportunity to treat Vic for a scratch on the forehead into a chance to seduce her with a description of his skills as a, um, surgeon. “We should take it slow,” they agreed… an instant before deciding, “That’s slow enough,” and getting passionate. Afterwards, Vic’s attempt to clear the air with Maggie went so spectacularly awkwardly, it was probably only a little less painful than Tom’s electrified testicles.

    Finally, while Bailey kept DeLuca in charge of the ICU as a kind of punishment, Schmitt dropped a catheter guide wire into a patient. When the chief hit the roof, DeLuca took the blame, telling the intern that what happened on his watch was his responsibility. Still, DeLuca was gonna make Levi carry around a guide wire for a week so he’d remember never again to let go of it. (Later, Nico insisted that his boyfriend demand more of himself, starting with a night of practice… together, at least.) And, having seen how much Bertie and his lost love regretted the years they’d missed, Amelia elected to thumb her nose at her fears and start telling everyone that she and Link were expecting — by blurting it out over drinks with her boyfriend, Mer and DeLuca.

    Charmed Reunion Video: Alyssa Milano and Holly Marie Combs Face a Sisterly Crisis on Grey's Anato

    (10/4/19) (Video) “We’re sisters.” Those two little words may not mean much to the average Grey’s Anatomy fan, but when spoken by Holly Marie Combs in reference to Alyssa Milano, the results are nothing short of magical. The former Charmed actresses are guest-starring on Thursday’s episode of Grey’s (ABC, 8/7c) as a pair of sisters who arrive at Pac North to check on their other sibling (who is played by neither Shannen Doherty nor Rose McGowan, so don’t even bother hoping for it).

    ABC has released a sneak peek of the actresses’ first scene together, during which they attempt to figure out whether their sister fell at or in a construction site. Hopefully Dr. Webber can straighten that out before the end of the hour.Combs and Milano are reuniting as part of ABC’s “Cast From the Past,” a special week of episodes that — as the name suggests — reunites the casts of beloved TV shows. Other reunions include the cast of Cheers on The Goldbergs, the cast of The Drew Carey Show on American Housewife and the cast of Girlfriends on black-ish.

    Ratings: Evil, The Unicorn, Two Other Newbies Steady; Sunnyside Goes Lower

    (10/4/19) CBS’ Evil this Thursday drew 4.3 million total viewers and a 0.6 rating, holding steady in the demo in Week 2 while dropping just a handful of eyeballs.

    On the CBS sitcom front, Young Sheldon (8.1 mil/1.0) dipped, while The Unicorn (6 mil/0.8), Mom (6.4 mil/0.8) and Carol’s Second Laugh (5.7 mil/0.7) all held steady.


    ABC | Grey’s Anatomy (6 mil/1.3) dipped from its premiere to match its demo low and deliver its second-smallest audience ever. A Million Little Things (4.8 mil/0.9) and HTGAWM (2.7 mil/0.5) were each down a tenth, with the latter matching its demo low.

    NBC | Superstore (2.8 mil/0.8), Perfect Harmony (2.1 mil/0.5) and SVU (3.3 mil/0.7) were all steady in the demo, while The Good Place (2.2 mil/0.6) and Sunnyside (1.3 mil/0.3) each dipped a tenth.

    FOX | Thursday Night Football (12.4 mil/3.9) matched last week’s fast nationals.

    NEXT FRIDAY: Supernatural and Legacies return.

    Grey's Anatomy Recap: Pregnant Pause — Plus, a New Meredith and Alex?!?

    (10/4/19) ( Thursday at 8 turned out to be decision time for many a Grey’s Anatomy doctor. Amelia and Link had to figure out whether they wanted to become parents, Jo had to choose between two tempting job offers, Richard had to weigh the pros and cons of sulking through his stint at PacNorth, and Bailey had to pick — or at least begin trying to pick — interns with enough potential to be the next Grey and Karev. Now it’s decision time for you, too: Will you read on to find out where things stood when the hour ended?

    ‘THE OCCASION IS I HAVE NO JOY’ | As “Back in the Saddle” began, Meredith learned that her medical-board hearing, though expedited, wouldn’t be held for three months; Ben encouraged Bailey not to let the firings/Koracick promotion keep her from claiming her joy at Grey Sloan; and since Jo was ready to return to work, Alex suggested that she join him at PacNorth, where she’d have free reign over her own fellowship. But her therapist had told her it would be advisable to resume her old routine as much as possible, even if that meant everyone at Grey Sloan staring at her like she was some fragile bird. Meanwhile, as Amelia kept Maggie company while she cleared her stuff out of Jackson’s place, the expectant doc wondered aloud whether she could break the news to Link in a text. Erm, no. Before they left, Amelia noticed that Jackson had posted a sunset photo the previous day… and hashtagged it “freedom.” Ouch.

    At Grey Sloan, Tom relished the bizarreness of finding himself in an elevator with two other guys who’d slept with Amelia — Owen and Link. And he really relished telling Teddy’s babydaddy that “Catherine made me god of this place, so practice kneeling.” Nearby, Bailey rounded up the interns, as well as DeLuca and Koracick’s protégé from Hopkins, to compete to be the new Grey and Karev as they weighed in on the case of Wade, a 55-year-old with ED. When Maggie and Amelia arrived at the hospital, Pierce’s car was struck — hard — by a guy who’d stolen his girlfriend’s credit card to rent a scooter. Once the docs made it inside with their new patient, Jackson’s ex couldn’t resist asking how he was enjoying his freedom. Amelia made a beeline for Link, blurted out that she was pregnant and then fled to answer a page. Yes, it was a very zippy opening!

    ‘THIS WAS YOUR IDEA, SO HELP’ | Throughout the episode, Meredith diagnosed her peers on the community work crew and then sent them to see Richard and Alex at PacNorth. (She even enlisted Schmitt to bring her supplies from Grey Sloan.) Mind you, Richard and Alex were in no position to receive the influx of patients. Not only was PacNorth’s trauma center tragic, but the hospital had only two residents — what kind of residency program, Webber wanted to know, was he supposed to run with just two residents?!? When Jo approached Bailey at Grey Sloan, Miranda, fearful that she might lose yet another doctor, shocked her by offering her carte blanche with her fellowship. Had Alex put her up to that? Jo wanted to know when she phoned her husband. First of all, no. And second of all, he had to go because it appeared that there was a dead guy in the waiting area.

    OK, it turned out the guy wasn’t dead, he just looked it. So Alex and Richard rushed him to the O.R., where Webber noted that he’d been late for work that morning for the first time in, like, ever, because he’d accidentally driven to Grey Sloan out of habit. “I want to work in my hospital,” he grumbled, “but that is no longer an option.” Later, Alex pointed out that, although toiling at PacNorth hadn’t been in Richard’s plans — and certainly wasn’t as appealing as someday dropping dead in a Grey Sloan O.R. — he could still make the best of a bad situation. “Help me do the impossible” and turn this place around, Karev challenged him. “Help me prove Bailey wrong.” And it seemed clear that, moving forward, Richard was going to do just that. Alex would still have to do something about his office, however. A supply closet wasn’t gonna cut it!

    ‘YOU DEEP-FRIED MY ‘NADS’ | In class with the interns, Bailey said that the first person to complete a perfect practice [insert complicated medical procedure I can’t spell here] would get to perform it on Wade. DeLuca nailed it, with Taryn coming in a close second. Yet Bailey still let Helm do the procedure in the O.R. During surgery, Wade started bleeding from the intern’s suture line. When she panicked, Bailey allowed DeLuca to take charge and save the day. Later, when he accused his boss of sidelining him in the first place because of his relationship with Mer, Bailey countered that she’d sidelined him because Helm had needed experience. In other medical developments, scooter guy nearly died, sending Maggie into a tizzy. If both she and Mer went to prison, that would leave the kids with… Amelia?!? Luckily, scooter guy was brought back when he was shocked with EKG paddles for the 19th time… after which Owen accidentally delivered a jolt to Koracick’s privates!

    Elsewhere in the hospital, Jo reassured Link that he’d make a great dad, despite the myriad, apocalyptic worries that any sane potential parent would have in 2019. Shortly, he sat down with Amelia, who opened up about Christopher. She knew that the odds of that heartbreaking history repeating itself were a million to one… but she also knew that if it happened, she wouldn’t survive it. What did Link think? Just one thing: that he didn’t want anything to hurt her. That was more important to him than his fears, than anything. So he would be there for her if she wanted to keep the baby and he would be there for her if she didn’t. “Dammit, Link,” she responded and walked out. Had he said the wrong thing? he asked when he saw Amelia at the end of the episode. No. She had just made up her mind before then, because she’d been scared. Now she felt less scared “and a little bit in love,” she added. “Please don’t say it back.” They both agreed that they’d make an amazing kid. What’s more, they both kinda wanted to meet that kid.

    ‘I NO LONGER HAVE GOOD TIMES’ | When Jackson and Maggie bumped into each other at day’s end, she less snarkily than previously noted that “hashtag freedom is a little aggressive.” At least he hadn’t been being consciously spiteful. Jo announced to Bailey that she wanted to be a general-surgery attending. She’d be an asset to any hospital. “Do you want that hospital to be yours?” she asked. And, of course, short-staffed as she was, Bailey had no choice but to say yes. Alex was bummed that his wife wouldn’t be joining him at PacNorth but offered sound advice nonetheless. “Just make sure you get a parking spot,” he said. Oh, that was already taken care of. Bailey “gave me yours,” Jo replied. When Owen approached Koracick to apologize for the shock, Tom responded by asking him to step back — 500 feet back. He’d taken out an emergency restraining order against Hunt. (Come on, Tom — you’re better than that.)

    And, after Meredith checked a nodule on work-crew supervisor Robin’s neck, she convinced Jackson to see her that very day rather than send her to County. Turned out, the woman has thyroid cancer. But if she missed work for treatment, she wouldn’t get paid, and if she didn’t get paid, she couldn’t pay rent, much less for an asthma inhaler. Insurance only paid for one a month — a second one cost $500… which she reckoned was cheap compared to the cost of treating cancer. Jackson would make sure she was given options, but she knew what they were: “Bankruptcy or death.” Off her day treating her work-crew colleagues, Mer told DeLuca, “I keep coming across people who can’t get the help they need because of the same crap.” So, although her attorney had instructed her to lie low until her hearing, she was fired up to publish a paper on the subject. “You’re very sexy,” he observed, “when you’re about to burn your whole life down.” Ah, we should all have a Meredith Grey in our corner.

    Grey's Star to Little Fires

    (10/3/19) Jesse Williams is taking a break from his doctor scrubs: The Grey’s Anatomy star will recur in Hulu’s upcoming limited series Little Fires Everywhere.

    Starring Kerry Washington and Reese Witherspoon, the 1990s-set drama “follows the intertwined fates of the picture-perfect Richardson family and the enigmatic mother and daughter who upend their lives” in the upscale community of Shaker Heights, Ohio, per the official synopsis. “The story explores the weight of secrets, the nature of art and identity, the ferocious pull of motherhood — and the danger in believing that following the rules can avert disaster.”

    Williams will play Joe Ryan, a wealthy Wall Streeter. After years of struggling to conceive, Joe and his wife turn to an unlikely source to help start their family.

    Ratings: Young Sheldon Drops in Leadoff Spot, Unicorn Is Night's No. 1 Debut, Sunnyside Opens Low

    (9/27/19) To the surprise of no one, Young Sheldon took quite a hit in CBS’ Thursday leadoff spot.

    The Big Bang spinoff’s Season 3 premiere drew 8.1 million total viewers and a 1.0 demo rating, down sharply from its sophomore average (11.1 mil/1.7) leading out of its sire, and marking series lows. That said, it was Thursday’s most watched non-sports programming and the night’s top-rated sitcom of many.

    Continuing the Eye’s night, The Unicorn debuted to 6 mil/0.8, making it Thursday’s top-rated series launch. With a softer lead-in, Mom (6.2 mil/0.8) returned down three tenths from its finale, while the arrival of Carol’s Second Act (6 mil/0/7) was a tenth below Life in Pieces‘ springtime average in the time slot. Capping CBS’ night, Evil premiered to 4.6 mil/0.7, down fa tick rom SWAT‘s sophomore average (5.3 mil/0.8).


    ABC | Grey’s Anatomy (6.5 mil/1.5) returned up from its finale and easily led non-sports Thursday fare in the demo. A Million Little Things (5.1 mil/1.1) and How to Get Away With Murder (2.5 mil/0.6) were steady with their finales.

    NBC | Superstore (2.9 mil/0.8) improved on its finale, while The Good Place (2.4 mil/0.7) and SVU (3.7 mil/0.7) were steady. Among debuts, Perfect Harmony did 2.6 mil/0.5, while Sunnyside mustered just 1.8 mil and a 0.4.

    FOX | In fast nationals, Thursday Night Football (12.7 mil/3.9) is up from last year’s Eagles/Rams opener.

    THE CW | The Outpost‘s double-episode finale did 650K/0.1 and 510K/0.1.

    Grey's Anatomy Season 16 Premiere Recap: To Everything, Turn, Turn, Turn

    (9/26/19) ( Warning: The following contains spoilers for Thursday’s eventful Season 16 premiere of Grey’s Anatomy. If you’d rather watch first, read later, scrub out now.

    Well, it’s about time! After what felt like an endless summer away from Grey Sloan — the struggle was real — Grey’s Anatomy at last refilled our prescription for new episodes Thursday, kicking off Season 16 with an hour full of mini-fast-forwards that took us from a marriage proposal to a surprise pregnancy, from a massive promotion to a new flirtation, and from a defection to another hospital to… well, this recap. And now that you’re here, read on; before you grade “Nothing Left to Cling To,” we’ll review all of the big plot twists.

    ‘I DO NOT SEE ME FORGIVING ANYONE BUT MYSELF ANYTIME SOON’ | The episode began pretty much right where Season 15’s finale ended. While Jo checked in for psychiatric treatment, Maggie and Station 19 firefighters discovered Jackson helping a climber named Mari hold on to the rope that was keeping her unconscious husband Jai from plunging to his death. Richard was at an AA meeting complaining that Catherine hadn’t said a word when Bailey fired him, just as Meredith was learning from her lawyer that she was unlikely to lose her medical license, much less go to prison. But, Grey admitted, “I did this long, dramatic goodbye with my kids.” Over beers, Link, when not assuring Alex that Jo would get better, admitted that he thought Amelia had dumped him. And at Grey Sloan, Bailey interrupted Leo’s introduction to Alison to order Owen and Amelia to prep for an incoming trauma. When he protested that Teddy’d just had their baby, Bailey shot back, “She’s very cute. I still need you to come. Altman, you’re excused.” Left alone with both the newborn and Leo, Teddy was just about to cry for a nurse when in came Tom, keenly aware that she and her babydaddy had reunited. It was OK, though. She’d regret that decision one day, he said. “When you do, I’ll still be here, because I’m in love with you. And in the meantime, we are friends.” (I could not love Koracick more.)

    ‘WE’RE NOT EVEN LEGALLY MARRIED’ | One week later, as Alex dropped off Jo at the psychiatric facility where she’d ultimately undergo treatment, she beat herself up for becoming yet “another name on your list of crazy women” and noted that, since they’d never filed their marriage license, “You have an out, and I guess I’m saying I love you enough that I’d understand if you wanna take it.” Somehow, Alex didn’t say a word as she walked away after that. Back at Grey Sloan, while performing a successful surgery on Mari, Amelia clarified — in language that even guys could understand — that she didn’t want to stop seeing Link, she simply didn’t want to bury herself in him. She wanted them to date, to get to know each other, thus breaking her pattern of going all in too fast. At Teddy’s hotel room, Owen found the new mom weeping along with Alison, who wouldn’t stop crying. “Just come home with me,” he pleaded. But no, she didn’t want to move into the home he’d bought for Amelia. “That’s not the way you and I are supposed to start our lives together,” Teddy said. She knew it in her soul. And her soul really preferred that hotel room? Maybe it was best not to ask her soul too many questions just then. “My soul needs a shower,” she cried. At Grey Sloan, Jackson made the terrible mistake of asking Maggie how “they” were before she’d adequately cooled off after their fight. In response, she accused him of leaving her “in a car on an unfamiliar road in the woods surrounded by fog and bears and wolves!” Bears and wolves? Really? “I could hear them!” she insisted. Meanwhile, as Richard slummed it making house calls for a medical app, Meredith had her day in court… and blew it. She just couldn’t quite bring herself to take her attorney’s advice and appear repentant. “She has three kids,” the lawyer finally interjected. “Don’t throw her in jail!”

    ‘TOM KORACICK IS MY PUNISHMENT’ | One week later, Jai crashed suddenly, just stroked out, leaving Jackson wondering aloud whether Mari should’ve just let him go. “In this metaphor,” asked Maggie, “am I the thing that should just be thrown off a cliff now?” No, he replied. But maybe they as a couple were. (Stick a fork in ’em, folks; they’re done.) Nearby, Bailey hit the roof when she learned that Catherine had put Tom in charge of all of her hospitals, making him “chief of chiefs.” Turned out, though Catherine was silent when Bailey fired Richard, she was still pissed. Now, she hollered, “my husband is making house calls like it’s 1965,” and her marriage was in shambles. Off that argument, a cocky DeLuca offered Bailey his services, which, short-staffed as she was, she had no choice but to accept. One week later, Maggie reported to Mer, Amelia and DeLuca that her breakup with Jackson was sticking. “I think I deserve better,” she said, “than someone who regularly abandons me for trees.” And hey, they were still friends. For his part, Jackson was quick to move on; he asked out Station 19‘s Vic, who seemed very open to the idea. Owen showed up at Grey Sloan looking for Teddy after he’d made — good God — such a mistake. “I offered to milk her,” he admitted to Amelia. Yes, she’d had a clogged duct, but still. No, Owen. God, no. During a therapy session with Alex, Jo read a letter in which she apologized for losing the ability to receive the love he was offering. He read a letter to her as well, one in which he admitted that he’d been scared when she pushed him away. “You deserve someone who doesn’t break like glass,” said Jo, whose therapist reminded her that seeking help was a sign of strength, not weakness.

    ‘I HATE MATERNITY LEAVE’ | On Amelia and Link’s fun dinner date, talk of her desire to have her first three-way somehow led her to think of Private Practice and a patient whose condition was much like Jai’s. Thanks to a telltale rash in that case, Jai’s doctors were able to figure out that a fat embolism was to blame for his condition, too. They could potentially wake him from his coma! The following day, Jackson and Vic had a casual burger date, during which they both admitted that they were fresh out of serious relationships and, therefore, not in the best place to start something new. But they got on so well, it was clear that they were most definitely starting something new. While picking up trash roadside as part of her community service, Mer was spotted by the classroom mom at Zola’s school. “I always wondered why we never saw you volunteering at the school,” said classmom, “but now I get it.” Mer was right in the middle of explaining what it meant to be a working mom when her supervisor yelled that she wasn’t at Happy Hour. At Grey Sloan, Bailey happened upon Teddy, who was desperate to use her brain and decidedly not loving maternity leave. “I think I might be a terrible mother,” she admitted. Nah, said Bailey. She’d hated maternity leave, too, and she was an awesome mom. After interviewing for the chief of surgery post at failing Pacific Northwest General, Richard visited Alex to encourage him to go for the job. Webber knew that he wasn’t going to get it — the interviewer had “practically called me Grandpa,” he noted. But if Alex got the gig, then he could hire Richard. He had another bright idea, too: If Karev was worried about his marriage, he needed to give Jo a reason to come back home.

    ‘I DON’T WANT AN OUT’ | One week later, just when Mari had given up on Jai ever waking up, ta-da! He did. When Jo emerged from the treatment facility following her 30 days there, Alex was waiting, freshly shaved and dressed in a snazzy suit. “Marry me again, please,” he said, getting down on one knee. “I don’t want an out. You offered me an out.” Though she explained that she wasn’t “magically fixed,” he didn’t care. He wanted to love her in sickness and health. That being the case, she accepted his proposal. At Teddy’s hotel room, Owen reported that he’d put his house on the market and, until it sold, had gotten them a suite at the hotel. Being a new mom is hard, and she didn’t have to do it alone, he wanted her to know. “Thank you for listing the house,” she replied. At the hospital, Amelia hilariously approached Carina, who was confused at first about the why. “Are you here for your pregnancy,” she asked, “or just asking for a menage a trois?” Amelia was there for the latter reason, but… “Oh my God,” she gasped as she realized that she might be there for the former reason as well. As the episode drew to a close, Maggie spotted Jackson with Vic and got colder than ice. Your affairs are “none of my business,” Maggie decided, “’cause I don’t like you, and you don’t like me, and we’re not friends.” Finally, Catherine pitched a fit when she found out that Richard was going to work at PacNorth with Alex, and Meredith got a text saying that — uh-oh — the medical board was going to be pursuing action against her license.

    Shondaland Teams With Norman Lear, Steve Martin & ‘Shrill’ Creator Lindy West On Neflix Anthology Series ‘Notes On Love’

    (9/24/19) Shonda Rhimes is teaming up with Norman Lear, Steve Martin, To All the Boys I’ve Loved Before author Jenny Han, Shrill creator Lindy West and songwriter Diane Warren for a Netflix anthology series.

    Notes On Love will feature collections of stories centering on marriage with each episode coming from the lens of a high-profile creative. It is the latest project unveiled as part of Shondaland’s overall deal with Netflix.

    The show is an episodic anthology series that ranges across genres and explores the unexpected, life-changing, euphoric, hilarious, surreal, and all-consuming places where love intersects with our lives. The first season will include stories about where love and marriage meet, specifically, examining what marriage is, what it means, and how it’s changing.

    Lear, fresh from the success of ABC’s Live in Front of a Studio Audience and the revival of One Day At A Time, is penning an episode with his writing partner Aaron Shure, who has worked on Everybody Loves Raymond, The New Adventures of Old Christine and The Office. Lear and Brent Miller will exec produce the episode.

    The Jerk and Roxanne writer Steve Martin, who recently undertook Netflix special Steve Martin and Martin Short: An Evening You Will Forget for the Rest of Your Life, will write an episode, while other episodes will be written by Jenny Han, who has exec produced all three To All the Boys I’ve Loved Before films for Netflix, songwriter Diane Warren, who wrote I’ll Fight for the recent RBG documentary, and an episode written by Shrill creator Lindy West and musician and comedian Ahamefule J. Oluo (left), who both wrote feature film Thin Skin with Charles Mudede.

    Han, Martin, Warren, West and Oluo will exec produce their episodes, while Rhimes and Betsy Beers will exec produce the entire series.

    It is the latest Shondaland show for Netflix following period drama Bridgerton, which is set to air next year, as well as a project about con artist Anna Delvey.

    James Pickens Jr. on The Connors 10/8/19

    (9/24/19) “The Preemie Monologues” – Harris is forced to confront Darlene about her lifestyle, while Jackie involves herself in other people’s problems to avoid confronting her own. Meanwhile, Becky is overwhelmed by the costs of raising a baby, so her family steps in to help on “The Conners,” TUESDAY, OCT. 8 (8:00-8:30 p.m. EDT), on ABC. Episodes can also be viewed the next day on, the ABC app and Hulu.

    The series stars John Goodman as Dan Conner, Laurie Metcalf as Jackie Harris, Sara Gilbert as Darlene Conner, Lecy Goranson as Becky Conner-Healy, Michael Fishman as D.J. Conner, Emma Kenney as Harris Conner-Healy, Ames McNamara as Mark Conner-Healy and Jayden Rey as Mary Conner.

    Guest starring is Katey Sagal as Louise, James Pickens Jr. as Chuck and Dan Aykroyd as Buddy.

    “The Preemie Monologues” was written by Jana Hunter and Mitch Hunter, and directed by Gail Mancuso.

    Debbie Allen Recurs on S.W.A.T. 10/16/19

    (9/24/19) “Funny Money” – The SWAT team bumps heads with Lt. Lynch when she signs them up for an off-book undercover operation to take down a local gang printing counterfeit money, without giving them enough time to prepare for the mission. Also, tensions rise at home for Hondo as his parents’ strained relationship becomes worse, on S.W.A.T., Wednesday, Oct. 16 (10:00-11:00 PM, ET/PT) on the CBS Television Network.

    RECURRING CAST: Debbie Allen (Charice Harrelson), Obba Babatundé (Daniel Harrelson, Sr), Deshae Frost (Darryl), Otis “Odie” Gallop (Sergeant Stevens)

    James Tupper on A Million Little Things 10/10/19

    (9/24/19) “mixed signals” – On the verge of becoming a filmmaker, Rome takes a meeting with an old producer friend which causes him to feel torn about the creative changes he suggests for his script. Meanwhile, Gary steps in to help Danny prepare to audition for his school play; while Delilah, craving some adult time, agrees to go to dinner with Andrew, on a new episode of “A Million Little Things,” airing THURSDAY, OCT. 10 (9:01-10:01 p.m. EDT), on ABC. (TV-14, L) Episodes can also be viewed on, the ABC app and Hulu.

    “A Million Little Things” stars David Giuntoli as Eddie Saville, Romany Malco as Rome Howard, Allison Miller as Maggie Bloom, Christina Moses as Regina Howard, Grace Park as Katherine Kim Saville, James Roday as Gary Mendez, Stephanie Szostak as Delilah Dixon, Tristan Byon as Theo Saville, Lizzy Greene as Sophie Dixon and Chance Hurstfield as Danny Dixon.

    Guest stars include Drea de Matteo as Barbara, Melora Hardin as Patricia, James Tupper as Andrew, Jason Ritter as Eric and Jerry Ferrara as Todd.

    The episode “mixed signals” was written by David Marshall Grant and directed by Steve Robin.

    There's a Light at the End of the Tunnel for Jo on Grey's Anatomy

    (9/22/19) If anyone deserves some good news on Grey's Anatomy, it's Jo Karev (Camilla Luddington). Jo was on the brink of a revolutionary medical discovery last season on the medical drama when her entire life was derailed by the discovery that her birth mother was still alive and living in Pennsylvania. Jo flew across the country to meet her mom, only to find out that she was given up because she was the product of rape.

    That bombshell information lead Jo to a depressive cycle that culminated with her checking herself into the psychiatric wing of the hospital to get professional treatment for her trauma and anxiety. The last we saw of her was her saying goodbye to Alex (Justin Chambers), and entering the wing to begin her treatment.

    "I was really proud of the character of Jo for being strong enough to ask for the help she needed. I was really proud of Bailey and Alex for stepping up to help her get that help," Grey's executive producer Krista Vernoff told TV Guide at the ABC Summer Stars party. "We're playing that through in the premiere as well. Jo had a severely depressed episode in reaction to intense trauma. That was a real trauma for her to meet her mother, to learn that she was a product of rape, to understand her father. It would have triggered all of her childhood stuff around abandonment and it sent her into a spiral."

    If last season was depicting the authenticity of that trauma, Season 16 will be about finding the light again. After all of her suffering, Jo will be getting better this season and finding her way back to being stable and happy.

    "It was very hard for fans to see her without Alex, her inability to receive the love that he was offering. That is so often true of depression and we wanted to depict it honestly," Vernoff explained. "Now, we want to honestly depict the fact that you can recover. People can put in the work and heal and recover. I'm really excited for everyone to see that."

    We're excited to see Jo get back on her feet as well.

    Grey's Anatomy premieres Thursday, September 26 at 8/7c on ABC.

    ‘Emily In Paris’: Darren Star’s Paramount Network Dramedy Rounds Out Cast; Sets Directors, Costume Designers

    (9/20/19) French actors Philippine Leroy Beaulieu (Call My Agent!), Lucas Bravo (Smart Ass), Samuel Arnold (Antony & Cleopatra), Camille Razat (The 15:17 to Paris) and Bruno Gouery (Doc Martin) are set as series regulars opposite Lily Collins in Emily in Paris, Paramount Network’s half-hour dramedy from Younger and Sex and the City creator Darren Star.

    Kate Walsh (The Umbrella Academy), William Abadie (Resident Evil: Extinction) and Arnaud Viard (Clara et Moi) also join the cast in recurring roles. Previously announced Ashley Park rounds out the list of series regulars in the 10-episode series, which is in production in Paris.

    Additionally, Star reunites with iconic costume designer Patricia Field (Younger, Sex and the City) and also has brought on Marylin Fitoussi for costume design. Andrew Fleming, Zoe Cassavetes and Peter Lauer are set to direct.

    Created, written and executive produced by Star, Emily in Paris follows Emily (Collins), a driven twentysomething from the Midwest who moves to Paris for an unexpected job opportunity. Cultures clash as she is tasked with bringing an American point of view to a venerable French marketing firm, and Emily adjusts to the challenges of life in a foreign city while juggling her career, new friendships and love life.

    Walsh will play Emily’s co-worker and mentor who still lives in Chicago.

    Tony Hernandez and Lilly Burns of Jax Media executive produce for Paramount Network. Andrew Fleming also executive produces, and Collins serves as a producer for the new series.

    Emily in Paris joins a Paramount Network scripted roster headlined by its hit Yellowstone, starring Kevin Costner, and upcoming series Coyote, from Michelle MacLaren and starring Michael Chiklis; the series adaptation of Sexy Beast; 68 Whiskey, from Ron Howard and Brian Grazer’s Imagine Entertainment; and Paradise Lost (working title), from Rodes Fishburne, Arika Lisanne Mittman and John Lee Hancock.

    ‘Grey’s Anatomy’: Jasmine Guy To Recur In Season 16 Of ABC Medical Drama

    (9/18/19) Jasmine Guy (A Different World, Harlem Nights), who guest-starred near the end of last season on Grey’s Anatomy, is returning to the ABC medical drama in a key recurring role opposite James Pickens Jr. on the upcoming 16th season.

    Guy plays Gemma, a woman who showed up at the Grey Sloan Memorial Hospital emergency room last season, following a freak accident. There, she encountered Dr. Richard Webber (Pickens), with whom she shares a problematic history.

    Created and executive produced by Shonda Rhimes, ABC Studios-produced Grey’s Anatomy stars Ellen Pompeo as Meredith Grey, Justin Chambers as Alex Karev, Chandra Wilson as Miranda Bailey, James Pickens Jr as Richard Webber, Kevin McKidd as Owen Hunt, Jesse Williams as Jackson Avery, Caterina Scorsone as Amelia Shepherd, Camilla Luddington as Jo Wilson, Kelly McCreary as Maggie Pierce, Kim Raver as Teddy Altman and Giacomo Gianniotti as Andrew DeLuca.

    Betsy Beers, Mark Gordon, showrunner Krista Vernoff, Debbie Allen, Zoanne Clack, Fred Einesman, Andy Reaser and Meg Marinis are executive producers.

    Guy most recently played recurring characters on BET’s The Quad and the CW’s The Vampire Diaries. She’s repped by Kass Management.

