Dark Shadows Cast
Daytime Soap Operas
Dark Shadows

  • Debuted on: June 27, 1966
  • Last Episode: April 2, 1971
  • # of Episodes: 1,225
  • Network: ABC
  • Created by: Dan Curtis
  • Took place in: Collinsport

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    News & Cast Updates

    (News section last update January 23, 2020)

    John Karlen Dies: Emmy-Winning ‘Cagney & Lacey,’ ‘Dark Shadows’ Actor Was 86

    (1/23/20) John Karlen, the Dark Shadows actor who loosed a 200-year-old vampire from a chained coffin and two decades later won an Emmy Award for playing a detective’s husband on Cagney & Lacey, died yesterday of congestive heart failure in hospice in Burbank, California. He was 86.

    Karlen’s death was announced via Twitter on the Dark Shadows News page. The actor had been in declining health for a decade. Last March, the ShadowGram Dark Shadows newsletter posted that Karlen had suffered a stroke.

    A frequent and favorite guest at Dark Shadows festivals over the decades, Karlen joined the supernatural ’60s soap in 1967 as the no-account, slightly menacing thief Willie Loomis. Soon after his arrival in the fictional Collinsport, Maine, Karlen’s Loomis, hearing tales of treasure in a secret mausoleum chamber, discovered the old coffin and inadvertently freed the sleeping vampire within, quickly becoming the undead monster’s unwilling slave and, eventually, loyal friend.

    Planned as a short-term last-chance plot, the vampire storyline, starring Jonathan Frid as the fanged Barnabas Collins, turned the failing soap into a phenomenon, providing the fledgling ABC daytime line-up with its first hit. Karlen would remain with the series until its end in 1971, playing, as did most of the ensemble, multiple characters in various centuries and parallel universes.

    Karlen reprised the Igor-like Willie for the bloody 1970 big-screen adaptation House of Dark Shadows, and a nice-guy victim character in 1971’s ghostly Night of Dark Shadows.

    Prior to Dark Shadows (which currently streams on Amazon Prime), Karlen had small roles in ’50s anthology series, ’60s primetime episodic series and daytime soaps, but the Loomis role pegged him for horror through much of the early ’70s. Film and TV credits from the era include Daughters of Darkness, Night of Terror, The Sixth Sense, Night Gallery, The Picture of Dorian Gray, The Wide World of Mystery and Trilogy of Terror.

    By the end of the decade and into the next, guest shots on non-chillers began to stack up: Medical Center, Hawaii Five-O, The Waltons, The Streets of San Francisco, All in the Family, Police Story, Charlie’s Angels, Kojak, The Rockford Files, Starsky and Hutch, Hill Street Blues and The Winds of War, to name a sampling.

    But his real second act came with CBS’ 1982-88 female buddy cop drama Cagney & Lacey: As Harvey Lacey, devoted, stay-at-home husband to Tyne Daly’s Det. Mary Beth Lacey, Karlen was Emmy-nominated three times (1985, ’86 and ’87), winning the Outstanding Supporting Actor trophy in ’86. He reprised the role in several stand-alone TV movies during the 1990s, including 1996’s Cagney & Lacey: True Convictions, his last major credit.

    Also in the ’90s he recurred in Murder, She Wrote and Mad About You (as father to Helen Hunt’s lead character).

    Karlen is survived by son Adam and former wife Betty.

    Leonard Goldberg Dies: Veteran Film & TV Exec And ‘Blue Bloods’ & ‘Charlie’s Angels’ Creator Was 85

    (12/6/19) Leonard Goldberg, a former president of 20th Century Fox and Head of Programming at ABC whose numerous producer credits include creating Charlie’s Angels and Blue Bloods, along with such shows as T.J. Hooker, Family and Fantasy Island and many other TV show and movies, has died. He was 85. The Enny winner died from injuries resulting from a fall December 4, his publicist told Deadline.

    In partnership with Aaron Spelling, Goldberg was behind a string of hit TV series including Charlie’s Angels, Hart to Hart, The Rookies, Starsky & Hutch, Fantasy Island, Family and S.W.A.T. He won the NAACP Image Award for Television Producer of the Year for LAPD drama The Rookies.

    Classic ABC series that bowed during his tenure include The Mod Squad, That Girl and Marcus Welby, M.D. He also was a pioneer of the made-for-TV format in the 1970s.