    Make-Up Artists And Hair Stylists Guild Awards: Thomas Burman & Martin Samuel Set For Lifetime Achievement Honors

    (9/18/19) Emmy-winning makeup artist Thomas Burman and Oscar-winning hairstylist Martin Samuel are set for lifetime achievement awards from the Make-up Artists and Hair Stylists Guild at its awards ceremony in January.

    Burman has racked up more than 30 Emmy nominations during his 50-year career and won seven for such series as The Tracey Ullman Show, Nip/Tuck, Tracey Takes On … and The Young Indiana Jones Chronicles. He also picked up an Oscar nomination for the 1989 Bill Murray holiday pic Scrooged. Since launching his career in 1966 as an apprentice to Ben Nye at 20th Century Fox Studios and becoming an assistant to John Chambers on Planet of the Apes in 1967, his dozens of credits also include Grey’s Anatomy, Close Encounters of the Third Kind, Invasion of the Body Snatchers.

    Acclaimed for his period hair styling and expertise with wigs, Samuel has scored three Academy Award nominations for Hitchcock, Pirates of the Caribbean: At World’s End and Curse of the Black Pearl. He also has three Emmy noms to his credit for Tracey Ullman’s State of the Union. Samuel’s 40-year career includes credits on such films as credits include Wild Wild West, Angels and Insects, Blow, Burlesque, Love and Mercy, The Scarlet Pimpernel and Rich and Famous.

    The Lifetime Achievement Award is given to one make-up artist and one hair stylist for extraordinary Lifetime Achievement, exceptional contributions to the motion picture arts and sciences, or outstanding service to their union or the entertainment industry.

    The Make-up Artists and Hair Stylists Guild, aka IATSE Local 76, will hold its annual trophy show on Saturday, January 11, at Novo in Los Angeles. Final online voting closes on Friday, January 3.

    Sandra Oh Applauds SNL's Decision to Fire Shane Gillis, Calls Embattled Comic 'Lazy Ass Unoriginal'

    (9/18/19) In the wake of comedian Shane Gillis’ firing from Saturday Night Live, Sandra Oh is cheering the sketch series’ decision to let him go.

    “Glad 2 see @nbcsnl decision NOT [to] legitimize/give platform 2 purveyors of racist homophobic content,” the Killing Eve star wrote in a tweet Tuesday morning. “Risks? LAZY ASS UNORIGINAL.”

    Gillis was fired from SNL on Monday, just four days after he was brought on as a new featured player for Season 45. Shortly after his casting was announced, tweets began to circulate with clips from a particularly offensive episode of Matt and Shane’s Secret Podcast, which Gillis co-hosted with fellow comic Matt McCusker in 2018. During a conversation about New York City’s Chinatown neighborhood, Gillis used a racist slur, asking, “Why do the f–ing ch–ks live there?”

    Another episode found Gillis referring to Judd Apatow and Chris Gethard as “white f—got comics,” calling them “f—ing gayer than ISIS.”

    The footage prompted intense backlash on social media, though in his pseudo-apology (which Oh referenced in her tweet), Gillis insisted that “I’m a comedian who pushes boundaries. I sometimes miss… My intention is never to hurt anyone but I am trying to be the best comedian I can be and sometimes that requires risks.” (After he was officially booted from SNL, Gillis said he was “honestly grateful for the opportunity,” but “I was always a [MADtv] guy anyway.”)

    Oh made her SNL hosting debut last season, becoming only the third Asian–American woman to headline the show (following Lucy Liu in 2000 and Awkwafina in 2018).

    James Tupper on A Million Little Things 10/3/19

    (9/16/19) “grand canyon” – Eddie manages to keep Theo distracted in the midst of trying to track down Katherine, while Maggie realizes her mother’s surprise move to Boston might not be just for her. Meanwhile, Regina struggles with accepting Andrew’s ideas about the restaurant, and PJ makes a shocking confession to Rome, on a new episode “A Million Little Things,” airing THURSDAY, OCT. 3 (9:01-10:01 p.m. EDT), on ABC. (TV-14, L) Episodes can also be viewed on, the ABC app and Hulu.

    “A Million Little Things” stars David Giuntoli as Eddie Saville, Romany Malco as Rome Howard, Allison Miller as Maggie Bloom, Christina Moses as Regina Howard, Grace Park as Katherine Kim Saville, James Roday as Gary Mendez, Stephanie Szostak as Delilah Dixon, Tristan Byon as Theo Saville, Lizzy Greene as Sophie Dixon and Chance Hurstfield as Danny Dixon.

    Guest stars include Drea de Matteo as Barbara, Melora Hardin as Patricia, Rhys Cairo as Mitch, James Tupper as Andrew and Jason Ritter as Eric.

    The episode “grand canyon” was written by DJ Nash and Geoffrey Nauffts, and directed by Chris Koch.

    Rob Morgan, Dascha Polanco and Loretta Devine Board Short Films From Lena Waithe-Led AT&T Filmmaker Mentorship Program

    (9/11/19) Production for the short films chosen for the AT&T Filmmaker Mentorship Program are underway and Rob Morgan (This Is Us, Just Mercy), Dascha Polanco (Orange is the New Black, When They See Us) and Loretta Devine (Grey’s Anatomy, Family Reunion) have joined two of the films.

    With Emmy winner Lena Waithe as the lead mentor and with the support of Waithe’s producing partner Rishi Rajani, AT&T Hello Lab, and Fullscreen, the program discovers, incubates and empowers emerging filmmakers from underrepresented communities to evolve their work, grow their audience and provide national distribution on platforms such as DIRECTV and DIRECTVNOW.

    Waithe hand-picked the five shorts from up and coming creators and storytellers. The films represent a range of diverse identities including LGBTQ+, women, communities of color and more. The chosen mentees had access to industry advisors, studio and production company executives, agents and casting directors. They received advice on pitching, budgets and directing. In addition, the program introduced a unified theme of “growing pains” with all the shorts which allowed the writers and directors freedom to express their unique, individualized perspective. Waithe also expanded the mission and scope of the diversity-driven program to incorporate music by identifying unsigned and underrepresented musicians.

    Read the complete details for the short films below.

    Postmarked (Angela Carbone)

    After uncovering a trove of long-lost letters, a ten-year-old boy goes on an adventure to find the person who sent them.

    Cast: Rob Morgan, Jaylin Fletcher Quie Tann, Loretta Devine

    Spilt Milk (Mechi Parada-Lakatos)

    Single mom Ximena moves back in with her parents while struggling to care for her infant son. She reconnects with her ex-partner, Lena, who is now raising the child they conceived of together with the sperm donor they chose, and the old wound is reopened. Cast: Dascha Polanco, Zuri Adele

    1/30 (Malik Aziz)

    On the first day of Ramadan, a young architect attempts to fast for the first time while also trying to win a major contract for his firm. Cast: Jeremie Harris, May Calamawy, Kevin Corrigan, Tom Lipinski

    The Fat Friend (Jasmine Johnson)

    A woke boarding school student questions her commitment to activism when she finds herself with no friends, countless enemies and facing some very serious accusations that threaten to get her expelled. Cast: Melora Walters, Dylan Chloe Dash, Sara Targum, Rileigh Skye McDonald (Brittany Menjivar)

    A teenage girl with acting dreams, an empty wallet, and a broken heart is approached by a charming man who promises her fame, fortune, and affection—if she agrees to livestream herself crying for his niche website, Cast: Colin Woodell, Carly Stewart

    ‘The Eddy’: Melissa George To Recur In Damien Chazelle’s Netflix Series

    (9/10/19) Melissa George (The Good Wife) is set to recur opposite Andre Holland and Amandla Stenberg in Oscar winner Damien Chazelle’s (La La Land, Whiplash) anticipated Netflix series The Eddy, from Endeavor Content.

    The Eddy is a musical drama set in contemporary multicultural Paris revolving around a club, its owner (Holland), the house band, and the chaotic city that surrounds them. The eight-episode series will be shot in France and feature dialogue in French, English and Arabic for premiere exclusively to Netflix members worldwide.

    George will play Alison Jenkins, a sophisticated New Yorker, comes to visit her ex-husband (Holland) and daughter (Stenberg) in Paris, with complicated results.

    George is known for her role as Marilyn Garbanza on Season 5 of The Good Wife. She most recently appeared in a recurring role on Australian series Bad Mother. Her other previous credits include British series Heartbeat, Beau Willimon’s The First and a guest-starring role on Star Trek: Discovery. She’s repped by Untitled, Gersh, Agent Agitateur, Lou Colson Associates, Sue Muggleton and Mitch Smelkinson.

    Grey's Anatomy: First Season 16 Trailer Confirms Meredith's New 'Job' and Jackson's... Death?

    (9/7/19) (Video) Grey’s Anatomy showrunner Krista Vernoff promised us that there would be “ramifications” for Meredith in the wake of the superstar MD breaking the law and getting fired in last May’s finale, and now we have confirmation of at least one of them.

    The first teaser trailer for the ABC drama’s upcoming 16th season shows Ellen Pompeo’s unemployed alter ego performing court-ordered community service. Her job? Picking up trash on the side of the road. (And from the looks of the clip, her first performance review is going to be a disaster).

    The promo also portends an ominous outcome to the Disappearance of Jackson Avery, although that’s presumably a big ol’ bait-and-switch considering Jesse Williams recently re-upped with the show for two more years.

    As Vernoff previously told TVLine, the Thursday, Sept. 26 opener will pick up “moments from where we left off” in the Season 15 finale, with “all of the lingering” cliffhangers — i.e. Meredith, Richard and Alex receiving pink slips, DeLuca wearing prison orange and Jackson vanishing into thick fog — being addressed “pretty immediately.” But shortly thereafter, the episode “will then span a little bit of time over the course of the hour.”

    Grey's Anatomy Time Jump Twist: The Season 16 Premiere Will Pick Up...

    (9/5/19) Grey’s Anatomy will be doing the time warp again when it returns for Season 16 later this month, but there’s a catch.

    Showrunner Krista Vernoff tells TVLine that the Thursday, Sept. 26, opener will pick up “moments from where we left off” in the Season 15 finale, and “all of the lingering” cliffhangers — i.e. Meredith, Richard and Alex receiving pink slips, DeLuca wearing prison orange and Jackson vanishing into thick fog — will be addressed “pretty immediately.”

    But shortly thereafter, the clock will begin to tick but quickly. “We will then span a little bit of time over the course of the hour,” reveals Vernoff by way of describing the unusual time-jump scenario. How much time will lapse by the end of the premiere? “I would rather not reveal that,” she says, holding her cards close to her vest.

    Regardless of the leap forward’s exact length (be it weeks or months or… years?), Vernoff promises that there will be fallout from the various conflicts — particularly where Meredith and DeLuca are concerned.

    “They’ve got to navigate the complexities of a new relationship in the wake of Meredith having been fired and having broken the law,” previews the EP. There are stressors on their very new relationship coming from the ramifications of those decisions last season.”

    E! People’s Choice Awards Finalists

    (9/4/19) Fans can vote online at, via Twitter or for select categories on Xfinity X1. Fans can vote up to 25 times per method, per category, per day if they vote via online or Twitter. Voting via Xfinity X1 has a limit of 25 times per ballot, per Xfinity X1 device, per candidate for the duration of the official voting window. Additionally, any vote cast on Tuesdays throughout the voting window will count twice.

    The E! People’s Choice Awards will be broadcast live from Barker Hanger in Santa Monica on Sunday, November 10 at 9p ET/PT

    THE SHOW OF 2019
    Game of Thrones
    WWE Raw
    Stranger Things
    The Walking Dead
    The Big Bang Theory
    This Is Us
    Grey’s Anatomy

    Grey’s Anatomy
    This Is Us
    Chicago P.D.
    Game of Thrones
    Stranger Things
    Big Little Lies
    The Walking Dead

    Sky’s Patrick Dempsey-Fronted Financial Thriller ‘Devils’ To Have World Premiere At Mipcom

    (9/3/19) Patrick Dempsey is heading to Mipcom in Cannes for the world premiere of his Sky-backed Italian drama Devils.

    The Sky Italia financial thriller, produced by Lux Vide and Orange Studio, funded by Sky Studios and distributed internationally by NBCUniversal Global Distribution, will launch in the Palais on Monday October 14.

    The Grey’s Anatomy star, along with co-stars Alessandro Borghi (Suburra) and Kasia Smutniak (Loro) will be in attendance.

    Based on the best-selling novel by Italian trader Guido Maria Brera, the anticipated ten-part English-language series will be set in the London office of a major U.S. bank, where the ruthless Head of Trading, Massimo Ruggero (Borghi) from Italy, has been welcomed and introduced to the world of finance by Dominic Morgan (Dempsey), the bank’s CEO. When Ruggero ends up involved in an intercontinental financial war rocking Europe, he has to choose whether to ally himself with his mentor or fight him. The book was partly inspired by the financial crisis that swept global markets in 2008.

    Among the series supporting cast will be Laia Costa (Victoria), Malachi Kirby (Roots), Pia Mechler (Everything Is Wonderful), Paul Chowdhry (Swinging With The Finkels), Harry Michell (Chubby Funny) and Sallie Harmsen (Blade Runner 2049).

    Directors are Nick Hurran (Sherlock) and Jan Michelini (Don Matteo) with the former also serving as show-runner. The writing team includes Guido Maria Brera, Alessandro Sermoneta, Mario Ruggeri, Elena Bucaccio, Chris Lunt, Michael Walker, Ben Harris, Daniele Cesarano, Ezio Abate and Barbara Petronio.

    Jane Millichip, Chief Commercial Officer of Sky Studios said: “Devils is a thoroughbred European thriller with tremendous international appeal, thanks to great storytelling by Lux Vide and Sky Italia, strong partnership of Orange Studio, and fabulous casting. We are grateful to Laurine Garaude and Reed Midem for selecting Devils for this year’s World Premiere TV Screening.”

    Laurine Garaude, Director of Reed Midem’s Television Division, said: “We are thrilled to be hosting the premiere of this fast-paced thriller with a truly international cast as part of the much-anticipated World Premiere TV Screenings. As a global showcase platform, Mipcom offers the opportunity to discover the hottest fresh content with the World Premiere TV Screenings representing a special selection of exceptional series screened for the first time, and open to all participants and press.”

    Debbie Allen Recurs On S.W.A.T. 10/2/19

    (8/28/19) “Fire in the Sky” – The SWAT team works with Lieutenant Piper Lynch (Amy Farrington), a senior LAPD Hollywood Division officer, when the mayor assigns her to oversee city departments joining forces to stop a serial bomber using drones as detonation devices. Also, just as Hondo settles into legal guardianship of his teen charge, Darryl (Deshae Frost), his home life becomes more complicated when his estranged father (Obba Babatundé) unexpectedly moves in, on the third season premiere of S.W.A.T., Wednesday, Oct. 2 (10:00-11:00 PM, ET/PT) on the CBS Television Network.

    RECURRING CAST: Debbie Allen (Charice Harrelson), Obba Babatundé (Daniel Harrelson, Sr), Gabrielle Dennis (Brianna Harrelson), Deshae Frost (Darryl).

    Sandra Oh To Narrate Wildlife Doc ‘She Walks With Apes’ Featuring Jane Goodall For Canada’s CBC

    (8/26/19) Sandra Oh is to narrate a feature-length documentary about three women who went into the jungles of Africa and Borneo to live with great apes.

    She Walks With Apes, for Canada’s CBC, features Jane Goodall, the world’s foremost expert on chimpanzees, who was the subject of Brett Morgen’s Nat Geo doc Jane.

    The film is a fresh take on Goodall’s early years living with the chimpanzees, and also reveals rarely seen images of Dian Fossey, the legendary scientist who was murdered while working with the mountain gorillas of Rwanda. The two-hour documentary also gives credit to the third pioneering woman, Canadian Biruté Galdikas, who went to live among the orangutans of Borneo 50 years ago and is still there today. They became known as the “Trimates”.

    The film, which launches on September 20, was filmed over the course of a year by the father-daughter filmmaking team of Caitlin and Mark Starowicz, who trudged through jungles to tell the story of the women who helped launch the global environmental movement.

    Filmed in 4K, She Walks With Apes was commissioned by CBC for its science strand The Nature of Things and is scheduled to be released in both television and theatrical versions in 2019. The documentary, which is produced by Grand Passage Media is distributed internationally by CBC & Radio-Canada Distribution.

    “The lives of the three female scientists who made up the Trimates are filled with courage and determination and love for life,” said Killing Eve star Oh. “They have inspired future generations and their work continues to underline the urgency of saving the Great Apes and their forest environment. I grew up watching CBC’s The Nature of Things, and I am happy to be a part of the great Canadian doc tradition.”

    “People don’t realize that there were actually three remarkable women who embarked on parallel journeys,” said Mark Starowicz, “It’s an intertwined story of adventure, tragedy and redemption that has not been fully told.”

    “We climbed for hours every day following gorillas up extinct volcanoes,” added Caitlin Starowicz, “We journeyed up Borneo rivers following orangutans. It was the most arduous, but most awe-inspiring thing I have ever done.”

    Major Grey's Anatomy/Station 19 Continuity Mystery Solved

    (8/22/19) Ever since word got out that ABC would be further blending the Grey’s Anatomy and Station 19 universes under dual showrunner Krista Vernoff, fans have been wondering the following: How will both series be able to maintain parallel timelines considering that Grey’s kicks off Season 16 in September — months before Station 19 Season 3 launches in early 2020?

    Calling the task of fusing Grey’s and Station 19 “a massive Rubik’s Cube” crossed with a “game of speed chess” that “required months of planning from two writers’ rooms,” Vernoff shares the somewhat simple solution at which she arrived to solve the scheduling-born continuity issue. “We are using Grey’s to mark time on both shows.” In other words, “When Station 19 premieres [at midseason], we’ll do a little bit of flashing back to cover the time lapse.”

    Until then, fans can keep tabs on some of their Station 19 faves — Jason George’s Ben and beyond — as they orbit Grey’s throughout the fall. But Vernoff, echoing comments made earlier this month by ABC president Karey Burke, maintains that the two shows will continue to stand on their own. “The challenge that was presented to me was this: How do you create a more unified universe and a little bit more in the way of crossovers but also allow for the fact that these shows don’t air back-to-back in many other countries?” the EP says. “You can’t write it as a two-hour movie. They need to be completely satisfying if you’re only watching one show, and exciting and illuminating if you are watching both. And so far, I feel really good about what we’re doing.

    “If you only watch one show, you’re satisfied,” she adds. “And if you watch both shows, you get some information or some cool pieces that you wouldn’t have if you didn’t watch both shows.”

    Grey's Anatomy Showrunner Blasts ABC for Casting Sean Spicer on DWTS: 'I Deely Abhor This Decision'

    (8/22/19) Add Krista Vernoff to the list of ABC employees unhappy with the network for climbing into bed with Sean Spicer. The Grey’s Anatomy/Station 19 showrunner ripped into ABC’s Powers That Be for casting the disgraced ex-White House flack on the new season of Dancing With the Stars.

    “I deeply abhor this decision by the company I work for and truly love,” Vernoff lamented in a statement posted on Twitter late Thursday. “This man lied daily, to our faces, and made a mockery of our country. This is not cause for celebration or celebrity.”

    Vernoff then called on ABC brass — Disney chairman Robert Iger, specifically — to remove drop Spicer from DWTS Season 28. “It’s not too late to change this plan,” she said, before adding, “Please.”

    I deeply abhor this decision by the company I work for and truly love.

    This man lied daily, to our faces, and made a mockery of our country. This is not cause for celebration or celebrity.

    It’s not too late to change this plan. Please @DancingABC @abc @RobertIger

    — Krista Vernoff (@KristaVernoff) August 22, 2019

    DWTS host Bergeron also took issue with Spicer’s presence on the show, revealing in a lengthy Twitter post on Wednesday that he had hoped Season 28 “would be a joyful respite from our exhausting political climate and free of inevitably divisive bookings from ANY party affiliation.” Though Bergeron had made that suggestion to a DWTS executive producer, “a decision was made to, as we often say in Hollywood, ‘go in a different direction.’”

    Bergeron continued, “It is the prerogative of the producers, in partnership with the network, to make whatever decisions they feel are in the best long term interests of the franchise. We can agree to disagree, as we do now, but ultimately it’s their call. I’ll [leave] it to them to answer any further questions about those decisions.”

    In response to the backlash, DWTS EP Andrew Llinares told TVLine, “We’ve got a great and diverse cast. We are excited about the season.”

    In an interview with The Hollywood Reporter, Spicer said that he hopes the ABC series will be a “politics-free zone,” regardless of his ties to the Trump administration. “My hope is that at the end of the season, [DWTS host] Tom [Bergeron] looks back on this and realizes what a great example it was of being able to bring people of really diverse backgrounds together to have fun with each other,” Spicer said, “engage in a real civil and respectful way, and maybe show millions of Americans how we can get back to that kind of interaction.”

    Grey's Anatomy: [Spoiler] to Be 'Given His Due' With Meaty Season 16 Episode

    (8/21/19) Grey’s Anatomy is making up for lost time when it comes to one of its long-running characters. Showrunner Krista Vernoff tells TVLine that she is earmarking an hour in Season 16 for Richard, played by original cast member James Pickens Jr.

    “We have big episode for him this season,” Vernoff says, adding, “I don’t feel like he’s quite been given his due.”

    But don’t expect Richard’s special episode to mimic the format of some of the series’ more recent character-centric outings. “The standalone episodes are always evolving,” Vernoff explains. “They were born out of scheduling, because we could shoot them simultaneously with other episodes. But my hope for this season is to make those episodes feel a little more like our traditional episodes.”

    Vernoff cites Season 14th’s change-of-pace 17th episode — which focused on Meredith, April and Owen over the course of a single day — as a good prototype for Grey’s standalone episodes moving forward. “That was a standalone, but it didn’t feel like one,” she says of the installment, which featured a memorable guest turn by Scott Speedman. “So we’re trying to make those episodes feel a little more cohesive with the rest of the season.”

    ‘Grey’s Anatomy’ actress Camilla Luddington weds Matthew Alan

    (8/18/19) Camilla Luddington is a married woman.

    On Saturday, the “Grey’s Anatomy” actress wed boyfriend Matthew Alan in front of 70 guests in California, People confirmed.

    Luddington, 35, who plays Dr. Jo Wilson on the ABC medical drama, walked down the aisle to The Temper Trap’s “Sweet Disposition,” a nod to her first date with Alan, 36, which took place at a Temper Trap concert in 2008, the outlet reported.

    The bride also wore an embroidered Mira Zwillinger gown for the big day, while the groom, whose credits include “Castle Rock” and “13 Reasons Why,” rocked a gray suit.

    The couple announced their engagement in January 2018.

    “Sooo this happened on New Year’s Eve,” Luddington posted on Instagram at the time. “I’m not sure I even let Matt get through his proposal before I started yelling YES YES YES!! Of course it was a yes! Also… Hayden approves.. ;).”

    Luddington and Alan welcomed daughter Hayden in the spring of 2017.

    Grey's Anatomy Alum Being Eyed for Season 16 Return — But Which One?

    (8/9/19) Grey’s Anatomy is looking to mine its rich, 15+-year history this season by bringing a familiar face back into the fold.

    “I’m trying to get someone back,” showrunner Krista Vernoff teased exclusively to TVLine earlier this week at the Television Critics Assoc. summer press tour. “There’s someone I’m hoping will make an appearance this year, [but] it’s a real maybe. I’m trying.”

    Vernoff declined to identify the name of the alum she’s currently pursuing, nor would she divulge the size of the arc she is envisioning for the vet in question.

    The EP was a tad more forthcoming when discussing the overall theme of Season 16, which kicks off Thursday, Sept. 26 at 8/7c. But that’s partly because Season 16 is (ahem) theme-less. “I don’t have a theme this season,” Vernoff confessed with a laugh, adding that Season 15’s “Season of Love” branding “was a lucky swing.” Vernoff went on to note that Season 16 actually juggles a multitude of themes. “It’s the season of family and it’s the season of expansion, because we’re expanding the world of Grey’s Anatomy [via Station 19],” explained the EP, who has assumed oversight of the spinoff (in addition to her current Grey’s duties). “We’re having so much fun. I kind of want to call it the ‘Season of Fun.’ We sat at the table read today [for Episode 2] and we laughed until we cried. There is some really fun, funny stuff coming up.”

    Madam Secretary: Sara Ramirez Not Returning as a Series Regular for CBS Drama's Game-Changing Final Season

    (8/6/19) Madam Secretary is taking a big leap forward in its final season, but not everyone will be making the jump. TVLine has confirmed that Sara Ramirez will not be returning as a series regular for the CBS political drama’s abbreviated sixth season. The Grey’s vet — who may return for a guest appearance in one of the show’s final 10 episodes — joined Madam Secretary in Season 4 as brilliant political strategist Kat Sandoval.

    Ramirez’s departure comes amid word that Madam Secretary is shaking things up creatively in Season 6. As first reported by The Salt Lake Tribune, the show’s Oct. 6 premiere will pick up two years after the events of the finale, and find Tea Leoni’s titular character answering to a different title: President of the United States.

    “We are doing about a two-year time jump,” Amy Reisenbach, CBS’ executive vice president of current affairs, told the paper. “When we come back, Elizabeth will be president. It will be about 100 days into her presidency.”

    As viewers recall, the final moments of the Season 5 finale found Leoni’s Elizabeth announcing her run for the Oval Office. Series co-creators Barbara Hall and Lori McCreary initially told TVLine that a then-potential Season 6 would likely chronicle Elizabeth’s experiences as a candidate in a political primary and presidential election. The subsequent final-season development likely led the EPs to dramatically accelerate the narrative.

    Toni Morrison Remembered: Shonda Rhimes Says “I Grew Up Wanting To Be Only Her”

    (8/6/19) “She made me understand ‘writer’ was a fine profession,” tweeted Shondaland producer Shonda Rhimes (Grey’s Anatomy, Scandal). “I grew up wanting to be only her. Dinner with her was a night I will never forget. Rest, Queen.”

    Grey's/Station 19: New Inter-Show Romance Eyed — Plus: ABC Boss Walks Back 'Weekly Crossover' Comment

    (8/5/19) News that ABC plans to further commingle the Grey’s Anatomy and Station 19 universes has drawn a strong rebuke from fans (TVLine included), but the network’s top exec is now clarifying the merger plan.

    Last May, shortly after announcing that current Grey’s showrunner Krista Vernoff would also be taking the helm of Station 19, ABC’s entertainment president Karey Burke revealed that when the spinoff returns to its post-Grey’s at midseason there would be a weekly “crossover event” between the two shows.

    Burke now concedes that she misspoke. “I did not intend to say that every week there would be a crossover [event],” the exec tells TVLine. Instead, Burke says there will be “several [Grey’s/Station 19] crossover events” throughout the coming season, adding, “To do a crossover every week would dilute the special nature of them. I think it’s going to be three or four peppered throughout the season.”

    That said, Burke says that under Vernoff the two shows will — generally speaking — feel “more blended.” To that end, she reveals that a new inter-show romance will blossom this season between a Grey’s character and a Station 19 character, although she did not reveal the identity of said characters.

    The decision to more closely merge the two series makes sense seeing as how every time ABC staged a Grey’s/Station 19 crossover the ratings for both programs ticked up. But some fans worried that weekly doses of Station 19 on Grey’s would dilute the mothership. “Don’t bring Grey’s down!” bemoaned TVLine reader Grace. “I’m not a fan of Station 19. I’ve tried but just can’t get into it. I don’t think trying to force Grey’s fans to watch Station 19 is the way to go at all.”

    Burke stresses that Grey’s fans need not worry, explaining that “Station 19 will likely feel more like Grey’s” but not the other way around. “The goal is not to have Grey’s feel more like Station. The goal is to extend the DNA of Grey’s to Station in a more significant way.

    “It’s so smartly constructed,” Burke declares. “Both shows will absolutely stand alone. But fans of both shows will get that extra gravy of knowing they are watching crossovers.”

    'Grey’s Anatomy’: ABC Drama Will Run Until Ellen Pompeo Calls Time As Karey Burke Hopes Medical Drama Will Air For Years – TCA

    (8/5/19) ABC renewed Grey’s Anatomy for a record-breaking two more seasons in May, and the network’s entertainment chief Karey Burke hopes the medical drama will continue on for years to come.

    In May, the network handed the show a renewal for Season 16 and Season 17 with star Ellen Pompeo, as well as other original cast members, signed up. The show created by Shonda Rhimes became the longest-running primetime medical drama in TV history in terms of number of episodes last season, surpassing NBC’s ER.

    Burke is hoping for more and said the series will end when Pompeo and Rhimes no longer want to make it. “We love them. They are as deep a part of the fabric of ABC as anyone and certainly it will be up to them whether or not they want to continue the show. I hope I’m watching with my grandchildren,” she said.

    Burke, speaking Monday the TCA summer press tour, joked earlier in her presentation that the first thing her 15-year old daughter said to her when she got the ABC job was that they could now visit the Grey’s Anatomy set.

    Grey’s Anatomy, which also cemented its place last season in ABC’s history books as the network’s longest-running primetime scripted series, has continued to be a powerful ratings performer for the network as its top scripted series.

    Created and executive produced by Rhimes, Grey’s Anatomy follows Meredith Grey (Pompeo) and the team of doctors at Grey Sloan Memorial, who are faced with life-or-death decisions on a daily basis. They seek comfort from one another, and, at times, more than just friendship. Together they discover that neither medicine nor relationships can be defined in black and white.

    ‘Black-ish’: Loretta Devine To Recur In Season 6 Of ABC Series

    (8/2/19) Emmy winner Loretta Devine has been tapped for a recurring role opposite Laurence Fishburne on the upcoming sixth season of ABC’s praised comedy series black-ish.

    Season 6 picks up following a season of change for the Johnson family and Pops (Fishburne) will be surprising everyone when he introduces Lynette, played by Devine, as his new fiancée.

    Created by Kenya Barris, black-ish stars Anthony Anderson as Andre “Dre” Johnson, Tracee Ellis Ross as Rainbow Johnson, Fishburne as Pops, Yara Shahidi as Zoey Johnson, Marcus Scribner as Andre Johnson Jr., Miles Brown as Jack Johnson, Marsai Martin as Diane Johnson, Jenifer Lewis as Ruby, Peter Mackenzie as Mr. Stevens and Deon Cole as Charlie Telphy.

    Newly named showrunner Courtney Lilly will executive produce with Barris, Gail Lerner, Lindsey Shockley, Peter Saji, Anthony Anderson, Laurence Fishburne, Helen Sugland and E. Brian Dobbins. Jonathan Groff and Kenny Smith are consulting producers. The series is produced by ABC Studios.

    Devine won an outstanding guest actress Emmy for her role as Adele on ABC’s Grey’s Anatomy. She currently stars on Netflix’s Family Reunion and will be seen in Starz’s upcoming drama series P-Valley. On the big screen, Devine will next be seen alongside Ellen Burstyn in Never Too Late. She’s repped by Innovative Artists and Essential Talent Management.

    Black-ish returns for season 6 on Tuesday, September 24 in its new 9:30 PM timeslot on ABC.

    Grey's Anatomy: Production Begins on Season 16

    (7/29/19) Happy days are here again for Meredith and DeLuca — at least judging by the first image from Grey’s Anatomy‘s new season.

    “First day back at work with this beauty,” cast member Giacomo Gianniotti wrote on Instagram alongside a buoyant behind-the-scenes photo of him and leading lady Ellen Pompeo (see image, below). “Season 16 of Grey’s Anatomy, here we go!”

    The smiles on the actors’ faces stood in stark contrast to the demeanor of their respective alter egos when last we saw them in May’s finale, which found Meredith on the receiving end of a pink slip and her main squeeze DeLuca behind bars. Regarding Mer’s professional predicament, showrunner Krista Vernoff told TVLine that viewers should not assume the doc will get her job back right away.

    “It was a big swing we took,” she conceded to TVLine of the decision to oust not only Mer, but Richard and Alex, too. “I can’t promise that Grey Sloan isn’t going to have to do without those doctors, at least for a while. I mean, they got fired!”

    Grey’s Anatomy is set to kick off Season 16 on Thursday, Sept. 26 at 8/7c on ABC.

    2019 Emmy Nominations

    (7/17/19) The Emmys will be held Sunday, Sept. 22 at the Microsoft Theater in Los Angeles, airing live on Fox.

    LEAD ACTRESS IN A DRAMA (2018 winner: Claire Foy)
    Emilia Clarke, Game of Thrones
    Jodie Comer, Killing Eve
    Viola Davis, How to Get Away With Murder
    Laura Linney, Ozark
    Mandy Moore, This Is Us
    Sandra Oh, Killing Eve
    Robin Wright, House of Cards

    GUEST ACTRESS IN A COMEDY (2018 winner: SNL host Tiffany Haddish)
    Jane Lynch, The Marvelous Mrs. Maisel
    Sandra Oh, Saturday Night Live
    Maya Rudolph, The Good Place
    Kristin Scott Thomas, Fleabag
    Fiona Shaw, Fleabag
    Emma Thompson, Saturday Night Live

    Katherine Heigl to Star in Netflix's 10-Episode Firefly Lane Adaptation

    (7/11/19) Katherine Heigl is headed to Netflix by way of Firefly Lane. The Grey’s Anatomy vet has signed on to star in and exec-produce Netflix’s 10-episode series adaptation of Kristin Hannah’s best-selling book, TVLine has learned exclusively.

    Firefly Lane centers on two inseparable best friends and tracks their enduring, complicated bond over the course of four decades.

    Heigl, who is currently wrapping up a two-season stint on USA Network’s soon-to-include Suits, will play Tully Hart, a magnetic, ambitious, reckless and fiercely loyal force of nature. Still bearing the scars of a traumatic childhood, Tully is, per the official character description, “dogged by inner loneliness, even as she goes on to fabulous fame and fortune as a journalist and talk show host. Her saving grace is her best friend and soulmate, Kate (not yet cast), with whom she shares an unshakable bond, over the course of four tumultuous decades.”

    Maggie Friedman (Witches of East End) serves as writer/showrunner/exec producer. Stephanie Germain and Lee Rose are also EPs, while Hannah is a co-EP. Peter O’Fallon (UnREAL) will direct the premiere.

    In addition to Grey’s and Suits, Heigl’s TV credits include CBS’ Doubt and NBC’s State of Affairs. Firefly Lane marks Heigl’s first project with Netflix.

    ‘P-Valley’: Loretta Devine To Recur In Starz’s Strip Club Drama Series

    (6/24/19) Grey’s Anatomy alumna Loretta Devine is set to recur opposite Brandee Evans and Nicco Annan in Starz’s P-Valley, Katori Hall’s strip club drama based on her play Pussy Valley.

    Created by Hall, who also showruns, the drama is set down deep in the Mississippi Delta, where lies an oasis of grit and glitter in a rough patch of human existence where beauty can be hard to find. The Southern-fried hourlong drama tells the kaleidoscopic story of a little-strip-club-that-could and the big characters who come through its doors: the hopeful, the lost, the broken, the ballers, the beautiful, and the damned. Trap music meets film noir in this lyrical and atmospheric series that dares to ask what happens when small-town folk dream beyond the boundaries of the Piggly Wiggly and the pawn shop.

    Devine will play the Granmuva of Uncle Clifford and former proprietress of The Pynk. Though she may be blind, she sees through the tangled mess of inherited injustice and contradictions that have long ruled the South.

    Elarica Johnson, Shannon Thorton, Skyler Joy, J. Alphonse Nicholson and Parker Sawyers also star. Chernin Entertainment executive produces along with Katori Hall.

    Devine won an Emmy for her role as Adele on ABC’s Grey’s Anatomy. She most recently starred on NBC’s The Carmichael Show and co-starred opposite Gabrielle Union in the third season of BET’s Being Mary Jane as the titular character’s main antagonist, Cece. Devine continues to voice Hallie the Hippo on Disney Channel’s Peabody Award-Winning animated series, Doc McStuffins, and will next star in the Netflix family series, Family Reunion, which will feature an all-black cast and crew. Her more recent film credits include co-starring roles in This Christmas and First Sunday.

    Grey's Anatomy's Camilla Luddington Explains How Jo's Depression Affected Jolex

    (6/19/19) ( One of the most heartbreaking aspects of Grey's Anatomy's 15th season was the harrowing emotional journey Jo (Camilla Luddington) experienced.

    It was a season of lows for the Grey Sloan doctor, who learned that she was a product of rape and revealed that she had an abortion while married to her physically and emotionally abusive ex. Jo's spiral toward rock bottom put a strain on her marriage to Alex (Justin Chambers) and culminated with her seeking out professional help in the finale. While this season did test their relationship in ways that it hadn't been tested before, actress Camilla Luddington says their issues had more to do with Jo's deep-seated trauma and that the tension was not a reflection on the strength of their marriage.

    "It was interesting to see other people on Twitter educate people and say, 'Listen, when you have depression, and this is the story we're telling, it's not about whether she loved him or not. It's just that she cannot communicate how she's feeling. She is in too deep in her own trauma and depression, and she can't get herself out of it,'" Luddington told TV Guide during ATX's annual television festival.

    "The story that she had to tell Alex about her past was just so painful that she couldn't express it," the actress explained. "I love that we see Alex at the end realize that he is not the solution for her. She has to go and get professional help, and [we see] her realize that herself. She could not pull herself out, Alex couldn't do it, and it's not a reflection of their relationship, whether it was good or bad. The end of the season, that's where we left them, and I think that they're a great couple. I don't think it's a reflection on how strong their relationship is or not, it's just a story of depression and trauma."

    As Jo continues to receive the helps she needs in order to deal with these ongoing issues, co-executive producer Elisabeth Finch teased a difficult but necessary road to recovery for Jo next season. "She has not had an easy life and having this experience really fundamentally changed her," Finch said. "So giving the space on our screen to actually show her desperate for help and needing it, and other people seeing it before she did, and then actually having her ask for help and get the help that she needs is something we don't really get to talk a lot about on television. ... We just started our writers' room this week, but I'm really excited about honoring that and showing what it is for somebody to really go through trauma and come out the other side and have their full happy lives."

    Grey's Anatomy returns this fall on ABC.

    ‘Grey’s Anatomy’ EP On Taking On The Topic Of Sexual Assault – ATX

    (6/10/19) Grey’s Anatomy co-executive producer and writer Elisabeth R. Finch was joined by stars Camilla Luddington and Kim Raver to unpack the highly emotive season 15 episode, titled Silent All These Years, which involved a patient being admitted to Grey Sloan Memorial Hospital after being brutally raped.

    Finch initially had the idea after going on a WGA sponsored a story tour of the UCLA Santa Monica rape crisis center which she described as the “gold standard” when it comes to its approach in treating victims rape and sexual assault. It wasn’t until the producers witnessed Christine Blasey Ford’s testimony before the Senate Judiciary Committee in regards Supreme Court nominee Brett Kavanaugh that the story came into fruition.

    “It destroyed us… I don’t think there’s a woman who wasn’t rocked by that,” said Finch during the show’s presentation at the ATX Television Festival. “We collectively felt that the world was getting a message that consent was irrelevant and we wanted to counter that message and wanted to do it as soon as possible.”

    That message sparked a change in the backstory of Jo Karev (Luddington) meeting her mother, which resulted in the character discovering she was a product of rape.

    “Finding the why now for our characters and the why now for the world, we needed a story like this because they don’t exist, ” said Finch. “You don’t see rape kits on television and don’t have a conversation about what the impact is of rape and sexual assault… we got to have it here and it started with an issue base.”

    There was an initial push back from ABC in regards to how far the show would go to portray the storyline, particularly when it came to showing the fluids.

    “So many people had never seen one before,” Finch referring the workings of sexual assault kit. “The reason no one knew the steps is because they’ve never be shown before in so much detail. We show countless acts against women but we don’t show the caretaking. We don’t show what does into actually doing it… that is something that’s a medical step and a medical process and we wanted it on there/”

    Ultimately, with the insistence from show creator Shodan Rhimes to include, the network’s Standards and Practices department came around and the head of the department even participated in the potent scene with the wall of women.

    Speaking on that scene, “that moment was the very first thing that I pictured… I saw the hallway of women first and its something that I just couldn’t put down,” said Finch, who pulled from her time at the non-profit RAINN (Rape, Abuse & Incest National Network).

    “They would have radio communication among the staff and say are we clear in the hallway for us to go to the next room,” she recalled as part of a protocol the organization would initiate when a patient didn’t want to be around other people. “I thought that was one of the most powerful things I’ve heard but what if it’s the opposite? What if safety doesn’t come in removing people from situations, what if it comes in the form of women standing up lining the hallway, holding space, and just being there.”

    The title of the episode also had a special meaning. It comes from the “Tori Amos song, from her album ‘Little Earthquakes’, which was a massively important album. It was a powerful piece of art that album,” Finch explained. “That song, in particular, she was unapologetically rageful and emotional about her experience of being sexually assaulted” and “she was the original spokesperson for RAINN”, an organization Finch became privy of while attending her concert.

    “I really honor the work that Tori Amos continues to do for survivors and RAINN.”

    Season 16 of Grey’s Anatomy will return in the fall on ABC.

    Grey's Anatomy: Jesse Williams Signs Deal to Return for Season 16 (and 17)

    (6/8/19) Don’t worry, Grey’s Anatomy fans: Dr. Jackson Avery won’t be lost in that fog forever.

    Jesse Williams has signed a two-year deal to remain with the hit ABC drama, our sister site Deadline reports. The actor’s new contract matches the two-season renewal that Grey’s scored back in May, ensuring that the long-running medical drama will be on the air through Season 17. (Deadline adds that Williams earned a pay bump as well.)

    Williams joined Grey’s back in Season 6 as surgical resident Jackson Avery; the actor was promoted from recurring to series regular for Season 7, as Jackson worked his way up to become head of plastic surgery at Grey Sloan. Last we saw Jackson, though, he was walking into a dense fog that descended on Seattle, leaving his girlfriend Maggie alone in their car — and he never returned.

    Along with Williams’ return, Grey’s recently promoted three cast members to series regulars for the upcoming Season 16 (premiering this fall on ABC): Chris Carmack (Link), Greg Germann (Dr. Thomas Koracick) and Jake Borelli (Levi Schmitt).

    Donal Logue & Kate Walsh To Star In Indie ‘Sometime Other Than Now’

    (6/8/19) Donal Logue and Kate Walsh have been set to star in Sometime Other Than Now, an indie drama written and being directed by Dylan McCormick. Shooting is underway in East New York on the pic being produced by Monolith Pictures’ Michael Goodin, Riverbend Pictures’ Stan Erdreich and Small Victories Productions’ Jackie Filer.

    The plot revolves around Logue’s Sam, who after his motorcycle is damaged in an apparent crash into the ocean becomes stranded in a small New England town, where he finds refuge at a run-down motel looked after by Kate (Walsh), a similarly burnt-out, lost soul. The mystery around Sam’s presence in town unravels when it’s discovered his estranged daughter, Audrey (Trieste Dunn), lives there, and he hasn’t seen her in 25 years.

    As he tries to bridge the gap between the little girl he left long ago and the woman who grew up without her father, Sam learns he was never cut out to be emotionally connected to anyone … unless he falls in love with another soul just as lonesome.

    “This movie started as a dream I couldn’t get out of my head and spun into the story we are telling today,” said McCormick. “The idea of forgiveness and redemption, second chances and what happens when good people make bad choices are the backbone of these characters. It’s been amazing to see the cast bring these flawed people to life and the crew build their environment.”

    Logue, who most recently wrapped his five-season run as Harvey Bullock on Gotham, is represented by UTA, Kipperman Management and Shep Rosenman. Walsh, the Grey’s Anatomy and Private Practice alum, can currently be seen in Netflix’s The Umbrella Academy and is up next in the indie Honest Thief opposite Liam Neeson. She is repped by Gersh, United Agents and Kevin Yorn.

    Dunn (Blindspot) is repped by Innovative Artists and Brillstein Entertainment Partners.

    Ellen Pompeo and Taraji P. Henson on ‘Toxic’ ‘Grey’s Anatomy’ Culture, Fair Pay

    (6/5/19) ( Taraji P. Henson and Ellen Pompeo are two of the most powerful women on television, sitting at the center of major broadcast hits. On Fox’s “Empire,” Henson’s Cookie Lyon has proved to be a fan favorite, while Pompeo’s Meredith Grey has kept viewers obsessed with ABC’s “Grey’s Anatomy” for a decade and a half — making the series history’s longest-running medical drama. Both stars, too, have found their voices, speaking out about inclusion and inequity in Hollywood.

    TARAJI P. HENSON: Ellen, we’ve been living with your character for 15 years now. How was the character written on the page?

    ELLEN POMPEO: When I read the script, the thing that stood out was that it was the lead character. I had been in a bunch of movies, but just the girlfriend or the wife. And then — listen, the nature of how she’s evolved is that I’m 15 years older. What about you when you read the pilot for “Empire”?

    TpH: I thought, “The NAACP, they’re going to get me for this one.” She calls one son, who’s gay, the F-bomb, and she beats one son with a broom. This is something that has never been shown on national television — certainly not by a black woman. When you’re a person of color, you have to be careful about the roles you pick. You want to uplift the people. Once I got past the fear, I was able to really see her. I didn’t want just black people to identify with her. I wanted every mother in the world to understand the sacrifices that only mothers can make.

    EP: I think that Caucasian actresses don’t understand the nuanced struggles that you have as a black woman, and the roles you choose — what you’re sidestepping, what you want to make sure gets out there. It’s a whole different layer of difficulty that I certainly didn’t understand when I started my show. I knew that we were doing special things by showing people of color as doctors, which hadn’t been done on television in a long time. But when we’re young actresses you’re trying to get any role you can. You don’t have time to have empathy. I’ve had a tremendous education, not always in the most pleasant of ways. I’ve had to observe and have a lot of uncomfortable moments, which is fine, because I’m happy to have uncomfortable moments as long as I’ve learned.

    TpH: That means you’re growing. Growth is uncomfortable. When I booked “Empire,” I had a momentum going that I’d been waiting my entire career for. I seized every opportunity. If I was getting 5 or 10 million a movie, I wouldn’t work so much. I’m working because I have bills to pay. I have dreams. I have to get it in.

    EP: For me the performance that stands out is “Hustle & Flow.” Your quote should have shot up after that.

    TpH: It did not. I think the industry knew I was talented. But it’s about money. Are you bankable? I had to continuously prove that. I’ve been trying to prove and improve. I was asking for half a million. I didn’t get paid that until I did my first Tyler Perry film. He was the first person who paid me $500,000. I was never in a position where I could not take a job; by the grace of God, they have all been really good characters. But it was never a situation where I was like, “I’m not going to do that.” Now, I’m finally there.

    EP: It’s impossible to have this conversation without talking about race. It’s such a significant piece of pay parity.

    TpH: It’s not going to change until privilege reaches across the table and helps. Otherwise, we’re playing a rerun. The only narrative that I wish I could change is my money. It’s almost like they want this incredible performance for a discount price. The black movies — we don’t get big budgets. I have to wait until Scorsese or someone with a franchise film calls.

    EP: You hear that? She wants a franchise movie. Who’s calling?

    TpH: We’re going into our sixth season. How did you do 15? Was there any moment where you were like, “Child, I want off this bus”?

    EP: There were many moments. It’s funny: I never wanted off the bus in the year that I could get off. The first 10 years we had serious culture issues, very bad behavior, really toxic work environment. But once I started having kids, it became no longer about me. I need to provide for my family.

    TpH: I know that.

    EP: At 40 years old, where am I ever going to get this kind of money? I need to take care of my kids. But after Season 10, we had some big shifts in front of the camera, behind the camera. It became my goal to have an experience there that I could be happy and proud about, because we had so much turmoil for 10 years. My mission became, this can’t be fantastic to the public and a disaster behind the scenes. Shonda Rhimes and I decided to rewrite the ending of this story. That’s what’s kept me. Patrick Dempsey left the show in Season 11, and the studio and network believed the show could not go on without the male lead. So I had a mission to prove that it could. I was on a double mission.

    TpH: Were you and Patrick getting paid the same in the beginning?

    EP: He was being paid almost double what I was in the beginning. He had a television quote. I had never done TV.

    TpH: I know that story. Is there wine in this cup?

    EP: “He’s done 13 pilots.” Well, none of them have gone. I didn’t even realize until we were renegotiating Season 3. No one was offering that up.

    TpH: That story sounds about like mine. But when all the tweets were about Cookie, I said, “It’s time to renegotiate. Can everybody sit down at the table, please?” I’d been in the game long enough to know the numbers game, and I knew Cookie had become iconic. You need her. So I need my money.

    EP: My husband says, “Closed mouths don’t get fed.” But if you have to walk, don’t be a victim. If you don’t get what you want, put your big-girl panties on …

    TpH: And bounce.

    EP: You can know your worth, but if they don’t know it, you can’t cry.

    TpH: I had to leave a show before, and it was the most money I’d ever seen in my life, and I was so miserable. It was stealing my joy. I just remember praying to God: “God, I’m not happy creatively.” And the next day, I called the producer. He got it. And I walked away, not even knowing where I was going. I ended up doing a play in Pasadena. I didn’t care about who was coming to the theater, executives or casting directors. It was about Taraji falling back in love with this craft. Fox had to woo me. I wouldn’t read the script. I was done with television.

    EP: It’s a grind.

    TpH: It’s really not for me. I had to say, “I want my money because I know what I bring to the table and I know the following that I have.” I know if there’s money to be had, I should be paid.

    EP: I now have three kids. And we turned the culture around. I’ve hit some marks that have made me feel accomplished in a different way. Shonda Rhimes has been amazing. She lets us be mothers. I don’t have to travel. I don’t have to go anywhere.

    TpH: I don’t know if I could do 15 seasons of Cookie.

    EP: Are you involved in your storyline at all?

    TpH: Absolutely. No one knows Cookie better than me.

    EP: I haven’t been challenged creatively at all. Every once in a while we do an amazing storyline. But for the last five years, I’ve had other milestones that we were trying to achieve behind the camera.

    TpH: For me, one of our proudest moments was with gay marriage. Because we didn’t know how the black community would accept Jamal, the gay son [played by Jussie Smollett, who since this conversation has not been asked back to the sixth and final season of the show], because it’s so taboo. There’s still the homophobes on Twitter, but those are small voices compared to the resounding voices of love that he gets, the character. I’m just proud to be a part of this show that’s not afraid to get people talking. That’s the only way you’re going to get change.

    EP: We have the most incredible community of actresses right now. Everybody is just pushing and taking all these old stereotypes and throwing them out the window.

    TpH: I don’t want anyone that looks like me, or any woman at 40, to feel they have to stop being sexy on-screen. I’m not ready to just collect a check. I want to open films. I’ll be 49 this year.

    EP: Me too.

    TpH: And we still have an audience.

    EP: We still have an audience.

    TpH: We’re still bankable, and we’re still sexy as hell.

    Grey's EP Krista Vernoff Hints at How Jo's Recovery Could Reunite Her With Alex 'In a Way That's Beautiful'

    (6/2/19) The honeymoon might be over for Grey’s Anatomy’s Alex and Jo — so over that, during Season 15, she threatened to leave him. But that doesn’t mean that another one couldn’t begin in Season 16.

    “They were pretty great together,” showrunner Krista Vernoff reminds TVLine, “and then Jo suffered a very real trauma in discovering her birth story and experiencing the complexity of that rejection by her mother.

    “It’s impossible to be mad at the mother [since she was a victim of rape],” she continues, “so Jo got trapped in a really painful mental spiral. She needs treatment to come back to herself.”

    Since at the end of Season 15, Jo checked herself in to Grey Sloan to start getting that treatment, there’s every reason to believe that she will emerge in Season 16 with her equilibrium restored. “I hope therapy brings her back to herself and Alex,” says Vernoff, noting that among her fondest wishes is that at last “he gets to heal that wound that keeps repeating, where he chooses women who go into mental-health crises. I’d like to see that story complete for him, with Jo returning to him in a way that’s beautiful.

    “But,” she hastens to add, “we’re not in the writers’ room yet for Season 16.”

    ‘Grey’s Anatomy’s Jesse Williams Sets Broadway Debut In ‘Take Me Out’ Revival

    (5/30/19) Jesse Williams, a star of ABC’s Grey’s Anatomy, will make his Broadway debut in next year’s revival of Richard Greenberg’s Tony Award-winning 2002 play Take Me Out.

    Earlier this spring, news reports surfaced that Jussie Smollett had read for the role but been bypassed following his attack-hoax scandal. A source close to the production confirmed to Deadline at the time that Smollett had indeed read for the role in January just before the hoax incident but that no casting decisions had ever been made. At the time, Zachary Quinto had read for a co-starring role.

    The Second Stage Theatre production, to be directed by Scott Ellis (Tootsie), will begin previews April 2, 2020, at Second Stage’s Hayes Theater, with an official opening on April 23. No casting beyond Williams was announced today.

    Williams, who plays Dr. Jackson Avery on Grey‘s and has appeared in Lee Daniels’ The Butler and The Cabin in the Woods, will play the lead role in Take Me Out: Darren Lemming, a star center fielder for the Yankees-like Empires who comes out of the closet as gay and deals with the consequences of teammate prejudice, damaged friendships and “the challenges of being a gay person of color within the confines of a classic American institution.”

    Take Me Out premiered in London in 2002 before an Off Broadway production that year at the Joseph Papp Public Theater. It’s Broadway debut came the following year, with Daniel Sunjata in the lead role, along with Neal Huff, Denis O’Hare and Frederick Weller, among others.

    In addition to his role on Grey’s Anatomy, Williams has served as senior producer and correspondent alongside Norman Lear on EPIX docuseries America Divided, and exec produced feature doc Stay Woke: The Black Lives Matter Movement. He gained international attention for his 2016 BET Humanitarian Award acceptance speech.

    Greenberg’s play has always drawn considerable speculation about its inspirations. Rumors at the time of an about-to-come-out Derek Jeter were, of course, proven unfounded, though on firmer ground was the widespread belief that the tale’s racist player Shane Mungitt (played in the original by Frederick Weller, now playing a similarly hateful rube in To Kill A Mockingbird) was based on the then-notorious Atlanta Braves pitcher John Rocker.

    Hulu Sets Animated Kids Series With Openly Gay Main Character; T.R. Knight, Bobby Moynihan, RuPaul & Others Add Voices ‘The Bravest Knight’

    (5/23/19) T.R. Knight, Bobby Moynihan, Storm Reid, RuPaul, Christine Baranski and Wanda Sykes are among the stellar voice cast set for The Bravest Knight, Hulu’s groundbreaking animated kids series based on Daniel Errico’s popular children’s book The Bravest Knight Who Ever Lived, from Big Bad Boo Studios. The first five episodes of the series will launch June 21 on Hulu June 21, followed by additional episodes later this year.

    The boundary-breaking new series features a household with two dads (Sir Cedric, voiced by Knight, and Prince Andrew), making it one of the first children’s television series with an openly gay main character. It chronicles a young pumpkin farmer’s adventure as he attempts to become the bravest knight who ever lived.

    In addition to Knight as Sir Cedric, The Bravest Knight stars Moynihan as young Cedric’s troll sidekick Grunt, Reid as Not-Yet-Knight Nia, and will also feature the voice talents of RuPaul, Baranski, Sykes, Wilson Cruz, Teri Polo, Steven Weber, Donna Murphy, AJ McLean, Dot-Marie Jones, Maz Jobrani, Chance Hurstfield and more. The Bravest Knight’s opening theme song was written and performed by Grammy-nominated musician, songwriter and activist Justin Tranter.

    Following the inspiring and perseverant former pumpkin farmer, Sir Cedric, now grown and married to the prince of his dreams, The Bravest Knight recounts personal tales of his journey. Sir Cedric shares his story with his adopted 10-year-old daughter Nia, on how he transformed from day-time farmer to full-fledged knight. Nia, who is training to become a brave knight herself, learns important values such as honor, justice and compassion; proving that knighthood is much more than slaying dragons.

    The Bravest Knight joins Hulu’s original kids series including Holly Hobbie, Find Me In Paris and Doozers, among others.

    Ratings: Big Bang Theory Series Finale Draws 18 Million, a 3-1/2 Year High

    (5/18/19) It all ended with a big bang, too.

    CBS’ The Big Bang Theory very ceremoniously ended its 12-season run on Thursday night before an audience of 18 million total viewers, while scoring a 3.1 demo rating.

    Surging 43 and 55 percent week-to-week, those numbers mark more than a 3-1/2 year high in audience (since 9/21/15), while matching a 1-1/2 year high in the demo.

    Leading out of that, Young Sheldon (13.7 mil/2.2) hit 16- and 15-month highs with its sophomore finale, while the Big Bang retrospective did 11.8 mil and a 1.8. Capping CBS’ big night, S.W.A.T.’s finale (6 mil/0.9) hit and tied season highs.


    ABC | Opposite Big Bang, Grey’s Anatomy (5.9 mil/1.3) hit and tied series lows. Station 19 (4.9 mil/0.8) dipped, while For the People (2.6 mil/0.5) ticked up with its series finale.

    NBC | Superstore‘s double pump averaged 2.2 mil/0.6, dipping to season lows. Brooklyn Nine-Nine (averaging 1.6 mil/0.5) also dipped with its finale. SVU (3.5 mil/0.7) hit and held onto series lows.

    THE CW | iZombie (615K/0.2) was steady, while In the Dark (521K/0.2) ticked up.

    FOX | Yet another Paradise Hotel episode did 1.1 mil/0.3.

    Grey's Anatomy's Ellen Pompeo Tears Into Bachelor Boss: 'We Don't Attack Successful Women on Our Network'

    (5/17/19) Hell hath no fury like Ellen Pompeo when one of her own comes under fire. The Grey’s Anatomy leading lady — and the veritable queen of ABC — tore into Bachelor creator Mike Fleiss after the EP shaded Kelly Ripa earlier this week.

    On Wednesday, Fleiss tweeted, “Easy, Kelly Ripa … The Bachelor franchise pays your salary!” after Ripa called the dating series “gross” and “creepy” on ABC-owned Live With Kelly and Ryan. Early Thursday, Pompeo shot back at Fleiss (also via Twitter), writing, “Okay [Mike Fleiss], that’s some handle bro! Your show does NOT pay Kelly Ripa’s salary. Also we don’t attack successful women on our network and men certainly cannot take credit for their success. Don’t get me started on your show cuz I’m a savage.”

    Pompeo then took one final dig at the series long-chronicled diversity problem, ending her tweet with “#bachelorsoooowhite.”

    Okay @fleissmeister… that’s some handle bro! Your show does NOT pay @KellyRipa salary. Also we don’t attack successful women on our network and men certainly cannot take credit for their success. Don’t get me started on your show cuz I’m a savage…. #bachelorsoooowhite — Ellen Pompeo (@EllenPompeo) May 16, 2019

    Moments later, Pompeo — who had been taking a mini-social media hiatus — tweeted to a follower, “Took a break but had to jump back in the ring for my girl.”

    ABC has thus far not commented on the kerfuffle.

    Grey's EP Krista Vernoff On the Finale's Massive Shake-Ups… and Break-Up?

    (5/17/19) ( The Season 15 finale of Grey’s Anatomy dropped a lot on us, from Meredith and Owen’s declarations of love (to DeLuca and Teddy, respectively) to Bailey’s firing of three doctors to Jackson’s disappearance. Here to help us process it all — and hint at how the events of “Jump Into the Fog” will impact Season 16 — is showrunner Krista Vernoff, who also wrote the bittersweet hour.

    TVLINE | Let’s start with the firings. Obviously, Grey Sloan isn’t really going to lose Mer, Alex and Richard, right?

    [Laughs] It was a big swing we took, and I can’t promise that Grey Sloan isn’t going to have to do without those doctors, at least for a while. I mean, they got fired!

    TVLINE | What prompted Meredith to tell DeLuca — when he was behind bars, of all times — that she loved him? Was she afraid of what dumb thing he’d do next to prove his love?

    I think she told him because she had come to terms in her own time with what her fear [of saying it] was about. I also think, whether it was conscious or unconscious on her part, he couldn’t walk after her to talk about it further, so she could still take it at her own pace.

    TVLINE | It just happened to coincide with this worst case scenario of him being in prison.

    Was it the worst case scenario, though? Because she said it, which I think a lot people didn’t expect she would, and I think he didn’t expect it. It’s a scary thing for her, and he gets that. The fact that she said it at all is big, big, big growth for Meredith.

    TVLINE | I was really torn about Owen and Amelia — glad to see them happy but mortified for Koracick. Is there anything you can say to Teddy/Tom fans to make us feel better?

    [Laughs] Well, I would say that you can glean from the finale that there’s more telling in that story. We didn’t cut to Tom putting together that nursery for no reason. But the fact is that so often in life, complicated love stories come at a cost. There is collateral damage. We want to believe that love is easy and smooth and perfect, but sometimes we create a bit of chaos in our wake, and that’s what we have here.

    TVLINE | There were two conversations I especially loved in the finale. The first was the one in which Maggie stood up for herself to Jackson. It felt like a break-up to me. How about you?

    It felt significant, for sure. It did feel like one of those fights that you don’t know if you can come back from.

    TVLINE | Was she right — that he loves her but doesn’t like her? Was he right that she doesn’t respect “Mr. Monopoly”?