    “Television will always be here,” Goldberg said in a 2004 interview for the Television Academy Foundation. “It is the most powerful medium I’ve known of since the first time I saw it and why I switched from advertising to television. And when it’s used for all of its good, it’s fabulous.”

    Goldberg also produced many feature films, including Charlie’s Angels (2000) and Charlie’s Angels: Full Throttle (2003) and had an EP credits on this year’s Charlie’s Angels reboot from Elizabeth Banks. Other feature credits include Unknown (2011), Double Jeopardy (1999), The Distinguished Gentleman (1992), Sleeping with the Enemy (1991), SpaceCamp (1986), WarGames (1983), All Night Long (1981) and Little League comedy sequel The Bad News Bears in Breaking Training (1977).

    The many 20th Century Fox hits released during his run as president include Broadcast News, Big, Die Hard, Wall Street and Working Girl.

    “Unlike the engineer who builds a bridge to span a specific space or the lawyer who deals with the finite laws of our society,” Goldberg once said, “we, in the entertainment industry provide only flickering images on a television or movie screen. All we are bound by is our imagination, our creativity and our passion.”

    Goldberg shared three Outstanding Drama Series Emmy noms for Family, which aired on ABC from 1976-80, and won an Emmy for the drama special Something About Amelia in 1984. He received a motion picture Showmanship Award from the Publicists Guild in 1984, was awarded a star on the Hollywood Walk of Fame two years later and was inducted into the Academy of Television Arts and Sciences Hall of Fame in 2007.

    Born on January 24, 1934, in New York, Goldberg began his broadcasting career with ABC’s research department. He moved over to NBC a year later, advancing to the position of Supervisor of Special Projects. He then joined Batten, Barton, Durstine Osborne Advertising but returned to the ABC Network as Director of New York Program Development, and quickly rose to become VP Daytime Programming.

    During his tenure at ABC Daytime, Goldberg introduced such memorable shows as The Dating Game, The Newlywed Game and Dark Shadows. A year later, he was named Head of All Programming for ABC, a position he held for the next three years. It was during this period that he developed and introduced the new primetime format — Movies Made Directly for Television — which immediately became a favorite with viewers everywhere and which still provides some of the medium’s most innovative and stimulating shows. Among those ABC telefilms with John Travolta starrer The Boy in the Plastic Bubble.

    Under the aegis of his Mandy Films, Goldberg produced Something About Amelia, the 1984 ABC telefilm starring Glenn Close and Ted Danson. The highest-rated two-hour movie of its season, and one of the highest-rated ever for television, it reached as many as 70 million viewers. Amelia was internationally acclaimed for the frank and sensitive handling of the subject of incest.

    Goldberg is survived by his wife Wendy Howard Goldberg, daughter Amanda Goldberg Raskind, sons Richard Mirisch and John Mirisch, their spouses and five grandchildren.

    Dark Shadows Sequel Series Resurrection in the Works at The CW

    (9/10/19) The CW and Warner Bros Television have made a deal to develop Dark Shadows: Reincarnation, an hourlong gothic horror drama based on the 1966 Dan Curtis-created cult classic TV soap opera. The pilot will be written by Mark B. Perry, whose credits include Revenge, Ghost Whisperer and Brothers & Sisters. He will be exec producer along with Amasia Entertainment’s Michael Helfant, Bradley Gallo and Tracy Mercer, along with Tracy Curtis and Cathy Curtis.

    The re-imagined show will be a modern-day continuation of the strange, terrifying, and sexy saga of the Collins family of Collinsport, Maine — a mysterious, influential, publicity-shy group hiding a ghastly secret: For the past 400 years, they’ve lived under a curse that bedevils their blue blood with every imaginable supernatural creature and horror. The intention here is to harken back to the original, which was so popular it actually saw Shakespearean actor Jonathan Frid become as popular in the teen magazines as the young heartthrobs of the moment, for his role as the vampire Barnabas Collins.

    As a kid, Perry ran home from school to catch the gothic soap — it aired each weekday after school — and for the past two years had been aggressively pursuing the rights.