    I know from painful experience that love is one ingredient that makes a relationship work, but if you just love each other and don’t like and respect each other, then love alone will not make it last. I think they were kindly and somewhat lovingly acknowledging that he keeps wanting her to expand. And I don’t know that she ever would have called him Mr. Monopoly. I don’t know that she ever sat around feeling like she didn’t respect him, but the way that scene evolved, it just felt like one of those really awful fights that you don’t realize you’re in until you’ve said the thing you can’t take back.

    TVLINE | How worried would you recommend we be about Jackson?

    [Chuckles] It’s worrisome.

    TVLINE | And it seems like the kind of scare that could make her realize, “Oh — even when I was super ticked off at him, I was terrified of losing him.”

    That’s exactly right. I am proud of the design of that cliffhanger, because we don’t know if they’re going to make it as a couple or why Jackson disappeared into the fog. It gives us as writers a lot of exciting places to go potentially.

    TVLINE | The other talk I loved was between Link and Amelia. It seemed like it was setting us up to get to watch them get together all over again without them having to break up…

    That is a possibility, yeah. Amelia shows a lot of maturity in that moment in acknowledging that she does have feelings for Link, but she dove into him super fast. She still has to grieve [losing her relationship with Owen]. As she walked away and the feelings were coming, I think that performance is so beautiful by [Caterina Scorsone].

    TVLINE | Jo and Alex seemed to get over a hurdle. But I was surprised that Mer was the one who told him about what happened in Pittsburgh, not Jo. Was there a discussion about “Wait, this is Jo’s story to tell”?

    Jo feels so broken and is so regretful of the way she’s been treating him, and she can’t find the words [to tell him what she found out]. Sometimes it’s really hard to talk to the person you love the most. And in the penultimate episode, Jo gave Meredith permission to tell him. Jo can’t put it into words — she’s had five episodes to put it into words to Alex, and she can’t do it. And somehow Meredith pushed her to the point where she could voice it, and in voicing it, she began to feel a little better. But she didn’t want to be the one to go tell Alex. I think the messiness of that is very real.

    TVLINE | I was surprised — and glad — that you gave Levi and Nico a happy ending for the season, but I’m also worried. We don’t know yet if Nico got that out-of-town dream job he applied for. Have you decided if he got it?

    I haven’t decided yet, but I can tell you that Alex Landi will be recurring for us next year. We love him and [Schmico].

    Grey's Anatomy Season 15 Finale Recap: Which Couples Emerged From the Fog Still Together? — Plus, Who Vanished?

    (5/17/19) ( There weren’t enough sedatives in all of Seattle to get us through the Season 15 finale of Grey’s Anatomy without having palpitations! Thursday’s “Jump Into the Fog” included not one but two declarations of love, three firings, one possible breakup, one definite makeup, a new character making her debut and an old character… just… um, vanishing into the mist. Who was who? Read on and find out!

    ‘CAN WE SAVE A LIFE FIRST AND TALK AFTER?’ | Picking up where “Drawn to the Blood” left off, “Jump Into the Fog” began with Meredith revealing Jo’s debilitating secret to Alex in the hyperbaric chamber and telling him that his wife was ready to get help — more help than either of them could provide, as much as they might want to. On the freeway, Owen carried a petrified Frances through the wreckage to hitch a ride to Grey Sloan on a fire truck. And Amelia and an in-labor Teddy realized en route to the hospital that they could’ve been friends in another life. “Why not just decide to be friends in this one?” Amelia suggested. Sure, she still loved Owen a little. But, she was quick to add, she fell in love at the drop of a hat and would probably love somebody else by the time Teddy’s baby had made her debut! (Good news for Link, it sounded like… )

    ‘YOU DATED MY OB AND YOU DIDN’T THINK TO MENTION IT?’ | At Grey Sloan, Bailey and Catherine informed Luis and Gabi that the little girl’s cancer was only Stage 2 and that Catherine’s foundation would cover all the costs of her future treatment. (Gee, where was that solution when Mer was committing insurance fraud?) In other patient news, Carrie’s hand twitched (hurrah!), and Frances’ blood restored Gus’ interest in Legos, the surest sign that he was going to be just fine (double hurrah!). After Teddy got over Amelia’s accidental revelation of Owen’s fling with Carina, the mom-to-be was glad that he was there for the birth of their daughter — especially when, to distract from her labor pains, he confessed, “I’m in love with you, and I’ve been in love with you since the day I met you.” If she’d let him, he wanted to spend the rest of his life proving that he was worthy of her love. And they were already so in sync that they announced little Alison’s name in unison. Of course, all I could think of was our poor, poor Tom, who at that very moment was all alone using his million-dollar hands to build Teddy a crib!

    ‘YOU’RE TURNING INTO SOMEONE NOBODY WANTS TO WORK WITH’ | Meanwhile, after a tongue-lashing from Link over his increasingly crummy attitude, Nico admitted to Levi that he missed him, and the two of them not only ended the episode snuggling up in front of My Girl, but Schmitt introduced his boyfriend to his mom as exactly that. (#schmico forever!) Thankfully, Mama Schitt took the revelation in stride and even gave the bad-day chicken soup that she’d made for her son to his bummed-out beau. Back at Grey Sloan, Meredith, Alex and Richard all tried to claim responsibility for the insurance fraud that DeLuca had lied that he’d committed. In fact, “the only person it wasn’t,” Karev said, “was Andrew DeLuca.” Left with no other choice (and her blood pressure surely skyrocketing!), Bailey fired all three of them on the spot!

    ‘I NEED TIME’ | Before turning herself in to the police, Mer paid her jailbird boyfriend a visit during which she told him, “If we’re gonna be together, you’re gonna need to develop some instincts for self-preservation” and not pull such gallant, boneheaded moves. What’s more, “as stupid as [your gesture] was, and as much as this terrifies me,” she added, “I love you, too.” For a scary second at day’s end, it looked like Amelia might write off Link as a rebound. “You definitely were” one, she admitted. However, she wasn’t sure that he still was. So if she didn’t have to make any longterm commitment right then and there, and could discover who she is without Owen, “I’m open to possibilities,” she said — including Link. And prior to checking in to Grey Sloan for inpatient treatment for depression, Jo reassured Alex that she loved him and was sorry for how she’d behaved. Which seemed like only a fragment of a much bigger conversation that they were overdue to have.

    ‘MAYBE I MISSED OUT ON SUMMER CAMP, BUT YOU MISSED OUT ON A SUMMER JOB’ | Finally, while all of this was going on, Maggie and Jackson hiked toward their SUV in the woods and had the talk that they’d needed to for a while now — the one in which she pointed out how patronizing it was when privileged “Mr. Monopoly” suggested that she didn’t know her own likes and dislikes, and should allow him to introduce her to things he thinks she’s missed out on. In the end, he felt that she didn’t respect him, and she felt (as have some of us!) that, while he loved her, he fundamentally didn’t like her as she was. When they got stuck in the fog heading back to the city, Jackson got out of the SUV to look around and… that was that. He never returned, so Maggie was left in the fog and in the dark calling out for her possibly-now-ex-boyfriend.

    ‘Grey’s Anatomy’ & ‘Station 19’ To Build Shared Universe Next Season

    (5/14/19) Last week, ABC announced that Grey’s Anatomy showrunner Krista Vernoff will also take over spinoff series Station 19 for its upcoming season. It turns out the move wasn’t just about utilizing the magic touch Vernoff had shown revitalizing Grey’s on the sophomore firefighter drama.

    I have learned that there is a bigger, ambitious plan for integrating the two series into a shared universe following the success of the shows’ two crossovers this season.

    ABC Entertainment President Karey Burke hinted at the idea during the network’s upfront presentation Tuesday in New York.

    “People can expect crossover event between these series every week,” she said of Grey’s Anatomy and Station 19.

    Indeed, I hear that Grey’s and Station 19 are going to play up the shared universe aspect much more next season, with storylines kept fluid and characters seamlessly going back and fourth in what would feel like two-hour episodes.

    Vernoff and her team will have time to map out the intricate joint storylines as Station 19 is not on the fall schedule and will return for season 3 later in the season. Grey’s Anatomy is heading into a record-breaking 16th season this fall.

    Powered by strong delayed-viewing gains, the recent second Grey’s Anatomy-Station 19crossover event drove ABC to win the Thursday 8-10 PM time slot among Adults 18-49 after three days of TV playback, with Grey’s Anatomy matching a 5-week high and Station 19 soaring to its 2nd highest-rated telecast ever

    Luke Bracey, Jessica Capshaw, Frances Fisher, Jake Manley, Kristin Chenoweth & More Join Emma Roberts In ‘Holidate’ Film At Netflix

    (5/14/19) Holidate, the Netflix romantic comedy, has added a bevy of actors including Luke Bracey (Hacksaw Ridge, Point Break), Jake Manley (The Order, Midway), Jessica Capshaw (Grey’s Anatomy), Andrew “King Bach” Bachelor (The Babysitter, Meet The Blacks), Frances Fisher (Watchmen, Titanic), Manish Dayal (The Hundred-Foot Journey, The Resident), and Kristin Chenoweth (Pushing Daisies, Trial & Error). Emmy winner John Whitesell is directing the film based on a screenplay by Tiffany Paulsen. Emma Roberts was previously announced to star.

    The pic, which is being produced by Wonderland’s McG and Mary Viola, follows Sloane (Roberts) and Jackson (Bracey), both of whom hate the holidays! Their enduring singledom leaves them subject to the judgment of their meddling family members or stuck with clingy, awkward dates on each festive occasion. When these two meet, they pledge to be each other’s plus-ones for each holiday celebration over the course of the year.

    Holidate marks the fifth collaboration between Wonderland and Netflix including The Babysitter, When We First Met, and the upcoming family action film Rim Of The World, which was directed by McG.

    Steven Bello will serve as executive producer.

    Bracey is repped by CAA; Manley by ICM, Luber Roklin, and Ambition Talent; Capshaw by CAA; Bachelor by UTA, Christina Bachelor, Adam Kaller, and Duncan Hedges; Fisher by Greene & Associates Talent Agency; Dayal by UTA, Industry Entertainment, and Hansen, Jacobson, Teller, Hoberman; Chenoweth by Three Arts Management, ICM, and Schreck Rose Dapello & Adams LLP.

    ABC Fall Schedule: Million Little Things Stays With #TGIT, Rookie on the Move

    (5/14/19) Upfronts Week 2019 is underway, and ABC is the third broadcast-TV network (following NBC and Fox) to announce its schedule for the fall TV season.

    Giving the ratings boost it enjoyed with its midseason move to Thursday nights, A Million Little Things will stay put in the #TGIT lineup for Season 2.

    The Rookie for Season 2 is moving from ABC’s famously challenging Tuesday time slot to… Sundays at 10/9c, where it will lead out of three hours of reality-TV.

    With Speechless silenced, American Housewife will join Fresh Off the Boat Starring Constance Wu on Friday nights.

    The black-ish prequel spinoff mixed-ish will be paired with its sire on Tuesdays, leading out of The Conners and a relocated Bless This Mess.

    Fall TV Schedule 2018MONDAY
    8 pm Dancing With the Stars
    10 pm The Good Doctor

    8 pm The Conners
    8:30 pm Bless This Mess
    9 pm MIXED-ISH
    9:30 pm black-ish
    10 pm EMERGENCE

    8 pm The Goldbergs
    8:30 pm Schooled
    9 pm Modern Family
    9:30 pm Single Parents
    10 pm STUMPTOWN

    8 pm Grey’s Anatomy
    9 pm A Million Little Things
    10 pm How to Get Away With Murder

    8 pm American Housewife (new night)
    8:30 pm Fresh Off the Boat
    9 pm 20/20

    8 pm Saturday Night Football

    7 pm AFV
    9 pm Shark Tank
    10 pm The Rookie (new night)

    American Idol, The Bachelor, THE BAKER AND THE BEAUTY, FOR LIFE, Marvel’s Agents of S.H.I.E.L.D. (Season 7), Station 19, UNITED WE FALL

    The Fix, For the People, The Kids Are Alright, Speechless, Splitting Up Together, Take Two and Whiskey Cavalier

    Jennifer Morrison and Sarah Drew Pilots Get Passed on by CBS

    (5/12/19) Sad news for those hoping to see Jennifer Morrison and or Sarah Drew back on their TV screens: CBS has chosen not to pick up either actress’ drama pilot.

    Once Upon a Time alum Morrison was hoping to head Under the Bridge with a medical drama in which a scandal rocks the private practice a cardiothoracic surgeon runs with her husband (Weeds‘ Justin Kirk) and their friends. The cast also included David Ajala (Supergirl), Sarayu Blue (I Feel Bad) and Reggie Lee (Grimm).

    Grey’s Anatomy grad Drew, meanwhile, was in line to lead The Republic of Sarah, playing the unlikely young mayor of a small New Hampshire town that is thrust onto the world stage when the discovery of a valuable resource within its borders compels the residents to declare themselves an independent nation. That cast also included Carlos Leal (The Last Ship), Jonathan Slavin (Speechless), Kirsten Nelson (Psych), James Lesure (Las Vegas), Kimberly Guerrero (Longmire), Daniel Ings (Instinct) and Annie Funke (Criminal Minds: Beyond Borders).

    Grey's Anatomy Promotes 3 Actors to Series Regular Ahead of Season 16

    (5/11/19) On the heels of Grey’s Anatomy‘s two-season pickup at ABC, the drama has promoted a trio of actors to series regular. TVLine has confirmed that Chris Carmack, Jake Borelli and Greg Germann will officially become series regulars in Season 16.

    “Chris, Jake, and Greg have been recurring for us as guest stars and have popped as fan favorites,” Grey’s Anatomy showrunner Krista Vernoff said in a statement. “We are excited to continue revealing their characters and we are beyond thrilled to welcome them to the Grey’s Anatomy family.”

    Germann and Borelli joined Grey’s last season as Dr. Thomas Koracick and Levi Schmitt, respectively, while Carmack — who play Dr. Atticus Lincoln (aka “Link”) — joined the series this season.

    Ratings: For the People Goes Low Following Cancellation News

    (5/11/19) With what is now its penultimate episode ever, ABC’s For the People this Thursday night drew 2.3 million total viewers and a 0.5 demo rating, ticking down on both counts to mark series lows.

    Opening #TGIT, Grey’s Anatomy (6.3 mil/1.3) dipped, while Station 19 (5.1 mil/0.9) dropped back down to pre-crossover numbers.


    FOX | Paradise Hotel Season 3 opened with 1.4 mil and a 0.5.

    NBC | Superstore (3 mil/0.8) was down a tenth with its first episode, while the second (2.5 mil/0.7) hit and tied series lows. With a stronger lead-in than A.P. Bio usually offers, Brooklyn Nine-Nine (1.9 mil/0.6) rose a tenth to mark a four-week high. Abby’s (1.4 mil/0.4) was flat, while a quite questionable episode of SVU (3.6 mil/0.7) hit and tied series lows.

    CBS | Big Bang (12.3 mil/1.9), Young Sheldon (10.4 mil/1.5), the Mom finale (8.2 mil/1.1), Life in Pieces (5.7 mil/0.8) and SWAT (5.1 mil/0.7) were alllllll steady.

    THE CW | Pending adjustment due to sports preeemptions, iZombie (1 mil/0.2) is currently steady and In the Dark (837K/0.2) is up, with both shows up in viewers.

    Grey's Anatomy Renewed for Two More Seasons at ABC as Ellen Pompeo Extends Contract Until 2021

    (5/11/19) ABC has formally renewed Grey’s Anatomy for Season 16 and Season 17 —and, yes, Ellen Pompeo is sticking around for both.

    TVLine has confirmed that Pompeo — whose blockbuster two-year, $20 million deal was set to expire in May 2020 at the end of Season 16 — has tacked another year onto her contract, clearing the way for the two-season pickuo.

    Earlier this year, Pompeo told TVLine that she had not decided if she would re-sign beyond a then-potential Season 16. “I’m contracted through Season 16,” she stated last January on the Grey’s set. “And beyond that… I don’t really know. I take it day-by-day.

    “I keep saying, ‘I’m ready to move on and I want to stop the show before the ratings go down,’ but the ratings never go down!” she added. “They go down a little bit, but the fact that we are able to hold our [title as ABC’s No. 1 series] is kind of [incredible]. It’s very cool to have these kind of ratings and be on a hit network show in this [Peak TV] landscape.”

    For her part, showrunner Krista Vernoff — who has also extended her Grey’s deal through Season 17 — recently told TVLine that she is looking less toward the finish line than she is ahead. “I find myself thinking forward,” she admits. “It feels like the show could really go on. In the early years, we would pitch stories, and Shonda [Rhimes] would go, ‘Uh, that’s a Season 8 story. Let’s do that toward the end.’ Now we’ve doubled the expected lifespan of the show and told all the stories we talked about in the early years, so we have almost a blank slate. Where do you go from here? It’s exciting!”

    Vernoff, meanwhile, will also be taking over as showrunner at spinoff series Station 19 during its just-ordered Season 3.

    Grey's Recap: Wake Me Up Before You… Oh No! — Plus, [Spoiler]'s Jail-Bound?

    (5/10/19) ( Thursday’s penultimate Grey’s Anatomy of Season 15 was a “Wham, bam, thank you, ma’am!” kind of episode — heavy on the Wham! Not only was another character (besides Owen) ready to declare their love, but Jo finally opened up about Pittsburgh (though still not to Alex), one doctor appeared poised to hang up their stethoscope, and another looked like they were leaving the O.R. for prison. How’d it all shake out? Read on…

    ‘IF ANYONE CAN HELP, IT’S MEREDITH’ | As “Drawn to the Blood” began, Meredith awakened in bed with Jo after a nightmare in which Cece featured prominently, Amelia awakened to find that ack! She and Link had fallen asleep post-nookie. And since her nieces and nephew had “just found out about Mer and DeLuca,” she said, “I’m not gonna spring someone else on them” — even if he had to pee! Finally, Maggie awakened in a tent with Jackson and was forced to admit that OK, camping “is not hell.” (At least it wasn’t yet.) At Grey Sloan, Gus’ condition had deteriorated so much that he no longer even played with Legos. Luckily, a blood donor was being flown in from England. “Don’t break her and don’t spill her,” Alex told Levi, who was charged with retrieving Frances from the airport. He should have added, “And don’t let her therapist be dragged off by customs over some question about his visa,” because that was exactly what happened, leaving poor, agoraphobic Frances scared to get off the plane. Upon hearing that there was yet another holdup, Gus’ mom Lori had a full-on Lego-scattering meltdown… after which husband Scott slipped on a Lego and badly hurt himself. “Can you even break your ass?” he cried. And not only could you break your ass, that was exactly what he’d done.

    Hearing of the difficulties getting Frances to Grey Sloan, Owen leapt into action and, once he’d arrived at the airport, found her aboard the plane singing “Wake Me Up Before You Go-Go” to calm her nerves. She really, truly wanted to help Gus, she explained. But good God, no, she wouldn’t let Owen draw her blood right there on the plane. “You could stab me wrong,” she feared. She needed to be at the hospital… only she couldn’t get there, because she’d been taught from an early age that, owing to her extremely rare blood type, if she was injured, she could die. Eager to embolden Frances, Owen tried to introduce her to Gus via FaceTime, but since the boy had just suffered a heart attack, he couldn’t even speak. In the end, Frances allowed Owen to carry her off the plane to the car. “You will not break,” he promised her in such a way that Teddy got all starry-eyed as she listened in. (Ruh-roh.) Even then, it wasn’t smooth sailing, this being the last episode before the season finale and all. As Alex had Gus moved into the hyperbaric chamber to get more oxygen to his organs, the car taking Frances, Owen and Levi to Grey Sloan got stuck in traffic. (Can you imagine? Cause of death: traffic congestion.)

    ‘DO YOU LOOK LIKE A RAPIST?’ | At Jolex’s place, Mer admitted to Jo that maybe in part she was sleeping there because DeLuca had said he loved her “out loud, to my face, and it’s terrifying. That doesn’t mean I’m not mostly here for you.” When Jo got snippy about Mer complaining about love, Grey reminded her that the last person who’d said he loved her had died. So “I’m not a delicate flower.” As for Jo’s unwillingness to reveal what happened in Pittsburgh, Mer and Alex had both had parents who’d messed with their heads nine ways to Sunday, “so there isn’t anything that we wouldn’t understand.” Oh no? said Jo. “Was your mother raped by your father? Is that why you exist? Do you wear his face? OK, then.” Well, she was awfully nasty about it, but at least she’d finally told someone. Later, Jo suggested that she never should have existed in the first place, so what Paul had done to her, “that was my birthright. That was my inheritance.” In response, Mer rattled off just a few of the things that would never have happened if Jo hadn’t come into being. For one, Alex would still be “evil spawn”!

    Little by little, Mer got through to her friend. The way Jo came into being, what she went through with Paul, it didn’t define her, “it’s something you survived,” Mer said, “because you are the opposite of that. You’ve taken all this darkness and used it to help other people who are facing the same.” As the uplifting music kicked in, you could tell that Jo was at last coming out the other side of her crisis. To ensure that she made it all the way out that other side, Mer told her about a moment after she’d fallen into the sound, when she’d thought, “Why fight?” And she hadn’t fought. “The only reason I’m here is the people who love me didn’t give up on me.” So was Jo telling her that she wanted to stop fighting? Or was she just saying that she wanted to spend a little more time under the covers? “I don’t wanna stop,” Jo answered. But she did want some more time to come to grips with what she’d learned. So they’d go to Grey Sloan and talk to Bailey and Alex, said Mer. They’d get Jo a proper leave of absence and make sure that her career was waiting for her when she came back.

    ‘IT’S KIND OF NICE SEEING YOU IN YOUR ELEMENT’ | In the woods, Jackson led Maggie on a hike to a spot he wanted to show her that he’d found the last time he went camping. To propose perhaps? We never found out, because along the way, Maggie was bitten by something and sprained her ankle. By the time they got back to their campsite, she’d gotten a zillion pages regarding Gus; they had to get back to Grey Sloan, stat. Back at the hospital, Richard and Nico worked on Scott’s broken coccyx. When Taryn asked to scrub in on the amusing procedure, Nico shut her down hard; there was nothing funny about it. Only there was, said Richard, adding, “If we don’t find some lightness in this darkness we face every day, no one would stay in this job.” Nico’s response — a terse “Thank you, sir” — suggested that he might just be performing his last procedure. Nearby, everyone wondered what the big foundation meeting Catherine and Bailey were attending was all about. “My money’s on a mountain of new funding,” Link told Amelia when they weren’t worrying about Carrie, who still had no tingling in her fingers. How, Amelia asked, did he not always assume the worst? He’d already been through the worst, he replied. And “life’s gotta give you some good apples along with the rotten ones, right? For balance.” Amelia was skeptical. “But I like my theory,” he said. “Works for me.” Cue rotten apples coming his way in 3, 2…

    Carrie not only had pneumonia, she had pneumonia that was so bad, Teddy was going to have to remove a lobe of one of her lungs. Hearing this, Toby flipped, prompting their mom to give a speech about how they’d inspired her with their fearlessness. There is no life without risk, Carrie concluded as Teddy got that starry-eyed look again. (Don’t do it, Teddy. Nooo!) When Link shortly thereafter caught up with Amelia and filled her in, she was taking Leo “home” to Owen’s. Uh, what was up with that? he wanted to know. He’d been fine with them being each other’s pain management until it had started to feel like something real — at least it had for him. Had it for her? She didn’t have to give him an answer that very second, he said. But he would need to know. He wouldn’t be hanging on to a situation that was guaranteed to bring him pain. And speaking of pain, Tom was being his sweet self with Teddy when she began looking at him a little oddly. Next thing we knew, she’d taken off to “go take care of something.” Crap. She was gonna do it. When she arrived at Owen’s, Amelia opened the door with Leo in her arms. “Did I just open a time portal?” asked Teddy. “Are you two back together again?” Upon hearing that Omelia hadn’t recoupled, Teddy was relieved, because she’d realized that she loved Owen. Tom makes her laugh and feel safe, she said, but he doesn’t make her feel passion or rage or ecstasy. “Owen is the only person who has ever done that for me.” And she was determined to tell him before giving birth… which was gonna be tough because her water had just broken!

    ‘DON’T YOU THINK YOU’D KNOW IF YOUR WIFE WAS SELLING THE HOSPITAL?’ | After Mer charged DeLuca with babysitting Jo while she joined Alex in the hyperbaric chamber with Gus, Bailey called Andrew into that big meeting. Turned out, the suits were inspectors for the hospital’s insurer — Mer’s fraud on Gabi’s behalf had been discovered. (Well, that didn’t take long!) Only we soon found out that no one in the room was aware that Mer had committed the fraud. So DeLuca did something rash and heroic and dumb. When he appeared in the window of the hyperbaric chamber at the end of the episode, he “informed” Mer that he’d put Ellis’ name on the insurance paperwork so that Gabi could have her surgery. But “it’s all been cleared up,” he added as Catherine looked on. “I got caught.” He was on his way to the police to report what he’d done, then he’d take his lumps and go to prison. Holy crap, Mer basically said, do not do that. But, of course, the door to the hyperbaric chamber couldn’t be opened, so she couldn’t go after him! And in the last seconds of the episode, thick fog rolled in, slowing Owen, Levi and Frances’ progress to… well, no progress at all. Then a car rear-ended them (or had they hit the car in front of them?), and suddenly, vehicles were crashing all around them. This was gonna be one hell of a finale!

    General Hospital's Nurses Ball Returns Friday May 17

    (5/8/19) General Hospital's infamous Nurses Ball returns to Port Charles, Friday, May 17 on ABC. The much-anticipated event kicks off with stunning red carpet arrivals beginning Friday, May 17; followed by awe-inspiring original music and performances, Monday, May 20, Tuesday, May 21, and Wednesday, May 22. Celebrating its 25th year and founded in 1994 by Port Charles resident Lucy Coe (Lynn Herring), the Nurses Ball is one of General Hospital's most enchanting charity events dedicated to raising money for HIV/AIDS awareness and research. Stunning red carpet fashion with plenty of romance and folly define this exciting programming event.

    "This will be 'GH''s 15th Nurses Ball. In the 25 years that we have been doing this, it's been a thrill to treat our wonderful viewers with something a little out of the ordinary. This year will be particularly special and personal. We were able to incorporate original music and performances from a few of our actors, including James Patrick Stuart," shared Frank Valentini, executive producer, General Hospital. "There's a lot of heart in these amazing performances. You won't want to miss them!"

    Television actor, director and 40-year fan of GH, Chandra Wilson (Grey's Anatomy and Station 19) makes her official Nurses Ball debut as Sydney Val Jean, Crimson magazine's New York City fashion editor, with a little red carpet rivalry against media maven Nina Clay-Cassadine (Michelle Stafford). In addition to the gorgeous gowns and elegant tuxedos, viewers can expect to see at least one familiar face: KABC Los Angeles Emmy® Award-winning entertainment reporter George Pennacchio returns to the red carpet for the sixth time. As always, the Nurses Ball will be the backdrop for several dramatic events taking place in Port Charles, including an evening of romance that includes a surprise proposal!

    Ratings: In the Dark Hits 0.1 With Softer Lead-In; Crossover Fires Up Station 19

    (5/4/19) The CW’s already-renewed In the Dark this Thursday drew 513,000 total viewers and a 0.1 demo rating, ticking down on both counts to mark season lows. Opening The CW’s night, iZombie (752K/0.2.


    FOX | Miss USA (3 mil/0.7) was up 25 percent and a tenth from last year.

    ABC | Grey’s Anatomy (6.9 mil/1.4, read recap) ticked up, while Part 2 of the crossover event lifted Station 19 (6.4 mil/1.2) to its second-largest audience of the season and its best rating since the November crossover. For the People (2.7 mil/0.5) however was flat.

    CBS | Big Bang (12.2 mil/1.8), Young Sheldon (10.5 mil/1.4), Life in Pieces (5.6 mil/0.8) and SWAT (5.1 mil/0.7) were all steady, while Mom (8 mil/1.1) ticked up.

    NBC | Superstore (3 mil/0.9) rose two tenths to equal its best rating in more than a year. AP Bio (1.9 mil/0.5), Abby’s (1.5 mil/0.4) and SVU (3.9 mil/0.8) all ticked up, while Brooklyn Nine-Nine (1.7 mil/0.5) was steady.

    Grey's Anatomy Recap: Station Break — Plus, [Spoiler] Says, 'I Love You'

    (5/3/19) ( “I did not see that coming,” Alex remarked halfway through Thursday’s zippy Grey’s Anatomy. And I found myself saying the same thing over and over again, as the Link/Amelia/Owen/Teddy/Tom polygon took turn after turn, Jo’s downward spiral left someone besides her in tears, treating Station 19’s chief helped Maggie make a big decision about her future with Jackson, and finally, someone uttered to their significant other the three little words that are part and parcel of the Season of Love. Who was it? And did they get an “I love you” back? Read on…

    ‘I HALF EXPECTED TO FIND A HANDSOME ITALIAN RESIDENT BREWING US CAPUCCINOS THIS MORNING’ | After “What I Did for Love” opened with a cute scene at Meredith’s, during which Amelia noted that Grey looked happy — “Do I? That’s weird” — we cut to the Grey Sloan coffee cart, where Owen beat a hasty retreat after taking note of Link’s arm around his ex-wife. Inside the hospital, Jackson quipped to Maggie that yep, it was indeed “funny bumping into you where we both work every day.” Clearly, she was pulling another “We need milk” on him, putting off giving him an answer about moving in by insisting that she needed to talk to Mer first. OK, said Jackson. “You just let me know what she decides… about our life.” Shortly, we got to the big case of the week, a 4-year-old named Gabi, whose father Luis had come to the US on a visa, applied for asylum and gotten a job and apartment before bringing his family over. Only they’d nonetheless been detained at the border and “caged like animals.” Wife Dani was still there, it seemed. And though Luis was employed and paid taxes, he wasn’t yet able to afford insurance. “I’m not asking for something for nothing,” he told Alex. But the cost of Gabi’s treatment was a worry. After Mer was called in to consult and it was suggested that Luis apply for state insurance, which would kick in immediately, DeLuca reported that Gabi’s dad earned too much to qualify for it. “So he makes too much for insurance and not enough to get treatment?” marveled Mer. “That’s insane.”

    Soon, the docs found that Gabi had a mass and would need an x-lap. “I don’t want you to worry about the money,” Mer told Luis. “It’s taken care of.” Her plan? Making smoke come out of Richard’s ears, she put daughter Ellis’ name down in place of Gabi’s as the patient! “I did not see that coming,” said Karev. Webber huffed and puffed, but Mer wouldn’t back down. “If you’d like to have me arrested when I’m done,” she told him, “that’s your call.” After the x-lap revealed that Gabi’s mass was cancerous, meaning she was looking at years of treatment, Richard yelled at Mer some more. She could lose her license and maybe her children! Wait, her children? “They don’t put your kids in jail with you, Meredith!” he hollered. “Unless you come here seeking asylum,” she shot back. Upset as Richard was, he still came up with a solution: Mer had to make Gabi appear so sick that they could keep her in the hospital for 30 days, which would cause the state policy to kick in automatically. So first he was mad that she’d lied. Now “you want us to lie more?” What of it, Mer? “So now you’re a Girl Scout?” he asked. Later, Grey thought DeLuca expected her to apologize for her stunt, but no. “You got me all wrong,” he said. “I’m in awe of what you did today.” In fact, he hadn’t spoken up sooner just because “I was afraid that if I opened my mouth, the only thing that was gonna come out was… I love you.” In response, Mer said… “Oh. Glad we cleared that up” and hurriedly walked away.

    ‘IN REAL LIFE, IT IS ROMANTIC TO LET A PERSON BE HERSELF’ | Early on in the hour, Levi rode up in an ambulance with a John Doe who’d passed out in front of a flower shop. Of course, it wasn’t really a John Doe; Bailey soon recognized the man as, “Hey, you’re that guy from the spin-off!” — er, Ben’s boss’ boss. Once Ripley’s fellow firefighters arrived on the scene, they were extremely curious about why he’d have been at a florist. Was he seeing someone? No sooner had Levi reported that Ripley had been buying roses for a Vic than he feared he’d accidentally outed the fire chief. “My gaydar is not great,” he admitted. Though the first-responders were surprised to learn of Vic’s romance with the chief, it was no different, Owen told Ben, then Warren having been married to their chief, Bailey. Before Ripley was due to undergo fairly mundane but important surgery, he admitted to Maggie that Vic had proposed, and he’d said… nothing. That was why he was so eager to put off the operation, to get to his girlfriend and say yes. Well, “if you leave here, your heart could stop,” she told him. But if he stayed, his heart might… Thankfully, he caught himself before saying “break.” Ultimately, he agreed to be held hostage at the hospital if Maggie would go accept the “proposal” that she’d wanted to consider before accepting — which, she noted, didn’t mean that she loved Jackson any less than he loved her.

    A deal with Ripley struck — or so Maggie thought — she sought out Jackson and told him, “The only correct answer was yes” to his suggestion that she move in. However, he hadn’t asked her the way, knowing her as he does, he should’ve. It would have been better if he’d suggested they weigh the pros and cons of cohabiting, allowing her to be the thoughtful, sensible scientist that she is. When he laughed that that wouldn’t have been very romantic, she communicated even more clearly (way to go, Mags!): “I love you, and I want to move in with you,” she said. The question was, “Can you love me for who I am, or are you always going to be disappointed when I’m me?” In response, he asked her to go camping with him — wait, what? — and he’d weigh the pros and cons of cohabiting with her till the cows came home. Er, “can we pro and con the camping?” she asked. Before the negotiation could go any further, Levi interrupted with Ripley’s pre-op labs: He was in far greater danger than had been originally believed. But by the time she got to his hospital room, he’d already taken off to find Vic.

    ‘HEY, BIRTH BUDDY’ | In other relationship news, with Teddy’s due date approaching at about the same speed as the season finale, Tom suggested that if the mom-to-be wanted, he could find a sub in Baltimore so that he wouldn’t have to be out of town for the birth. “Would that be weird if I stay?” he asked. To his delight almost as much as mine, she replied that no, that wouldn’t be weird at all. Which was good, because he’d already arranged it, “I just wanted to feel out your reaction” before admitting it. Later, since no home Teddy looked at could compare to her place in Germany, Koracick took it upon himself to find and rent her her dream apartment. He even presented his delighted girlfriend with the keys. Well, the keys to his file cabinet, anyway. He couldn’t pick up the real ones, so “I had to use a prop.” Elsewhere, Levi tried to elicit an apology from Nico but only got “I’m sorry I killed a guy, and you’re making it all about you.” #fail Later, Link strongly suggested that Levi give his boyfriend some space to process what he’d done. “That’s how you can be there for him. If you’re lucky,” Link added, “he’ll do the same when it happens to you.”

    During a moment alone with Amelia, Owen started to ask about her and Link but got shut down hard and fast. “You and I are not a thing anymore,” she said, drawing a line in the sand. “You do not get to have an opinion on this.” But Hunt couldn’t quite let it drop. So later, he reminded her that he’d said she was incapable of love. However, having been through some therapy, “I think it was me that I was talking about, not you, and I’m sorry I said that. It’s the opposite of true.” Not only did Amelia accept his apology, she gazed after him as he left the room. Ruh-roh. Off that exchange, Owen was back in his therapist’s office. “Your weird voodoo’s working,” said Hunt, amazed. “I feel clear on what it is I want, and I don’t feel guilty that I’m gonna try to get it, and that’s some kind of a miracle.” So why, exactly, was he there? “I wanna feel perfectly clear when I tell her I love her,” said Owen, making it perfectly unclear whether it was Amelia or Teddy to whom he was going to make that declaration. (Although this episode certainly suggested that he was hoping the third time with Amelia would be the charm.)

    ‘YOU ARE A GOOD-LUCK CHARM’ | When not playing Legos with Gus, Jo got a call that was actually meant for Alex: There was another RH-null patient in Canada! Excitedly, she told Gus’ mom and Karev, and smiled for the first time since… since before Pittsburgh, right? Unfortunately, in her excitement, Jo had misunderstood entirely the reason for the call: The Canadian patient needed blood, he couldn’t donate it. Naturally, it was mere seconds later that Jo was sent reeling when she overheard Gus’ elated mom on the phone filling in his dad on the good news that was actually neither good nor news. “I screwed up,” Jo cried to Ben. Desperate, she pleaded with Teddy to break some rules, call in a favor, work some magic. But there was no magic to be worked. “You don’t seem quite OK,” observed Teddy, whose offer to lend an ear was rejected. Next thing we knew, Teddy showed up in Bailey’s office to discuss Jo… and found Ben already there doing exactly that. When Bailey and Alex arrived at Gus’ room, Jo was breaking the bad news to the boy and his tearful mom. For a second, it looked like Jo might keep it together, at least for the most part. But then Gus sweetly asked why he couldn’t give the Canadian patient some of his blood, and Jo collapsed, sobbing in Mom’s arms. Naturally, Alex’s frustration, already at 11, went through the roof. “I need to break something,” he told Bailey afterwards. And not the chief’s pencil cup, either.

    Debbie Allen on S.W.A.T. 5/9/19

    (5/1/19) “Trigger Creep” – The SWAT team races to locate the next place a lone gunman will strike while he is at large in Los Angeles. Also, Hondo takes some time away from the team to pursue an investigation that hits close to home, and Jessica is presented with an unexpected opportunity, on S.W.A.T., Thursday, May 9 (10:00-11:00 PM, ET/PT) on the CBS Television Network. Debbie Allen guest stars as Charice Harrelson, Hondo’s mother.

    ‘P-Valley’: Isaiah Washington To Recur In Starz’s Strip Club Drama Series

    (4/24/19) Grey’s Anatomy alum Isaiah Washington is set to recur opposite Brandee Evans and Nicco Annan in Starz’s P-Valley, Katori Hall’s strip club drama based on her play Pussy Valley.

    Created by Hall, who also showruns, the drama is set down deep in the Mississippi Delta, where lies an oasis of grit and glitter in a rough patch of human existence where beauty can be hard to find. The Southern-fried hourlong drama tells the kaleidoscopic story of a little-strip-club-that-could and the big characters who come through its doors: the hopeful, the lost, the broken, the ballers, the beautiful, and the damned. Trap music meets film noir in this lyrical and atmospheric series that dares to ask what happens when small-town folk dream beyond the boundaries of the Piggly Wiggly and the pawn shop.

    Washington will play Mayor Tydell Ruffin. The newly elected mayor of Chucalissa City is a true man of the people. Born onto hard-scrabble streets, Ruffin is a relatable and crass no-f***s-given bawse. He’s determined to make good on his campaign promise of a Chucalissa renaissance by any means necessary.

    Known for his role of Dr. Preston Burke on Grey’s Anatomy, Washington most recently co-starred on the CW’s The 100. His other recent credits include a recurring on Survivor’s Remorse. Washington is repped by Stride Management and Attorney Ricky Anderson at Anderson & Smith PC.

    ATX Television Festival Adds ‘Euphoria’, ‘Grey’s Anatomy’, ‘Grown-ish’ And Kevin Bacon To Program Slate

    (4/24/19) The ATX Television Festival has unveiled a second wave of programming for its eighth season, which will now include the premiere of the HBO teen drama Euphoria from Sam Levinson.

    Also on tap for the festival, which this year runs June 6-9 in Austin, is ABC’s always-popular medical drama Grey’s Anatomy, a screening of an all-new episode of Freeform’s Grown-ish and an advance screening of a brand spanking new Archer episode. Kevin Bacon is also slated to join the festival’s previously announced presentation of the never-picked-up Tremors pilot from writer/executive producer Andrew Miller and based on the 1990 ncult horror pic.

    The second wave of programming adds to the ATX Television Festival’s previously announced slate. The debut of Euphoria on June 6 will be followed by a panel conversation with creator/executive producer Levinson, and cast members Zendaya, Hunter Schafer, Barbie Ferreira and Eric Dane. The Grey’s Anatomy panel will include a screening of the Season 15 episode “Silent All These Years,” written by Elisabeth R. Finch and directed by Debbie Allen. That will be followed by a Q&A conversation with showrunner/executive producer Krista Vernoff, co-executive producer/writer Finch, and stars Camilla Luddington and Kim Raver, who will discuss the impact the episode has had on viewers as well as their approach to tackling topics of sexual assault and consent. The new episode of Grown-ish will be followed by a Q&A with cast members Yara Shahidi, Trevor Jackson, Francia Raisa, Chloe Bailey, Halle Bailey, Emily Arlook and Jordan Buhat, and executive producer/writer Craig Doyle. FXX’s advance screening Archer: 1999 will feature a once-in-a-lifetime, never-to-be-seen-again special version of an upcoming episode — with an element added exclusively for the ATX audience. The screening will be followed by a conversation with executive producer Matt Thompson, actor H. Jon Benjamin, producer/art director Chad Hurd, and lead storyboard artist Taylor Parrish.

    The Tremors panel will feature a selection of clips, a partial script reading, and discussion with Bacon, Miller, executive producer Jessica Rhoades and cast members Toks Olagundoye, P.J. Byrne, Haley Tju and Emily Tremaine.

    In addition, Stephen Falk, creator/executive producer/writer/director of FXX’s comedy series You’re the Worst, will participate in a discussion with writers, producers, and advocates who are working to destigmatize the conversation around mental health and mental illness through story and visibility. Additional panelists will be announced at a later date.

    ATX’s non-profit foundation, The Syndication Project, will host a programming track for a second year, with a focus on encouraging actionable advocacy through storytelling. “Making Criminal Justice Matter,” presented by the ACLU, in which writers and producers, along with a criminal law expert from the ACLU, will discuss the importance of working together to ensure authentic representations of current issues surrounding criminal justice, and television’s impact on viewer opinions with regard to issues of police practices, racial profiling, and governmental and police abuses of authority. Confirmed panelists include co-showrunner/executive producer Sunil Nayar (The Red Line), showrunner/executive producer Joanna Johnson (Good Trouble) and showrunner/executive producer Anthony Sparks (Queen Sugar). Twyla Carter, senior staff attorney with the ACLU’s Criminal Law Reform Project, is moderating. Additional panelists will be announced at a later date.

    “Resistance, Inclusion, and Creating Authentic Muslim Narratives” presented by the Muslim Public Affairs Council’s (MPAC) Hollywood Bureau will examine the collaborative efforts among consultants at MPAC and creatives and executives in the industry to raise the quantity and quality of Muslim representation on and off-screen. Confirmed panelists include showrunner/executive producer Carina Adly MacKenzie (Roswell, New Mexico), actress Nikohl Boosheri (The Bold Type), and Sue Obeidi (Director, MPAC’s Hollywood Bureau). Additional panelists will be announced at a later date.

    The Television Academy joins The Syndication Project track with “Power(ful) TV,” a panel discussion with writers & producers on how series can rise above trends and token characters by weaving in storylines of gender, race, religion, aging, immigration, health care, and more — all with the belief that exposing audiences to a variety of people, experiences, and worlds they might never encounter will foster understanding, empathy, and community. The conversation will be moderated by Television Academy President and Chief Operating Officer, Maury McIntyre. Panelists will be announced at a later date.

    Katherine Heigl, Harry Connick Jr., Madison Iseman To Star In ‘I Saw a Man With Yellow Eyes’

    (4/23/19) Katherine Heigl (27 Dresses, The Ugly Truth), Harry Connick Jr. (Dolphin Tale, Will & Grace), and Madison Iseman (Jumanji: Welcome to the Jungle, Goosebumps 2: Haunted Halloween) are set to star in I Saw a Man with Yellow Eyes, a psychological thriller written and directed by Castille Landon. The film will start shooting this week in Tampa and St. Petersburg.

    The pic follows a teenage girl living with schizophrenia who struggles with vivid and terrifying hallucinations as she begins to suspect her neighbor has kidnapped a child. Her parents try desperately to help her live a normal life, without exposing their own tragic secrets, and the only person who believes her is Caleb – a boy she isn’t even sure exists.

    “I was truly taken by the heartbreaking story of I Saw A Man With Yellow Eyes. Castille Landon has written a tremendous script and has proven to be a fabulous director, tirelessly searching for the most truthful and artful ways to tell this tale of mental illness. Castille and the incredible cast and crew have gone all-in to make the often-misunderstood world of schizophrenia a bit more familiar. It’s an honor to be a part of such a noble and artistic film,” said Connick Jr.

    Added Heigl, “When this unique and thought-provoking project came my way I knew it was a story I desperately wanted to be a part of telling. Not only am I proud to be collaborating with a talented female director, a beautiful and talented young actress, and one of my all-time favorite male leads, but I get to be a part of telling a story that touches on themes I believe to be incredibly relevant and meaningful like mental illness, tragedy, grief, unconditional love and hope. I am honored and privileged to be a part of this film.”

    “Having this phenomenal cast and crew come together to bring to the screen a film that is simultaneously entertaining and thought provoking, with the aim of opening a much needed dialogue about mental health, is a dream come true for me as a director and writer,” remarked Landon.

    Dori Rath is producing the project with Joseph Restaino and Robert Molloy at Pinstripe Productions and Joe Riley at Zero Gravity Management. The film is shooting in partnership with Film Tampa Bay and the St. Petersburg/Clearwater Film Commissions.

    Heigl recently filmed the multi-cam comedy pilot Our House for Sony Pictures TV and CBS and she can be seen on Season 8 of the USA series Suits. Connick Jr.’s film credits include P.S. I Love You with Hilary Swank, Bug with Ashley Judd, and Copycat with Sigourney Weaver. Iseman will next appear in Annabelle Comes Home and is set to reprise her role in Sony’s forthcoming Jumanji: Welcome to the Jungle sequel.

    Grey's Anatomy Recap: Two Couples Take Big Steps Forward, While Two Others Take Humongous Steps Back

    (4/19/19) ( For one pair of couples, Grey’s Anatomy’s Season of Love was in full bloom in Thursday’s episode. For another pair, it appeared that the season was — and maybe the relationships were — as good as over. Was there any coming back from what transpired between Alex and Jo, and Levi and Nico? Read on, and after we’ve gone through the blow-by-blow, you can answer that question in the comments.

    ‘IS IT WEIRD HAVING SEX WITH A CARTOON CHARACTER?’ | As “Head Over High Heels” began, DeLuca got caught by Zola while he was sneaking out of Mer’s bedroom in the middle of the night. (You can watch the scene here.) When he went back in to inform his girlfriend that he’d been spotted, she took it fairly well, though it did mess up her plan to tell the kids about him over ice cream. As it was, the moppets only knew DeLuca from his post-Sam stint “as the sad guy from the couch.” The following morning, as Nico excitedly prepared to interview for a job in San Francisco, Levi eagerly suggested that he instead try to land a position in Seattle. Nearby, into the hospital walked a woman named Gemma (Jasmine Guy) who’d gone out dancing, had a few shots too many, taken off her shoes to make it up the stairs to her apartment and then fell on them, impaling herself with a stiletto! Richard, we soon learned, knew Gemma from AA. In fact, Ollie had also been her sponsor.

    After Jo showed up for work looking like death warmed over, Alex, who was waiting for the extremely rare blood that Gus needed for his transfusion, predicted the worst for himself and his wife. He knew the drill, he told Meredith. The women he loves are “happy for a while, then they break, and then they leave me.” Have faith, his person replied, that “it’s not happening again.” In the lab, Koracick teased Amelia about her romance with “Ortho Barbie.” But, though she admitted that he wasn’t her type — a jock? Come on! — he was great. The sex was great. And as an added bonus, nobody cried after they were done. So the whole thing confused her. Suddenly, Tom got it: “He’s your Altman,” he said. In other words, someone so good and unbroken and kind that Amelia thinks he couldn’t possibly be right for her when he just plain is. Speaking of Altman, Amelia warned her pal not to get too attached. (A bit late for that!) “Owen and Teddy are inevitable,” she declared. However, since Koracick was headed into the O.R. with Link and Amelia to perform an experimental procedure that might give Carrie back the use of her arms, he wasn’t fazed. “Inevitable,” he insisted, “doesn’t scare me.” (On an unrelated note, how beautiful was Toby’s monologue about how hyper aware of their hands and feet they were since their mother’s accident.)

    ‘DOES IT INVOLVE ELECTRIC SHOCKS OF ANY KIND?’ | In therapy, Owen tried to make sense of his wanting to be with Amelia, then Teddy, then Amelia again after accidentally blowing things up with Teddy in Germany. Wait, accidentally? “Was it an accident?” asked his therapist. Owen wasn’t dumb and didn’t like hurting people. So why would he have blown it up? The therapist suspected that his patient was caught in a pattern, one that he could break free of if they could discover the event that caused the pattern to be formed. Using the NET technique — in which the therapist pushed down on Owen’s outstretched arm in order to detect stress-related responses as he asked questions — the therapist found that Germany triggered a response. “Do you feel distrustful of Teddy?” he asked. Had he ever felt distrustful of her? (Maybe Teddy is Owen’s Altman, too.) The patient was sure that they should be looking for trauma farther back, like during the Iraq war.

    The therapist, however, went even father back than that, bringing Owen to age 10 and his science-bee victory. It was “the best I ever felt,” he said, choked up. Thing was, it didn’t sound to his therapist like it had been the best he ever felt. As the two of them dug deeper, Owen shared that that wondrous day had also been the day that his mother had told him that his father had died. As a result, Owen had never told her about his win; he’d been too ashamed to have felt happy at such a tragic moment. Aha, the therapist didn’t say but might as well have. Owen could have then gone forward undermining and stopping any feelings of happiness he might have experienced before the bad news that was sure to follow it could swoop in and ruin it. Major breakthrough for Owen! At the end of the day, Teddy, prompted by Megan, texted her babydaddy to make sure he was OK. He was, he assured her. The session had been hard but good.

    ‘I HAD ALL THIS HAPPY, AND I JUST TOSSED IT ASIDE’ | Recruited by Jackson to do what turned out to be grunt work, Jo refused to talk to him about Pittsburgh. “You were right” was all she’d say before observing that “this is a lab where boring things go to get more boring.” Still, Jackson persevered in hopes that he could make her feel “one drop less crappy.” Finally, when not guessing that Karev had asked him to talk to her, she opened up. Well, a crack. “I told you not to go looking [for your mother] if everything is OK,” Jackson reminded her, “so maybe everything was not OK.” But it had been, she insisted. She’d had Alex and her career, and she’d taken them for granted; now it felt impossible to get them back. Except, Jackson noted, she still had those things. And Alex would love to help her, so why wouldn’t she communicate with him? “‘Cause it would only hurt and not help,” she insisted. At last, Jackson admitted that it had been Mer who’d asked him to check on Jo, and it had been a good thing that she had. “You came to work drunk,” he pointed out. “You’re still drunk.” What’s more, if “you set foot in this hospital drunk again, you’re not gonna be met with compassion.”

    When Alex returned home at the end of the day, stunned that Jo had been blotto at work, he again beseeched her to talk to him. “If you love me, you will let me… ” she began, vodka in hand. But this time, he wasn’t playing the “If you love me, you’ll… ” game. They’d been fine before she went to Pittsburgh, he noted, temper flaring. “So how about I go to Pittsburgh and find out what the hell happened to my wife? Huh?” At that, anger flashed in Jo’s bleary eyes. “I will talk to you when I’m ready to talk to you,” she said coldly, “and if you ever threaten to go to Pittsburgh again, I will leave you.” Oh, Jo. Nooo… In response, Alex drew a line in the sand. “If you ever come to work drunk again,” he said, “I’ll tell Bailey.” And something told me one of them would be sleeping on the sofa that evening… and maybe for quite a few evenings thereafter.

    ‘YOU’RE REALLY BATTING A THOUSAND TODAY’ | Circling back to DeLuca’s run-in with Zola, Mer asked if he even liked kids. Was she kidding, though? Based on his past interactions with 16 younger cousins, “your problem’s not going to be that I don’t like kids,” he told her. “Your problem’s gonna be that your kids might like me more than you!” While Bailey dealt with the fallout from Tuck hurting his father’s feelings by calling Ben dad, she got swept into the case of a woman who was surprised to find herself giving birth a day after she’d had her period. Since Dahlia had ordered a CT before anyone knew the patient was expecting, Miranda was able to discover that she had two uteri and was only pregnant in one. And right on cue, Mer and DeLuca delivered the newborn baby boy!

    How had Bailey told Tuck that she was dating Ben? Grey asked later. In response, Miranda told her not to make a big deal of it. “All [Zola] wants to know is that you’re there for her,” she said, “and you’re not going anywhere no matter what.” Afterwards, DeLuca reported to Bailey that Dahlia had administered a pregnancy test, but since the patient had been so sure that she wasn’t pregnant, they hadn’t waited for the results. “Trust but verify” what the patient thinks, she reminded him so that his girlfriend wouldn’t have to. That evening, Mer sat down her kids to tell them that they’d be seeing more of DeLuca. And no, he wouldn’t be sleeping on the couch again. Zola immediately guessed that he was her mom’s boyfriend, and there was a good deal of “Ew!” about the prospect of the couple kissing. (Won’t someone think of the cooties?!?) But the kids took the news in stride. Zola only had one request: “Can he leave his guitar at home?”

    ‘JUST BECAUSE I MADE IT LOOK EASY DOESN’T MEAN IT WAS’ | After Nico once again impressed Levi with his surgical prowess, the would-be ortho god was dealt a blow when his patient, 21-year-old Josh, collapsed post-op en route to the bathroom. At the same time, Gemma made it clear to Richard and Maggie that she wanted nothing to do with him. After losing Ollie, he’d had his wife and kids. She’d had nada. And now she had a stiletto in her chest and a bottle of tequila waiting for her, she said. Before Maggie operated to remove the shoe, her dad told her that the last time he’d seen Gemma, she’d been getting a cake for 17 years of sobriety. He guessed that after Ollie died, Gemma, like him, had stopped going to meetings for a while. Only in her case, she’d fallen off the wagon.

    Suddenly, Maggie had to run off to try to fix Nico’s mistake on Josh. It was OK, Richard said. He’d stay off of Gemma’s case as she wished, and would just talk Dahlia through the prodedure. Or so he said. Instead, he operated on Gemma himself. After he admitted to her that he’d done so, she threatened to sue, prompting him to call her an ungrateful, “stubborn drunk.” And just like that, they were laughing like old friends. Richard even encouraged her to start over at one day of sobriety. Meanwhile, Maggie found that she couldn’t undo or correct what Nico had done — Josh died on the table. “You made a mistake on a healthy 21-year-old man,” Bailey told Nico, the words hitting him like punches. “That man is now dead.” So he was going to accompany her to break the news to Josh’s grandfather, Pop Pop, a longtime patient of hers. “If you’re a good surgeon, you’ll remember it,” she said, “and you’ll never make this mistake again.”

    ‘I LOVE YOU… I DON’T WANT TO MISS IT’ | As the hour drew to a close, Maggie, exhausted, joined Jackson in the blue room. When he suggested they go to his place and order in, she noted that she needed clothes from her place, and she was so tired, she might just stay there. “Move in with me,” he said, turning to her. Off his conversations with Jo, he was determined not to take Maggie or their love for each other for granted. And based on her smile, I think it’s safe to say they’d very soon be living together. After Link, Tom and Amelia’s experimental procedure, it remained unclear whether Carrie would regain the use of her arms. Before she set off to ingest a culinary abomination with Link — sushi burritos… eesh! — she spent a last moment with Koracick to express her worry about how high he had his hopes up with Teddy. But “hope scares you,” he said. “That’s why you’re hiding behind a very pretty, very decent guy to cover the fact that you’re still hung up on Owen Hunt.” Amelia didn’t deny that she had lingering feelings for her ex. But she wasn’t using Link, she said. She was just choosing an “easier, softer” path, something she advised Tom to consider doing, too.

    Last but not least, despite having had a day that shook him to his core, Nico still intended to do his Skype interview for his dream job. Why didn’t he just email them? asked Levi. Then they could get out of there and forget the horrors of the day. No way would Nico do that, he snapped, adding a layer of “Ugh!” to an already-ugly day. “You don’t get it,” he yelled at his boyfriend, “’cause you let failure hold you back your whole life. It’s basically your entire identity. It’s not mine.” And with that, he began his interview as if he hadn’t just been a total d—, and let Levi slip out of the room with a whole new — and not-remotely-appealing — perspective on his beau.

    Alex Landi To Recur In Season 2 Of Netflix’s ‘Insatiable’

    (4/16/19) Grey’s Anatomy‘s Alex Landi is set for a recurring role opposite Debby Ryan, Dallas Roberts and Alyssa Milano in Netflix’s Insatiable, from writer Lauren Gussis (Dexter, Once Upon A Time), Ryan Seacrest Productions and Storied Media Group.

    Described as a dark, twisted revenge comedy, Insatiable centers on Patty (Ryan), who, for years, has been bullied, ignored, and underestimated by those around her because of her weight. But now that she finds herself suddenly thin, Patty is out for payback against anyone who has ever made her feel bad about herself. Bob Armstrong (Roberts), a disgraced attorney whose true passion is coaching beauty pageant contestant, is the only one who sees Patty’s potential, and takes her under his wing — first as a legal client, and then as a pageant contestant whom he coaches toward becoming the top pageant queen in the country. But Bob and his wife Coralee (Milano) have no idea how deep Patty’s rage goes, or how far she will go to exact revenge on anyone who has ever wronged her. Bullies beware: payback’s a bitch, revenge is sweet, and if you cross Patty, you’ll be her next treat.

    Details of Landi’s character are being kept under wraps.

    Gussis executive produces with Ryan Seacrest, Nina Wass, Andrea Shay, Todd Hoffman, Dennis Kim and Andy Fleming.

    Landi is known for his role as Dr. Nico Kim on Grey’s Anatomy. He is repped by Buchwald and Asian Cinema Entertainment.

    Debbie Allen in S.W.A.T. 4/25/19

    (4/16/19) “Rocket Fuel” – The SWAT team discovers a new version of PCP with ties to an escaped drug dealer who created a version that ravaged the city decades earlier. Tan’s personal ties to the case emerge when he brings in his mentor, Ben Mosley (Dominic Hoffman), the former lead detective on the original drug case, to help. Also, Chris weighs a major decision regarding her romantic relationship with Kira and Ty, and Hondo’s patience is tested by his new familial responsibilities, on S.W.A.T., Thursday, April 25 (10:00-11:00 PM, ET/PT) on the CBS Television Network. Debbie Allen guest stars as Charice Harrelson, Hondo’s mother.

    Ratings: The Orville Steady, Brooklyn Nine-Nine Up After 3-Week Breaks

    (4/12/19) Fox’s The Orville returned this Thursday to 2.57 million total viewers and a 0.6 rating, holding steady in the demo while dipping to a new audience low leading out of a Gotham rerun.

    Over on NBC, Brooklyn Nine-Nine returned from its own three-week break to a 0.6 rating (up a tenth in the demo from its last fresh episode) and 1.9 million total viewers (a season low). Elsewhere on the Peacock network, Superstore (3.4 mil/0.9) ticked up to match its best rating in over a year, AP Bio (2.1 mil/0.5) was flat, and Abby’s (1.7 mil/0.4) and SVU (3.9 mil/0.7) dipped.

    THE CW | Supernatural (1.5 mil/0.4) rose, while In the Dark (776K/0.2) was steady in Week 2.

    CBS | Leading out of a Big Bang rerun, Fam (4.9 mil/0.8) ticked up with its freshman finale.

    ABC | Grey’s Anatomy (6.7 mil/1.5), Station 19 (5.4 mil/0.9) and For the People (3.1 mil/0.5) were all steady.

    Grey's Caterina Scorsone Unpacks Amelia's 'Huge' Turning Point and What It Could Mean for Her and Link

    (4/11/19) ( “Oh brother!” had nothin’ on “Oh sister!” in Thursday’s Grey’s Anatomy. While in New York with Link to perform (what ultimately turned out to be) a vertebral column resection on an 18-year-old named Jonah, Amelia wound up agreeing to have dinner with her horrible sister, Nancy (Embeth Davitz)… who surprised her by inviting her even more horrible sister, Kathleen (Amy Acker), whom she described as being like “Martha Stewart if Martha Stewart also had a license to diagnose you with a personality disorder.” Sensing that his bedmate was the “Good Shepherd” that gave the episode its title, Link not only stuck up for her, he went along with her charade that he was her husband, Owen — yep, she’d never told the relatives that hadn’t attended her wedding that it had been followed by a divorce!

    The non-couple probably would’ve gotten away with their exercise in role-play, too, had Kathleen not “accidentally” mentioned the family reunion to their mother, Carolyn (Tyne Daly). Having met Owen on a visit with Derek, she no sooner was through the door than the jig was up. “Fake Owen,” Nancy told the so-called black sheep of the Shepherd family, might just be “the most demented thing you’ve ever done.” At that, Amelia stood up for herself, not that her siblings would give her credit for anything if their lives depended on it. When Link attempted to help, he only complicated matters by mentioning Betty and Leo. Finally, off the dinner from hell, Amelia kinda-sorta broke up with Link — he now knew too much about her for their non-relationship to remain uncomplicated!