    Said Perry: “As a first-generation fan, it’s been a dream of mine to give Dark Shadows the Star Trek treatment since way back in the ’80s when Next Generation was announced, so I’m beyond thrilled and humbled to be entrusted with this resurrection. And while I could never hope to fill Dan Curtis’ very large shoes, I do aspire to carry them a little farther into the future. I also want to reassure the fans of the original that this version will treat the show’s mythology with the same reverence given to Star Trek, but will also make the show accessible for audiences who aren’t yet familiar with the macabre world of the Collinses. My plan is to take as few liberties as possible with the Dark Shadows canon, while bearing in mind a quote from a 1970s episode delivered by the inimitable Oscar-nominee Grayson Hall as Dr. Julia Hoffman: ‘The Collins family history is not particularly famous for its accuracy.’”

    Curtis’ daughters Tracy and Cathy Curtis brought the iconic property to Amasia’s Mercer, with the hope of revitalizing and introducing their father’s legacy to a new generation. The two Tracys met when they worked together on CBS’s hit drama, Madam Secretary, where Mercer was a producer and Curtis was an editor. “I knew Tracy was a die-hard fan of my father’s work and would protect his vision by bringing on someone who understood how special this property is,” Tracy Curtis said. “My expectations were surpassed when she introduced us to Mark and I heard his incredible take. I felt my father was watching from above and smiling down on us. Tracy and I couldn’t be happier to have Mark take viewers back to Collinwood. Mark has opened up our father’s universe with fresh storylines and new characters that will delight original fans even as they thrill younger viewers.”

    Mercer added, “Mark’s talent, unique take, and absolute fanboy love for Dark Shadows made him our ideal showrunner.” Helfant, also a first-generation fan, said, “We were thrilled to be in a competitive situation with the pitch for DSR. Gaye Hirsch and her team have a stellar track record with smart genre programming, so The CW makes total sense for this new incarnation of the godfather of horror TV.”

    Amasia Entertainment is in pre-production on John Patrick Shanley’s Irish romance feature film, Wild Mountain Thyme, starring Emily Blunt, Jon Hamm, Jamie Dornan and Christopher Walken. Their Sundance thriller, Them That Follow starring Olivia Colman, Walton Goggins, Kaitlyn Dever, Alice Englert and Jim Gaffigan, is currently in theaters. The company is also developing a film from the Emil Ferris graphic novel My Favorite Thing Is Monsters, and has at CBS Studios an untitled Hartley Voss (Orange is the New Black) created political drama with Ted Humphrey the show runner.

    Curtis himself took a couple of cracks at reviving Dark Shadows in a 1995 series and 2005 telepic, and Tim Burton directed a campy feature on the subject.

    Soap Opera Audiobook News

    (8/16/19) Dark Shadows by Marilyn Ross, narrated by Kathryn Leigh Scott (ex-Maggie Evans, Dark Shadows). These are from the original 1960’s paperbacks, there will be 32 titles released on audio.

    (Order Here) Despite warnings from the townspeople, Victoria Winters accepts the offer to come to the strange Collinwood as Governess. For some curious reason, she feels the secret of her past may be uncovered in the bleak manor high on Widow's Hill.

    From the Moment she arrives, Victoria becomes the target of someone in the house determined to destroy her. As the wind moans and the rain lashes around the isolated Collinwood, Victoria, without friends in the manor, feels death close in on her - a choking, frightening death.

    The World That We Knew by Alice Hoffman, narrated by Judith Light (ex-Karen, OLTL). Releases September 15.

    (Order Here) From the New York Times best-selling author of The Dovekeepers and The Marriage of Opposites comes Alice Hoffman's darkly magical story of in a heartbreaking time of war when men became monsters, children navigated a world without parents, and women were willing to sacrifice everything for those they loved.

    The Guest Book by Sarah Blake, narrated by Orlagh Cassidy (ex-Doris, GL).

    (Order Here)

    "Orlagh Cassidy narrates Blake's beautifully written multigenerational story of love and lies with consummate skill. Elegant and clear, distant yet passionate, she helps listeners discover the quirks in characters' personalities and explore their motives, both evident and hidden." -AudioFile Magazine, Earphones Award winner

    How To Forget: A Daughter’s Memoir by Kate Mulgrew, narrated by Kate Mulgrew(ex-Mary, Ryan’s Hope).

    (Order Here)

    In this profoundly honest and examined memoir about returning to Iowa to care for her ailing parents, the star of Orange Is the New Black and best-selling author of Born with Teeth takes us on an unexpected journey of loss, betrayal, and the transcendent nature of a daughter's love for her parents.