    Thankfully, before the duo returned to Seattle, Carolyn reached out to her daughter and expressed her remorse for pushing her away in the wake of her father’s death. “If you don’t think you’re worthy of love, you’re wrong,” said Mom, “and that’s on me.” So go ahead and blame her, and by all means, move on. What if Amelia couldn’t? “Then that’s on you.” Taking Carolyn’s words to heart, Amelia apologized to Link — with his favorite donuts, even. “You are more than a human blue light,” she admitted, “though you’re very, very good at blue-lighting.” And as if they were ever really off, they were now extra on. What does it all mean for Amelia — and for her and Link — going forward? Fresh off another knockout performance, here’s Caterina Scorsone with the answers.

    TVLINE | Biiig episode for Amelia — and, thanks to her mom, a big turning point, too.

    Oh my gosh, yeah, huge! And when I heard Tyne Daly was actually coming, my heart leapt. I was terrified. All these years, I’d been playing creatively with the image of her as Amelia’s mom. Whenever Amelia’s thinking about her past, I’m picturing Tyne Daly in those inner narratives. So when she walked on the set and I met her for the first time, I burst into tears. It was so embarrassing!

    TVLINE | Would you agree that the trick for Amelia going forward will be not falling into old patterns — in other words, not going when the going gets rough?

    I think what her mom gave her was consciousness. In the early years of childhood, there’s so much information being laid down in the unconscious brain, and for Amelia, that story had a lot of trauma. So as she became older, a lot of her reactions to external stimuli were informed by a fear response or a trauma response as opposed to a consciousness about why she was doing things. So when her mom was able to generously and courageously reflect back to her, “I wasn’t able to help you with attachment to heal after that trauma, and that might be why some of your reactions in relationships are a little broken,” she gave her that consciousness that she was too young to have as a 5-year-old. She now has the missing puzzle piece. She can move on. Not only that, [but Carolyn said, in essence,] “I believe that you can. You have the tools and the grit and the heart to take this missing puzzle piece and do amazing things with it.”

    TVLINE | I thought it was so bittersweet that, after Amelia promised Owen she’d try be less wary, it wound up being Link, in a way, that she wound up doing that with.

    One of the things that’s always been difficult for Owen and Amelia is they both have some pretty severe trauma, so even when she’s trying to be conscious and practice contrary action when she’s afraid, if Owen goes into his fear reaction, they just kinda bump up against each other and their amygdalae are at war. [As the season goes on,] he starts to understand how traumatized he’s been in life, too, so hopefully, they’ll both continue this healing process and become more functional in the love department.

    TVLINE | Since Link accepted Amelia’s apology, can we now say that they are officially, totally in an actual relationship?

    [Laughs] I don’t know if we can call it a relationship. It’s not like she’s wearing his pin or anything! But it’s definitely moved beyond the kind of alternative pain relief [that she initially called it]. She was trying to keep it very surface, but she has definitely realized that he’s more substantive than she had hoped. He’s actually a pretty stand-up guy. We’ll see where she goes with that. I think she’s wise to be a little cautious. She doesn’t wanna jump in with both feet, because that would be crazy — she just got out of a marriage.

    TVLINE | Really, he should be sending a thank-you note to Nancy and Kathleen, because he never would’ve gotten quite such a golden opportunity to show Amelia what he was made of if they hadn’t been so utterly horrible to her.

    [Laughs] I know! And I feel like it’s so unfair [to their portrayers]. They’re just the most delightful, charming women, and they were forced into being these kind of “wicked stepsisters.” But yeah, Amelia’s kinda bewildered by Link. He’s so tirelessly supportive, and yet he has boundaries, where’s he’s like, “Mm, that wasn’t OK with me.” He’s got so much psychological health, it would seem, and Amelia hasn’t really encountered that, so it’s almost like he short-circuits her short circuit. She’s like, “What is this that’s happening here?”

    TVLINE | Did you know that Amelia and Link were going to become an item way back when he gave her, I believe the term was, “pants feelings”?

    [Laughs] I did not. I thought that that line was only serving the storyline with Meredith, but here we are. You never know on Grey’s Anatomy.

    Grey's Anatomy and Station 19 Are Staging Another Drama-Filled Crossover

    (4/10/19) The drama-filled worlds of Grey's Anatomy and Station 19 will once again collide.

    Shondaland's seminal medical drama will crossover with its firefighter-centric sister series on Thursday, May 2. The two-hour event kicks off with Grey's at 8/7c. Titled "What I Did for Love," the episode finds Maggie (Kelly McCreary) tending to someone from Station 19, though we don't know which firefighter will wind up at Grey Sloan. Meanwhile, Jo will learn a hard lesson and Meredith (Ellen Pompeo) makes a call that jeopardizes her career.

    The night continues with Station 19's "Always Ready" at 9/8c as the firefighters remain on high alert following a deadly blaze at a coffee shop that landed one of their own in the hospital. With a member of the crew looking at an uncertain future due to life-threatening injuries, they'll need to dig deep in order to continue fighting the good fight.

    This marks the shows' second crossover, after the two-hour extravaganza in October 2018 that saw Meredith finally start dating again and Station 19's Dean (Okieriete Onaodowan) awkwardly hit on Maggie.

    Grey's Anatomy airs Thursdays, at 8/7c on ABC, followed by Station 19 at 9/8c.

    Sandra Oh's Killing Eve Renewed for Season 3

    (4/8/19) Killing Eve has been renewed for a third season, not much more than 12 hours after its sophomore premiere ended.

    That said, that’s almost “slow” on the draw for producer BBC America, seeing as Season 2 was ordered before the series even premiered.

    Also, just as Season 1 lead writer Phoebe Waller-Bridge handed the reins to Emerald Fennell for Season 2, Suzanne Heathcote (Fear the Walking Dead) has been tapped to take over as showrunner for Season 3. “It’s been such an exciting year for me on Killing Eve, Fennell said in a statement. “I think it’s cool that this tradition has been built into this untraditional show. Inheriting some of Phoebe’s characters was a treat – I can’t wait to see what Suzanne does next.”

    “We love having this show and the brilliant Sandra Oh, Jodie Comer and Fiona Shaw on our networks,” AMC Networks president Sarah Barnett said in a statement. “Phoebe Waller-Bridge and Emerald Fennell have delivered two addictively entertaining seasons. As we did last year, we’re renewing Killing Eve right out of the gate, now with Suzanne Heathcote as lead writer, as a sign of confidence – we adore this show as much as our fans do. Killing Eve doesn’t do anything in a templated way; we love giving opportunity to three genius women to make their mark.”

    Killing Eve this season is being simulcast on BBC America and AMC, airing Sundays at 8/7c.

    Ratings: Young Sheldon Returns Down, The CW's In the Dark Opens Low

    (4/5/19) CBS’ Young Sheldon returned from its month-long break to 10.3 million total viewers and a 1.4 rating, down 11 and 18 percent from its last fresh outing to mark its second-smallest audience ever and a series low in the demo.

    Elsewhere on the night, The Big Bang Theory (11.9 mil/1.9) was down two tenths to a series low, Mom (7.8 mil/1.1) was down a tenth, Fam (5 mil/0.7) was steady and SWAT (4.7 mil/0.7) matched its series lows.

    ABC | Grey’s Anatomy (6.8 mil/1.5, read recap) and Station 19 (5.3 mil/0.9) each dipped, while For the People (3.1 mil/0.6) was steady.

    THE CW | Supernatural (1.27 mil/0.3) dipped, while In the Dark (894K/0.2) eyed The CW’s second-lowest numbers for a series launch in at least two TV seasons, rivaling only All American‘s (690K/0.2).

    NBC | Superstore (3.1 mil/0.8), AP Bio (2 mil/0.5), the already renewed Will & Grace‘s season finale (3 mil/0.7Week 2 of Abby’s (2.6 mil/0.5) and SVU (3.9 mil/0.8) were all steady in the demo.

    Killing Eve Star Sandra Oh, EP Tease a Deadlier Season 2: 'No One Is Safe'

    (4/5/19) After Season 1’s addictive thrill ride, did you really think Killing Eve would slow down at all in its sophomore run? Not bloody likely.

    BBC America’s wickedly clever crime thriller returns for Season 2 this Sunday (8/7c), and the premiere doesn’t even give us a chance to catch our breath, picking up literally 30 seconds after the finale’s climactic showdown between Eve and Villanelle. “The obvious route was to have picked up six months later, when everyone was healed and everything was back to normal and reset,” new showrunner Emerald Fennell, who takes the reins from Phoebe Waller-Bridge this season, tells TVLine. But “something’s happened here, and it’s going to change everything. So it gave us an opportunity this season to keep everything we love about the show, but also take it sort of further and deeper and darker.”

    Stabbing Villanelle leaves Eve in a darker place indeed when we see her again, star Sandra Oh reveals: “She’s in this incredibly guilt-laden [state of mind]: ‘I’m going to be in a lot of trouble, and what does that mean to me, and how do I hold that and not tell Niko, and how do I try to be normal?’… She’s not realizing yet that she can never go back to how her life was.” The new season doesn’t give her a lot of time to process those feelings, though. “We go from stressed to more stressed,” Oh says with a laugh. “There’s no rest for her. We’re going full steam ahead throughout the entire second season.”

    Eve also gets pulled back into Carolyn’s orbit in Season 2, which presents her with some new workplace dynamics. Nina Sosanya (Strike Back) joins the cast as Jess, who provides Eve with “someone who’s a confidante who’s basically her same age, who’s also a woman, and a woman of color,” Oh previews. Plus, Edward Bluemel (A Discovery of Witches) plays cocky young co-worker Hugo, who puts Eve in an unfamiliar position: that of boss. “Eve also finds herself in a [position] of authority,” Oh says, “and is also still exploring her power, and her sexual power, and the dynamic of a younger man.”

    Killing Eve Season 2 Premiere Villanelle Jodie Comer

    But how long will we have to wait until Eve and Villanelle cross paths again? “Not that long,” Oh promises, adding that the mutual obsession they had in Season 1 hasn’t faded at all: “Eve is still in denial of how much Villanelle is on her mind, but they’re clearly on each other’s mind.” Killing Eve is classified as a crime thriller, but it’s also “a love story, in many ways,” Fennell notes. “And a love story is a very different thing to write, and it can go on for much longer, but it can also be more brutal, and end more tragically, than a thriller.”

    Yeah, about that tragedy thing: Eve racked up an impressive body count in its freshman season (RIP, Bill), and Fennell hints that Season 2 could cut even more deeply into its main cast. “What’s important for me is that no one needs to survive any scene. Girls like Villanelle don’t last very long, and women like Eve don’t last very long, because they’re playing a very dangerous game. So I had to come into this season thinking no one is safe… Villanelle’s absolutely not safe anymore. And neither is Eve.”

    Grey's Anatomy Recap: Did Megan Just Doom Teddy and Tom's Romance?

    (4/4/19) ( In Thursday’s Grey’s Anatomy, Megan thought that the biggest surprise on tap was going to be her showing up in Seattle without her brother knowing she was coming. But it was actually she who was in for the real shock — when she learned that Teddy was also in town, expecting a baby with Owen and doing his job at Grey Sloan… but not at last with him. When Megan’s head finally stopped spinning, what she did next I feared set the stage for Teddy to exchange Koracick, the guy who loves her and only her, for Owen, the guy who loves her when he doesn’t love Amelia. Do you share my worry? Let’s go over the episode’s salient points, then we can move the discussion to the comments.

    ‘I DON’T WANT TO RAISE A BABY IN A HOTEL ROOM’ | As “The Whole Package” began, Alex’s worries about Jo continued to grow. She’d missed work all week, owing to what she insisted was “just a bug,” and still refused to talk to him about what went down with her mother in Pittsburgh. At Grey Sloan, Jackson and Mer checked in on Richard and Catherine, who’d just undergone radiation but was clearly feeling fine. “A potato wouldn’t have cooked in the time that I was in there,” she snapped, annoyed that people were fussing over her. At least her mood improved when Jackson and Mer told her that they had a patient being flown in from L.A. for an abdominal wall, penis and scrotum transplant. “My baby brought me a penis!” she then exclaimed. Elsewhere in the hospital, Owen and Amelia were communicating through Leo when they bumped into Teddy and Tom, who seemed to be house-hunting. “I’m looking at houses,” clarified Altman, who didn’t seem keen on having the hotel staff change her daughter’s diapers along with the sheets. “You can always stay with me,” said Owen, making it clear that Koracick had not, as I thought, gotten through to him. “I have lotsa room and baby supplies.” At the same time, Bailey was perturbed to learn that the compliance reports that Alex had been supposed to fill out — and which were due the following day — had not been filled out. She was even more perturbed to discover that Levi had disappeared so fast after introducing her to students from the STEM Leadership Program that she couldn’t pawn them off on the intern!

    Finally, Mer and DeLuca compared notes on Richard — they’d both been avoiding working with him as best they could since he walked in on their tryst at Catherine’s party. However, DeLuca couldn’t avoid Webber anymore — he’d given him a lap appy, but not just as a surgery, Andrew felt. It seemed to him like it was a test, to determine whether he was worthy of Mer. In Maggie’s blue room, Amelia, rattled by her interaction with Owen, Teddy and Tom, tried to remind herself, and Piece along with her, that now “I’m having aerobic sex” — just as Bailey happened by with STEM kids. #awkward As for Megan, she was thrilled to learn from Mer that Teddy was in Seattle… which tipped off Grey to the fact that Owen’s sister had zero idea what had transpired between him and the women in his life since last she was in town. Mer texted a heads-up to Owen, but it was too late to do any good. When Megan saw Owen and Teddy, she embraced them and asked, “Why didn’t you tell me that you two had finally gotten together — and you’re having a baby?” Needless to say, Megan didn’t take the truth well. In fact, she summed up the turn of events as “just so. Much. Stupidity.” Owen had screwed up so badly, “you gave [Teddy] your job instead of a ring!” Right on cue, Tom entered. “Is this your realtor?” Megan asked Teddy. Again, she did not take the truth well. She definitely puts the “fiery” in “fiery redhead.”

    ‘THIS IS JUST A FRIEND DOING ANOTHER FRIEND’S LAUNDRY’ | Alex’s case of the week was Gus, a 10-year-old boy who has autism, whose parents reported that he’d been listless lately, not himself. Gus was tough to examine since he reacted negatively to being touched, but Karev eventually figured out — after distracting him with toys — that the youngster’s chest hurt when he walked. Turned out, he had a tumor on his thymus and was severely anemic. So Alex wouldn’t be able to operate until Gus had undergone a blood transfusion — which was also going to be tough, since it turned out that his blood was so rare, fewer than 50 people were known to have it. (Didn’t Sookie Stackhouse have that same type?) Despite obstacle upon obstacle, Alex promised that he and Team Grey Sloan wouldn’t give up until they’d fixed Gus. For that matter, Alex was determined to make Jo feel better, too. After he reported to Link that his wife had been shutting him out since she met her mother, Jo’s old buddy, at Karev’s request, reached out to her. Though he showed up at her door with what was said to be amazing chicken soup, she wasn’t interested in company. Or soup, for that matter.

    Still, Link hung in there the way only a longtime pal could. He even reminded her of how, when he’d broken up with his redheaded bartender girlfriend with the Texas tattoo and become “a shell,” she wouldn’t leave him alone. “So this is revenge?” Jo asked. Finally, when she made her way to the kitchen, it looked like she might be warming to the idea of at least soup. But no, she was going for the vodka. Link would have one, too, he said. “I wasn’t offering,” she replied. By and by, Jo became tipsy enough to talk… a little. She recalled dating a waiter, a cute stoner from whom she’d fled when he’d told her he loved her. As soon as the words had left his mouth, she explained to Link, she’d felt like he was wrong, like no one should ever feel that way about her. So she had moved across town and started a new job as if their relationship had never happened. She’d also done that to a guy in high school. She’d always done it. “It’s in my wiring,” she said, adding that her mother had been a runner — and still was; Vicki couldn’t even sit in same room as Jo. “And my father… ” Nope. Jo couldn’t quite bring herself to finish the sentence. She did, however, finish off the vodka — and open a new bottle.

    ‘YOU’RE THE NEIL ARMSTRONG OF JOHNSONS’ | While Jackson and Meredith retrieved the penis for Catherine’s surgery — wait, that sounds wrong — Grey couldn’t help but fret over Richard’s “test” for DeLuca, even though Andrew could do a lap appy in his sleep. Naturally, Jackson delighted in teasing her. “If you’re feeling this nervous,” he said, “imagine how DeLuca feels.” As for the recipient of the new organs, he was Caleb, an engaged soldier wounded in an IED blast in Afghanistan. He’d gone over the operation extensively with Megan in L.A. and was now in Seattle with his mom by his side until fiancée Anna could get there. Veteran Owen would also be pitching in during the surgery, though that didn’t stop Megan from pouting at him even as she drilled Levi on the procedures they’d be executing. Or thought they would be. When Anna arrived, Caleb flipped — turned out, he’d broken up with her months ago and therefore would not, as required, have a post-op support system to care for him. Livid, Catherine declared, “I am not giving that man a penis today!”… just as Bailey approached with the STEM kids. Alone with Jackson, Catherine reassured him that she wasn’t bailing on the surgery because she was scared or tired; Caleb needed a support system, it was that simple and that important. Megan balked at the notion of Owen trying to ride to the rescue by talking to Caleb, but he had a, ahem, point when he asked her, “Do you have a penis?” So the men took a stroll, during which Owen shared his own story and convinced Caleb to admit to Anna that he’d dumped her because he hadn’t wanted to saddle her with a mate who was missing a part of himself. “Sometimes when you give people a chance,” Hunt said, “they show up in ways you wouldn’t believe.” In the end, Caleb came clean with Anna, she stood by him, and Owen persuaded Catherine to go on with the transplants.

    Meanwhile, Jackson and Mer discussed Richard. When Jackson had feared he was going to lose his mother, he’d thought it would just be him and Webber afterward; he forgot the fact that he had a biological father. Same with Mer as Thatcher lay dying. Only in that moment did she remember, “I have a father, and it’s not Richard Webber.” As Caleb’s surgery was completed, Catherine promised Jackson that if things got worse for her, she’d tell him. “I will not keep any more secrets from you.” Also, she loved his gift of this surgery! In the hall, Megan thanked her brother for saving the case — and strenuously encouraged him to do for himself what he’d done for Caleb; in other words, heal enough from the traumas he’s suffered to allow himself to be truly happy. She’d been traumatized, too, heaven knows. But she was in therapy — lots of therapy — for it. She and Nathan even went to couples therapy every week. And Owen needed some, big time. If he didn’t, she suggested, there would’ve been no way he’d have flown all the way to Germany, then not fought for Teddy after she threw him out upon learning that he’d just rolled out of bed with Amelia. “Owen, you’re not well,” she concluded. “Do the work to fix it.” And with those words, I saw our happy ending for Teddy and Tom evaporate before my eyes. (Just me? I’d be perfectly happy to be wrong about this.)

    ‘HE GOT A LITTLE SNIPPY WITH ME’ | Before DeLuca’s lap appy, he amused Richard by mistakenly thinking that the patient was hitting on him. “I’m hot, right?” she said. But she’d only been trying to make sure that he didn’t leave her with a scar. During the operation, Richard asked the resident, “Where do you see this going longterm?” Thinking Webber meant his relationship with Mer, he replied that he didn’t know, they hadn’t talked about it yet, but OMG, she made him happy. Of course, Richard was only inquiring about DeLuca’s surgical career. Had he thought about a specialty? “General surgery is attractive,” he said. As the procedure grew suddenly complicated, DeLuca leapt into action, becoming, as Richard put it “terse.” Following what became a — successful — four-hour surgery, DeLuca admitted that he’d “wanted to show I was worthy of… ” Yes? “A career in general surgery.” Well, Mer is in charge of that, Webber said. “I could put in a good word.” And, as the hour drew to a close, he did just that, giving Grey the thumbs-up on DeLuca as both a surgeon and a boyfriend.

    Nearby, Bailey apologized to the STEM students for not having been a better Yoda for them that day. She could be, just not that day. Nonetheless, the kids had been blown away by what they’d seen. “Better than Yoda, you were,” said one. And the surprises just kept coming: Bailey then learned from Schmitt that the reports she’d been worried about were, in fact, done — Alex always delegated drudgery like that to the interns. “Karev did something better than us,” she admitted to Richard. “And he can never know,” Webber replied. When Alex got home, he found Jo blotto watching cartoons. Link told him that he and Jo had been through a lot over the years, but he’d never seen her this rough before. “I want to help,” Link said. “I don’t know how.” Sadly, the “derailment” of Jolex that Camilla Luddington previously teased appeared to be underway.

    Debbie Allen on SWAT 4/18/19

    (4/4/19) “Invisible” – The abduction of Luca and Street’s neighbor sends the SWAT team in pursuit of a home invasion crew targeting domestic workers to gain entry into upscale homes. Also, the SWAT division prepares to help Mumford mark a major career milestone, on S.W.A.T., Thursday, April 18 (10:00-11:00 PM, ET/PT) on the CBS Television Network. Debbie Allen guest stars as Charice Harrelson, Hondo’s mother.

    Sandra Oh says she’ll never return to ‘Grey’s Anatomy’

    (4/3/19) Sandra Oh has ruled out ever returning to hit show Grey’s Anatomy, insisting that “creatively” she’s “moved on.”

    The 47-year-old actress starred as Dr. Cristina Yang in the U.S. medical drama for 10 seasons before she left in 2014. Sandra has since taken on a critically-acclaimed gig playing Eve Polastri in Killing Eve, and at the premiere for the upcoming second season of the show, she admitted her Grey’s days are well and truly behind her.

    Asked if she’d ever think about reprising her role as Cristina, Sandra told Extra: “I just got to tell you, creatively you have moved on and while I know, and I deeply appreciate it, because I can feel it from the fans how much they love Cristina and that the show also still keeps Cristina alive, for me, Killing Eve is my home now. This is where I am.”

    Sandra also hinted that the second season of Killing Eve won’t be the last, as she smiled: “I am Eve and that’s where I plan to stay as long as the show will have me. And that’s really where I want to be.”

    Grey’s isn’t the only part of Sandra’s life she’s not interested in repeating. She hosted the Golden Globe Awards alongside Andy Samberg back in January, and while she enjoyed the experience, she won’t be doing it again.

    “It was the time of my life, it really was, and I feel like I can say that now in retrospect, but that’s not what I do,” she mused. “The opportunity came along, and to work with (Andy) Samberg, that guy is top-notch, but I feel like again, it’s that creative thing – it’s done, it’s done, I don’t need to do that again.”

    Killing Eve returns to Bravo on April 7.

    NAACP Image Awards: 2019 Winners

    (3/31/19) Outstanding Supporting Actor in a Drama Series
    Jesse Williams, Grey’s Anatomy (ABC)

    Grey's Anatomy's Camilla Luddington: Alex and Jo's Marriage Will 'Derail' in Wake of Devastating Backstory Reveal

    (3/30/19) ( Alex and Jo have officially encountered their first rough patch as a married couple. In the wake of this week’s Grey’s Anatomy, which found Jo learning that she was, the product of rape, the newlyweds will find their relationship rocked to the core according to Camilla Luddington.

    “I think it will derail [them],” Jo’s portrayer tells Cosmo. “You will see the ripple effect through the rest of the season. ‘Jolex’ has been unshakable all season, but this does end up shaking them.”

    As teased in the promo for next week’s episode (watch it below), Jo will not only continue to pull away from Alex, but she may choose to confide in co-worker Link before her own husband. “I would like for her to tell Alex,” Luddington muses. “I’m not sure she can avoid telling him forever, but that’s a very very painful thing to disclose to someone. I don’t think she’s fully processed it herself yet. I think even saying the truth out loud to him would break her right now.”

    As Grey’s nears the Season 15 finish line, “Viewers will witness… how this [revelation] completely takes over her life,” Luddington previews. “We have yet to see Jo react to anything in this way before. It’s devastating and raw…. You’ll see a person slowly lose sense of themselves. You’ll watch a person implode.”

    Ratings: #TGIT Lineup Rises Opposite March Madness; Abby's Opens Low

    (3/29/19) ABC’s Grey’s Anatomy (with 7.3 million total viewers and a 1.5 rating), Station 19 (5.5 mil/1.0) and For the People (3 mil/0.6) all rose a tenth in the demo this Thursday. Grey’s delivered its second-largest audience of the season, very easily led the night’s non-sports programming in the demo, while Station 19 fired up its best numbers of… 2019.


    CBS | March Madness coverage averaged 6.3 mil and a 1.6, down sharply from the fast nationals for the same night last year.

    THE CW | Leading out of a Supernatural rerun (?!), Legacies (937K/0.3) was steady with its freshman finale.

    NBC | Superstore (3.4 mil/0.8) dipped in the demo, while A.P. Bio (2.4 mil/0.5) and Will & Grace (3.3 mil/0.7) were steady. Abby’s debuted to 2.6 mil and a 0.5

    Grey's Recap: Jo Learns the Awful Truth About Why Her Mother Abandoned Her

    (3/29/19) ( In Thursday’s fraught Grey’s Anatomy, Jo at long last heard her origin story from her mother (guest star Michelle Forbes). Unfortunately, instead of give her closure, it appeared to open a Pandora’s box — one that left her pushing away even Alex. What the hell went down in Pittsburgh? Read on and find out…

    ‘I THINK YOU’RE MY MOTHER’ | After a brief opening in which Jo insisted that she wasn’t avoiding her husband, she just needed to pitch Bailey on a new grant for her fellowship before Alex’s term as interim chief ended the following day, “Silent All These Years” flashed back to her arrival on Vicki’s doorstep. As far as Jo could see, her mother was living in a modern-day Norman Rockwell painting: She had a beautiful home, nice husband, two kids, even a dog. But upon learning the identity of the stranger standing before her, Vicki was sorry she’d ever put out a welcome mat. Not about to give up, Jo suggested that they meet at a nearby diner. “One conversation,” she said, “and you will never hear from me again.”

    Back, in the present, Jo escorted to the ER a woman named Abby, who she quickly realized hadn’t, as she claimed, smacked her head on a cabinet. Now, rather than toggle between past and present the way the episode did, let’s go through this story in order first, shall we? Then we’ll join Jo for that fateful cup of coffee with her mother. So, the more Jo examined Abby, the more injuries she found. Teddy reported that the patient would need surgery but ordered Dahlia to have the O.R. readied without an antibiotic prep; Abby’s wounds were consistent with sexual assault, and Altman wanted to give her time to say as much before any evidence was erased. When Abby admitted that someone other than her husband had hurt her, Jo pressed her to let them gather evidence, which could remain sealed until she decided whether she wanted to file a police report.

    ‘ONE DAY, YOU MIGHT WANT JUSTICE’ | Abby balked at the idea of filing a report. For what? she asked. So that a jury of her peers could determine whether the tequila she’d drunk after fighting with her husband over the laundry had meant she was asking for it? Ultimately, Jo was able to sway Abby by telling her about her past with Paul and assuring her that her husband didn’t have to know they’d done a rape kit. When at last Abby was wheeled into surgery, DeLuca helped assure that the path to the elevator was a man-free zone; in fact, all of Grey Sloan’s female staff had been recruited to line the hallway in a show of support.

    While operating on Abby, Teddy told Jo that the way she’d spoken to the patient had not been protocol. But it wasn’t the scolding that Jo thought it was. “It should be” protocol, Teddy said. Post-op, Altman reported to Abby that her surgery had been a success, and her kit would remain at the hospital. “This is not your fault,” she added. “There is nothing you did to deserve this.” Though Abby feared if her husband knew about the rape, he’d only see her as a broken person, Jo reassured her that she was a survivor. Again, Jo’s past with Paul resonated with Abby, and in the end, she reported the attack to the police with her husband by her side.

    ‘THE COFFEE HERE SUCKS’ | Now let’s flash back to Jo’s meeting with her mother… Jo was actually about to give up and leave the diner when Vicki finally showed up. After complaining that she was late for work — she tries to create jobs for underserved communities through the mayor’s office — she asked if this meeting was about money. “I don’t need your damn money,” spat Jo, who went on to admit that in her mind, she’d pictured her mom as a hard-luck case working at an even-worse diner. “That would make it OK that I left you?” asked Vicki. “I wanted you to have a better life than I could give you.”

    Of course, Jo hadn’t had a better life… or even an OK one. “I lived in foster homes so bad, it was better to live in my car,” she said. And when a man had told her he loved her, she’d believed him, even when he beat her. At that, Vicki tried to leave. “Did you honestly come here to punish me?” she asked. “Consider it done.” No, Jo had come because she wanted to know something about herself that she couldn’t learn “from spitting in a tube.” So Vicki gave her a kinda half-assed backstory that prompted Jo to ask who her father was; she’d talk to him instead.

    ‘HE WOULD NOT TAKE NO FOR AN ANSWER’ | “You can’t” find your father, Vicki told Jo. “He’s dead.” Motorcycle accident. Though if she’d had her druthers, “I would’ve preferred that he be eaten by fire ants.” And she wasn’t bitter, as Jo thought, because it hadn’t worked out with her childhood sweetheart; Vicki had been date-raped in college by a T.A. Nine months later, she’d had a baby, and then, “five days later,” she said, “I didn’t.” Despite the trauma Vicki had suffered, Jo remained angry. “You got therapy,” she pointed out. “You moved forward, and you didn’t once try to find me?” In response, Vicki explained that she’d hoped throughout her pregnancy that when Jo arrived, it would be just like in the baby books — her heart would crack open with a greater love than she’d ever known. And it had. It actually had. Nonetheless, Jo was a constant reminder of him, and “I resented you so much for it.”

    So Vicki had done the best that she could for her daughter. Ha, said Jo. What would have been the best for her would’ve been if her mother had found an adoption agency and made sure she’d had a home, not dumped her at a fire station. “Of course you deserved better,” Vicki acknowledged. She just hadn’t been in her right mind, so “I didn’t have better to give you.” At that, Jo revealed something that she never had — that she’d had an abortion without telling Paul after he’d thrown her across the living room when she was seven weeks pregnant. She couldn’t raise a baby in all that fear and danger. “I did what I had to do,” she said. But when she reached out to touch Vicki’s hand, her mother pulled away. Before Vicki left, she answered a last question for Jo: Did she look like her father? No. “You have my father’s eyes,” said Vicki. “The hair is all mine… and maybe the fire in the belly.” Tearfully, Vicki apologized; she was still doing the best that she could.

    ‘DEAR LORD, I HAVE TO TALK TO MY SON ABOUT CONDOMS’ | In the hour’s only other plotline, Ben and Bailey learned that Tuck was “talking” to a girl he liked, prompting his dad to speak with him about consent. And as the episode drew to a close, Alex and Jo bumped into each other at the end of her rough day with Abby and his last day as chief. But she didn’t want to go out with him, not to talk or to celebrate Bailey’s return to her stressful job. “Can you just go celebrate with Meredith?” she asked. Alex couldn’t believe that his wife wouldn’t open up to him about Pittsburgh — he wasn’t going to judge; she knew that. “I can’t talk about it,” she told him. “I wanna go home alone… and sleep. Please.” And that was that, at least for now.