    A Beautiful Day In The Neighborhood: The Poetry of Mr. Rogers by Fred Rogers, Luke Flowers, narrated by John Lithgow and Kate Mulgrew (ex-Mary, Ryan’s Hope).

    (Order Here) For the first time ever, 75 beloved songs from Mister Rogers' Neighborhood and The Children's Corner are collected in this charming treasury, sure to be cherished by generations of children as well as the millions of adults who grew up with Mister Rogers. The audiobook includes the iconic song "Won't You Be My Neighbor", music and lyrics by Fred Rogers.

    Denise Nickerson Dies: ‘Willy Wonka’, ‘Dark Shadows’ Actress Was 62

    (7/12/19) Denise Nickerson, who played the bratty, bloated Violet Beauregarde in 1971’s Willy Wonka & the Chocolate Factory and a sweet-natured orphan bedeviled by ghosts and werewolves on the classic ’60s supernatural soap Dark Shadows, died Wednesday night at a hospital near her home in Colorado. In declining health since suffering a stroke last year, Nickerson was removed from life support by her family earlier that day. She was 62.

    Nickerson’s son Josh Nickerson posted news of his mother’s death on Facebook after keeping friends and fans apprised of her health issues. Denise Nickerson was a longtime attendee at fan conventions for both Wonka and Dark Shadows.

    “She’s gone,” Nickerson’s family posted on Facebook.

    Born in New York City in 1957, Nickerson began acting on shows including The Doctors and Flipper before landing her breakthrough role in 1968 as little Amy Jennings on Dan Curtis’ gothic soap opera Dark Shadows. Teamed with young David Henesy, the two child actors were at the center of a wildly popular storyline inspired by Henry James’ The Turn of the Screw, in which the kids were haunted and eventually possessed by a ghost named Quentin Collins (David Selby, in his own breakthrough role).

    Nickerson, along with the rest of the cast, was soon appearing on covers of teenybopper magazines, with fans waiting outside ABC’s Hells Kitchen studio each day for autographs.

    But the soap’s outsize popularity vanished as quickly as it arrived, and upon its cancellation in 1971 Nickerson soon found herself one of the few cast members to land a role that would prove as durable in memory and pop culture as the Collins family curse.

    But first there was a flop – and a big one: Nickerson played the title role in 1971’s Lolita, My Love, a notorious stage musical failure by John Barry and My Fair Lady’s Alan Jay Lerner, based on the Nabokov novel. Co-starring John Neville, Dorothy Loudon, and The Boys In The Band‘s Leonard Frey, Lolita, My Love played pre-Broadway engagements in Philadelphia and Boston, ravaged by critics and closing before hitting New York. With a reported loss of $900,000, Lolita, My Love would quickly enter the annals of infamous Broadway flops.

    Fortunately for Nickerson, then 13, a better booking soon followed when she was cast as Violet Beauregarde, the gum-chewing mean girl of 1971’s Willy Wonka & the Chocolate Factory. Giving star Gene Wilder’s exasperated Wonka plenty to play against, Nickerson stole some gum (and each of her scenes), paying a hefty price: As her skin turns purple, she swells to the size of a giant, round blueberry. As she’s rolled to the “juicing room” by the Oompa-Loompas, Nickerson’s ready-to-blow Violet has become the film’s most memorable villain and kids movie cautionary tale.

    A few roles followed – Search For Tomorrow, The Brady Bunch, Allison in The Electric Company, in Michael Ritchie’s Smile. Nickerson would later say in interviews that she auditioned for the role of the possessed Regan in 1973’s The Exorcist but her parents thought the material too disturbing. After appearing in Don Weis’ 1978 film Zero To Sixty opposite Darren McGavin and Sylvia Miles (who died last month), Nickerson retired from acting to pursue a nursing career.

    Nostalgia conventions and cast reunions kept her in touch with fans of both Willy Wonka and Dark Shadows, and last summer her son Josh shared news on social media that Nickerson had suffered a severe stroke. Her health deteriorated throughout the year, and, according to a Go Fund Me page set up by her son to pay death expenses, she had recently been in a “coma-like state” after suffering a seizure and pneumonia. She was removed from life-support Wednesday.

    Nickerson is survived by her son Josh Nickerson and daughter-in-law Jasmine.

    Eddie Jones Dies: ‘Lois & Clark’ Regular, Theater Veteran Was 84

    (7/9/19) Eddie Jones (Bailiff Henry Evans, Dark Shadows) who played Jonathan Kent on ABC’s Lois & Clark: The New Adventures of Superman as part of a five-decade career that spanned TV, movies and theater, died Saturday in Los Angeles. He was 84.

    Jones was a longtime member of Los Angeles’ Interact Theatre Company, which confirmed the news of his death.

    “An actor of keen wit and sharp instinct, when Eddie was on stage, you couldn’t take your eyes off him,” the group said on its website. “When he was off-stage, his broad, bright smile would light up the room.”

    Jones’ film credits included Seabiscuit in 2003 and Steven Spielberg’s The Terminal the next year. Other movies included A League of Their Own, The Grifters, Cadillac Man, The Rocketeer and Sneakers.

    On TV, he appeared as a series regular on Sci Fi Channel’s The Invisible Man as well as in Dark Shadows and The Equalizer, along with numerous guest roles on the likes of Judging Amy, Matlock and Cheers. He was maybe best known though for playing adoptive father to Dean Cain’s Superman on Lois & Clark, which ran for four seasons from 1993-1997. More recently, he guest starred on an HBO’s Veep and NBC’s Aquarius.

    Interact Theatre Company said Jones, who was married to Anita Khanzadian Jones, also appeared in more than 250 plays including on Broadway playing George Sikowski in That Championship Season and Sheriff McKinstry in Devour the Snow. He also co-headlined a national tour with of Who’s Afraid of Virginia Woolf as Nick, with Nancy Kelly as Martha.

    My Sundays Spent Chatting With Actor Jonathan Frid and Remembering DARK SHADOWS

    (1/23/18) Read the article here.

    Susan Sullivan on The Real O'Neals

    (2/28/17) “The Real Secrets” – VP Murray is nervous to tell Pat about his plans to ask Eileen to marry him and is relieved to receive Pat’s blessing to do so. Meanwhile, Eileen and Kenny realize how far they’ve come when they help Allison deal with her close-minded parents. Shannon and Jimmy discover a pregnancy test and prepare for life with another sibling, on ABC’s “The Real O’Neals,” airing on TUESDAY, MARCH 14 (9:30–10:00 p.m. EST).

    Guest starring Matt Oberg as VP Murray, Ramona Young as Allison, Susan Sullivan as Victoria Murray, Jeremy Lawson as Jesus, Elizabeth Pan as Mrs. Adler – Wong, Keong Sim as Mr, Adler – Wong, Andrea Rosen as Savannah Kincade and Roxana Ortega as Sherry.

    “The Real O’Neals” stars Martha Plimpton as Eileen, Jay R. Ferguson as Pat, Noah Galvin as Kenny, Matt Shively as Jimmy, Bebe Wood as Shannon and Mary Hollis Inboden as Aunt Jodi.

    “The Real Secrets” story by Stacy Traub, written by Casey Johnson and David Windsor directed by Todd Holland. Executive producers of the series are Casey Johnson, David Windsor, Stacy Traub, Dan Savage, Brian Pines, Lorenzo di Bonaventura, Dan McDermott and Todd Holland. The series is produced by ABC Studios.

    Alice Drummond Dies; Veteran Character Actress Was 88

    (12/4/16) Alice Drummond, a prolific character actress nominated for a Best Featured Actress Tony in 1970 and known for appearances in films like Awakenings, Synecdoche, New York, and Ghostbusters among many others died on November 30 from complications following a fall in her home. She was 88. The news was confirmed by Drummond’s friend, June Gable, to the New York Times.

    Born in 1928 in Pawtucket, Rhode Island, Drummond was a 1950 graduate of Pembroke College (now Brown University). She began her acting career following a move to New York with her husband, Paul Drummond whom she married in 1951. (The couple divorced in 1976). A regular on Broadway in the 1960s and 1970s, Drummond was nominated for a Tony for her performance in Murray Schisgal’s The Chinese.

    Drummond also held a slew of memorable and sometimes iconic character roles on film and television. Among them, in the 1960s she appeared on the supernatural soap opera Dark Shadows, in the role of Nurse Jackson; as a New York City librarian in the beginning of the original Ghostbusters; and as a a patient in the 1990 Robin Williams film Awakenings. She was a regular on the CBS soap Where the Heart Is, appearing on the show until it ended its run in 1973, and later appeared briefly on As the World Turns, another CBS soap.