    BAFTA TV Nominations

    (3/29/19) LEADING ACTRESS
    JODIE COMER Killing Eve – Sid Gentle Films / BBC One
    KEELEY HAWES Bodyguard – World Productions / BBC One
    RUTH WILSON Mrs Wilson – Snowed-In Productions / BBC One
    SANDRA OH Killing Eve – Sid Gentle Films / BBC One

    Ratings: With March Madness on CBS, Everyone Else Holds Pretty Steady

    (3/22/19) CBS’ March Madness coverage this Thursday night averaged 3.85 million total viewers and a 1.1 demo rating during primetime, down sharply from the same night last year.

    Opposite men’s collegiate “hoops”….

    ABC | Grey’s Anatomy (6.9 mil/1.4) and For the People (3.2 mil/0.5) were steady, while Station 19 (5.6 mil/0.9) ticked up.

    THE CW | Supernatural (1.47 mil/0.4) and Legacies (1.01 mil/0.3, read recap) were steady.

    FOX | Gotham (2.2 mil/0.6,) and The Orville (3 mil/0.6) each added a literal handful of viewers, while steady in the demo.

    NBC | Superstore (3.9 mil/0.9), A.P. Bio (2.3 mil/0.5) and Brooklyn Nine-Nine (2.2 mil/0.6) were all steady in the demo, while Will & Grace (3 mil/0.7) and SVU (4.3 mil/0.8) ticked up. Of note, Superstore drew its largest audience in a year.

    Grey's Recap: And Baby Makes Trouble — Plus, a 'One-Time Thing' Is Repeated

    (3/22/19) Grey’s Anatomy’s Teddy thought that she wouldn’t be experiencing firsts with her and Owen’s daughter until after she was born. But in Thursday’s “Add It Up,” the peanut scared her mom half out of her mind for the first time — by making it appear that she might arrive prematurely. And while that tense situation brought to a head the simmering tension between the men in the mom-to-be’s life — and revealed how awful at baby talk Owen is — Amelia futilely tried to keep her distance from Link, and DeLuca so successfully kept his distance from Meredith that he made her wonder what she was doing with him. How’d the myriad dramas shake out? Read on…

    ‘PHEROMONES… I REALLY LIKE YOURS’ | As the episode began, Maggie showed the interns around the Grey Sloan rooms in which she hoped to use environment to improve patient health pre- and post-op. One was a virtual Garden of Eden; another, a blue-light special. But the most popular seemed to be the game room, where the tour found Bailey engrossed in a round of Tetris. Nearby, Meredith tried to ask DeLuca if he’d heard from his father, and her beau vanished so fast, his exit could’ve been accompanied by the sound effect that always underscored the Road Runner’s takeoffs. Speaking of speedy, Owen so briefly informed Teddy that he’d be able to attend her birthing class that neither she nor Koracick had a chance to tell him that her boyfriend was going with her. “I think he and I are thisclose to becoming besties,” Tom cracked. No sooner was he out of the room than the mom-to-be began experiencing pain. “I’m hoping that it’s just stress,” she told Casey when he subsequently found her in the blue room. But, since it “feels more like my body is pushing out all my organs,” she instructed the intern to page Owen and OB. Finally, Richard informed Jackson that his mom had decided not to return to work as scheduled. Because… ? “She didn’t give me a reason,” Webber replied. “She just waved her hand and said, ‘Cancer card,'” aka her new shorthand for “Don’t question me.”

    Later, Maggie was telling Amelia about the way blue light could improve one’s mood when she noticed that Amelia was already in a good mood. Considering she’d been in tears the last time Maggie saw her, WTH? she asked. Amelia had had “insanely good sex” at the conference in San Diego, she admitted. With a complete stranger? asked Maggie. “Not a complete stranger,” Amelia answered. And right on cue, Link entered and apologized to Maggie for being pokey responding to her inquiry; he’d been away at a conference in San Diego. Ack! Now Maggie knew! Off that awkwardness, Amelia fussed at Link for being indiscreet — even though she’d been even less discreet! — and reminded him that their hookup was a one-time thing, strictly for pain management. Not even any ordinary pain management, “for acute pain, not chronic; do not refill.” What’s more, since she found his pheromones pretty tough to resist, she suggested that they steer clear of one another. Which was going to be difficult since Richard had paged them both to tackle the case of a woman named Carrie who’d injured her spine when she’d rolled her snowmobile. Also hurt in the accident was Toby, Carrie’s genderqueer offspring.

    ‘IF I WAS HIDING OUT, YOU WOULDN’T BE ABLE TO FIND ME’ | When Alex found Mer in the green room working on her ingestible diagnostic device, they compared notes on their relationships: Jo was in Pittsburgh, potentially to meet her mother, and Karev was worried since he couldn’t reach her. As for Mer, she was giving DeLuca space — whether she wanted to or not — to deal with the emotional fallout from his father’s tumultuous visit. And he was busy helping out on the case of a young math whiz named Nora, whom Alex had known since she was 5. In fact, DeLuca told the child and her mom, she could now have the pancreatectomy for which she’d been waiting ages. Or, that is, she could have had it, had Alex not had to report that Nora’s glucose levels had suddenly spiked; now it would have to be postponed. When Karev apologized to DeLuca for having to cancel his surgery, Andrew snapped at him, “Did Meredith ask you to do this? Throw me a bone?” After he stomped off, Dahlia discovered that the youngster’s glucose level might have spiked because she’d snuck a juice box, potentially to sabotage her own surgery. In the green room, Karev was complaining to Mer, “Your boyfriend’s being a jerk,” when in walked the jerk himself. No, he didn’t want to get coffee with Grey; he was actually there to fill in Alex on Dahlia’s discovery. When the docs confronted Nora, she admitted that she’d drunk the juice box — not to get out of surgery but to get out of returning to school, where she was friendless and bullied.

    As Mom began spiraling, blaming herself, she asked what she should do. And DeLuca, with all the compassion of a rock hurled through a window, told her to force Nora to have the surgery. He was so out of line, the way he spoke to the patient’s mother, Alex ended up angrily telling him, “Walk away now, or you’re fired.” Later, the interim chief was just about to axe DeLuca for returning to Nora’s room when he overheard the younger doctor sweetly opening up to her about his own experience being bullied. And she had a big advantage over the younger version of him, he noted, because “you are way cooler than I was.” At the end of the day, “kids are mean, and they’re always gonna be mean, but you can kick their asses at math,” he noted. What’s more, “we’re all a buncha nerds here [at Grey Sloan], and we like you a lot.” So could she push through? Yeah, she nodded as Alex observed from the doorway. Nonetheless, when Nora was wheeled into surgery, Karev left DeLuca out — and ordered him out when he tried to scrub in. As the episode drew to a close, DeLuca approached Karev as he again tried to reach Jo. “What you did today,” DeLuca said, “was unprofessional.” Au contraire, Karev shot back — what DeLuca had done had been unprofessional. He’d been too pissed about Vincenzo to gently get through to Nora in the first place. Oh, and that anger of his was screwing with his relationship with Mer, too, said Alex, adding with the voice of experience, “When people reach out a hand, you don’t bite it!” Otherwise, they’ll stop reaching out.

    ‘YOU WANNA HOLD OR BE HELD?’ | Though Amelia found it a muscle-bound challenge to work in close proximity to her one-night stand, she agreed to remain on Carrie’s case when they learned that she was at risk of being left paraplegic and Link expressed his reluctance to fly solo on her surgery. And it turned out they would have to operate fast, too — Carrie was already beginning to lose feeling in her lower extremities. In the O.R., it at first appeared that the patient was going to pull through just fine. Link couldn’t believe how well Amelia handled working in neuro — it was a pressure cooker. Yes, she said, but “adrenaline’s the only high I let myself have anymore.” Just then, Carrie’s signal dropped — she wasn’t registering feeling in her arms or legs! In the end, despite Amelia and Link’s best efforts, Carrie wound up paralyzed from the neck down. In another O.R., Richard, Jackson and Helm operated on Toby, Webber struggling every step of the way to get the pronouns right. Then again, he’d once fired a mechanic for calling him Ricky. “That’s kind of a false equivalence,” noted Taryn, “comparing an annoying nickname to misgendering.” Still, Webber continued on with his Grumpy Old Man routine. When Toby learned post-op about Carrie’s condition, they wondered aloud to Jackson how they could possibly help a mom who’d always had all the answers. “She’s already given you all that you need,” he reassured them. “You’ve got it.” And it appeared that they did indeed have it; Toby then asked to be present when Carrie got the news. Mind you, they weren’t the only ones left reeling by the end result of Carrie’s surgery. Off that heartbreak, Amelia and Link retired to the blue room, where they tenderly engaged in some additional pain relief. (Which was fine — we no more believed that was a “one-time thing” than we wanted it to be.)

    While all that was going on, Owen received his page about Teddy and ran out of birthing class — without saying a word to Koracick about why he was splitting! (Jerrrrk.) In the ER, Carina told Teddy that her contractions were sporadic and not very strong. OMG, “what do they feel like when they’re strong?” asked the mom-to-be, who was in full-on panic mode by the time her babydaddy arrived. She had cervical insufficiency, for Pete’s sake! “‘Insufficient’ is something I’ve never been called my entire life!” Regardless, Carina OK’d Teddy’s course of action — which involved tilting her bed upward at the feet — and advised Owen to remain calm and talk to her and their daughter. And he tried. Lord, did he try. But his baby talk left so much to be desired that Teddy soon told him, “You can’t use that voice.” Teddy herself had trouble with baby talk, too. “Hello… hi… guten tag,” she said, then gave up. “I’m already failing as a mom!” To alleviate her worries, Owen brought in a second bed and joined her in her uncomfortable semi-upside-down position. Even as he began to turn green, he reassured her, “We’re in this together. We’re a family.”

    ‘WELL, THIS IS COZY’ | Owen finally seemed to get the hang of baby talk as he told his daughter how amazing her mom was, whether she was jamming to Duran Duran or scarfing down a whole pizza. Of course, it was during that tender moment that Tom arrived on the scene. Teddy hadn’t messaged him because she hadn’t wanted to worry any more people than she’d had to, she said. (But she kinda owed it to him not to leave him in the dark, didn’t she? Dude cares!) When Owen stepped out of the room, Tom followed, smoke coming out of his ears. “If you plan to make a play here, if you’re gonna show up with a ring and take advantage of the very old pain and vulnerability of a woman you have over and over again hurt and abandoned, please rethink that,” Koracick spat, “because I will not lie down. I’ll fight for her.” You go, Tom! Sure, Owen had history with Teddy, but that “history is… you chose Amelia,” Koracick pointed out. He was in love with Teddy and argued that she deserved to be with someone for whom she was the first and only choice. (Swoon… ) Apparently, Tom got through to Owen, too, because after he learned from Carina that everything was OK, he left Teddy with the guy who was so devoted to her.

    As the hour came to an end, DeLuca invited Mer over to his place, and when she arrived, she quickly informed him that she wasn’t the wait-around-at-work-and-wonder-if-her-boyfriend-was-avoiding-her type. “I’m past that point in my life.” In response, DeLuca admitted that he’d been shocked by how much it hurt that he hadn’t been able to fix his dad. So he’d needed a minute. “Now I just need you,” he added. “Well, maybe I need a minute now,” she replied. She didn’t need one, mind you. But she wanted to… at least until she saw that he’d cooked her a mind-blowing dinner. At Jolex’s place, Alex came home to find Jo in bed asleep. “I missed you,” he whispered as he kissed her forehead. Only after he’d moved off did Jo reveal — at least to the audience — that she was awake. And looked troubled. And I suspect we know why.

    Katherine Heigl Eyes CBS Return as Star of Comedy Pilot Our House

    (3/21/19) Two years after the demise of Doubt, Katherine Heigl is plotting a return to CBS via a starring role opposite Timeless‘ Malcolm Barrett in the sitcom pilot Our House.

    Written by Neighbors scribe Brendan O’Brien, the multi-cam Our House centers on married couple Bridget and Shawn (Heigl and Barrett) who are committed to raising their children with the love and support Bridget never got as a kid. They soon discover how difficult that is with her insane parents and siblings insert themselves back in the picture.

    Heigl’s Bridget “tries her best to be a laid-back, progressive parent like her therapist hubby, but often finds herself reverting to the old school style of her parents,” per the official character description. “Now that she’s moved back into her childhood home, surrounded by her parents and crazy siblings, finding a balance between these wildly different parenting styles is going to be more difficult than she imagined.”

    Should Our House land on CBS’ fall schedule, it would mark Heigl’s first sitcom role. The Grey’s Anatomy vet is currently starring in Suits. She’s slated to return for the USA Network drama’s ninth and final season, which begins production this summer.

    In addition to starring in Our House, Heigl will serve as an EP alongside Nick Stoller and Conor Welch. Sitcom vet James Burrows is on board to direct the pilot.

    Ratings: Superstore Eyes Possible Season Highs, Grey's Matches Low

    (3/15/19) Pending adjustment due to ACC basketball preemptions in some NBC, CBS and CW markets….

    NBC’s Superstore this Thursday drew 3.7 million total viewers and a 1.0 demo rating, up 19 and 25 percent to mark season highs. A.P. Bio (2.4 mil/0.7) and Brooklyn Nine-Nine (2.3 mil/0.7) in turn are both currently up a tenth, while Will & Grace (2.7 mil/0.6) and SVU (4.3 mil/0.8) dipped a tenth.

    Over on ABC, Grey’s Anatomy (6.7 mil/1.4) dipped a tenth to match its series low (set back on Feb. 14). Station 19 (5.2 mil/0.8) dipped from its midseason opener, while For the People (3.4 mil/0.6) ticked up and drew its (faint praise alert!) second-biggest audience ever. The CW’s Supernatural (1.58 mil/0.4) added some eyeballs while steady in the demo. Legacies (1.12 mil/0.3) is currently up.

    Over on CBS, a Big Bang rerun drew Thursday’s biggest audience (7. 9 mil), while a pair of fresh Fam episodes did 6.1 mil/1.0 and then 4.8 mil/0.8.

    Grey's Anatomy Reveals Jo's Mom — Plus, [Spoiler] and [Spoiler] Hook Up

    (3/15/19) ( Thursday’s Grey’s Anatomy was so action-packed and eventful, I had to check a calendar to make sure we weren’t in sweeps again! Not only did the sheep hit the fan where Vincenzo’s baby-in-a-bag project was concerned, but a new couple started playing doctor, and we got our first peek at Jo’s mom. Oh, and Jackson made a merman. Say what? Read on, and all will become clear.

    ‘WE’RE MAKING FISH PEOPLE!’ | As “And Dream of Sheep” began, Mer delivered coffee as a peace offering to DeLuca, who’d spent yet another night at the hospital working on Vincenzo’s project. “I guess I was wrong about your dad,” she admitted (unwittingly about a day too soon). As tired and tied up as DeLuca was, he still made time for a tender make-out session with Mer. And, were he to get home to his place one night that week, would she stay? Oh yes. In fact, she called that “the best idea I’ve ever heard.” Elsewhere at Grey Sloan, Jackson was observing Dahlia, Casey and Levi honing their scalpel skills on fish when Maggie stopped in to announce that she wanted to cancel her appearance the following day on Good Morning Seattle. “It’s not even about medicine anymore,” she told her beau. She and her surprise parentage had become “morning-show fodder.” Jackson reassured her that the interview had been inspired in the first place by her brilliance. And besides, “it’s not like you’re going in there to make French toast.” After she left, Jackson revealed to the interns why they were working on fish rather than cadavers. Their patient was a poor fellow named Rick who was so covered in scales, he looked like he’d been hospitalized on his way to an Aquaman audition.

    At the same time, Bailey was in her/Alex’s office questioning the wisdom of Grey Sloan’s interim chief OKing Vincenzo’s project, given his history of mental illness, when Taryn interrupted to suggest that Karev might want to take a stroll past the lab, where it turned out the elder DeLuca was engaged in a shouting match with his kids. “He lost the lamb,” Carina told Alex and Bailey. Just one, though, Vincenzo shot back. When she suggested that he was working too fast, he threw her out. Shortly, DeLuca offered to get Carina back on the project, but she didn’t want to be back on it. She was furious that the signs of their father’s bipolar disorder were so obvious, yet her brother was as determined as Vincenzo to deny it. After she stomped off, DeLuca assured Alex that this was just the dynamic between his dad and sister. But was it? In the ambulance bay, Teddy snapped at a tardy Owen, who revealed that Amelia was not only at a conference but out of the picture altogether. Then, as they wheeled in husband-and-wife traumas, even though Teddy hadn’t criticized Owen’s parenting at all, he snapped, “Suddenly, I feel like I’m auditioning to be a father.” Easy, Tiger. While Owen, Schmitt and Nico treated the husband, he revealed that his wife Lizzie was five months pregnant. So Hunt went next door and asked Teddy to trade with him. Just because she was expecting? No thanks, said Teddy. “I’m fine.”

    ‘GO HOME AND HAVE KORACICK RUB YOUR FEET’ | After Carina was paged to the pit by Teddy, she told Lizzie that her baby was fine. Which infuriated Teddy, because the patient’s belly was full of blood, meaning that she might have to remove the uterus along with the baby — a death sentence for the kiddo. If that came to pass, “you just made it so much harder for her to hear,” Teddy told Carina. “So please keep your mouth shut.” Sheesh. Carina was having a bad week. Shortly, Teddy reported to Owen that she’d been able to keep Lizzie, her uterus and her baby intact. Lizzie would be fine as long as she didn’t re-bleed. Still, the doc was going to spend the night in her patient’s room, just in case. When Owen was unable to convince Teddy to go home and let him keep an eye on Lizzie for her, he joined her in the room — and, since Koracick was away, got enlisted to rub his babymama’s feet. Alas, it soon turned out that Teddy would have to perform an emergency hysterectomy on Lizzie after all. Meanwhile, when Vincenzo complained to his son that Carina had turned on him, DeLuca insisted that that wasn’t the case, and furthermore, his tantrums were making it hard for Junior to defend his dad. OK, said Vincenzo. He’d talk to Carina and make nice. Not now, DeLuca said. Carina had a patient who might lose her baby. “Why?” asked Vincenzo, an idea clearly already forming in his head. Next thing we — or Teddy and Carina — knew, Vincenzo had swooped in and filled Lizzie and her husband’s heads with the idea that oh yes, he could definitely save the baby with his gestational Ziploc.

    Off that shock, Teddy ran to Alex to ask if it was really possible to save both Lizzie and the baby. And apparently, it wasn’t since Karev then interrupted a DeLuca family argument to tell Vincenzo, “You can’t promise fake procedures to my patients!” As Carina and Alex reentered the fray to deal with the mess that Vincenzo had made, DeLuca told his dad to stay put in the lab. “You’ve done enough,” he huffed, prompting the elder DeLuca to throw something (was that a petri dish?) besides a hissy fit. Shortly, Alex, Carina and Teddy broke it to Lizzie and her husband that the procedure Vincenzo told them about wasn’t yet approved. “I’m the mother,” said Lizzie. “I give you approval — try it.” Sadly, that was not permissible. Her hopes dashed along with Lizzie’s, Teddy broke down post-op in Owen’s arms… just in time for Tom to see (and leave without being seen — and they had better not be messing with my KoraTed!). Meanwhile, DeLuca returned to his dad’s lab to ask why he’d given the parents false hope. In no time, Vincenzo was balking that Andrea sounded “just like the rest of them.” And that was when it hit DeLuca: This was a rerun of the night that Vincenzo’s combination platter of hubris and madness had killed four people. He was delusional. It was more merciful for Lizzie to lose her baby to a car accident than to watch it die in a bag created by a scientist who didn’t know what he was doing, DeLuca said, choking on the words. “Are you too sick to see that?”

    ‘MY GOD, YOU ARE JUST CHISELED’ | At the conference on alternate pain relief, Amelia, sporting a cute new ‘do, ran into Link, who wasn’t just attending but giving a lecture. When he mentioned that he was on his way to an acupuncture demo, she decided not to go to the presentation she’d planned to. “I’d rather get poked,” she said, adding when she’d heard how that sounded, “with needles.” Then, embarrassed, she opted to go back to avoiding him like she had been since he’d witnessed her crying jag in the hospital hallway. Despite that, Amelia bumped into Link again during a session that looked like it was set in a fancy daycare nap room. Afterwards, she was left so lightheaded by the energy meridians or whatever had been pumped through them that she needed a hallway sit-down. During it, she confided in Link about Betty and her continued worries about her former almost-foster daughter. “You sound like… ” he responded. “A mess?” she interrupted. “A parent,” he said. (And I am feeling Link and Amelia a whole lot more than I ever did Link and Mer. This could work and might be already.) Just then, she noticed how ridiculously Ken-doll handsome he was. “It’s like your chin has muscles,” she marveled. “I do work out my chin pretty hard,” he cracked. “Takes a whole day.” (OK, this is definitely working.) Alas, when she broke away from what looked like it might turn into a kiss, she declined to invite him to her room. The following day, Amelia pretty hilariously tried to extol the virtues of having slept instead of having slept with Link. All she needed was coffee now, “which is not in my room,” she noted quickly. “There’s coffee in my room,” he said. It couldn’t be more “on” if the two of them had switches.

    Later, Amelia attended Link’s presentation, during which he admitted that he’d gotten a young patient hooked on opioids… a patient who’d died as a result. When he added that he’d do it again, Amelia walked out. Subsequently showing up at her room to have the fight that they both knew was coming, he argued that she’d have done the same thing he had. His patient’s pain had been so bad, he was talking about suicide. “And you gave him the means,” she spat. “A child is dead. You failed him.” But of course, Link was acutely aware of that fact. He’d even given up medicine for a year after the kid’s death and just fixed bikes instead. Then he’d gotten mad and gone back to work to try to make it right. The system, he said, was broken. But he was trying — hard — to fix it. “Maybe we can fight this thing together,” he suggested, “like Batman and… Batman.” In the end, Amelia no longer wanted to hit Link. Nor did she want to have dinner with him. Rather, she gave him the kiss that had probably been coming since he instilled in her “pants feelings” back in Episode 3. He attempted to hit the brakes for fear that he was taking advantage of her, because she was “in a [weird] place, and I think you’re insanely pretty.” In response, she unbuttoned his shirt and got him to agree that this wasn’t going anywhere, it was just “alternative pain relief.” And with that, they hit the sheets.

    ‘CONGRATULATIONS, YOU WON THE GENETIC LOTTERY’ | While Maggie was looking at scans, Jo burst in and greeted her with, “You’re adopted.” This was not news to Maggie, of course. Thing was, Jo wanted someone with experience having their DNA tested to be with her at that moment, as she’d gotten the results of her DNA test. “I don’t wanna open them alone,” she explained, “but I don’t wanna open them with Alex,” lest she have to watch his face as he discovers that his wife is “a genetic lemon.” When at last Maggie read the results, it turned out that Jo has tremendously good DNA. Taking a peek, Jo marveled that the report said that she was mostly British. (Ha, considering Camilla Luddington is a Brit.) Oh, but there was one more thing in the report: It said that her results were being compared to those of Martha Tomlinson, likely a cousin. Since Casey was in the room for all this, the hacker volunteered to track down Martha for Jo, who wondered if he could also find out to whom Martha was related. As in Jo’s mother? “I didn’t say do it,” Jo exclaimed. But we all know where this is heading. Later, looking for a sign that she should pursue her mother, Jo happened upon Maggie’s interview just in time to hear her call meeting Richard “life-changing.” OMG, Jo exclaimed. “That is a sign!” Not so fast, advised Jackson, recalling his painful interaction with his father. “Unless there’s some big answer that you’re looking for, you might just wanna let it go.” Drat. There went Jo’s sign.

    Oh, and as for Jackson’s scaly patient, Rick, Jackson hoped to use tilapia skin to treat his burns. Which definitely outweighed Richard’s complaints that the hospital smelled like high tide. Later, Mer teased Jackson that he was being called the king of Atlantis. Whatevs. He hoped to incorporate his fishy business into his spray-on skin and was in high enough spirits to tease Mer about whether DeLuca was her boyfriend. In other developments, Helen ran into Bailey at the hospital and revealed that she’d knitted a scarf that had turned into a sweater that had turned into all but a car cover. She also admitted that she was worried about making the trip back. When Miranda reported what she’d learned to Alex, he accused her of being biased against people with mental illness. As if! She was a person with mental illness, she angrily pointed out. It just needs monitoring, dammit. Off that conversation, Alex asked Bailey to cover his shift as chief for a coupla days so he could fly his mom home. Had he mentioned to Helen that Bailey had talked to him? Hell no, he looked like a thoughtful son — duh!

    ‘YOU MADE A MERMAN TODAY’ | As the hour drew to a close, Vincenzo refused to let Alex pull the plug on his research; instead, the elder DeLuca yanked it himself, scorching every inch of earth between himself and the exit as he did. Maggie and Jackson canoodled and compared notes on their days. Upon hearing that he might have figured out a way to heal burn victims for mere pennies, she told him, “That is the sexiest thing you’ve ever said.” Still, she was going to come up with something even cooler than mermen. And with that, they were getting naked on the desk. When Mer dropped by the DeLucas’ lab, her forlorn boyfriend/non-boyfriend shared that his father was taking his sheep and returning to Italy. So “go ahead, say I told you so,” he told Mer. But she didn’t want to. What’s more, “it kinda bugs me that you think I would,” she said. Still, he wasn’t fit for company, so she gave him his space. Finally, Jo gave Casey the go-ahead to find her mom. Which was good because he hadn’t been able to resist and was able to pull up on his computer right then and there a photo of her mother, Vicki (who looked a lot like Michelle Forbes).

    Grey's Anatomy Stars Made a Teen's Wish Come True and Whew, Try Not to Cry

    (3/10/19) (Video) With the help of Disney and the Make-A-Wish Foundation, a 17-year-old girl named Izzy got the chance to fulfill her dream of meeting the stars of Grey's Anatomy on the Hollywood set of the hit ABC medical drama.

    During her time on the set, she got to rub elbows with Ellen Pompeo and Giacomo Gianniotti — no word yet on whether she got any vital MerLuca scoop — along with show stars James Pickens Jr., Chandra Wilson, Kelly McCreary, and Jaicy Elliot.

    Izzy also got to "witness a spoiler" and direct a scene from the episode in production during her time on the set, along with trying out some of the costuming and props that might help prepare her for her real-life ambition of becoming a doctor some day.

    Even without their medical licenses, it looks like the stars of Grey's Anatomy really can help in the healing process.

    Of the event, Pompeo tweeted, "This was such a great day."

    Grey's Anatomy airs Thursdays at 8/7c on ABC.

    Sandra Oh to Make SNL Hosting Debut

    (3/9/19) Hot off cohosting this year’s Golden Globe Awards, Sandra Oh is set to make her Saturday Night Live debut.

    SNL announced during this weekend’s Idris Elba-hosted telecast that the Golden Globe- and SAG Award-winning Killing Eve costar will lord over Studio 8H on March 30, one week and a day ahead of her BBC America drama’s Season 2 debut.

    In addition, NBC announced that Tame Impala — an Australian music project conceived by multi-instrumentalist Kevin Parker (or so Wiki tells me) will serve as musical guest, marking their first time on the late-night sketch comedy series.

    New Killing Eve Trailer

    (3/9/19) (Video) Villanelle has a message for Instagrammers: “Get a real life!” she exclaims in a new Killing Eve trailer after a young woman asks to take the assassin’s photo for her social media.

    Elsewhere in the Season 2 sneak peek — which you can watch above — Villanelle dons several new disguises, while Eve stocks up on candy (to fuel her obsession?) and starts losing her mind. Killing Eve returns Sunday, April 7 at 8/7c on BBC America and AMC.

    Ratings: For the People and Station 19 Return Steady, The Orville Ties Low

    (3/8/19) ABC’s Station 19 reignited Season 2 on Thursday with 5.4 million total viewers and a 1.0 demo rating, right on par with its fall average. Leading out that, For the People returned to 3.2 million viewers (its second-largest audience yet) and a 0.6 rating, matching its freshman demo average. In total viewers, it matched time slot predecessor How to Get Away With Murder‘s biggest Season 5 audience.

    Opening ABC’s night, Grey’s Anatomy (6.6 mil/1.5) ticked down.


    FOX | Gotham (2.11 mil/0.6) dipped to its smallest audience ever whole steady in the demo. Bubble drama The Orville (2.9 mil/0.6) slipped to its second-smallest audience while down two tenths in the demo to match its series low.

    THE CW | Supernatural (1.3 mil/0.4) and Legacies (852K/0.2, read recap) each ticked down.

    NBC | Superstore (3.1 mil/0.8) returned up, A.P. Bio (1.9 mil/0.5) opened Season 2 down from both its freshman average and finale, Brooklyn Nine-Nine (2 mil/0.6) dipped and Will & Grace (2.6 mil/0.7) ticked up.

    CBS | Big Bang (12.8 mil/2.1) and Mom (8.4 mil/1.2) dipped, Young Sheldon (11.5 mil/1.7) and SWAT (5.6 mil/0.9) were steady. and Fam (5.7 mil/0.9) ticked up.

    Grey's Anatomy Recap: Baby Talk — Plus, [Spoiler] Confesses, 'I Love You!'

    (3/8/19) ( Thursday’s Grey’s Anatomy had babies on the brain. Not only was Jo freaked to the nth by Helen’s keen interest in having grandkids, DeLuca’s dad presented Alex with a project that could potentially save the lives of a lotta preemies, Maggie accidentally revealed to the world that she was Richard and Ellis’ love child, and Amelia made a huge decision about little Leo’s future. All that, plus someone told their, ahem, baby “I love you” for the first time. Who uttered those three little words? Read on and find out.

    ‘SOME GENETIC TRAITS ARE UNAVOIDABLE; THANKS, MOM’ | As “Blood and Water” began, Maggie had no sooner gotten finished answering Zola’s question about whether Grandma Ellis was her mother than Ellis herself was appearing to her daughter, tsk-tsking her for the typos in the paper she’d published. When Amelia entered the room, she told Ellis that she was Derek’s sister; surely, they’d met before. “I think I’d remember,” said Ellis. As the dream wrapped up, she told the women to take their vitamins and whispered something in Zola’s ear that she knew Meredith would understand. And apparently, she did understand, too, because when she awakened from the dream, she jotted down “the light in the blood.” (Had she just come up with the title to a great vampire novel?)