    Among many television guest spots, she appeared on Spin City, Boston Legal, Ed, Law & Order, The Days and Nights of Molly Dodd, and Grace Under Fire.

    Her most recent film appearance was in the family comedy Furry Vengeance in 2010.

    An original cast member and an original fan talk 'Dark Shadows' at 50

    (10/21/16) (scpr.org)(Poster) When we heard cast, crew, and fans of the groundbreaking ABC show, which ran from 1966 to 1971, are gathering in Hollywood Oct. 29 to celebrate the show's 50th anniversary, and that we could interview one of the stars, I asked Off-Ramp producer Kevin Ferguson if he knew any fans of the show we could bring in.

    "My mom. She'd love to do that. I don’t even need to ask her."

    And so, two women whose lives were changed by one of the oddest shows ever broadcast met at the Mohn Broadcast Center this week.

    At its peak, 20-million people tuned in every weekday afternoon. Mason saw the promos on ABC and knew she had to rush home from school to see it. "It was just different, and I was different. I was not a normal, cheerleader, rah-rah. I was weird." Scott says it wasn't just schoolkids watching. "A wide audience. Professors, nurses, housewives." And the show's short length and airtime made a difference: "People could take an afternoon coffee break at 3:30 or 4pm."

    What drew them in? Both women agree: It wasn't a traditional soap opera about who is sleeping with who; nor was it a scary vampire story. It was an old fashioned Gothic romance, often based on classics of literature, like Jane Eyre. "Of all of the incarnations of these vampire stories, what so many people miss, and what (creator) Dan Curtis totally got, is that so much of this hinges on romance. It's not the gore and the horror. That's not the story. The central theme of Dark Shadows is that love triangle and unrequited love."

    And for a young actor, it was perfect. "We were like a repertory company," Scott says. "There were about twenty of us on the show, and we all played different characters. I played four, and the thing is that Dan Curtis trusted the audience -- including 13-year-old Susan Mason -- not to get confused. Instead of hiring different actors to play different roles, we all got to play in different time periods."

    Make sure to listen to the audio to hear a wonderful conversation between star and fan, and the tune of a music box that played a critical role in the series.

    Next Saturday's "Dark Shadows" event at the Hollywood Women's Club includes actors Scott, Lara Parker, John Karlen, Roger Davis, Nancy Barrett, James Storm, and Lisa Richards, as well as composer Roger Cobert. Tickets are $20 for adults and $10 for kids, and they're available at the door on online.

    Castle's Susan Sullivan Lands a Mother of a Role on ABC's The Real O'Neals

    (8/17/16) Like her TV son, Susan Sullivan’s first aprés-Castle role is on an ABC sitcom.

    TVLine has learned exclusively that Sullivan is set to guest-star on a Season 2 episode of The Real O’Neals, as the mother of the politically correct Vice Principal Murray (played by Matt Oberg).

    In addition to her eight-season run as Castle‘s Martha Rodgers, Sullivan’s TV credits include The Nine, Dharma & Greg and Falcon Crest. Earlier this summer, Castle‘s aforementioned Nathan Fillion booked an arc on Modern Family, while Jon Huertas joined NBC’s This Is Us and Stana Katic’s indie film The Sister Cities landed a Lifetime premiere date.

    The Real O’Neals opens Season 2 on Tuesday, Oct. 11 at 9:30/8:30c, where it will now air between Fresh Off the Boat and Marvel’s Agents of S.H.I.E.L.D.

    Rebecca Staab Joins Alison Sweeney In New Hallmark Project

    Rebecca Staab (ex-Elizabeth, PORT CHARLES, et al) will play Alison Sweeney’s (ex-Sami, DAYS) mother in a new movie for the Hallmark Channel, BLUEBERRIES. “Crack the champagne! I just booked a @hallmarkchannel movie, “Blueberries,” with @Ali_Sweeney!!! Details to come. Cheers, everyone!!! :)” tweeted Staab. Sweeney tweeted in response, “we must join in this bubbly toast! @MelSalNY (our writer) & I are SO thrilled to have you!!” Melissa Salmons, who penned the script, is a former writer for DAYS.

    For Older News Visit The Daytime Soap Operas News Archives: Here!


    1. On Thursday, April 22, 2004 the Museum of Television & Radio paid tribute to the 40-year career of writer, producer and director Dan Curtis. Watching a clip reel of his work, one thought leapt to mind: ABC could really use this guy right about now.

      Curtis, who began his career selling "terrible" syndicated shows to local stations, did much of his best-known work for the currently beleaguered Alphabet web.

      These include the mid-1960s Gothic soap "Dark Shadows"; the mid-1970s TV movies "The Night Stalker" and "The Night Strangler" (but not the short-lived series that followed them, "Kolchak: The Night Stalker," for which "Sopranos" creator David Chase wrote eight episodes); "Trilogy of Terror," a 1975 TV movie whose most memorable segment starred Karen Black; and the mammoth 1980s miniseries "Winds of War" (18 hours) and "War and Remembrance" (30 hours), both based on Herman Wouk's World War II novels.

      Also evident in the reel was Curtis' love of filmic scope (he admitted to shooting one huge WWII battle scene several times just for the fun of it); his willingness to tackle brutal subjects such as the Holocaust head-on (as he said to ABC's standards and practices division, "Six million Jews died. You're going to worry about pubic hair?"); and his versatility. Curtis tackled everything from horror to westerns ("The Last Ride of the Dalton Gang") to serious drama ("When Every Day Was the Fourth of July") to romance ("The Love Letter").

      Among those giving standing ovations to Curtis were friends and colleagues Peter Graves ("The Winds of War," "War and Remembrance"), Dean Jones ("When Every Day ..."), Karen Black, Kathryn Leigh Scott ("Dark Shadows"), David Selby ("Dark Shadows") and John Karlen ("The Winds of War," "The Last Ride of the Dalton Gang," "Trilogy of Terror," "Melvin Purvis: G-Man," "Dark Shadows").

      Over the course of a lively Q & A, the witty, self-deprecating Curtis related how he broke into show business (golf and bravado), how "Dark Shadows" began (with a handshake); how he cast Jonathan Frid as vampire Barnabas Collins in "Dark Shadows" (from an 8-by-10, black-and-white photo that showed him in a cape); how he became a director ("I was tired of telling directors what to do"); his first reaction to adapting the Wouk novels ("It's impossible"); and his new "Dark Shadows" pilot for The WB ("It looks pretty good.").

      In May, The WB will announce whether it has picked up the "Dark Shadows" pilot, which Curtis is doing with producer John Wells ("ER," "The West Wing") and "Smallville" writer Mark Verheiden. Curtis recalled how the whole thing began back in the '60s with a dream about a girl on a train, hired to be a governess in a remote locale. By morning, the idea seemed like rubbish, but his wife liked it.

      So Curtis proposed it to ABC head Brandon Stoddard, and 40 years later, the network geared for the 12-34 demographic is bringing it back -- albeit with a much younger Barnabas, played by Scotsman Alec Newman. In a TV business run largely on fear, it's a bold, improbable move, but that's nothing new to Dan Curtis.

    2. For more than a year and a half the characters of "Dark Shadows" used almost every possible phrase to refer to Barnabas Collins ("He's not alive!" "He's one of the undead." "He walks at night but he ain't alive.") It wasn't until the 410th episode that the word "vampire" was actually used on the show.

    3. Producers: Robert Costello, George DiCenzo, Peter Miner, Lela Swift, Sy Tomashoff

    4. Production Company: Dan Curtis Productions Inc.

    5. Production Design by : John Dapper, Sy Tomashoff

    6. Costume Design by : Mary McKinley, Ramsey Mostoller, Hazel Roy

    7. Fashions by: Ohrbach's &Junior Sophisticates

    8. Directed by: Dan Curtis, Pennberry Jones, Dennis Kane, Henry Kaplan, John Sedwick, Jack Sullivan, Sean Dhu Sullivan, Lela Swift, John Weaver

    9. Art Department: Milt Honig, Trevor Williams

    10. Makeup Artists: Dennis Eger, Vincent Loscalzo, Dick Smith

    11. Hair Stylists: Irene Hamalin, Jack LeGoms, Edith Tilles

    12. Essex, Connecticut was the locale used for the town of Collinsport

    13. Dark Shadows has the distinction of being one of the few classic television soap operas to have all of its episodes survive intact except one, although a handful of early episodes are available only in 16 mm kinescope format. For the one lost episode (#1219), only a home audio recording of the episode exists. The home video version and cable reruns of this episode were reconstructed from this soundtrack, the closing scene from the episode #1218, the opening scene from episode #1220, and from video still frames sourced from other episodes.

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