    Meanwhile, Levi and Nico were starting their day with some nookie when they were interrupted by a call from Schmitt’s mom, during which he covered his boyfriend’s mouth when he playfully tried to say hello. “Did you just shush me?” Nico asked afterwards. It was a rhetorical question, of course. Levi had shushed him, “but not in a shame-spiraling way,” he insisted. His mom was just a lot, and he didn’t want her to find out about Nico as the hot, shirtless guy in his bed. Ticked, Nico quickly removed himself as the hot, shirtless guy in Levi’s bed. At Grey Sloan, Mer cancelled all her surgeries for the day to work on the idea that had come to her overnight. “You dream science?” marveled DeLuca, who reported that his dad seemed stable and was, in fact, at the hospital that day to pitch a medical breakthrough “that will change-a the world.” As for Vincenzo’s diagnosis, Carina thought that he was bipolar, but it was impossible to tell since he refused treatment. “He just says he feels the world deeply,” DeLuca related before forgetting Mer’s no-kissing-at-work rule, much to her delight.

    ‘YOU TOLD THE ENTIRE MEDICAL COMMUNITY THAT ELLIS AND I HAD AN AFFAIR?’ | Nearby, Maggie was being interviewed for a medical podcast, during which she accidentally let slip that her biological parents were Ellis and Richard. “Maybe we could edit that” out, she suggested. But her interviewers were beside themselves over the fact that they’d stumbled onto such a scoop. Later, Maggie filled in Mer, whose reaction was, “Oh. Well, that’s not that big a deal.” Except that Maggie suspected that it was a big deal. “You said ‘oh,'” she noted, “and you made a face.” Again, Mer reassured her that it was fine, Richard would be fine, everything was fine. So naturally, when Maggie admitted to Richard that she’d made a gaffe, he was not fine; he was so pissed that his and Ellis’ past had been broadcast that he huffed away from his daughter. When Maggie subsequently sought out Richard in the gallery, he insisted that he wasn’t mad, it was her story to tell. “Right words,” she noted. “Wrong tone.”

    Richard attempted to play it off as if he was concerned about Catherine. There she was, fighting cancer, and now she had to deal with it being made public that her husband was an adulterer. That, he added, was not a part of his story that he was particularly proud of. Stung, Maggie took a moment before reminding him, “It’s a part of your story that culminated in me, Richard.” And good for her, not letting him get away with that BS. Near the end of the episode, Richard sought out Maggie to tell her that, although he was ashamed of his past behavior, he was only grateful for her existence. She tried to say that she was a scandal, but he wouldn’t hear of it. “I’m a scandal,” he clarified. “You’re a miracle. I am proud to be any part of you, Maggie Pierce.” Though that upset was settled, Maggie still wasn’t quite out of the woods. Her adoptive father was going to hear her give Richard and Ellis the credit for her medical genius and be crushed.

    ‘IT IS A BABY IN A BAG!’ | When it came time for Vincenzo to pitch his medical breakthrough, he turned down Carina’s offer to help with the English. “You can barely speak it yourself,” he scoffed. But he did allow both her and DeLuca to stick around while he talked to Alex. So what was Vincenzo’s big idea? Since so many preterm babies don’t survive outside of the mother, he proposed transferring them to external gestational sacs to finish their development. And he was not only already in trials with bovine subjects, he’d delivered a healthy lamb from one of his bags. Speaking of babies — again, that was always the case this week! — during a break from refiling books around the hospital, Helen left Jo all but speechless when she showed her the hats she’d begun knitting for her and Alex’s kids. “Are you pregnant and you didn’t tell me?” Jo asked her husband afterwards. Helen had inquired whether they wanted children, he replied, and he’d said yes since they do. Oh, and she was making the hats extra big on account of he has a big head… which he realized as soon as the words had left his mouth must sound daunting. Later, Vincenzo expressed his amazement that his son was with Mer. “She is beyond you,” he said. “Andrea, even I have heard of Meredith Grey all the way back home!” But Papa had an idea of how DeLuca could become worthy of his girlfriend: He’d bring his son in on the baby-in-a-bag project and “put [him] on the map.”

    When Alex visited Mer in the lab, he sounded awfully high on Vincenzo’s idea. “Ten years in peds,” he remarked, “and I never thought of something so cool!” He’d asked for a couple of days to think over the proposal, but he’d wanted to tell Vincenzo yes right then and there. In response, Mer advised him to “dig deeper” into the elder DeLuca’s reputation. What did she know? “Read my face,” she told him. “Constipated?” he guessed. And he never did get any closer to what Mer wasn’t at liberty to disclose. (Suddenly, she can keep a secret? When HIPAA isn’t involved?) When Mer subsequently ran into her beau and his sister, she sensed tension. Carina, DeLuca said, “is trying to shut down my father’s research project.” Hearing that Vincenzo might conduct said research at Grey Sloan, Mer asked about his untreated mental illness. “He’s not dangerous,” DeLuca said. “Until he is,” Mer replied. Carina added that a) their father hadn’t trained in this field, b) she’d spent the last three months with him and knew firsthand how unwell he was, and c) since Andrea hadn’t grown up with Vincenzo, the elder DeLuca knew he could manipulate his son better than his daughter. After DeLuca stomped off, saying that he was teaming up with his dad, period, Mer suggested that, if she were Carina, she’d talk to the chief.

    ‘DOES THE CUTE OUTWEIGH THE TERROR?’ | After Jo fled from all the baby talk to a surgery, any surgery, she beseeched Link to get her into the O.R., stat. When she was done being horrified by her pal and Jackson’s elaborate secret-handshake thing, she convinced the guys to let her scrub in as they turned a cancer patient named Hunter’s ankle into a knee. Irked at being replaced, Levi accused the chief’s wife of getting special treatment. With a glance at Nico, she sassily shot back, “Oh yeah? How’d you get in on it?” With that, Schmitt was dispatched to work with Bailey on the case of a guy named Frank who turned out to have a rare blood-clotting disorder. Though he and husband Dan had never wanted to know which of them was the biological father of their daughter Ella, they now insisted that she be tested to see if she, too, had the disorder. Turned out, she was Frank’s. But “it never mattered to me which one of you was my biological dad,” she told them, “because you’re both my dads. So let’s not flip out.” Speaking of flipping out… Off a conversation with Hunter’s mother, in which she expressed her rage at being kept in the dark for months about him undergoing chemo, Jo admitted to Link and Jackson in the O.R. just how wigged she was that Helen was knitting lots and lots of gender-neutral hats for her future bigheaded babies. Mind you, Helen hadn’t meant to freak out her daughter-in-law, she told Alex over lunch. Just maybe “give her a little nudge.” (How great is Lindsay Wagner in this role — jeez!)

    Alex, his mind still on Vincenzo’s baby bag, asked his mom if she’d ever heard an idea that was so good, she was angry that she hadn’t thought of it. “Yes,” she admitted, “but it usually means my meds aren’t working.” As a matter of fact, she’d spent years furious that she hadn’t invented the cordless phone! When he was a kid, she’d always expected him to be an engineer, she told him. But in his mind, “I’m a fixer, not an innovator.” Regardless, she’d always been in awe of his brains. Back in the O.R., Jo’s freakout continued. If she had a baby, she’d worry forevermore, just like Hunter’s mom, who was having a nervous breakdown “all because she made the choice to ruin her life with a child.” With a glance at Jackson, she added, “No offense.” Post-op, Jo apologized for dissing Harriet, which prompted Jackson to admit that children are “sleep-depriving, sticky little monsters that demand snacks endlessly… but when they lay their head on your shoulder, everything seems right.”

    ‘IF YOU WANT THIS CHILD IN YOUR LIFE, YOU’RE GONNA NEED TO GET ON THE SAME PAGE — FAST’ | Visiting a lawyer regarding Leo’s custody, Owen and Amelia were relieved to hear that the matter was almost too uncomplicated. That is, until the attorney asked Leo’s address… in other words, their address… and they revealed that they weren’t living together. Though they had no intention of fighting one another for custody, their simple case had just become complex. They hadn’t even thought about how they would divvy up their time with Britney’s son, and any judge would want to know their plan for that. In a matter of seconds, the ex-couple was arguing over whether the teen would’ve given them both custody if she’d known that Amelia had just left Owen, and the lawyer was bailing to go to another meeting. You two, she said, are nowhere near ready to go before a judge. Left alone in the office, Omelia worked out a schedule, which Amelia speculated would go right out the window when Teddy returned from her trip with Koracick and gave birth. By and by, Owen admitted that he didn’t just want Amelia in Leo’s life, he wanted her in his life, too.

    Sadly, Amelia maintained that things had changed between her and Owen when Teddy had returned to Seattle pregnant. What’s more, breaking up with him had been a moment of clarity for Amelia. It was no one’s fault. “It hurts,” she said, “but it hurts less than the alternative.” At that, Owen snapped. This was someone’s fault, he argued — Amelia’s. He’d tried to write off their past split as being due to her brain tumor, but he couldn’t anymore. “Apparently, there’s just some fundamental part of you that can’t love or be loved.” Ow. True, but ow. When they next sat down with the lawyer, Amelia surprised both the attorney and Owen by saying that she needed to be removed from the paperwork. She’d still be in Leo’s life, she’d just be “Auntie Amelia, who is fundamentally incapable of love. I have clarity on this, too,” she told Owen. “Leo is yours.” And somehow I don’t see Omelia coming back from this one. (That night, Owen even signed the documents to make Leo his own.)

    ‘YOU ARE MY FIRST LOVE’ | As Nico was leaving for the day, Levi ran after him to blurt out, “I love you.” The reason he hadn’t come out to his mom yet wasn’t because Nico wasn’t amazing but because Mother Schmitt would spin out. Apparently, that’s her thing. She even found a way to turn her son’s purchase of a backpack into a life-and-death scenario. So “I wanna lock you in through my eyes,” Levi said, “before I see all the deathtraps through hers.” Do I need to mention that the scene ended with Schmico closer than ever? That’s a given, right? Right. Nico even admitted that he loved Levi back, he just wasn’t gonna tell him for a coupla minutes for the fun of watching him sweat it out. Stopping by Alex’s office, Jo assured her husband that she wasn’t afraid of passing along his mom’s mental illness to their kids. What she was scared of was her own genes, which were an entirely unknown entity. “So we’ll hire someone to track down your family,” Karev suggested. No, no, she replied. She didn’t want to meet them. She was going to take a DNA test instead.

    Having heard from Carina about Vincenzo’s mania, Alex asked Meredith if she’d known. Well, duh! She’d told him to read her face. But since she’d been confided in by someone she cares about, she hadn’t been able to blab. (Again, what does that say about her relationship with Catherine that Grey did reveal her cancer diagnosis to Maggie?) “If it wasn’t for the guy’s history, I wouldn’t think twice” about greenlighting the project, Karev said. Coming in as Alex left, DeLuca learned from Mer that she’d advised Carina to speak to the chief. “I need you to try and trust me on this,” he told Mer. Whether she could, Alex seemed to, because Project Baby in a Bag appeared to be a go. “I hope you’re right [about our dad] this time,” Carina told her brother. But I think we all know that this can’t go well, right? Finally, Maggie, Jackson and Amelia congregated at the end of the day at Mer’s, and at last Grey revealed what she was working on: “What if there was a non-invasive way to diagnose diseases as easy as taking a vitamin?”

    Grey's Vet Sarah Drew to Headline CBS Drama Pilot The Republic of Sarah

    (3/5/19) Grey’s Anatomy alum Sarah Drew is returning to her Everwood roots with a starring role in CBS’ small town America-set drama pilot The Republic of Sarah, TVLine has confirmed.

    Written by Elementary producer Jeffrey Paul King, the potential series takes place in a quaint New Hampshire town that finds itself thrust onto the world stage when the discovery of a valuable resource within its borders compels the residents — led by Drew’s Mayor Sarah Cooper — to declare themselves an independent nation.

    Per Deadline, which first broke the news, Drew’s alter ego is described as “the titular beating heart of The Republic of Sarah. She’s a quintessential New Englander: sharply intelligent, fiercely loyal, and always willing to lend a hand. She’s hesitant to step into the spotlight at first, but her quiet strength and innate leadership begin to flourish after external forces threaten her community and her way of life.” The casting brings Drew back into the CBS fold one year after she landed a starring role in the network’s ill-fated Cagney and Lacey reboot. She wrapped her nine-year stint as Grey’s Anatomy‘s April Kepner last May.

    Abigail Spencer Returning to Grey's as Megan — Will Nathan Be Joining Her?

    (3/5/19) Grey’s Anatomy is getting a blast from its recent past later this season when Abigail Spencer reprises her role as Owen’s younger sister Megan Hunt.

    An ABC rep confirms to TVLine that the Timeless actress will appear in a spring episode of the ABC medical drama. Plot details are being kept under lock and key, but this much we can share: Megan’s main squeeze Nathan (played by former cast member Martin Henderson) will not be joining her back in Seattle.

    Spencer assumed the role of the previously-MIA Megan from Bridget Regan at the start of Season 14, and went on to appear in five episodes. In her final episode (which aired in October 2017), Megan relocated to Los Angeles with fiancé Nathan and her son Farouk.

    Spencer broke news of her return engagement Tuesday on social media.

    Ratings: HTGAWM Ticks Up From Series Low With Season 5 Finale

    (3/1/19) Bubble drama How to Get Away With Murder wrapped Season 5 on Thursday night with 2.8 million total viewers and a 0.6 rating, ticking up a tenth in the demo from last week’s series low.

    Opening ABC’s night, Grey’s Anatomy‘s record-breaking episode (7 mil/1.6) dipped a tenth but led the night in the demo, while the already renewed A Million Little Things (5.3 mil/1.1) was steady with its freshman finale.


    FOX | Gotham (2.3 mil/0.6) and The Orville (3.1 mil/0.8) were both steady.

    CBS | A Big Bang rerun delivered Thursday’s largest audience (8.2 million). Fam (5.2 mil/0.8) was down a tenth, adrift in a sea of repeats.

    THE CW | Again leading out of a rerun, Legacies (857K/0.3, read recap) ticked up.

    NBC | The Titan Games finale (4.4 mil/1.0), Brooklyn Nine-Nine (2.4 mil/0.7) and Will & Grace (2.4 mil/0.6) all dipped a tenth, with the latter recording its smallest revival audience yet.

    ‘Prism’: Chloe Wepper, David Alpay & Brooke Smith Cast In NBC’s Rashomon-Inspired Pilot

    (3/1/19) Chloe Wepper (Good Trouble), The Lottery alum David Alpay and Brooke Smith (The Good Doctor) are set as series regulars in NBC’s Prism pilot, from Daniel and Ben Barnz’s We’re Not Brothers Productions, Carol Mendelsohn, Julie Weitz and Universal Television.

    Written by Daniel Barnz, who also directs, Prism is inspired by Rashomon, the 1950 Japanese period psychological thriller directed by Akira Kurosawa. Prism is described as a provocative exploration of a murder trial in which every episode is told through the perspective of a different key person involved. Each new version of the facts ratchets up the mystery and the suspense, calling into question everything we have seen so far and asking is the right person on trial? Driven by an ensemble of complicated characters, the show lets the audience ask if truth matters less than who can tell the most compelling story.

    Wepper is Sophie Regen, a recent law school graduate who worships Rachel. Alpay is Jay Kershaw, a therapist who’s kind of messed up. Smith is Bec Jamison, the hard-living and tough mother of the accused.

    Daniel Barnz and Ben Barnz executive produce along with Mendelsohn and Weitz. Universal TV produces in association with We’re Not Brothers and Carol Mendelsohn Prods.

    Wepper is coming off a recurring role on Freeform’s Good Trouble, and her films include Spivak and Office Christmas Party. She’s repped by Authentic Talent and Literary Management, Innovative Artists, Ginsburg Daniels and DPN Agency.

    Alpay recurs on Proven Innocent and Suits, recently recurred on Quantico, had a lead role in The Lottery and was a series regular on The Borgias, The Vampire Diaries and The Tudors. His film work includes Ararat and Man of the Year. He’s repped by APA, the Characters Agency, The Green Room Management and Morris Yorn.

    Smith recently shot a supporting role in the untitled Charles Randolph-Jay Roach Roger Ailes movie and had guest-starring roles on The Good Doctor, Chicago Med and Project Blue Book. She next will be seen in the upcoming Netflix/CBS Studio’s miniseries Unbelievable as well as The Act and in an upcoming episode of The Good Fight. Smith is repped by Paradigm and manager Sue Leibman/Barking Dog Entertainment.

    Grey's Recap: Where There's Smoke — Plus, Two Huge 'Omelia' Twists

    (2/28/19) ( With Thursday’s 332nd episode of Grey’s Anatomy, the ABC series beat ER‘s record to become the longest-running primetime medical drama in US television history. And to mark the momentous occasion, “We Didn’t Start the Fire” mischievously included not a single patient or procedure. Instead, it took us to Jackson’s party in honor of mom Catherine’s surgeons, Amelia and Tom. Which is not to say that there were no diagnoses made, injuries sustained or remedies prescribed — because boy, were there! So RSVP yes to this recap, pour yourself a glass of bubbly, and we’ll go over them, one and all…

    ‘I TOLD YOU I DIDN’T WANNA HAVE A PARTY’ | The episode began, briefly, with the soiree’s ending — firefighters in Jackson’s penthouse, him and his guests out on the street. From there, we flashed back to before the blaze that apparently had made the to-do such a “hot” ticket. After the host reviewed Catherine’s guest list — “only the doctors who saved my life and a few friends, child” — and Maggie marveled that he seemed to have procured “every egg roll in Seattle,” he snuck her upstairs for some pre-bash nookie. At Grey Sloan, Catherine tempted Bailey to join her for a drink in her limo on their way to Jackson’s, and Meredith informed Alex that she and DeLuca were dating. “Are you telling me this as the chief or your friend?” he wanted to know. In no time, they were squabbling over their respective residents, with him reminding her that she’d been mean to Jo for two years and Grey reminding him that he’d put DeLuca in the hospital. In the end, of course, he simply said that the chief wanted her to report the romance to HR, and her friend hoped DeLuca made her happy. Shortly, Taryn informed Alex that Mrs. Karev wanted to see him. Just tell her he’d see her at the party, he instructed the intern. Only it wasn’t Jo whose message Helm had delivered, it was Helen, Alex’s mother.

    At Omelia’s, after Britney confessed that she worried about how she’d go back to her old life now that she was “a drug addict with a baby and a dead boyfriend,” Amelia assured her, “I am here for you no matter where you live” and gave her the whole “It gets better” speech. Once the Dickinsons had left with their daughter and grandson, Amelia sadly mentioned to Owen that her ward hadn’t said goodbye. Despite the heartache of the evening — or, rather, because of it — she was going to the party in her honor. She couldn’t bear to remain in the house that was suddenly so quiet and empty. While guests began arriving at Jackson’s, Jo bumped into Helen at Grey Sloan and became concerned about her mother-in-law’s mental state when she likened her journey to Seattle to Lewis and Clark’s adventures. As Jo drove to the bash with Helen, trying to reach Alex at every turn, Owen and Amelia happened upon Tom and Teddy happily canoodling outside Jackson’s place. When Owen balked upon hearing that his babymama’s boyfriend was taking her to Palm Springs, Koracick reassured him, “She’ll be in good hands — my hands.”

    ‘WE’RE JUST BOTH STUCK IN THIS GIANT SINKHOLE OF SADNESS’ | Once Amelia made it through the front door, Mer tried but failed to fill her in about DeLuca before she started saying that maybe she’d crash at Casa Grey that evening. It wasn’t like she and Owen were getting busy, after all. “We went from ex sex to bickering married couple in like 60 seconds,” lamented Amelia, sounding suspiciously like someone who might not be “married” much longer. Elsewhere, Maggie was working herself into a tizzy over an article that Kiki had written about the life-saving surgery Pierce had performed. Richard thought that the article was very moving but not Maggie. In her estimation, her former bully had made it sound like she’d “healed herself with the magical power of her own narcissism.” While Jackson futilely looked around for his mother, Catherine was clinking glasses with Bailey and encouraging her to splurge a little now that the TrailBlazer had made her rich. What, Catherine asked, was the one thing that Miranda really wanted that she hadn’t let herself buy? An $800 blender, it turned out. “You can make Christmas dinner with it,” Bailey exclaimed, “and it cleans itself.” And before another champagne bubble burst, she’d ordered it!

    Back at the party, as Koracick sweetly offered to feign diarrhea to get Teddy outta there and away from crankypants Owen, Jo shared with Alex her fear that his mom might be having a psychotic break. But before the Karevs could exit with Helen, she disappeared. When Owen found Amelia alone on the deck, she told him that she wanted to talk, which you didn’t need Google Translate to know meant “I want to argue.” Before the fight bell had even rung, she came out swinging, reminding him of his “piss-poor life choices” dig and reluctance to classify addiction as a disease. In turn, he came down on the way she loved to say “You always do this, you always do that.” Finally, she noted that he’d been staring at Teddy all night and just walked the hell away. And this was only Round 1! Inside, Teddy was forced to acknowledge that Tom had been right — “I do hate this party” — after she tried to congratulate an increasingly tipsy Maggie on Kiki’s article, only for Pierce to say that it was a shame no one would ever get to read her own article on the life-saving operation because it would never get published. But then, “who needs science,” Maggie groused, “when there’s pluckiness and spunk?!?”

    ‘YOU DO REALIZE NOTHING IS HAPPENING IN THE GUEST ROOM OF JACKSON AVERY’S HOUSE’ | Mer was thisclose to sneaking out of the party with DeLuca when Amelia cornered her with a revelation: “I’m not in a love triangle, it’s a circle” that just keeps going around and around. “Make peace with it,” Grey advised. Baby or no baby, Teddy was always going to be a part of Owen’s life. Off their conversation, Mer had to break it to DeLuca that obviously her house wasn’t going to be as empty that evening as she’d previously thought. In response, he pulled her into the guest room and, in Italian, told her that even if they weren’t having sex, he was still going to kiss her for a good long time. Elsewhere at the party, Helen assured Alex, “I feel sturdy.” But his concerns about her mental state only grew when she revealed the scarves that she’d knitted as wedding gifts for him and Jo. Later, his wife observed that actually, Helen seemed OK. “I wanna trust” that she is, Alex responded. “I swear I do.” But, unlike when he was a kid, he didn’t know the warning signs for which he should be looking now that she was better.

    Nearby, Owen announced that he was leaving, so great was his hatred of Koracick. Jackson wasn’t a fan, either — he hadn’t gotten over Tom’s hookups with April. And the playboy had been after Catherine since he got to Seattle, chimed in Richard as if Owen needed any more riling up. Shortly, rather than go, Owen sought out Amelia again to admit that he hadn’t been looking at Teddy but Tom; he didn’t want Koracick in his daughter’s life, period. So she needn’t be so insecure. Whether that was what Amelia was, she said, “You and I fell back in love over children that we adored that we no longer have.” What’s more, she believed that when he held his and Teddy’s baby, he’d fall in love with her, too. And she could talk herself out of being insecure… but “I’m starting to think I shouldn’t try.” Owen and Teddy are expecting — they have to be in the circle. Amelia, on the other hand, doesn’t. So she decided, “I’m not in it anymore.” (Sigh. So much for being less wary.) Meanwhile, no sooner had a (declined) call from Carina threatened to wreck the mood of her brother and Mer’s make-out sesh than Richard accidentally walked in on them. Afterwards, Grey went downstairs and worked overtime at acting “normal” — by taking over putting egg rolls in the oven.

    ‘I WANNA BURN SOMETHING DOWN!’ | After Bailey’s blenderpalooza, Catherine revealed that she had no intention of going to Jackson’s party and letting people congratulate her as if she’d beaten cancer. “My tumor hasn’t gotten any bigger, but it could!” she noted. So now she had to live in dread between scans. And that “is not something I feel like celebrating.” In response, Bailey accused her of being afraid to spend joy. “What, you think you’re gonna run out of it?” Miranda asked. Given her iffy ticker, Bailey knew a thing or two about living with uncertainty. But heck, “an earthquake could take us all out tomorrow… or a meteor… or robots. We don’t get to know that.” What they did know was that they were there at that moment, and loved, and that was worth celebrating. You tell her, Bailey! Back at Jackson’s, when Maggie begged her dad to stop going on and on about the article, he informed her that, having been the only African-American resident in his class, he’d been bullied, too. However, “it’s no good to be pissed if you don’t use it… [If] someone takes your story, you take it back and tell it louder. Start that fire, Maggie Pierce!”

    Nearby, Helen was sure that she smelled something burning. “Mom, there is no fire,” Alex assured her. Oh, but there was smoke coming out of Owen’s ears. As Catherine and Bailey were arriving, Teddy was defending her beau, prompting Hunt to spit at Koracick — altogether wrongly, I (and Teddy) might add — “You may be many things, but a father isn’t one of them.” At that, despite his $1-million hand, Koracick slugged Owen. Then, as Jackson attempted to make a speech, Helen spotted smoke right before his (apparently lousy) smoke alarm went off. As everyone exited, Alex was thrilled — his mom hadn’t been losing it after all! Later, Ben reported to the party guests that plastic in the oven had led to the smoke-out. Plastic in the oven? As in, when Mer was cooking egg rolls to be “normal”? “We don’t know that that was us,” she told DeLuca just as Alex approached to introduce his mom. “You’re Alex’s best friend,” Helen said. “And he’s mine,” Grey replied. Though Mer got a text from Amelia saying that she didn’t need a place to crash after all, Grey and DeLuca still opted to go to his home.

    ‘EVERYTHING TASTES BETTER IN THE BACK OF A LIMOUSINE!’ | After Jackson scolded his mom for acting like she was the only one allowed to have feelings about her cancer, Catherine suggested that they celebrate after all — in the limo. And she, Richard, Maggie and Jackson had so much fun that she decided that “from here out, every scan, this is how i wanna celebrate — in the back of my limousine eating trashy food, drinking champagne and sparkling apple cider with the people I love most in the world.” Sounded good to me. As the milestone episode drew to a close, Owen was surprised to find Amelia back at his house. Holy s—… the Dickinsons were there to give up the baby. “We’re Britney’s parents,” said Carol, “but you’re Leo’s.” Alone with Amelia, the teen mom said that she was sure of her decision. “I wanna be a kid” and make mistakes — but “not like overdose mistakes.” Finally, Britney thanked her stand-in mom, hugged the family she was leaving behind and told Amelia goodbye. And, in the last moments of the hour, Mer and DeLuca arrived at his place… just as Carina did. “I tried to warn you,” she told her brother — she was in Seattle with their father!

    ‘Grey’s Anatomy’: Lorenzo Caccialanza To Recur As DeLuca’s Dad In ABC Series

    (2/28/19) Dr. Andrew DeLuca (Giacomo Gianniotti) got a surprise visit from his dad in tonight’s record-breaking 332nd episode of Grey’s Anatomy. Lorenzo Caccialanza (Days Of Our Lives) appeared as Vincenzo DeLuca, Andrew’s dad, at the end of tonight’s “We Didn’t Start the Fire” episode, his first appearance in a multi-episode arc. Tonight’s 332nd episode officially made the ABC Studios series, now in the midst of its 15th season, the longest-running primetime medical drama in TV history, passing NBC’s ER.

    In tonight’s episode, written by Andy Reaser and directed by Chandra Wilson, nothing went as planned when Jackson threw a party to celebrate Catherine’s surgery and those who worked to save her. Meanwhile, Helen paid Alex and Jo a surprise visit. Jennifer Grey, Jason George, Lindsay Wagner, Debbie Allen, Greg Germann, Peyton Kennedy and Jaicy Elliot guest starred.

    Grey’s Anatomy stars Ellen Pompeo, Justin Chambers, Wilson, James Pickens Jr, Kevin McKidd, Jesse Williams, Caterina Scorsone, Camilla Luddington, Kelly McCreary, Kim Raver and Giacomo Gianniotti. It was created and is executive produced by Shonda Rhimes. Betsy Beers, Mark Gordon, Krista Vernoff, Allen, Zoanne Clack, Fred Einesman, Reaser and Meg Marinis are executive producers.

    Chandra Wilson Plans to Stick With Grey's Anatomy Until the Bitter End

    (2/28/19) While we may have speculated that Amelia (Caterina Scorsone) could be planning her exit thanks to recent plot twists on Grey's Anatomy, at least we know one character is likely to stick around until the bitter end!

    In an interview with The Hollywood Reporter to celebrate the series' 332nd episode (which has officially broken ER's streak as TV's longest-running medical drama), Chandra Wilson indicated that she has no plans to leave the series. "I would love to be a starter and a finisher of a thing," she said. "When the show is ready for that last shot, I want to be in that."

    A few actors' contracts with the show will be up after this season, and one of them happens to be Wilson, which is why this news comes as a bit of reassurance for fans during this time of transition. Given how people tend to come and go from this series no matter how beloved their character is, it's nice to hear that she's so steadfast in committing to seeing it through to the end.

    On a storyline level, we're also more than a little relieved to hear that Bailey's story won't get cut off anytime soon considering she's finally gotten back to a healthy place with her anxiety. Now that she's ready to start pursuing the chief position again, that promises to be a juicy storyline with Alex (Justin Chambers), so the longer we have with these characters, the better!

    Grey's Anatomy airs Thursdays at 8/7c on ABC.

    Grey's Team Previews Record-Breaking Episode: MerLuca's 'Coming Out,' Alex's Mom's 'Complicated' Visit, More

    (2/28/19) If ever an occasion called for a blowout to end all blowouts, tonight’s Grey’s Anatomy was it. Not only is the hour “our first-ever no-medicine episode,” says showrunner Krista Vernoff, but it breaks ER’s record, making the ABC smash the longest-running primetime medical drama in American TV history.

    On screen, “Jackson is throwing a party to celebrate Catherine’s successful surgery” and the doctors who performed it, explains the EP. So right off the bat, that’s an extremely tense situation, since it puts all four legs of the Amelia/Owen/Teddy/Tom quadrangle in one room. Plus, Meredith and DeLuca aren’t just on the guest list, they’re “coming to that party as a couple. It is in many ways their coming out.

    “And since Alex is still chief,” she adds, “Meredith also has to tell him about her relationship in an official capacity.”

    Speaking of Karev, he and Jo have RSVP’d yes without any inkling that his mom Helen (guest star Lindsay Wagner) is about to pay them a visit. “She turns up unexpectedly, and Alex doesn’t know where she is at with her [mental] illness,” previews the doc’s portrayer, Justin Chambers. Adds Camilla Luddington, aka Jo: “We’re trying to read the situation, and we can’t, which is complicated.”

    Meanwhile, despite the fact that “We Didn’t Start the Fire” has no cases-of-the-week, “a patient that Maggie treated before comes back into her life in an interesting way,” teases Kelly McCreary, who plays Pierce. “She’s sort of preoccupied with that in this episode.”

    The actress herself might have been sort of preoccupied, too — by the momentousness of the milestone the show was reaching. “It’s mind-boggling,” she admits. “When I first started in Season 10, I had no idea it would continue this long. You